Reviews

Viltrox 75mm f1.8 EVO – Too Much For Air, Not Pro Enough To Be Pro

Typically, most manufacturers have two or three different product lines to differentiate their “Pro” and “Consumer” grade lenses. But Viltrox seems to be doing something slightly different from the rest.

They have a total of four levels in their photographic lens lineup. Is it too diverse, or is this a new strategy to attract a new group of photographers?

Viltrox 75mm f1.8 EVO

Intro

The Viltrox 75mm f1.8 EVO was announced together with the Viltrox 90mm f2.2 EVO in June 2026. The EVO series sits between the Air series and the Pro series in Viltrox’s lineup, with the “LAB” series sitting above the Pro lineup.

Viltrox 75mm f1.8 EVO with Lens Hood
Fuji X-E5 with Viltrox 75mm f1.8 EVO
Fuji X-E5 with Viltrox 75mm f1.8 EVO
Fuji X-E5 with Viltrox 75mm f1.8 EVO

So, is the EVO series justifiable sitting between the Air and Pro series? Does EVO deserve its own position in the lineup, or is it simply another marketing gimmick?

A little background on both the EVO and LAB lineups. The LAB series was first introduced with the AF 135mm f1.8 LAB FE for Sony E-mount back in November 2024, while the EVO series made its debut with the 85mm f2.0 EVO for Sony E-mount in October 2025.

The Viltrox 75mm f1.8 EVO is available in Sony E-mount and Nikon Z-mount too.

Design and Build Quality

When I first held the lens in my hand, it felt very good. So good that I actually thought it was made of metal. But something didn’t feel quite right.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/220″ . ISO 1000 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f2.8 . 1/3000″ . ISO 125 . Classic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/280″ . ISO 125 . Nostalgic Negative

After checking what the lens is actually made of, I was quite surprised by how good the quality is. Yes, it is plastic, but honestly, I couldn’t really tell that it was made of plastic. I could be the only one who made this misjudgement, but nonetheless, the build quality impressed me.

At 325 grams, the lens is also very comfortable to handle. The weight distribution feels well balanced throughout the body, and it doesn’t feel front-heavy when mounted on my camera. Visually, the lens gives me a simple, clean, and neat look. It doesn’t have a very loud essence or vibe that screams for attention. I quite like that.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f4 . 1/220″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/220″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/220″ . ISO 125 . Nostalgic Negative

It comes with a clicky aperture ring, but the feedback isn’t particularly deep or gentle. It is just enough to give me the feedback I want whenever I change the aperture.

The 58mm filter size is also pretty small for a telephoto portrait lens, and it comes with a lens hood as well.

Image Quality

Image quality is great, with good sharpness and contrast. While the results are not quite on par with the “Pro” level, the difference between this and the “Air” series is much clearer. The EVO definitely feels like a step up.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/1400″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/350″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/6000″ . ISO 125 . Nostalgic Negative

Background separation from the main subject is fine for an f1.8 lens. Of course, it doesn’t give me the same level of separation as a brighter f1.2 lens, but the result is smooth and comfortable to look at.

Most importantly, the background blur doesn’t distract me from the focused subject, which is something I appreciate. Chromatic aberration is very well controlled and seems to be nowhere to be found with my poor eyesight. The same goes for vignetting, or at least it isn’t visible enough for me to notice.

Focusing

It is equipped with a Stepper Motor (STM), like many other lenses in the market. Focusing is considerably fast enough, although I wouldn’t call it snappy. It also has the common focusing behaviour of many mid-telephoto lenses, which is focus pulling and occassionally just cannot focus at first attempt.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/7000″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/8000″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/5800″ . ISO 125 . Nostalgic Negative

This doesn’t just happen under low-light conditions. I also experienced it during bright daytime conditions and even in well-lit indoor environments.

During my testing, I experienced two or three misfocused shots. I’m not entirely sure whether it was because my subject accidentally shifted while I was shooting, or whether it was simply the lens missing focus.

Nevertheless, the STM does provide silent focusing, which is something many photographers will appreciate, especially when shooting in situations where you don’t want the focusing motor to become part of the experience.

Minimum Focus Distance (MFD)

The minimum focus distance is 74cm, which may sound considerably far. But considering this is a 75mm lens, giving us a 112.5mm full-frame equivalent field of view on a Fuji X-mount sensor, the distance is actually pretty good for a non-macro lens.

Viltrox 75mm f1.8 EVO Top View
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/220″ . ISO 1000 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/1250″ . ISO 125 . Nostalgic Negative

What I like is that the sharpness and contrast remain pretty consistent even when shooting at the minimum focus distance. There isn’t a noticeable drop in image quality, and that is something I appreciate.

Price Point

There aren’t a lot of choices when it comes to 75mm lenses. For Fuji X-mount, there are only three manufacturers offering four lenses, and that includes Viltrox’s own 75mm f1.2 Pro.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/7500″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/950″ . ISO 125 . Classic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/1000″ . ISO 125 . Nostalgic Negative

Here are the prices:

Sirui Sniper 75mm f1.8 1.33× Anamorphic — USD 299

Viltrox 75mm f1.8 EVO — USD 329

Viltrox 75mm f1.2 Pro — USD 580

TTArtisan 75mm f2 — USD 199

At USD 329, the Viltrox 75mm f1.8 EVO isn’t the cheapest option in the market.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/3800″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/3200″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f2.8 . 1/220″ . ISO 160 . Nostalgic Negative

But with Viltrox’s strong brand recognition and the assurance of the quality of its own products, I think the price is fair enough.

Others

It comes with a USB-C port located at the rear of the lens, like many other modern lenses, for firmware updates. But what surprised me is that it does come with some level of weather protection.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/20″ . ISO 3200 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/680″ . ISO 125 . Classic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/1500″ . ISO 125 . Classic Negative

Viltrox officially states that the lens is designed with practical protection for outdoor environments, including light rain and dusty conditions. It comes with a rubber-sealed lens mount, while the front element has a water- and smudge-resistant coating.

While Viltrox did not elaborate further on the extent of the weather protection, let’s assume that the protection is fairly basic.

In other words, don’t abuse it.

I certainly wouldn’t recommend deliberately testing it under harsh weather conditions just to find out how much punishment it can take. I mean, why should we abuse the lens we bought? Right?

Who is this for?

This is a focal length that isn’t the easiest to get familiar with, especially for the new photographer, as it is not easy for a new photographer to adapt to a tele prime lens.

Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/220″ . ISO 200 . Classic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/1500″ . ISO 125 . Classic Negative
Fuji X-M5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/320″ . ISO 320 . Nostalgic Negative

With its niche focal length, portrait photography will probably be the main recommendation for many photographers. But for me, I would also recommend this lens as part of a travel photography setup.

The reason is simple: its relatively compact size and weight for such a long focal length.

Fuji X-M5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/25080″ . ISO 320 . Classic Negative
Fuji X-M5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/2900″ . ISO 320 . Nostalgic Negative
Fuji X-M5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/5800″ . ISO 320 . Nostalgic Negative

At 112.5mm equivalent, it gives me enough reach to capture something from a distance without having to carry a much larger and heavier telephoto lens.

I feel this is a good lens to have on standby for something unexpected during a trip. You may not use it all the time, but when you need that extra reach, it can come in handy.

Conclusion

That said, the EVO series is a mid-range series designed to be compact while offering better image quality, better build quality, an aperture ring and slightly better autofocus performance, all at a friendlier price point (from Viltrox’s perspective).

Fuji X-M5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/1250″ . ISO 320 . Nostalgic Negative
Fuji X-M5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/5400″ . ISO 320 . Nostalgic Negative
Fuji X-E5 . Viltrox 75mm f1.8 @ 75mm . f1.8 . 1/480″ . ISO 160 . Nostalgic Negative

That said, I feel it is actually closer to the “Pro” grade than being just a small upgrade from the “Air” series. The problem is that we don’t have a very comparable focal length from Viltrox’s other (Air) series to give us a stronger reference point when positioning this lens and the EVO series within the company’s entire lineup.

But in my opinion, it does sit well where it is. At least Viltrox filled up the gap they had created.

Fuji X-M5 . Viltrox 75mm f1.8 @ 75mm . f5.6 . 1/125″ . ISO 160 . Nostalgic Negative

It feels like Viltrox is trying to create something between the lightweight and affordable Air series and the more premium Pro series, without making the EVO simply a watered-down Pro lens.

If budget is a concern, the TTArtisan 75mm f2 offers a more attractive price point and a metal body. The image quality is actually quite comparable, so it really comes down to individual preference and what you value more in a lens.

For me, the EVO makes sense.

It may not be the cheapest 75mm lens around, nor does it have the brightest aperture, but the combination of size, weight, image quality, aperture ring, autofocus and weather protection makes it a pretty interesting addition to the Viltrox lineup.

Fuji X-M5 with Viltrox 75mm f1.8 EVO
Fuji X-M5 with Viltrox 75mm f1.8 EVO
Fuji X-M5 with Viltrox 75mm f1.8 EVO

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Meike 56mm f1.7 Air – Nostalgic DNA In The Air

Meike is the latest manufacturer to utilise the “Air” series branding. Viltrox paved the way with the introduction of its “Air” branding, and today, whenever we see an “Air” label on a lens, we already associate the word with something affordable and lightweight.

Meike 56mm f1.7

Intro

In early February 2026, Meike teased its new lineup, showcasing the 25mm f1.7, 35mm f1.7, and 56mm f1.7, with a planned launch sometime within the year.

Months later, the Meike 56mm f1.7 Air was officially announced for Sony E-mount on 9 May 2026, with Fuji X-mount and Nikon Z-mount coming later. While there was no official date for when the X-mount and Z-mount versions would be available, both mounts were expected to arrive towards the end of May on various websites, including Meike’s own official website.

Meike 56mm f1.7 with lens hood
Meike 56mm f1.7
Fuji X-E5 with Meike 56mm f1.7
Fuji X-M5 with Meike 56mm f1.7

Before I proceed further and share my experience with this lens, I would like to thank the good people at Meike for sending this lens over for my review. Without their support, this post would not have happened. Nevertheless, the opinions expressed here remain my own, and Meike has no influence over them.

Design and Build Quality

When it comes to lens design, I always feel that Meike has drawn multiple inspirations from the brand with the red line, which always delights me. This lens is no exception. At least, the design vibe it gives me is very similar to what that brand has done with its non-professional, consumer-grade lenses. If you know, you know.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/1600″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 640 . Classic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 640 . Nostalgic Negative

But Meike did one thing that the other brand probably wouldn’t do with its consumer-grade lenses, and that is giving us a lens hood.

Although the lens hood shares the same plastic build as the lens body, the overall quality of both the lens and hood is actually pretty good and sturdy. It doesn’t feel like cheap materials were used, which is always a good thing because the handling experience is important and forms part of the lens experience.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 250 . Classic Chrome
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/4700″ . ISO 125 . Nostalgic Negative

The lens comes with a 52mm filter size and weighs just 190 grams, making it pretty compact and lightweight. Handling the lens is comfortable, and the weight distribution is nicely balanced. There is nothing much to complain about, nor is there anything particularly outstanding to praise, but everything is perfectly acceptable for this price range.

And yes, this lens does not come with an aperture ring. Again, that is pretty acceptable in my opinion.

Apart from the black colour option, the lens is available in a white colour option, but unfortunately, that version is only available for Sony E-mount. Black is the only option for X-mount at the moment.

Image Quality

Image quality is pretty decent when shooting wide open. The sharpness level is fair, with decent contrast as well. The image quality is totally usable for social media sharing and even typical prints for home use.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/75″ . ISO 3200 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 1000 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 800 . Nostalgic Negative

Chromatic aberration seems to be nowhere to be found with my poor eyesight, or at least it is not particularly noticeable when I zoom in to 100%. Vignetting is mild and can be observed when shooting wide open.

As for the sunstar effect, the result from this lens does not produce the finest lines, but it works okay if you need it.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f16 . 1/170″ . ISO 400 . Nostalgic Negative

Focusing

With the Stepper Motor (STM), the focusing speed is within my expectations. Focusing works well and is fast enough, although I would not call it snappy or as fast as the higher-tier lenses. It is generally accurate, but there are occasional misfocuses.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f2.8 . 1/170″ . ISO 200 . Classic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 320 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 1000 . Nostalgic Negative

The usual suspects for misfocusing are insufficient light, especially in low-light conditions, along with some unexplained occasions where the lens simply decides not to focus correctly.

Minimum Focus Distance (MFD)

The Minimum Focus Distance is 55cm, and I am glad that the image quality preserves most of its characteristics across the other focusing ranges.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/640″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/1800″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 400. Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/1300″ . ISO 125 . Nostalgic Negative

There is no dreamy-looking softness, no heavier vignetting, and no obvious increase in chromatic aberration when shooting close to the minimum focus distance.

All in all, I am happy with it.

