x-mount – Page 6 – Alwin Kok

One fine day, Ivan posted the Rokinon deal on the Fujifanboys Facebook group. It was Rokinon 85mm f1.4 and it was quite a good deal at about 68 SGD (51 USD) or less. I was not tempted somehow. A moment later, Ivan posted yet another Rokinon deal and it was shared by Rayz Lee (a member of the Facebook group) to him.

Based on the header of this post, no surprise here. I immediately placed my order for the Rokinon 35mm f1.2 and it was only 98 SGD (73 USD). In case you wonder, Amazon sells this lens between 300 SGD to 600 SGD (223 USD to 445 USD). That’s a huge discount for this Korean brand (also known as Samyang).

Left: Fuji X-Pro 3 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/2500″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/100″ . ISO 160 . Classic Negative

I have a few “reasons” to explain why I decide to buy this lens and here is why:

It’s cheap and even cheaper than the already similar aperture manual lenses in the market from 7Artisans, TTArtisan, Voigtlander, and the like.
I heard about this brand and read about the beauty of this lens for a long time and this is my opportunity to test drive it.
This is like the stars are aligned. So why not.

Left: Fuji X-T 3 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/280″ . ISO 160 . Classic Chrome
Right: Fuji X-T 3 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/1600″ . ISO 160 . Classic Chrome

Design & Build Quality

From the lens appearance, it isn’t as small as the XF35mm f1.4 and also evitably larger than what other 3rd party manual lens manufacturers are offering. And it is even bigger in size than the TTArtisan 35mm f0.95. To be fair, this Rokinon 35mm f1.2 was announced back in 2016, and the lens design is definitely improved over the years in the industry.

From left to right: Rokinon 35mm f1.2 . XF35mm f1.4 . TTArtisan 35mm f1.4 . TTArtisan 35mm f0.95

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f4 . 1/30″ . ISO 3200 . Nostalgic Negative

The lens is made of plastic but it’s a high-quality one. Again this is a different approach from the usual metal build quality 3rd party manufacturers and I can probably understand why this is the approach. I will explain later.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/200″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 400 . Nostalgic Negative

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/140″ . ISO 125 . Nostalgic Negative

It weighs 433 grams which I think is somehow reasonable. Similarly, a 62mm filter size is also pretty reasonable as well.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 400 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 1250 . Nostalgic Negative

The aperture ring on this 50mm (full frame equivalent) is clicky and not those de-click buttery smooth kind found in most recent new lenses from other manufacturers. However, it is a little stiff when I change the aperture. Not sure if it just happens to my unit but I have to use a little more force to rotate the ring than any of the lenses I have tried so far.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/1700″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/450″ . ISO 125 . Nostalgic Negative

As for the lens cover, it is the typical pinch-to-release type of plastic cover. The lens hood is also made of plastic but it is painted to have the same color as the lens body. At least there is some attention to detail here.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 1000 . Nostalgic Negative

Image Quality

Shooting wide open is unbelievably great and the image quality is totally usable with great contrast. With f1.2, it gives more separation between the main subject and others and allows the main subject to be more pop.

Left; Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/8000″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/640″ . ISO 125 . Nostalgic Negative

Furthermore, the bokeh (or background blur) is actually quite pleasing to view and not as distracting as some other lenses.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/750″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/170″ . ISO 125 . Nostalgic Negative

In my period of shooting, I do not observe any obvious chromatic aberration. Similar to vignetting, the corners are pretty mild and considered close to none.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/420″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 200 . Nostalgic Negative

Minimum Focus Distance (MFD)

At 38mm MFD, there is nothing to shout about for this focal length. It is not a show-stopper to prevent photographers to shoot in their favorite genres. Just that it is slightly further away than what current 35cm “standard” MFD that other manufacturers are providing.

Fuji X-T3 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 160 . Classic Chrome

Fuji X-T3 . Rokinon 35mm f1.2 @ 35mm . f2 . 1/80″ . ISO 160 . Classic Chrome

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/8000″ . ISO 125 . Nostalgic Negative

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/2500″ . ISO 125 . Nostalgic Negative

Focusing

Unlikely the aperture ring, the focus ring is smooth but comes with very minimal and comfortable friction.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 400 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f5 . 1/80″ . ISO 640 . Nostalgic Negative

From MFD to infinity, the focus throw is approximately 100°, which I think is okay and it also gives a good amount of “distance” for precise focusing.

Price Point

I bought it well below its average selling price, so I will not base it on the price I have but rather base it on the real selling price.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 400 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 500 . Nostalgic Negative

According to its suggested retail price, it is selling at 499 USD. While Amazon and B&H do have some sales occasionally, with an average of about 349 USD.

Who is this for?

I won’t recommend this lens to someone who is looking for a budget fast prime lens because it is not that budget unless you found the same deal as mine.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/90″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/100″ . ISO 125 . Nostalgic Negative

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/200″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f5.6 . 1/420″ . ISO 125 . Nostalgic Negative

Secondly, it is not a compact lens like others too. If you really like the image quality from this lens, then you can consider getting one for the genre of your favorite except for macro.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 200 . Nostalgic Negative

Conclusion

To be fair, this manual lens isn’t cheap and the size of this lens is bigger than any other lenses released in recent 1-2 years. But the image quality from this glass is undeniably great among the other lenses of the same category.

Fuji X-E4 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 640 . Nostalgic Negative

Despite having some shortfalls like build quality, size, weight, and not being the fastest lens on the market, I enjoy every shot taken with this lens especially taken wide open. It is just so awesome that I can simply accept these disadvantages.

Left: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/105″ . ISO 500 . Nostalgic Negative
Right: Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/60″ . ISO 500 . Nostalgic Negative

After using so many metal-constructed lenses, I do miss the metal-build quality as it does make the lens feel more premium. I do hope this lens comes with one as well but the plastic build of this lens is there for a reason. It is to keep the weight down and reasonably balance with the camera body. I think Rokinon/Samyang has considered it as well.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/500″ . ISO 800 . Nostalgic Negative

Overall, this lens is easily categorized as one of the best manual lenses out there in the market.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

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If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 50mm Tilt f1.4 – Tilting My Point Of View

January 9, 2023January 9, 2023 Alwin Kok

I think TTArtisan loves “50mm” a lot. They have lots of choices for this mid-telephoto focal length. TTArtisan has the brightest 50mm, the most compact 50mm variants, and now they have introduced the 4th “50mm” and it has the most distinctive function among all their lenses; the tilt function.

Similar to the compact 50mm, this lens is also designed as a full-frame lens. Does that mean the optical quality is better on the APS-C sensor? I think we can scroll down and see it for ourselves.

Before you read further, this is my first time using a tilt lens. I will try to elaborate based on my experience with using this lens as much as possible. Also, I would like to thank TTArtisan for sending this lens to me. Without their kind support, this will not happen.

Design & Build Quality

The first thing you will notice is the design of this lens. It has a completely different design language from the rest of the TTArtisan lenses. The most obvious 2 extra knobs on the lens body are the first thing I noticed and followed by the sort of zig-zag line across the lens. Obviously, they are important roles for the tilt function.

Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/4000″ . ISO 160 . Classic Negative

Despite all these new elements, you can rest assured of the build quality coming out from TTArtisan. As usual, still has the same well-built quality from them. You will not get any disappointment when holding this lens. It weighs 450 grams and it is the heaviest 50mm coming from TTArtisan thus far.