Price Point

Priced at USD 159, the Meike 56mm f1.7 Air is slightly on the higher side, especially when its competitors are priced at USD 144 for the Viltrox 56mm f1.7 and USD 129 for the TTArtisan 56mm f1.8.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/170″ . ISO 2500 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/3500″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/1700″ . ISO 125 . Nostalgic Negative

As this is still a relatively new lens, I am expecting the price to eventually come down closer to its competitors. After all, price matters.

Others

A USB-C port is located at the rear of the lens for potential future firmware updates. Interestingly, they even include a website address on the rear lens cap to let you know where to find the firmware to download. Nice gesture there.

USB-C Port at the rear of the lens
Web address for your information

Who is this for?

As much as I wish to recommend this lens, the Meike 56mm f1.7 sits in a rather weird position.

The price is not particularly competitive compared to its competitors, and it is only about USD 40 cheaper than Meike’s own 55mm f1.4.

Fuji X-E5 with Meike 56mm f1.7
Fuji X-M5 with Meike 56mm f1.7
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/950″ . ISO 125 . Nostalgic Negative

If you are looking for a budget-friendly mid-telephoto lens, the TTArtisan 56mm f1.8 is a good option. It comes with a nice metal build, comparable image quality among these three budget lenses, and decent autofocus performance.

If you can afford to add another USD 40, then the Meike 55mm f1.4 is definitely worth considering. It comes with an aperture ring, sharper image quality, and slightly better autofocus performance: not by a mile, but enough to be noticeable.

Meike 56mm f1.7 and Meike 55mm f1.4

I personally love this lens and have always recommended it to photographers looking for a good-value portrait lens.

Conclusion

Although the Meike 56mm f1.7 comes with a relatively boring lens design that doesn’t really stand out from the crowded market, the lens itself actually offers decent image quality, build quality, and autofocus performance.

Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/15″ . ISO 1250 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f1.7 . 1/240″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Meike 56mm f1.7 @ 56mm . f5.6 . 1/850″ . ISO 125 . Nostalgic Negative

There is no major technical issue for me to fault at this price point. The biggest problem, however, lies with the price tag. Its competitors are simply coming in at more attractive price points.

The competition in the budget lens bandwagon has always been a tight and tough fight. With Meike now joining the competition, it will be very interesting to see how photographers make their choices, especially if Meike decides to bring the price closer to what the other brands are offering.

Fuji X-E5 with Meike 56mm f1.7
Fuji X-M5 with Meike 56mm f1.7

At the end of the day, the Meike 56mm f1.7 Air is not a bad lens. It is just entering a battlefield where there are already plenty of good and affordable choices.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Brightin Star 7.5mm f2.8 IV – Distortion With A Huge Personality

This is not my first time trying out a fisheye lens. My first experience dates back to 2019, and it was with the 7Artisans 7.5mm f2.8. Back then, I still remember how rare it was for manufacturers to release an X-Mount version of their lenses.

Brightin Star 7.5mm f2.8 IV

Fast forward to 2026, and things have changed dramatically. Releasing an X-Mount version has become the norm, and honestly, that’s a great thing. Fujifilm’s decision to open up the mount has benefited everyone: the photographers, the community, third-party manufacturers, and of course, Fujifilm themselves. But that’s a story for another day.

Brightin Star 7.5mm f2.8 IV

Intro

Brightin Star released its first 7.5mm fisheye in 2019, followed by updates in 2021, 2024, and now the 4th generation in 2026. Not many manufacturers are willing to keep refining such a niche lens over the years, so I do appreciate the dedication. The real question is, do all these improvements actually make a difference?

Brightin Star 7.5mm f2.8 IV with built in lens hood

Let’s find out.

Before I proceed further, I would like to thank the good people at Brightin Star for sending this lens over for review. As always, they have zero influence over what you’re about to read. Everything here is based purely on my own hands-on experience.

Fuji X-M5 with Brightin Star 7.5mm f2.8 IV
Fuji X-M5 with Brightin Star 7.5mm f2.8 IV
Fuji X-M5 with Brightin Star 7.5mm f2.8 IV

Design and Build Quality

One thing I have always liked about Brightin Star is that their lenses have their own identity.

Their signature bright yellow lettering against the black lens barrel makes their lenses instantly recognizable. For the silver version, the yellow is replaced with red lettering. It still looks good and gives the lens a premium appearance, although I do think the yellow has become part of Brightin Star’s identity and is easier to recognize from afar.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 160 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f5.6. 1/120″ . ISO 125 . Nostalgic Negative

The lens itself looks modern and feels more compact than I initially expected. Weighing 278 grams, it sits comfortably in the hand without feeling front-heavy. I could immediately notice the difference after using the TTArtisan 7.5mm f2, which weighs around 370 grams. It isn’t exactly a fair comparison since they are different lenses for different photographers’ needs, but it does give you an idea of how lightweight this lens feels.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/1700″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/1250″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/340″ . ISO 640 . Nostalgic Negative

The aperture ring has a softer click than what I am used to on most manual lenses. Personally, I prefer a more pronounced click because it feels slightly more satisfying, but this comes down to personal preference rather than being a flaw.

Like almost every fisheye lens, it comes with a built-in lens hood. Considering how exposed the front element is, this is definitely a welcome addition. Last but not least, it comes with a metal lens cap too.

Brightin Star 7.5mm f2.8 IV with lens cap

Image Quality

One thing I have noticed over the years is that image quality from third-party manufacturers has improved tremendously. Every new generation seems to get better, and this lens is no exception.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/170″ . ISO 125 . Nostalgic Negative

Wide open at f2.8, the images are already sharp with good contrast, producing results that are more than usable for everyday photography.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/2200″ . ISO 125 . Nostalgic Negative

As expected from a fisheye lens, the sharpest area is right in the centre of the frame. Sharpness gradually drops towards the edges, and this is something I have observed on almost every third-party fisheye lens I have tested. It isn’t unique to Brightin Star.

Chromatic aberration, surprisingly, is very well controlled. At least throughout my testing, I didn’t come across anything obvious enough to bother me.

Vignetting is visible at f2.8, but that’s hardly surprising for an ultra-wide fisheye. Besides, it’s something photographers can easily correct during post-processing if they wish.

As for the sunstar, it performs reasonably well. The rays are clean and defined, although they aren’t the sharpest or most dramatic I’ve seen. And be mindful of the lens flare if you do not wish to have it in your frame.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f16. 1/7″ . ISO 3200 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f4. 1/60″ . ISO 2500 . Nostalgic Negative

Focusing

The manual focus ring rotates smoothly with very little resistance.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f8. 1/3″ . ISO 3200 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 1000 . Nostalgic Negative

Some photographers may prefer a slightly stiffer focusing ring for more tactile feedback, while others will appreciate how effortlessly it turns. Personally, I can live with either.

The focus throw from the minimum focusing distance to infinity is roughly 90 degrees. Some photographers may find this travel a little short if they enjoy making very precise manual focus adjustments.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f4. 1/3500″ . ISO 125 . Nostalgic Negative

That said, this is a fisheye lens. Most of the time, you will be shooting at smaller apertures with everything in focus, so precise focusing isn’t usually a major concern.

Minimum Focus Distance (MFD)

The 15cm minimum focusing distance genuinely surprised me.

Being able to focus this close opens up plenty of opportunities for creative perspective shots, exaggerating foreground subjects while still capturing an incredibly wide background. Image quality remains consistent even at the minimum focusing distance, retaining much of the same characteristics seen at normal shooting distances.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 250 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/340″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/2700″ . ISO 125 . Nostalgic Negative

One thing to keep in mind, though, is the built-in lens hood. Since the front element sits so close to your subject, it’s fairly easy for the hood to cast unwanted shadows if you’re not careful.

Price Point

Priced at around USD160, the Brightin Star sits comfortably in the middle of today’s fisheye market.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 200 . Classic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f5.6. 1/1400″ . ISO 125 . Classic Negative

It isn’t the cheapest option available, nor is it the most expensive. I will leave that decision to you because every photographer values different things. Some prioritise image quality, while others may care more about weight, build quality, or maximum aperture.

Others

Unfortunately, front filters aren’t an option due to the protruding front element.

Brightin Star 7.5mm f2.8 IV rear lens

However, Brightin Star has included a 27mm rear filter slot, allowing photographers to insert compatible rear filters whenever needed. It’s a thoughtful addition that many fisheye lenses simply don’t offer.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 320 . Classic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 500 . Nostalgic Negative

Another thing worth mentioning is just how incredibly wide this lens is. Be mindful of your fingers or anything else that you don’t intend to include in the photo, as they can easily sneak into the frame without you realizing it.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/1800″ . ISO 125 . Nostalgic Negative
Brightin Star 7.5mm f2.8 IV with rear mist transparent lens cap

Who is this for?

A fisheye lens has always been a specialist tool.

It’s a niche lens designed for photographers who enjoy experimenting with unique perspectives and creative compositions.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 640 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 160 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/60″ . ISO 3200 . Nostalgic Negative

Years ago, fisheye lenses often came with eye-watering price tags, making them difficult to justify unless you regularly shot that style of photography.

Thankfully, things have changed.

Today, you can own a capable fisheye lens for just a fraction of what they used to cost.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/1800″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/2700″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/3000″ . ISO 125 . Nostalgic Negative

Whether it’s this Brightin Star or another modern fisheye within your budget, I genuinely think every photographer should own one at least once. It may not become your everyday lens, but when the occasion calls for it, nothing else can quite replicate the perspective that a fisheye offers.

Conclusion

The Brightin Star 7.5mm f2.8 IV delivers solid image quality, a compact body and a reasonable price, making it a strong option for photographers looking to explore fisheye photography.

Fuji X-E5 with Brightin Star 7.5mm f2.8 IV
Fuji X-E5 with Brightin Star 7.5mm f2.8 IV
Fuji X-E5 With Brightin Star 7.5mm f2.8 IV

It may not be the smallest fisheye Brightin Star has ever made; that title still belongs to the incredibly compact Brightin Star 10mm f5.6, but it strikes a nice balance between portability and optical performance.

Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/3000″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/280″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Brightin Star 7.5mm f2.8 @ 7.5mm . f2.8. 1/125″ . ISO 125 . Classic Negative

What I appreciate most is Brightin Star’s willingness to continue developing lenses that sit outside the mainstream. While many manufacturers focus on releasing another standard autofocus prime, Brightin Star continues to experiment with unique and niche lenses, proving that they can still be highly usable by today’s standards.

I genuinely hope they continue exploring more interesting lens designs in the future.

Brightin Star 7.5mm f2.8 IV

That said… I’m still patiently waiting for their next autofocus lens since their last release.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

7Artsians 25mm, 35mm & 50mm f1.8 – Three Tiny Troublemakers

The competition among Chinese lens manufacturers has never been fiercer, and this time the battleground is the budget-friendly autofocus prime lens segment. Over the past year, photographers have been spoiled with affordable options from TTArtisan and Viltrox. Now, 7Artisans has entered the ring with its new Lite Series trinity of lenses. The question is: do these newcomers make the buying decision even harder?

7Artisans 25mm, 35mm, and 50mm f1.8

Intro

Introduced in December 2025, the 7Artisans Lite Series consists of three APS-C autofocus prime lenses: 25mm, 35mm, and 50mm f/1.8. These translate roughly to 37.5mm, 50mm, and 75mm in full-frame equivalent terms.

While the focal length selection may seem slightly unconventional, lacking the popular 23mm and 56mm options found elsewhere, the trio covers a practical range for everyday photography. But are they compelling enough to win over photographers looking for an affordable prime lens setup?

7Artisans 25mm, 35mm, and 50mm f1.8 with X-E5

Design and Build Quality

The name “Lite” might suggest compromises, particularly in build quality. Fortunately, that’s not the case here.

To my surprise, all three lenses feature metal construction and feel remarkably solid in hand. In fact, they don’t feel noticeably different from many other metal-bodied lenses on the market. Despite the premium feel, each lens weighs only around 180g, making them genuinely lightweight companions.

Even better, all three lenses share identical dimensions:

  • Weight: approximately 180g
  • Filter size: 58mm
  • Length: 51mm
  • Diameter: 67mm
Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f5.6 . 1/220″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/8000″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/1500″ . ISO 125 . Nostalgic Negative

For photographers, this consistency makes carrying the entire trio incredibly convenient. They fit comfortably into a compact camera bag without adding much bulk.

Videographers will appreciate the design even more. Since all three lenses share nearly identical size and weight, there’s no need to rebalance a gimbal every time you switch focal lengths. That’s a significant quality-of-life improvement during shoots.

The downside? They look almost identical. At times, it can be difficult to identify the correct lens quickly. A simple sticker on the rear lens cap indicating the focal length might save some frustration.

As expected for budget-focused lenses, there’s no aperture ring. While some photographers may miss it, it’s an understandable omission considering the price point, and personally, I find it easy to forgive.

Fuji X-M5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/250″ . ISO 125 . Classic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/1300″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/2500″ . ISO 125 . Nostalgic Negative

Image Quality

For lenses carrying the “Lite” branding, image quality is surprisingly impressive.