Left: Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/4400″ . ISO 160 . Classic Negative
Right: Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/4700″ . ISO 160 . Classic Negative

When comes to filter thread, this 75mm (full frame equivalent) lens has a “considerably” large 62mm filter thread that is compared to its 50mm siblings. Given the extra function in the lens, 62mm filter thread is considerably reasonable.

Left: Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/22000″ . ISO 160 . Classic Negative
Right: Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/1400″ . ISO 160 . Classic Negative

Back to the 2 knobs. The silver knob is the rotation lock knob which allows the rotation mechanism to rotate the lens 360° with 15° rotation per step.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/125″ . ISO 640 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/160″ . ISO 3200 . Nostalgic Negative

The black knob is to control the tilt mechanism with a tilt angle of ± 8°. For how I use them, I will unlock one knob at a time, adjust to the desired degree, lock it and then continue to adjust with the other knob. With the focus peaking, it helps me to visualize and easily noticeable on where my plane of focus is.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/80″ . ISO 3200 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/56″ . ISO 3200 . Nostalgic Negative

Unlike the usual TTArtisan lenses, this lens uses a click-less aprture, and honestly speaking, I missed the clicks experience that I always love. To make things worse, there are times when I rotate the aperture ring instead of the focus ring without realizing it. Only get to notice it after checking out the shots and looking at my lens. (Since this lens does not have any electronic contact with the camera, hence I cannot see the aperture value from the EVF / LCD.) Sometimes I even think that my camera or the lens is “broken”.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/80″ . ISO 640 . Nostalgic Negative

And like the 23mm f1.4, it comes with metal cap-on lens cap instead of the screw-in type found in most of the lens lineup. I love this approach and I hope TTArtisan will keep it this way for their future lenses.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/640″ . ISO 3200 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/80″ . ISO 1000 . Nostalgic Negative

Image Quality

In this category, I will split into 2 sections: “conventional lens” mode and “tilt lens” mode.

Before that, shooting wide open for both modes has a strong vignetting and chromatic aberration. And of course, these can be edited in post-process or lower down the aperture value.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f5.6 . 1/1600″ . ISO 125 . Nostalgic Negative

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/170″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/320″ . ISO 320 . Nostalgic Negative

For “conventional lens” mode, the image quality is slightly usable at wide open. The image quality tends to be soft and lacks contrast. And sometimes I cannot tell if my shots are in focus as the shots are too soft. This is based on my past experience with TTArtisan lenses and is usually not really within my minimum acceptance. Usually, I prefer f2 on most lenses. But for this lens, I preferred results at f2.8 as it is sharper and has better contrast.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/210″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/80″ . ISO 160 . Nostalgic Negative

For “tilt lens” mode, the image quality is not quite usable. Due to the tilt effect and shooting wide open, the focused subject can be very shallow (depending on the shooting angle) and very easily affected by chromatic aberration. Again, I preferred the results at f2.8 and f4 which give a better focus to blur off under the tilt effect. To note the tilt effect will be reduced further as the aperture value gets lower and that is pretty obvious from f5.6 onwards.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/1100″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/240″ . ISO 125 . Nostalgic Negative

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/80″ . ISO 200 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/950″ . ISO 125 . Nostalgic Negative

Minimum Focus Distance (MFD)

Like their other 50mm lenses, it maintains its MFD at 50cm. This is where I think the image quality is at its softest and lacking the contrast the most when shoot wide open. Again, shooting at 1 to 2 stops lower to gain better image quality.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/140″ . ISO 125 . Nostalgic Negative

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/80″ . ISO 320 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/80″ . ISO 160 . Nostalgic Negative

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/180″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/210″ . ISO 125 . Nostalgic Negative

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/2500″ . ISO 125 . Nostalgic Negative

Focusing

From MFD to infinity, the focus throw is approximately 160°. It has one of the comfortable focus rings with a decent resistance when I rotate it.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f4 . 1/990″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/28″ . ISO 3200 . Nostalgic Negative

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/2500″ . ISO 125 . Nostalgic Negative

When you shoot at infinity for normal shooting and tilt shooting, this lens has a common issue like most manual lenses. The result will be off-focused. Hence you need to rotate back a little before the infinity marking to get a fully focused result.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/300″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/280″ . ISO 125 . Nostalgic Negative

Price Point

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/2700″ . ISO 125 . Classic Chrome
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/80″ . ISO 250 . Classic Chrome

For 199 USD, it is priced very closely to the f0.95 lenses, which also means that it is priced on the higher side of the spectrum for the APS-C lenses category. Given the uniqueness of this lens, I think this is a decent price point.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/640″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/500″ . ISO 125 . Nostalgic Negative

Who is this for?

There are not a lot of tilt lenses in the market. And not forgetting that back in those days, tilt and shift lenses are very expensive, and not many photographers will buy one and use it.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 . 1/80″ . ISO 160 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/80″ . ISO 200 . Nostalgic Negative

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/80″ . ISO 640 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f4 . 1/80″ . ISO 1250 . Nostalgic Negative

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f5.6 . 1/80″ . ISO 2500 . Nostalgic Negative

With this lens, the potential photographer can use it as a conventional portrait lens where it can be used for many genres like street, documentary, product shoot, archiecture, cityscape, landscape, etc. At times, the potential photographer can also use its tilt mode for more creativity, adventure, and extraordinary perspective.

Conclusion

I mentioned this before and I have to mention this again. TTArtisan never fails to surprise photographers with their new lenses. The overall usability of this lens is very versatile and probably even more practical than its f0.95 sibling.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/13″ . ISO 3200 . Nostalgic Negative

Personally, I like the tilt function as it helps me to create a good foreground and background blur especially for the cityscape shots and archiecture shots. It is also good in creating miniture effect too.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/110″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/120″ . ISO 125 . Nostalgic Negative

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 . 1/200″ . ISO 125 . Nostalgic Negative

While the image quality at wide open has room to improve, I can tell that TTArtisan has been improving slowly with each new lens. I hope TTArtisan will continue with the new breakthrough and new unique lens to keep up with the excitement and of course, hope to see more tilt lenses in the future too.

Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 . 1/4400″ . ISO 160 . Nostalgic Negative

Thank you for reading.

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Event

My Favorite Photos in 2022

December 26, 2022December 24, 2022 Alwin Kok

The year 2022 was another fruitful year for me. Of the 28 posts I have posted this year, 21 are reviews of camera gears and lenses. I also had a small achievement by getting 100k views on this blog this year (A big thank you, everyone!). It is challenging to juggle my job, photo shoots, and family time but I am glad I have made it and I enjoy the process.

Again, I would like to thank Carmen, Marketing Manager of Fujifilm Singapore, Cles Distribution of Tamron, Mr. Lawson from Sigma Marketing (Singapore), TTArtisan, Laowa, and FunLeader for giving me the opportunity to be able to hands-on with the gears and lenses, otherwise, this would not even happen.

I am happy to see more X-mount lenses released this year. Especially this year, Fuji has gained a lot of support from the 3rd party manufacturers and of course, I am referring to the autofocus lenses. While we have no idea what Fujifilm going to release next year but I hope to have an exciting one (I pray for X-Pro 4 and X100V successor arrival). And I also hope to see more autofocus lenses from 3rd party manufacturers to be released next year.

Okay, back to the topic. This is a little different from last year. I decided just to share what are my favorite photos taken this year (because it is hard to filter just 12 photos) and I also split them into 2 categories: “The street” & “The portrait”. Please enjoy.

The street:

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/26000″ . ISO 320 . Classic Neg

Fuji X-E4 . XF 23mm f1.4 R @ 23mm . f1.4 . 1/180″ . ISO 1250 . Classic Neg

Fuji X-E4 . XF 33mm f1.4 WR @ 33mm . f1.4 . 1/7000″ . ISO 320 . Classic Neg

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f5.6 . 1/160″ . ISO 500 . Classic Neg

Fuji X-T3 . Sigma 16mm f1.4 @ 16mm . f1.4 . 1/640″ . ISO 160 . Post-edited

Fuji X-E4 . XF 27mm f2.8 WR @ 27mm . f5.6 . 1/480″ . ISO 320 . Classic Neg

Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/11,000″ . ISO 400 . Classic Chrome

Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/9000″ . ISO 400 . Classic Chrome

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/680″ . ISO 160 . Classic Negative

#10

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/800″ . ISO 160 . Classic Neg

#11

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/300″ . ISO 160 . Classic Neg

#12

Fuji X-H2S . XF27mm f2.8 WR @ 27mm . f2.8 . 1/5400″ . ISO 160 . Nostalgic Negative

#13

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/1500″ . ISO 320 . Classic Chrome .

#14

Fuji X-T3 . Fuji XF18-120mm @ 120mm . f4 . 1/680″ . ISO 160 . Classic Chrome

#15

Fuji X-H2 . XF23mm f1.4 WR @ 23mm . f5 . 2″ . ISO 125 . Nostalgic Negative . 65:24 crop

#16

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 320 . Acros

#17

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f5.6 . 1/3200″ . ISO 320 . Classic Chrome

#18

Fuji X-T5 . XF50mm f2 WR @ 50mm . f3.2 . 1/80″ . ISO 1250 . Nostalgic Negative

#19

Fuji X-T5 . XF23mm f1.4 WR @ 23mm . f1.4 . 1/45″ . ISO 125 . Nostalgic Negative

#20

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 400 . Classic Negative

#21

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 1000 . Classic Negative

The portrait:

Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/9000″ . ISO 160 . Post-edit

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/5000″ . ISO 160 . Post-edited

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f8 . 1/125″ . ISO 160 . Post-edited

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/220″ . ISO 320 . Post-edited

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/125″ . ISO 2000 . Post-edited

Fuji X-S10 . Fuji XF18-120mm @ 98.8mm . f4 . 1/240″ . ISO 160 . Classic Neg

Fuji X-T3 . Tamron 17-70mm @ 35mm . f2.8 . 1/105″ . ISO 320 . Classic Chrome

Fuji X-T3 . Tamron 17-70mm @ 54.7mm . f4.5 . 1/80″ . ISO 160 . Classic Chrome

Fuji X-T3 . Tamron 17-70mm @ 17mm . f4 . 1/640″ . ISO 160 . Classic Chrome

#10

Fuji X-H2S . XF80mm f2.8 @ 80mm . f2.8 . 1/680″ . ISO 320 . Nostalgic Negative

#11

Fuji X-H2 . XF50mm f1 WR @ 50mm . f2 . 1/220″ . ISO 125 . Nostalgic Negative

#12

Fuji X-H2 . XF50mm f1 WR @ 50mm . f1.8 . 1/120″ . ISO 125 . Nostalgic Negative

#13

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/500″ . ISO 160 . Classic Negative

#14

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/1600″ . ISO 160 . Classic Negative

#15

Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/60″ . ISO 3200 . Nostalgic Negative

#16

The last one that I did not post in any of my blogs at all.

Fuji X-H2 . XF50mm f1 @ 50mm . f1.8 . 1/110″ . ISO 125 . Nostalgic Negative

Thank you for reading (browsing).

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Reviews

XF30mm f2.8 – Fuji’s Smallest Macro Lens

December 21, 2022December 20, 2022 Alwin Kok

XF30mm f2.8 R LM WR macro, I will call it XF30mm f2.8 here, was first teased in Fujifilm X Summit Omiya 2022 and then finally announced together with X-T5 on the Fujifilm X Summit Tokyo 2022. This lens also marked the “last of 10th anniversary of X mount” released in 2022.

Before I share further, I would like to thank Ms. Carmen, Marketing Manager of Fujifilm Singapore, for arranging and loaning the XF30mm f2.8 and X-E4 for this review. By the time this post was online, both the lens and camera unit had returned back to Fujifilm Singapore. Also, in this experience sharing, I tested with my X-T5 as well.

Intro

XF30mm f2.8 is the latest and the third macro lens in the Fujifilm lineup. At 45mm in full-frame equivalent, this focal length is unique for a life-size macro photography lens. That’s because typically when we think about macro lenses, they are usually about 100mm-ish focal length and shoot from a mid-range distance. Although there are manufacturers that create similar focal lengths to XF30mm, this is Fujifilm’s first of its kind.

Left: Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 640 . Classic Negative
Right: Fuji X-E4 . XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 250 . Classic Negative

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/400″ . ISO 160 . Classic Negative

Design and Build Quality

First things first, the design element of this lens resembles much like the XF50mm f2. From afar, I am sure not everyone can tell the difference between the two (unless using a silver XF50mm f2). If you take a closer look, the XF30mm is a tad taller but it comes with a smaller filter thread at 43mm as compared to 46mm on the XF50mm f2.

Among its macro siblings, it is the lightest. Weighing 195 grams against XF60mm 2.4 at 215 grams and XF80mm f2.8 at 750 grams. It is also the smallest (smaller than XF60mm by a bit).

Left: Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 1600 . Classic Negative
Right: Fuji X-E4 . XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 640 . Classic Negative

Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/90″ . ISO 125 . Nostalgic Negative

The aperture ring is as clicky as most of the Fuji lenses out there. It comes with an A (Auto) Position Lock too if you prefer to have aperture control via the front command dial.

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 200 . Classic Negative

Image Quality

At wide open, the image quality from this lens is super sharp with great contrast. Even when shooting so close to the subject, the sharpness remains great and the details are well-preserved. I think “clinical sharp” is the best word to describe the optic of this lens.

Left: Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/6″ . ISO 160 . Nostalgic Negative
Right: Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 200 . Nostalgic Negative

Unlike harsh and messy bokeh in some lenses, I do love and appreciate how the glass renders beautifully with the fall-off being seamless. Also, I think this is an expectation from Fuji-designed lenses but I do not observe any chromatic aberration or vignetting in the photos.

Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 160 . Nostalgic Negative

As for sunny star, this lens doesn’t seem to give a sharp one, even at its smallest aperture. But this is not important in my opinion because what’s important is its macro capability, right?

Left: Fuji X-T5. XF30mm f2.8 @ 30mm . f22 . 1.4″ . ISO 3200 . Nostalgic Negative
Right: Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 160 . Nostalgic Negative

Focusing

I will split it into two parts to discuss this.

In the first part, its focus locked really quickly for the usual applications. Very similar to the new generation lens such as XF23mm f1.4 WR, etc, it just snaps onto the subject real quick. In this portion, I have no problem focusing both day and night. As for the cameras I have tested, it focuses fast on an X-E4 but it focuses even faster on the X-T5, which shows the power of the new X-Trans sensor and processor.

Left: Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/58″ . ISO 640 . Classic Negative
Right: Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/25″ . ISO 6400 . Acros

Fuji X-E4. XF30mm f2.8 @ 30mm . f8 . 1/80″ . ISO 320 . Classic Negative

The second part, it has the typical macro lens characteristics when I shoot really close to the subject and under low light situations. I experienced a slight focus throw to infinity and back slowly before it locked to the subject. If you know how to recover from this situation quickly, then it will be fine.