Both the 25mm and 35mm lenses deliver decently sharp, and a good level of contrast images even when shot wide open at f1.8. The 50mm performs slightly differently, producing images that are a touch softer and lower in contrast, though still perfectly usable.

Chromatic aberration and vignetting are generally well controlled across the lineup. Unless you’re actively pixel-peeping, neither issue is likely to affect your viewing experience. The exception is the 50mm, which shows a slightly higher tendency toward both chromatic aberration and vignetting compared to its siblings.

At f1.8, the background and foreground blur are decent rather than exceptional. The transition from focus to out-of-focus areas isn’t particularly smooth and seamless, but subject separation remains strong enough to create pleasing depth and draw attention to your subject.

Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f1.8 . 1/100″ . ISO 400 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f2 . 1/105″ . ISO 640 . Nostalgic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/150″ . ISO 640 . Classic Negative

Sunstars are reasonably well rendered, with visible rays that add character to landscape and cityscape shots. Flare, however, appears fairly easily when shooting into strong light sources. If you prefer clean, flare-free images, you’ll need to pay attention to your shooting angles..

Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f16 . 1/100″ . ISO 250 . Nostalgic Negative

Focusing

The performance is generally solid across the lenses. Powered by STM (Stepper Motor) systems, all three lenses focus quietly and smoothly. Focus acquisition is reasonably quick, fast enough for everyday photography and casual action, though not quite as instantaneous or snappy as some higher-end alternatives.

One issue I encountered was with the 50mm lens. On a handful of occasions, fewer than five times in total, the lens appeared to lock focus successfully, yet the resulting image was noticeably out of focus. Interestingly, every occurrence happened in bright daylight conditions.

The behaviour proved difficult to replicate consistently. Once the lens was refocused elsewhere and then returned to the intended subject, everything functioned normally again. While rare, it could be frustrating if it happens during a critical moment. Hopefully, 7Artisans identifies the issue and addresses it through a firmware update.

Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f1.8 . 1/100″ . ISO 500 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/105″ . ISO 1000 . Nostalgic Negative
Fuji X-M5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/1250″ . ISO 320 . Nostalgic Negative

In low-light situations, occasional hesitation or inaccurate focusing can occur. However, this behaviour is not unique to these lenses and is common among many budget and even mid-tier autofocus lenses. In most cases, simply refocusing once or twice solves the issue. If not, the manual focus ring remains available as a reliable backup.

Minimum Focus Distance (MFD)

The minimum focusing distances are:

  • 25mm: 25cm
  • 35mm: 35cm
  • 50mm: 55cm

The 25mm and 35mm lenses perform about as expected, offering practical close-focusing capabilities without particularly standing out.

The 50mm, however, feels a little more restrictive. Its 55cm minimum focus distance means you can’t get as close to your subjects as some competing lenses allow. Whether this matters depends entirely on your shooting style.

Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f1.8 . 1/100″ . ISO 250 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/1700″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/150″ . ISO 160 . Classic Negative

Personally, I would have preferred a closer focusing distance, though it’s not a deal-breaker. Image quality remains strong even at minimum focusing distance, with good sharpness and contrast retention throughout.

Price Point

Pricing is where the Lite Series becomes particularly attractive.

When compared to competing offerings from TTArtisan and the Viltrox Air series, 7Artisans has positioned these lenses very competitively. The pricing is aggressive enough to grab the attention of photographers looking to build a complete prime lens kit without breaking the bank.

Focal Length7Artisans LiteTTArtisanViltrox Air
23–25mmUS$125 (25mm f1.8)US$127 (23mm f1.8)~US$179 (25mm f1.7)
35mmUS$125 (35mm f1.8)US$125 (35mm f1.8 II)~US$179 (35mm f1.7)
50–56mmUS$125 (50mm f1.8)~US$158 (56mm f1.8)~US$189 (56mm f1.7)
Complete TrioUS$375~US$410~US$547
Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f1.8 . 1/100″ . ISO 200 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/105″ . ISO 250 . Nostalgic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/150″ . ISO 200 . Classic Negative

Others

Like many modern third-party autofocus lenses, all three lenses feature a USB-C port for firmware updates.

A lens hood is also included in the box, and conveniently, all three lenses use the same hood design, further reinforcing the system’s consistency.

7Artisans 25mm, 35mm, and 50mm f1.8 with lens hoods
7Artisans 25mm, 35mm, and 50mm f1.8 with lens hoods

Who is this for?

The 7Artisans Lite Series is well-suited for:

Travel photographers who prioritise lightweight gear, beginners looking to explore the world of prime lenses, casual street photographers, budget-conscious shooters building a three-lens setup, professional photographer sseeking a compact kit for personal outings and off-day shooting,

Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f1.8 . 1/7000″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/105″ . ISO 250 . Nostalgic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/1700″ . ISO 125 . Classic Negative

Conclusion

The 7Artisans Lite Series presents itself as a worthy competitor to both TTArtisan and Viltrox in the budget autofocus prime lens market.

It’s a little disappointing that the widest option is 25mm rather than 23mm, and that the telephoto option stops at 50mm instead of extending to 56mm. However, those compromises are likely part of what allows 7Artisans to keep prices so competitive.

Overall, my experience with the Lite Series has been positive, certainly better than the one I tested last year. The combination of metal construction, compact size, respectable image quality, and affordable pricing makes them easy to recommend.

Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f1.8 . 1/5400″ . ISO 125 . Nostalgic Negative
Fuji X-M5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/125″ . ISO 2500 . Nostalgic Negative
Fuji X-E5 . 7Artisans 50mm f1.8 @ 50mm . f1.8 . 1/210″ . ISO 125 . Classic Negative

That said, if I were spending my own money, I would still lean toward TTArtisan’s offerings. They are typically priced lower than the Viltrox Air series while delivering similar image quality, autofocus performance, and metal build quality. More importantly, TTArtisans offer both wider and longer focal length options, which I personally find more useful.

Nevertheless, the 7Artisans Lite Series deserves a place on any budget-conscious photographer’s shortlist. The competition has become tougher, and that’s great news for photographers.

Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f5.6 . 1/850″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . 7Artisans 25mm f1.8 @ 25mm . f5.6 . 1/320″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/105″ . ISO 320 . Nostalgic Negative
Fuji X-E5 . 7Artisans 35mm f1.8 @ 35mm . f1.8 . 1/105″ . ISO 400 . Nostalgic Negative
7Artisans 25mm, 35mm, and 50mm f1.8 with lens hoods

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Viltrox 56mm f1.2 Pro – Meet the Portrait Diva

The 85mm full-frame equivalent has long been considered the ideal portrait focal length. Its natural facial rendering, flattering compression, and versatility have made it the gold standard among portrait photographers worldwide. The newly release Viltrox 56mm f1.2 Pro is the lens created for this purpose.