Left: Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/1300″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . XF30mm f2.8 @ 30mm . f4 . 1/125″ . ISO 125 . Nostalgic Negative

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/4700″ . ISO 160 . Nostalgic Negative

Minimum Focus Distance

The Minimum Focus Distance is only 10cm from the sensor, the shortest among all the Fujifilm lenses and that includes the macro lenses (XF64mm f2.4 is 26cm and XF80mm f2.8 is 25cm). It can shoot very close to the subject if you wonder. So close to the extent that the lens hood is in its way if you mount the lens hood for protection, etc.

Left: Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 1600 . Classic Negative
Right: Fuji X-E4 . XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 1000 . Classic Negative

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 320 . Classic Negative

Left: Fuji X-E4. XF30mm f2.8 @ 30mm . f5 . 1/80″ . ISO 800 . Classic Negative
Right: Fuji X-E4 . XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 320 . Classic Negative

Price Point

Surprisingly, this is the cheapest macro lens among the 3 Fujifilm macro lenses. At 599 USD, it is merely 50 USD cheaper than the XF60mm f2.4 (the first-ever macro lens from Fujifilm).

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 160 . Classic Negative

Who is this for?

This might be a good choice if you are a new photographer or looking for your first prime lens. It has a sweet focal length suitable for genres like street, documentary, journalism, portraits, animal portrait, cityscape, and landscape and also steps into the world of macro like insects, products, etc.

Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 2000 . Nostalgic Negative

Left: Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 800 . Nostalgic Negative
Right: Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/550″ . ISO 125 . Nostalgic Negative

Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/850″ . ISO 125 . Nostalgic Negative

Conclusion

I love shooting with my XF80mm f2.8 especially when I shoot for products and portraits. That’s simply because of the sharpness and details that only a macro lens can deliver but it is not a cheap one and it is not the lightest prime lens.

Left: Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/27″ . ISO 500 . Nostalgic Negative
Right: Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/60″ . ISO 3200 . Nostalgic Negative

Back to this lens, you do not need to be a macro lover to like this lens. Its MOD basically allows you to take a closer shot of your subject without worrying about having off-focus shots. It also has a focal length close to the “standard” prime lens. This brings out even more versatility in using this lens.

Left: Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/58″ . ISO 3200 . Nostalgic Negative
Right: Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 2000 . Nostalgic Negative

Last but not least, it is compact, and lightweight which makes it a great choice to bring out easily without burdening your shoulder.

Fuji X-T5. XF30mm f2.8 @ 30mm . f5.6 . 1/1300″ . ISO 125 . Nostalgic Negative

In short, the XF30mm f2.8 is not the brightest prime lens among the Fuji lenses, but it is one of the most well-balanced and versatile lenses on the market.

If you like my works, please follow me on either one of the 2 Instagram accounts:

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Discussion

XF18-120mm – Meet The “Worst” Lens of 2022

December 8, 2022December 8, 2022 Alwin Kok

If you are aware, DPReview TV has done it again. Yes, this is the second time DPReview commented that the Fujifilm XF lens is not sharp, and unfortunately, XF18-120mm f4 is that lens. The first one was back in 2020 and they commented that the XF50mm f1 was soft.

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/480″ . ISO 160 . Classic Neg

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/950″ . ISO 160 . Classic Neg

In DPReview TV, they have this culture in which they will share their thoughts on the best and worse cameras and lenses at the end of every year with some alcohol.

Left: Fuji X-S10 . Fuji XF18-120mm @ 18mm . f5.6 . 1/180″ . ISO 160 . Classic Neg
Right: Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/20″ . ISO 1600 . Classic Neg

So what are the comments? While Chris mentioned that it is a decent lens, Jordan was disappointed with the lens as it is not sharp and it should be sharper to take full advantage of the X-H2’s 8K video recording capability or the X-H2S’ 6.2k open gate.

Fuji X-S10 . Fuji XF18-120mm @ 43.2mm . f4 . 1/1600″ . ISO 160 . Classic Neg

Fuji X-S10 . Fuji XF18-120mm @ 45.4mm . f4 . 1/420″ . ISO 160 . Classic Neg

This sparks quite a lot of discussions in various forums. Some videographers are worried & wonder why, some are outraged, and some simply ignore it. Usually, I belong to the last category. But I have a few friends who actually want to buy this lens and they want to use it for photography purposes. So I just hope to address some concerns with this post.

Left: Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/80″ . ISO 200 . Classic Neg
Right: Fuji X-S10 . Fuji XF18-120mm @ 94.1mm . f4 . 1/25″ . ISO 1600 . Classic Neg

The first thing about this lens is that it is designed with videography and videographers in mind. As suggested by many videographers out there, videography lenses that are optimized for video are often not sharp. Even if it is a sharp lens, videographers will need to do something to soften the sharpness. What fascinates me is that the “worse lens” comment actually came out from Jordon and he is a videographer shouldn’t he know why the lens is not sharp-sharp?

Left: Fuji X-S10 . Fuji XF18-120mm @ 50mm . f4 . 1/80″ . ISO 320 . Classic Neg
Right: Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/210″ . ISO 160 . Classic Neg

I shall stop talking about videography (because I am no expert) and share from my photography standpoint. I do not own this XF18-120mm but I do test the lens out and used it for slightly over 2 weeks. Deep in my heart, it is a very good general-purpose lens with decently sharp across all focal lengths and with adequate contrast. Among all the non-red badged lenses, It is probably one of the best zoom lenses coming out from Fujifilm. Very good control of chromatic aberration and vignetting is an additional plus point to the lens.

Left: Fuji X-S10 . Fuji XF18-120mm @ 67mm . f5 . 1/600″ . ISO 160 . Classic Neg
Right: Fuji X-S10 . Fuji XF18-120mm @ 29.3mm . f8 . 1/180″ . ISO 160 . Classic Neg

If you are looking for an all-rounder lens and you do not mind having a power-zoom lens like this one (it has 3 ways of zoom functionalities) and missing out on the slightly wider focal length like 16mm, I strongly recommend you to try it out in your local camera stores for your consideration.

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/640″ . ISO 160 . Classic Neg

But then again, sometimes you need to take their comments with a pinch of salt. After all, they are kinda drunk in the show.

Fuji X-S10 . Fuji XF18-120mm @ 108.9mm . f5.6 . 1/350″ . ISO 160 . Classic Neg

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

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If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 35mm f0.95 – The Second Fastest Lens

November 25, 2022 Alwin Kok

TTArtisan has just announced yet another fast, bright lens. The TTArtisan 35mm f0.95 is the second lens after TTArtisan 50mm f0.95. If you are a fan of TTArtisan or somehow followed them closely, you will notice that they are slowly expanding and differentiating their product line-up. While they focus on compactness and portability lenses like the TTArtisan 25mm f2, they have another product line-up that goes “all-in” by creating the fastest, brightest lens they can. Can this lens do as good as its sibling? Let’s find out.

Before I continue with my sharing, I thank TTArtisan for sending this lens to me. To the readers passing by this blog post, you can rest assured that I give my honest opinions on this lens, similar to the rest of the TTArtisan products that I have shared.

Intro

This is TTArtisan’s second 35mm (or 50mm in full-frame equivalent focal length) lens for the APS-C sensor. This focal length is also one of my favorite focal lengths, especially for street shots and simple portraits, and I believe there are many photographers who love this focal length too.

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 640 . Nostalgic Negative

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/200″ . ISO 125 . Nostalgic Negative

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/80″ . ISO 200 . Nostalgic Negative

Design & Build Quality

TTArtisan does a good job of distinguishing its lens design and this design element maintains the same as the TTArtisan 50mm f0.95. The zebra-like design, however, has received mixed opinions among photographers and some discussions are made among the groups.

Left: Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 800 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/90″ . ISO 125 . Nostalgic Negative

The aperture ring is as good as the rest of the TTArtisans lens lineup. It gives a very comfortable clicky experience when you rotate the aperture ring. I do enjoy changing apertures because of that even when I am just holding my camera in my hand.

Left: Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 800 . Nostalgic Negative
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/3500″ . ISO 320 . Classic Chrome

TTArtisan provides screw-in lens cap like most of their lenses. But I do miss the cap-on lens cap found in TTArtisan 23mm f1.4.

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f8 . 1/120″ . ISO 125 . Nostalgic Negative

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f1.4 . 1/350″ . ISO 125 . Nostalgic Negative

When I have this lens, there is no information about its specification and also its weight. So I use my wife’s kitchen weighing scale to weigh. It is 243 grams (258 grams with the lens cap). It is 168 grams lighter than the sibling so it is not the heaviest manual lens.

When you hold this lens, the first thing you will feel is the weight. Secondly, you can also feel how well the full metal and glass built quality are.

Image Quality

The depth of field of f0.95 is really very shallow and thus gives me an issue nailing the shots. When I manage to hit a focused shot, this lens can give a kind of soft and glowing character which gives us a kind of dreamy feel to the photos.

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/1100″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/1800″ . ISO 320 . Classic Chrome

Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 320 . Classic Chrome

On the other hand, chromatic aberration and vignetting are observable, especially at wide open. This is an expected result (at least to me) but it can fix in post-processing.

In my test, nonetheless, shooting at f2 meets my minimum acceptance of a good level of sharpness and contrast. Again, this is my personal preference and yours might be different from me.

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/20″ . ISO 3200 . Nostalgic Negative

Focusing

The manual focusing ring still gives a very smooth rotating experience with small gentle friction. Honestly speaking, I love it.

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 1600 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/58″ . ISO 3200 . Classic Chrome

Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/125″ . ISO 320 . Classic Chrome

The focus throw is approximately 180° which gives an ample amount of “distance” for more precise and easier focus. This really helps a lot, particularly for photographers who are not getting used to manual focus.

Minimum Focus Distance (MFD)

Similar to most 35mm lenses out in the market, the MFD is 35 cm. In my opinion, nothing to complain about the MFD. Shooting at this MFD allows better subject-background separation but if you shoot wide open, you will get to see heavier dreamy soft shots than any other focus distance.

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/9000″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/3500″ . ISO 160 . Classic Chrome

Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 640 . Classic Chrome

Price Point

Given that it is one of the fastest lenses in the market, at 199 USD, I think the lens is well-priced and also slightly cheaper than its sibling. Moreover, the price is highly competitive as compared to its competitors.

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/110″ . ISO 160 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/140″ . ISO 320 . Classic Chrome

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 1000 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2. 1/80″ . ISO 320 . Classic Chrome

Who is this for?

This lens is a lens you can consider if you are a dreamy and soft photo lover and you know what you want to achieve with this lens. It is also lighter than its sibling, making it a better option if someone wants that fast and bright lens.

Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/1700″ . ISO 320 . Classic Chrome

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/1600″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f1.4 . 1/1500″ . ISO 320 . Classic Chrome

If you are a first-timer with manual lenses and you are unsure if you want to invest in them or are ready for the world of manual focusing lenses, then I think you can consider many other TTArtisan lenses that are an even lighter and more affordable option.

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/4700″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/1800″ . ISO 160 . Classic Chrome

if you are like me who prefers the results taken at f2, shouldn’t it make sense for me to choose the other f2 lenses instead of this one? Yes, you can consider that but photographers always say that it is always to have such a lens on standby with you. Because you never know when you will need it.

Conclusion

Both siblings share a lot of common things like image quality, built quality, and the character of the lens. Everything I expect from this lens is within my expectation, which is a good thing. If choosing between the 2 siblings, I will prefer to get this lens over the other, all because of the weight and versatility.

Left: Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/34″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/85″ . ISO 125 . Nostalgic Negative

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/250″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 160 . Classic Chrome

TTArtisan shows no sign of stopping here and I am sure these benefits photographers like us as we have more lens options to choose from. My guess is that they are probably going to launch the 3rd lens for this category and I hope that 23mm will be the one. I am excited and looking forward to what TTArtisan has up its sleeve in the year 2023.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

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If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 25mm f2 – A Tiny Street Lens

November 7, 2022November 24, 2022 Alwin Kok

TTArtisan focuses very much on portability and compactness and TTArtisan 25mm f2 is another product born from this idea.

Before I begin, I thank TTArtisan for their tremendous support towards me. For readers out there, you can rest assured that I am and always give my honest opinions for their products and that’s including this lens.

Intro

At 38mm full-frame equivalent focal length, it reminds me of the point-and-shoot film camera back in those days. I remember it was just a fixed focal length and I think it was quite common back then before it goes wider and wider and wider…

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 250 . Classic Negative

It is not a common focal length by today’s standards and I believe this focal length is not every photographer’s first focal length in mind.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 400 . Classic Negative

Design & Build Quality

The design element of this TTArtisan 25mm f2 follows exactly the same as the TTArtisan 50mm f2. Modern, minimalistic, and sleek are probably the best words to describe this lens.

Left: Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 1000 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/120″ . ISO 160 . Classic Negative

The aperture ring still comes with that enjoyable and satisfying clicky experience. As for the manual focus ring, it is still as smooth as the other TTArtisan lenses. Basically, you are assured that this lens’s quality is maintained at TTArtisan’s standard.

The lens cap is the screw-in type. It is up to individuals to love it or hate it. As for me, more like I have to get used to it.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f8 . 1/2000″ . ISO 160 . Classic Negative

Left: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f8 . 1/2700″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f5.6 . 1/3200″ . ISO 320 . Classic Chrome

At 167.4 grams, the weight of this lens is really good to hold. Although it is not as light as the newly announced TTArtisan AF 27mm f2.8, it is still the lightest among their manual lens lineups.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f4 . 1/950″ . ISO 160 . Classic Negative

There is one thing that I have never mentioned in all my manual lens reviews. In case you wonder, the lens does protrude a little when you rotate the focus ring to the Minimum Focus Distance (MFD).

Left: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 640 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 160 . Classic Chrome

It has a small filter size of 43mm. If you are looking for a hood to put it on, it is still able to find one online. Please note that no hood is included.

Image Quality

The image quality from this lens is surprisingly good and I meant it. Who would expect a lens that is so affordable yet has decent image quality? Typically we expect some will cut corners somehow.

Left: Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/110″ . ISO 160 . Classic Negative
Right: Fuji X-E3 . TTArtisan 25mm f2 @ 25mm . f8 . 1/9000″ . ISO 400 . Classic Chrome

Also, you will also observe some vignetting for wide-open shots. This is a common behavior for TTArtisan lenses and this applies to other third-party lenses too.

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 1000 . Classic Chrome

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 320 . Classic Chrome

Focusing

From MFD to infinity, the focus throw is approximately 160°. In my view, this compact lens gives quite an ample amount of “distance” for more precise focusing.

Left: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 640 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 2000 . Classic Chrome

Like most manual lenses, the result is might not at its sharpest at the infinity marking. Rotate slightly backward on the focus ring to get a better result.