Viltrox 56mm f1.2 Pro
Viltrox 56mm f1.2 Pro
Viltrox 56mm f1.2 Pro

Intro

The Viltrox 56mm f1.2 Pro marks the third addition to Viltrox’s growing “Pro” lineup, following the 75mm f1.2 Pro and 27mm f1.2 Pro. Announced on 1 September 2025, this lens comes in both X-mount and E-mount versions.

Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/12000″ . ISO 125 . Nostalgic Negative

Design and Build Quality

Like its 27mm and 75mm siblings, the Viltrox 56mm f1.2 Pro carries a consistent design language. The all-metal lens barrel immediately feels premium, like you’re holding something worth every dollar spent.

Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/450″ . ISO 400 . Classic Negative

The aperture ring is satisfyingly clicky, with just the right amount of tension and tactile feedback. Nothing feels loose, sloppy, or overly stiff.

It comes with a 67mm filter thread and weighs 575 grams. It’s definitely not a tiny lens, but it balances reasonably well on bodies like the X-T5 and X-E5 (with grip). For comparison, Fujifilm’s own XF56mm f1.2 WR comes in at 445 grams.

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f5.6 . 1/900″ . ISO 320 . Nostalgic Negative

Image Quality

As expected from a “Pro” lens, the Viltrox 56mm f1.2 does not disappoint. It’s already sharp at wide open, with pleasing contrast and well-controlled chromatic aberration, even to my imperfect eyes. Vignetting is present but mild and easily corrected or avoided by stopping down or process in post.

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/14000″ . ISO 320 . Classic Chrome

The background blur is smooth with a gentle transition between in-focus and out-of-focus areas. Overall, the rendering feels clean and pleasant. No real complaints here.

Focusing

Viltrox equipped this lens with its Dual HyperVCM motor, but how does it perform in reality?

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f5 . 1/90″ . ISO 3200 . Classic Negative

On both the X-T5 and X-M5, autofocus is generally snappy, silent, consistent, and accurate. I do get an occasional miss on the first try, but nothing worrying.

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/1250″ . ISO 320 . Classic Negative

However, pairing it with the X-E5 gave me a very different experience. The autofocus mechanism jammed repeatedly, so much so that even remounting the lens or swapping with other lenses didn’t fix it. It would jam again after a few shots. I can ’t explain why, but the issue exists. X-E5 users should take note.

Another thing I observed: Eye-AF tends to jump rapidly between eyes and faces more often than other third-party lenses I’ve tested. I’m unsure whether this is a copy-specific issue or a broader batch issue, but I hope a future firmware update will address it.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/350″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 200 . Nostalgic Negative

Minimum Focus Distance (MFD)

At 50cm, the MFD is impressive for a mid-telephoto lens, identical to the Fujifilm XF56mm f1.2 WR. You can get quite close without losing image quality, which is great for tighter product shots.

Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/170″ . ISO 1600 . Nostalgic Negative
Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/160″ . ISO 320 . Nostalgic Negative
Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/125″ . ISO 640 . Classic Negative

Price Point

Initially priced at 580 USD, the lens now goes for around 464 USD, making it extremely competitive, especially when the XF56mm f1.2 WR sells for 1099 USD at B&H.

Sirui also offers a 56mm f1.2 variant at $280 USD, but personally, I wouldn’t recommend that one.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/50″ . ISO 3200 . Nostalgic Negative

Others

As with all Viltrox autofocus lenses, the USB-C port is positioned at the rear, which I prefer over the exposed designs (on the lens barrel) with rubber flaps.

Viltrox 56mm f1.2 Pro – USB-C port at the rear lens element

The lens is also weather-sealed, in true “Pro” fashion, though I’m not exactly planning to test the seals anytime soon.

Viltrox 56mm f1.2 Pro with lens hood

A lens hood is included, but it’s a bit disappointing that it’s plastic instead of metal.

Who is this for?

If you shoot portraits, this focal length deserves a place on your wishlist. But portraits aren’t the only thing it can do.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/950″ . ISO 800 . Nostalgic Negative

During my testing, I found it great for product shoots, street photography, and even cityscapes. As long as the framing suits your vision, the lens delivers.

Conclusion

If you already own the Viltrox 27mm f1.2 Pro and 75mm f1.2 Pro, this lens completes the f1.2 Pro “trinity,” making your lineup feel wonderfully cohesive.

Viltrox 56mm f1.2 Pro and XF56mm f1.2 WR
Viltrox 56mm f1.2 Pro and XF56mm f1.2 WR (with lens hoods)

Viltrox has consistently impressed with its Pro series, excellent image quality, reasonable pricing, in exchange for slightly larger size and heavier builds. The 56mm f1.2 Pro follows that philosophy closely.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 400 . Nostalgic Negative

Sure, the Fujifilm XF56mm f/1.2 WR edges out a bit in sharpness and autofocus reliability, but at two times the cost, is it worth it? That comes down to your priorities. If you’re chasing image quality but can’t justify the XF56mm f1.2 WR’s premium price, and you don’t mind the extra weight, the Viltrox 56mm f1.2 Pro is definitely worth considering.

X-E5 with Viltrox 56mm f1.2 Pro
X-M5 with Viltrox 56mm f1.2 Pro

Thank you for reading.

If you are interested in this lens, head down to this affiliate link to purchase yours. 

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Godox iT20 and iT22 – When Cute Meets Powerful

Godox has been on a roll lately, launching compact flashes faster than any competitor can catch up. The new Godox iT20 and iT22 are perfect examples of this momentum, proving once again that small doesn’t mean weak.

Fuji X-M5 with Godox iT20

Intro

Both flashes were announced in July 2025, just two months before the iT30 Pro hit the scene. The best part? Both support TTL, which is impressive for flashes this size and price.

Fuji X-E5 with Godox iT22

Design and Build Quality

Right out of the box, both models feel premium. The all-metal construction gives them a solid, confident feel in hand. The buttons are clearly laid out, well-spaced, and tactile with satisfying feedback.

One thoughtful detail: the power button (which also doubles as the test flash button) is concave, unlike the other convex buttons, making it easy to distinguish by touch.

Fuji X-M5 with Godox iT20
Fuji X-E5 with Godox iT22

Weight-wise, the iT20 tips the scale at 45g, and the iT22 at 52g, practically indistinguishable when you’re holding them.

Both use a small dot-matrix display, and despite the compact size, the information is crisp and easily readable in both bright outdoor light and darker indoor environments.

Godox iT20 dot matrix display
Godox iT22 dot matrix display

Design-wise, the difference is clear:

iT22 stands a little taller, a clever move to avoid interference from larger lenses or lens hoods.

iT20 has a sleek, low-profile shape, perfect for compact cameras and smaller lenses.

Control

Godox kept things simple and intuitive. You’ll find just four buttons: power, mode, plus, and minus, along with a release button to detach the flash from the hot shoe.

Magnetic Diffuser, 1/1 CTO Magnetic Color Filter, 1/2 CTO Magnetic Color Filter

Adjustments are straightforward. Flash power can be fine-tuned in six steps (1/32 to 1/1), and recycle time for a full-power flash sits at a very reasonable 1.5 seconds, quite good for a flash this size.

Flash Power

As their names suggest, the iT20 and iT22 have Guide Numbers of 20 and 22 (ISO 100). While those numbers may not sound huge on paper, they’re more than enough for most real-world uses, such as street photography, travel snaps, or casual portraits.

Fuji X-T5 with Godox iT20 & Magnetic Diffuser

Price Point

Both flashes retail for around USD 45, a very attractive price given the metal build, TTL support, and overall performance.

Godox iT20 USB-C port

Battery Life

Battery life is surprisingly solid. Each flash is rated for up to 700 full-power pops from the built-in 300 mAh battery. Even if you shave 20% off that for real-world use, that’s still over 500 shots, easily enough for a day of casual shooting.

Godox iT22 USB-C port

Charging is simple via the USB-C port, which is always appreciated.

Others

Godox adds a clever touch here: both models support magnetic accessories, letting you quickly attach diffusers, color gels, or other light shapers.

Fuji X-T5 with Godox iT22 & Magnetic Diffuser

Compatibility is also broad, available for Canon, Nikon, Sony, Fujifilm, OM System, and Panasonic. Just be sure to pick the correct version for your camera if you want TTL to work properly.

X-E5 with Godox iT22 and X-M5 with Godox iT20

Who is this for?

The iT20 and iT22 fit perfectly into the current direct flash trend that’s taking over social media and street photography. They’re also great for travel shooters, beginners, or anyone using a camera without a built-in flash.

Without flash

In short, they’re ideal little companions for photographers who want portability, simplicity, and versatility, and they make a great Christmas gift that won’t burn a hole in your pocket.

Conclusion

When it comes to compact flashes, Godox has effectively filled every niche a photographer might need. With premium build, TTL support, and affordable pricing, the iT20 and iT22 prove that sometimes the best things really do come in small packages.

X-E5 with Godox iT22 and X-M5 with Godox iT20

Thank you for reading. 

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Freewell X100VI Accessories: Adding a Little Extra Magic to the X100VI

Every now and then, something interesting pops up in the world of camera accessories, small things that somehow make a big difference in your shooting experience. For us Fujifilm X100 users, those little tweaks often go a long way.

The Freewell X100VI Accessories

Recently, the good folks at Freewell reached out and asked if I’d like to try their new X100VI accessories. Of course, I said yes — any excuse to take my favorite walkabout camera, the X100VI, out for another spin is a good one.

Before I dive in, I want to thank Freewell for generously sending not one, but three X100VI accessories for me to test. That said, everything you’ll read here comes straight from my own honest experience, as always.

The lineup includes:

  1. Fuji X100VI Thumb Grip with Cold Shoe Mount
  2. Fuji X100VI L-Bracket Premium Grip
  3. Fuji X100VI Real Lens Hood

Let’s go through each of them in that order.

Design and Build Quality

All three accessories share the same metal construction, giving them a premium and sturdy feel right out of the box. They match the clean, minimalist aesthetic of the X100VI perfectly and add a touch of refinement to the camera’s already sleek design.

Thumb Grip

As simple as it sounds, the thumb grip does exactly what you hope it would, it provides a solid resting spot for your thumb, making the camera much more comfortable to hold for longer periods.

Thumb Grip with Cold Shoe Mount

It doesn’t drastically change how the camera handles, but it adds just enough stability to make a noticeable difference.

Oh yes, the thumbgrip comes with a cold shoe mount if you ever need to use it for microphone or LED video light.

L Bracket Grip

At first glance, I wasn’t too impressed with the grip’s design. The top curve section where the small extended extra wood looked… odd. I couldn’t quite figure out why they designed it that way.

Then I attached it to the camera, and I was completely wrong.

L-Bracket Premium Grip

The curve contour actually makes it surprisingly comfortable, providing a natural resting point for my middle finger. The grip is also deep enough for a firm hold, and the wooden section feels fantastic in hand. You can tell the difference in material quality right away, it’s smooth, solid, and premium.

Base of the L-Bracket Premium Grip

And here’s a nice touch: it comes with a red shutter button, it’s a small detail that really adds to the X100’s charm.

Real Lens Hood

Now, the name “Real Lens Hood” caught my attention. Why “real”? I still don’t know, but the design itself speaks volumes.

The hood feels light yet premium, with a metal body that matches the X100VI’s build. Unfortunately, the lens cap is made of plastic, and not the best kind. It’s a small letdown compared to the rest of the build. Oh, and it even has an NFC tag built in, scan it for product info and support materials (though oddly, my iPhone couldn’t detect it, but my Android did).

Flippable Square Lens Hood with Filter
Flippable Square Lens Hood without Filter
Flippable Square Lens Hood without Filter

That said, the hood comes with some neat tricks. It features a flippable design, letting you change filters without removing the hood entirely, a small but genuinely smart idea.

Two red rubber-tipped tabs make rotating filters smooth and easy, especially when you’re using Freewell’s included 49mm hybrid filter (a Circular Polarizer combined with a 1/4 Black Mist filter).

Rubber-tipped tab

CPL and Black Mist Filter

This hybrid filter is one of my favorite surprises in the kit. The CPL (Circular Polarizer) helps reduce glare and reflections on water, glass, and foliage while boosting color and contrast. You can control the effect by rotating the filter, that’s where the red tabs really shine.

The 1/4 Black Mist effect adds a gentle bloom to highlights and a soft cinematic glow around light sources. It also slightly reduces contrast in low light, giving your shots a moody, filmic atmosphere.

Among the usual 1/8, 1/4, and 1/2 mist options, I personally find 1/4 to be the perfect balance, noticeable but not overdone. It’s one of those filters that might take a bit of experimenting to fully appreciate, but once you get the hang of it, it adds real character to your images.