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 400 . Classic Chrome

Minimum Focus Distance (MFD)

This lens has an MFD of 25 cm which means it can do quite a close-up shot if you want to. You will also notice some softness when shooting at MFD wide-open. I think it is acceptable and pretty much-expected behavior.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/2700″ . ISO 160 . Classic Negative

Price Point

While I thought that the TTArtsian 50mm f2 is the cheapest lens, this 25mm has set a whole new record of 55 USD. Yes, this is how much this lens costs. It can go even lower with occasional promotion from TTArtisan.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/2500″ . ISO 160 . Nostalgic Negative

Others

There are always pros and cons for all lenses. This lens is no exception. Well, it depends on how you see this negative thing. If you point the lens facing to a light source at a specific angle at f2, you will have a light-blooming effect. Some people love it, and some people don’t. As for me, I kind of love it as it gives an additional special character to the lens. The blooming effect will get reduced with a smaller aperture. But beyond the light-blooming effect, it can also introduce some unique flare. So please beware. Lens hood might be able to solve this problem. If you happened to own this lens and a compatible lens hood, please let me know if it does solve it.

Fuji X-E3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/60″ . ISO 2000 . Classic Chrome

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 640 . Classic Chrome

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/90″ . ISO 320 . Classic Chrome

Who is this for?

This is easily one of the most affordable and usable lenses to consider if you want to experience what it is like using a fully manual lens. The focal length of this lens is very easy to adapt to and is very suitable for genres like street, journalist, documentaries, landscapes, cityscapes, and even portraits.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/1400″ . ISO 160 . Classic Negative

For photographers who want to let their older Fujifilm cameras have their “second life”, you can consider getting one too. It might spice up your love with the cameras again.

Left: Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/850″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/1800″ . ISO 160 . Classic Negative

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/3500″ . ISO 160 . Classic Negative

Conclusion

TTArtisan surprised me once again with this lens. At USD 55, this is the cheapest manual lens ever produced by TTArtisan yet. But they do not compromise on both build quality and image quality. In fact, I am surprised by how usable the images are at wide open and the build quality is as good as other TTArtisan lenses. This is easily a recommendation from me to a photographer wanting to experience manual lenses.

Left: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 1600 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 800 . Classic Chrome

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 3200 . Classic Chrome

I love to see more of this compact lens series with an affordable price point in the near future. Please continue to give us some surprises.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

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Reviews

TTArtisan AF 27mm f2.8 – The First

October 31, 2022November 24, 2022 Alwin Kok

TTArtisan had been teasing us about their very first autofocus (AF) lens since September 2021. While there was very little information shared about the 32mm f2.8 lens, the only thing we know is that it will be available for various camera systems.

However, the much anticipated AF lens did not arrive in many systems except for the Nikon Z mount. What I have understood from TTArtisan is that they faced some challenges in the process of manufacturing it and they did not share more in-depth about it. Nevertheless, I am glad they have finally announced their first AF lens and release for sale!

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f5.6 . 1/100″ . ISO 3200 . Classic Negative

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/280″ . ISO 160 . Classic Negative

Before I share my experience with this lens, I would like to thank TTArtisan for sending this lens for my review. I appreciate their support to make this post a reality.

Intro

I believe this focal length has caught almost everyone by surprise and that’s including me. Why TTArtisan released this 40mm full-frame equivalent focal length as their first AF lens for Fujifilm and not the 35mm or 50mm equivalent focal length?

Left: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 400 . Classic Chrome
Right: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/60″ . ISO 500 . Classic Chrome

According to TTArtisan, they are focusing a lot on portable and compact lenses. Considering the size of this lens, it suits well with the retro style of Fuji camera bodies and together in a smaller package for easy to carry around for street photography.

Design and Build Quality

Just like the other TTArtisan lenses, it comes with a metal-built body (made of aviation aluminum). But I have to say that when I first hold it, it feels very light. Unlikely the usual weighty lenses, this lens is unbelievably light. According to my wife’s kitchen weighing scale, it weighs at 89 grams only (and 93 grams with the lens hood).

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/500″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 400 . Classic Negative

Considering how compact the lens is, the build quality is good. Over here, TTArtisan does not take a shortcut, it does come with a clickable aperture ring and a manual focus ring. The click, however, seems to be stiffer than the other TTArtisan manual lenses. But I accept it since it is so compact.

On the other hand, the manual focus ring is buttery smooth as usual.

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/600″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/640″ . ISO 160 . Classic Negative

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/350″ . ISO 160 . Classic Negative

One interesting thing to note, TTArtisan has finally come with a lens hood and it is a light small metal piece of protection like the one found in XF27mm.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/500″ . ISO 160 . Classic Negative

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/240″ . ISO 160 . Classic Negative

The lens cap is no longer metal built and unlike screw-in types like 50mm f0.95 or capped-on types like 23mm f1.4. Now it is the pinch-to-release type and it is made of plastic. The good thing is that it can cover the lens with and without the lens hood on.

For a note, it comes in 2 colors: Black and Titanium. From the official post, I think the Titanium looks good.

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/150″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/120″ . ISO 160 . Classic Negative

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f8 . 1/900″ . ISO 160 . Classic Negative

Image Quality

At wide open, you will notice the heavy vignetting at the corners and it is more obvious when focusing at infinity. It seems to be inherent in the same characteristic as many other TTArtisan lenses. But it can be easily corrected via post-edit.

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/250″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 320 . Classic Negative

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 160 . Classic Negative

If you know me, I usually increase 1-stop of the aperture instead of using the widest aperture on most of the TTArtisan manual lenses. But the image quality results from this lens at f2.8 are actually nice, sharp, and totally usable.

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 1250 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 1000 . Classic Negative

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 1600 . Classic Negative

Focusing

This lens comes with Stepper Motor (STM) which is also stated to adopt the “STM+leading screw”. I am unsure what that actually means, but to my surprise, this lens has a very silent and smooth focusing system. But how fast is this lens performing?

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 2000 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 1000 . Classic Negative

Based on my test with 2 camera bodies (X-E3 and X-Pro 3), this lens’s autofocus (AF) speed is very much dependent on the camera bodies. On X-E3, its AF is quite slow as compared to X-Pro 3. After all, the camera body does play a part in the lens focusing speed. So to be fair to the lens, it performs pretty decently fast and it is internal focusing!

Minimum Focus Distance

The Minimum Focus Distance is 35 cm. In real life scenario, it is not as close as I thought it would be. In spite of that, it does help to separate the main subject from the others very well.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 640 . Classic Negative

Side By Side

This lens shares a lot of similarities with the XF27mm, so I decided to do a small breakdown.

First, XF27mm’s micromotor AF system is noisier than TTArtisan’s but the AF speed are comparable between the two.

Fuji XF27mm f2.8 WR and TTArtisan AF 27mm f2.8

Second, XF27mm weight is slightly lighter at 84 grams.

Third, TTArtisan is actually a tad taller than XF27mm.

Fourth, this lens has a very similar MFD to the XF27mm WR.

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/52″ . ISO 1600 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f3.2 . 1/350″ . ISO 160 . Classic Negative

Lastly, the TTArtisan lens hood can fit on the XF27mm because both of them are 39mm filter threads.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 1000 . Classic Negative

Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f4 . 1/1800″ . ISO 400 . Classic Chrome

Others

This lens comes with a unique rear lens cover. It is actually a dock with a built-in USB C port (yeah!) connection that allows firmware upgrading in the future. That’s sweet.

Left: USB-C port
Right: TTArtisan AF 27mm f2.8 with docking station

My suggestion is to leave the rear dock cover at home and use another rear lens cover to cover it or just stick it with the camera body.

Left: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/480″ . ISO 400 . Classic Chrome
Right: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/2700″ . ISO 400 . Classic Chrome

Oh yes, this lens is not weather resistant but given the price of this lens, I accepted that.

Who is this for?

It is a street lens. Having said that, I could recommend everyone to get one. Especially one who wants to try out what a 40mm focal length is like, use it as a lens cap, give this manufacturer’s lens a try or gift your photographer friends (the Christmas season is around the corner).

Left: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f4 . 1/250″ . ISO 400 . Classic Chrome
Right: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f11 . 1/800″ . ISO 400 . Classic Chrome

Left: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f4 . 1/250″ . ISO 400 . Classic Chrome
Right: Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/60″ . ISO 1250 . Classic Chrome

Conclusion

With the release of this lens, it means TTArtisan is the latest manufacturer joining other manufacturers like Sigma, Tamron, Tokina, Viltrox, and Rokinon/Samyang in offering third-party autofocus lenses for the Fuji X-mount system.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/170″ . ISO 160 . Classic Negative

At the price of 149 USD, I can’t help to think it is the cheapest option to get as an AF lens in the market. It is, even more, cheaper than the XF27mm f2.8 WR which costs 399 USD. I mean I cannot find any reason not to recommend this lens to everyone. It is a nice small and compact lens that can go easily with any Fuji camera.

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/150″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/1250″ . ISO 160 . Classic Negative

TTArtisan really makes a bold move in this and this is a good start. I am happy to see them onboarding into this X-mount journey and giving us photographers one more option to choose from.

Left: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/750″ . ISO 160 . Classic Negative
Right: Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/450″ . ISO 160 . Classic Negative

As I mentioned earlier, TTArtisan is working toward portable and compact lenses. It’s a good hint of what will be TTArtisan’s next AF lens to be there for us in the near future. I am hoping for an 18mm f2 lens (or similar), what will be your wish lens?

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. Thank you Ivan Wong from Lightsmith Co for lending me the X-Pro 3.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

TTArtisan 50mm f2 – A Tiny Portrait lens

August 15, 2022November 24, 2022 Alwin Kok

I think TTArtisan has a soft spot for “50mm” and they released the 50mm f0.95 not too long ago. And now, TTArtisan had just released its third 50mm lens and it is the most compact 50mm lens TTArtisan ever made but it is the slowest in the lineup yet.

But there is something different about this lens from the other 50mm lenses and that is this lens is designed as a full-frame lens but can also be mounted with various APS-C lens mounts (i.e. X-mount, M-mount, E-mount, RF-mount, Z-mount and M43-mount).

Does that mean the image quality is better because the optical glass is bigger than the APS-C sensor size? Let’s find out.

Before I start, I would like to thank TTArtisan for sending me this lens for review and it is my privilege to do so. But you can rest assured that this review will be based on the lens I received and it is purely on my own opinion.

Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/4700″ . ISO 320 . Nostalgic Negative

Design & Build Quality

The design is different from that of 50mm f0.95 and 23mm f1.4. You will not see the zebra-like design in this lens. Having said that, it gives a minimalistic and more modern-look design.

Left: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f4 . 1/7500″ . ISO 320 . Nostalgic Negative
Right: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f11 . 1/280″ . ISO 320 . Nostalgic Negative

The aperture ring and the manual focus ring are still the same quality as any other TTArtisan lenses. The enjoyable clicky feedback on the aperture ring is one of my favourites among other 3rd party manufacturers while the manual focus ring is giving a satisfying smooth experience.

Left: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f4 . 1/7500″ . ISO 320 . Nostalgic Negative
Right: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/320″ . ISO 320 . Nostalgic Negative

Speaking about the lens cap, it is also the common screw-in type, similar to most TTArtisan lenses. Love it or hate it. It depends on the individual.

Left: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/6800″ . ISO 320 . Nostalgic Negative
Right: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2 . 1/80″ . ISO 320 . Nostalgic Negative

The weight is 189 grams and that is without both front and rear lens caps. For comparison, XF27mm f2.8 WR is only 84 grams.

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/2200″ . ISO 320 . Classic Chrome

Another thing to note: the filter thread is 43mm.

Image Quality

In my opinion, the sharpness is decently sharp at wide open. Speaking of shallow depth of field, f2 gives a considerably good separation between subject and background. Of course, it is not as shallow as other faster prime lenses can give. Shooting at f2.8 or smaller apertures gives a better rendering of sharpness and contrast. However, I am pretty satisfied with the image quality at f2.

Left: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/170″ . ISO 160 . Classic Chrome
Right: Fuji X-E3 . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/1400″ . ISO 200 . Classic Chrome

Left: Fuji X-E3 . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/1400″ . ISO 200 . Classic Chrome
Right: Fuji X-E3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/1400″ . ISO 200 . Classic Chrome

In my testing, chromatic aberration and vignetting are surprisingly better (based on my past experiences with other TTArtisan lenses). Although they are slightly observed especially when you are shooting wide open. Nonetheless, they can be fixed in post-processing, so this is the last I should worry about.

Left: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/160″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/220″ . ISO 320 . Classic Chrome

Left: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/80″ . ISO 2000 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/80″ . ISO 400 . Classic Chrome

The sunny star shot is not the sharpest I have seen, but it is okay. Do note the rainbow flare if you want to avoid it.

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f16 . 1/80″ . ISO 1600 . Classic Chrome

Focusing

From MFD to infinity, the focus throw is approximately 160°. In my view, this compact lens gives quite an ample amount of “distance” for more precise focusing.

Left: Fuji X-E3 . TTArtisan 50mm f2 @ 50mm . f4 . 1/1600″ . ISO 400 . Classic Chrome
Right: Fuji X-E3 . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/1000″ . ISO 400 . Classic Chrome

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/3200″ . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f4 . 1/300″ . ISO 160 . Classic Chrome

Like most manual lenses, the result is might not at its sharpest at the infinity marking. Rotate slightly backwards on the focus ring to get a better result.

Left: Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2 . 1/80″ . ISO 1000 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/1500″ . ISO 320 . Classic Chrome

Minimum Focus Distance (MFD)

At 75mm (in full-frame equivalent), the 50cm MFD is no different from other 50mm lenses. I was expecting that the MFD will be further because of the compactness of the lens but I was wrong. At least this is something I think is quite a remarkable achievement from the TTArtisan engineers.

Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2 . 1/80″ . ISO 400 . Nostalgic Negative

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/3200″ . ISO 320 . Classci Chrome

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/600″ . ISO 320 . Classic Chrome

Left: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/14000″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/5000″ . ISO 320 . Classic Chrome

When shooting at MFD, I do notice a little softness in the image. From my standpoint, I think it is totally acceptable.

Price Point

At 69 USD, this is one of the most affordable lenses TTArtisan offers. There is another 69 USD lens (at least at this moment in writing this review) from TTArtisan and that is 35mm f1.4.

Left: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f4 . 1/1800″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f4 . 1/1300″ . ISO 320 . Classic Chrome

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/7000″ . ISO 320 . Classic Chrome

Who is this for?

For 69 USD, the amount is not that painful to spend. If you are new to photography and also wish to have some hands-on with a full pledge manual lens. If you want to attempt to try some portrait shots, this is also a good lens to try. Besides that, this lens can also be used for other genres like street, documentaries, landscapes, cityscapes and product shots.

There is another group of photographers who should consider this lens too. And they are photographers who are still using the older camera models and can consider getting this lens to spice up some love with the cameras and shoot.

Left: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f4 . 1/150″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/1100″ . ISO 320 . Classic Chrome

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/4000″ . ISO 320 . Classic Chrome

Left: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f8 . 1/180″ . ISO 160 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/1600″ . ISO 320 . Classic Chrome

Conclusion

TTArtisan never fails to surprise photographers with their new lenses. They always have something to fill in those “gaps” in their lenses lineup. This makes me think about what is up on their sleeve.

Personally, I love to use this lens simply because of its compactness, nice-looking design and not compromising on the image quality that much. I think this lens is best matched with the X-E series and X-A series for achieving the most compact package.

Left: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f11 . 1/2900″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/400″ . ISO 160 . Classic Chrome

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/640″ . ISO 320 . Classic Chrome . 65:24 cropped

Meanwhile, I am still hoping TTArtisan will release the first autofocus lens for Fujifilm.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Laowa 10mm f4 Cookie – The Modestly Priced Compact Ultra-wide lens

August 10, 2022November 24, 2022 Alwin Kok

Usually, for the same focal length, there are basically 2 paths for making it. The first one is to make with better optic, faster, brighter and premium price tagged lens. The second one is to make a smaller, compact and wisely priced lens. And this Laowa 10mm f4 is the later one. Laowa Lenses (also known as Venus Optics) has been in this optic industry for almost 10 years. They have created many unique innovative lenses such as 24mm T14 2x PeriProbe, 4mm f2.8 fisheye and fast f0.95 Argus series of lenses. And this 10mm f4 is their newest creation.

I am glad that I have a few days of opportunity to try this lens before it was sent back to its headquarters in China.

On a side note: this lens comes with various mounts too (i.e. RF, Z, E and L mounts).

Design and Build Quality

The lens is compact, hence, the name “Cookie”. Probably Laowa is trying to come up with a new term rather than using “pancake”. Nonetheless, I can’t help to compare it with the XF27mm f2.8 WR and the overall size is somewhere close to each other. Laowa 10mm is about Ø59.8mm X 25mm while XF27mm is Ø62mm x 23mm. However, the weight of the Laowa 10mm is heavier (130 grams against 84 grams).

Left: Fuji X-E4 . Laowa 10mm f4 @ 10mm . f5.6 . 1/110″ . ISO 160 . Classic Negative
Right: Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/75″ . ISO 3200 . Classic Negative

This 15mm (in full-frame equivalent) lens comes with solid and good-built quality. Everything in this lens body makes of metal, including the rear bayonet. This Ø37mm filter threaded lens comes with a clickable aperture ring and a smooth focus ring. Anyway, it does not come with a lens hood.

Left: Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/80″ . ISO 400 . Classic Negative
Right: Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/75″ . ISO 3200 . Classic Negative

The lens cap is of the traditional “squeeze to release” type. Nothing special to shout about. Not forgetting that this lens comes in 2 colours, black and silver.

Image Quality

This cookie lens offers an impressive 109.3° angle of view. But I have to say that it is not the best image quality I have ever seen. I mean when I first know of this product and its price tag, I set my expectation lower

Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/80″ . ISO 1600 . Classic Negative

At wide open, you will be greeted by a very heavy vignetting result. You can correct it in post-edit or set it to a lower aperture like f5.6 or f8. Also, I felt that the image is better and sharper if you step down the aperture to f5.6 or f8. At f4, the image seems to be softer and with less contrast.

Left: Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/38″ . ISO 3200 . Classic Negative
Right: Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/40″ . ISO 3200 . Classic Negative

Distortion is also noticeable at the corners and this is an expected result for such an ultra-wide angle. Hence, I can only suggest you take note of the distortion unless it is intended that way.

Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/52″ . ISO 3200 . Classic Negative

Fuji X-E3 . Laowa 10mm f4 @ 10mm . f8 . 1/200″ . ISO 400 . Classic Chrome

The flare is totally noticeable if you shoot directly toward the sun’s direction. That said, the sunny star is sharp at f22.

Fuji X-T3 . Laowa 10mm f4 @ 10mm . f22 . 1/1800″ . ISO 320 . Classic Chrome

Minimum Focus Distance

Another remarkable thing about this lens is its minimum focus distance, 10cm. Basically, I am shooting very close to the subject and the shadow of the lens is probably in the photo as well (if you shoot facing downward).

Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/680″ . ISO 320 . Classic Chrome

Left: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/640″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/80″ . ISO 320 . Classic Chrome

Something to take note of

This lens is a manual lens. That said, it does not come with any electronic contact and hence no aperture data is recorded in the EXIF.

Left: Fuji X-E3 . Laowa 10mm f4 @ 10mm . f4 . 1/350″ . ISO 400 . Classic Chrome
Right: Fuji X-E3 . Laowa 10mm f4 @ 10mm . f4 . 1/2700″ . ISO 400 . Classic Chrome

If you shoot at infinity, the result is actually not sharp at the infinity marking. You have to rotate the focus zoom slightly backwards to get the right infinity shot. I can’t tell you how exactly backwards it is as I am afraid that the lens I am tested with may have a different “right” infinity spot than the copy you have. But you can also explore it yourself and you will get it.

Left: Fuji X-E3 . Laowa 10mm f4 @ 10mm . f4 . 1/18″ . ISO 3200 . Classic Chrome
Right: Fuji X-E3 . Laowa 10mm f4 @ 10mm . f5.6 . 1/170″ . ISO 400 . Classic Chrome

Another thing to note is the thin focus ring and aperture ring. I have a pair of huge hands and fingers which is a little challenging for me to rotate the rings. My personal uneducated guess is that to achieve a compact size, making the width of both rings thinner might be a decision made by the company.

Left: Fuji X-E3 . Laowa 10mm f4 @ 10mm . f22 . 1/200″ . ISO 400 . Classic Chrome
Right: Fuji X-E3 . Laowa 10mm f4 @ 10mm . f16 . 1/550″ . ISO 400 . Classic Chrome

Who is this for?

A new photographer who does not wish to spend a fortune and does not mind having a manual lens to have an ultra-wide angle shooting experience.

Conclusion

During my test, I do miss quite a fair bit of shots and it is likely due to my incapability to nail the focus well. Nevertheless, I have mixed feelings about this lens. The photos sometimes turn out to be better than I have expected but sometimes it turns out to be soft.

Left: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/1000″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/1700″ . ISO 320 . Classic Chrome

Left: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/1100″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/80″ . ISO 800 . Classic Chrome

At f4, it is not the brightest ultra-wide lens I have ever used and it is obviously meant for outdoor day use, such as architecture, landscape, creativity, abstract, and maybe a little bit of street. You can do some indoor/night shots if there is sufficient strong light to accompany you.

Left: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/80″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . Laowa 10mm f4 @ 10mm . f8 . 1/7500″ . ISO 320 . Classic Chrome

This cookie lens has a few competitors (Rokinon 10mm f2.8 and Samyang 12mm f2.0) in this price bucket. If you like something compact and do not mind the slower aperture, then this should be your choice. Because none of them beat the compactness of this cookie lens. Alternatively, Laowa also offers a more premium ultra-wide lens, Laowa 9mm f2.8, with 200 USD more.

Thank you for reading.

Disclaimer:
1. The lens is from Laowa Optic and I have returned it by the time this article is available online.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. All the shots taken here are shot by me. I reserve ownership of these images, if you wish to use my images, please notify me.

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Tag: x-mount

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