Price Point

Here’s the breakdown:

1. Fuji X100VI Thumb Grip with Cold Shoe Mount – 40 USD

2. Fuji X100VI L Bracket Premium Grip – 80 USD

3. Fuji X100VI Real Lens Hood – 130 USD

Considering the quality and usability, these prices feel reasonable, especially if you’re looking to give your X100VI setup a premium touch without going overboard.

Who is this for?

If you’re looking to enhance your X100VI experience, in handling, comfort, and overall shooting enjoyment, this is a solid trio to consider.

If you only want one accessory, I’d recommend the Real Lens Hood. It not only looks stylish with its square profile but also lets you swap filters easily without removing the hood, perfect for photographers who love working with filters.

Just note that it extends a little beyond the lens, both in width and length, but it adds function and flair at the same time.

Conclusion

Freewell has been around since 2012, earning a reputation for crafting innovative filters and camera accessories, from their popular magnetic filter systems to gear for photographers, drone pilots, action cam users, and now, X100 enthusiasts.

This was my first hands-on experience with Freewell products, and honestly, I’m impressed. The accessories feel high-quality, thoughtfully designed, and genuinely enhance the user experience.

They’ve turned my everyday X100VI into something that feels even more refined, and that’s exactly what good accessories should do.

X100VI with Freewell Accessories

Thank you for reading. 

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 75mm f2 – When Short Telephoto Lens Feels Just Right

TTArtisan 75mm f2
TTArtisan 75mm f2

When it comes to a 75mm focal length, it’s not exactly the most common out there. Most photographers are more familiar with 56mm, while 75mm sits in that in-between telephoto zone that can feel a little intimidating, especially if you’re shooting in tight urban spaces like I do. Space is a luxury here, and a longer focal length often means stepping back more than I’d like. Still, I was curious. And that curiosity led me to the TTArtisan 75mm f2, a surprisingly compact tele lens that might just deserve a spot in your camera bag.

X-M5 with TTArtisan 75mm f2
X-M5 with TTArtisan 75mm f2

Intro

The TTArtisan 75mm f2 was first launched for Z-mount and E-mount back in September 2024, and it took almost a full year before the X-mount version arrived in August 2025. It’s now available in a total of four mounts, including L-mount, making it accessible to a wide range of photographers.

Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/220″ . ISO 160 . Nostalgic Negative

A quick shoutout to the awesome folks at TTArtisan for sending this lens my way to test, as always, my thoughts here are entirely my own.

Design and Build Quality

Design-wise, this lens follows the familiar TTArtisan aesthetic, very much in line with the 23mm f1.8, 35mm f1.8 II, and 56mm f1.8. But there’s one major difference: this time, there is an aperture ring.

Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/950″ . ISO 160 . Classic Negative

That’s right, an actual clicky aperture ring on an autofocus lens. It’s something we rarely see from TTArtisan, and it’s a welcome addition, though I’ll admit, the clicks are a bit on the stiff side. It’s not the smoothest experience, but it works.

Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/80″ . ISO 800 . Nostalgic Negative

Build quality, as always with TTArtisan, doesn’t disappoint. The metal construction gives it a solid, premium feel. At 326 grams, it’s nicely balanced and not too heavy. The filter size is 62mm, making filters easy and affordable to find. Plus, it now comes with a square lens hood, which looks great and adds a bit of flair.

Image Quality

Let’s talk about performance. Wide open at f2, the TTArtisan 75mm delivers impressively sharp results. It’s not on the same razor-sharp level as the Viltrox 75mm f1.2, but for general use, it’s more than capable, and the images look fantastic.

Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/600″ . ISO 125 . Classic Negative

Chromatic aberration is very well controlled, and vignetting is minimal enough to be a non-issue.

The bokeh is decent, not the creamiest out there, but it has character. The rendering feels a bit on the “hard” side, but for portraits and product shots, it still delivers pleasing separation and depth.

Fuji X-E5 . TTArtisan 75mm f2 @ 75mm . f5.6. 1/1250″ . ISO 125 . Nostalgic Negative

Focusing

Like many telephoto lenses, this one can occasionally experience focus hunting; it’s rare, but it happens unpredictably, both indoors and outdoors.

Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/3200″ . ISO 125 . Nostalgic Negative

Autofocus runs on a Stepper Motor (STM), and it’s quick, accurate, and relatively quiet. Not lightning-fast, but definitely reliable. Eye tracking also performs quite well and stays sticky enough for most portrait situations.

Minimum Focus Distance (MFD)

The minimum focus distance is 75cm, which feels fair for this focal length. For comparison:

  • Viltrox 75mm f1.2: 88cm
  • Samyang/Rokinon 75mm f1.8: 69cm
Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/240″ . ISO 160 . Nostalgic Negative
Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/640″ . ISO 125 . Nostalgic Negative

So the TTArtisan sits comfortably in between. More importantly, image quality stays strong even when shooting near the minimum distance.

Price Point

Here’s where things get wild: it is priced at just USD 200. For context, the Viltrox 75mm f1.2 costs about USD 580, and the Samyang/Rokinon 75mm f1.8 sits at USD 449. That’s more than double (and almost triple) the price. So for $200, this TTArtisan feels like a steal, a budget-friendly telephoto lens that still performs well in all checkboxes.

Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/4400″ . ISO 125 . Classic Negative

Others

Like other TTArtisan AF lenses, the rear lens cap includes a USB-C port for firmware updates, which is always a plus.

Rear lens cap with USB-C port

One thing to note, this lens does not have weather or dust sealing. But honestly, at this price point, that’s perfectly reasonable.

Who is this for?

At a 112mm full-frame equivalent, this lens is clearly made for portraits and product photography. It’s not the most versatile choice for street shooters, unless you like keeping a bit of distance between you and your subjects. In that case, this focal length might be perfect for candid, unobtrusive shots.

Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/80″ . ISO 200 . Nostalgic Negative

For travel photographers, it’s a great lens to pack “just in case.” It’s compact, not too heavy, and covers a nice tele range when you need it.

Conclusion

Alongside TTArtisan’s compact prime lineup: the 23mm f1.8, 35mm f1.8 II, and 56mm f1.8, this new 75mm f2 rounds out a very practical and affordable set of lenses for any prime shooter. For 200 USD, TTArtisan has nailed the balance between build quality, image performance, and price. I honestly can’t find a solid reason not to recommend it.

Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/2200″ . ISO 125 . Classic Negative

It’s compact, capable, and fun to use, the kind of lens that reminds you good gear doesn’t always have to come with a high-end price tag. TTArtisan has been on a roll, releasing lens after lens, and now I can’t help but wonder… what focal length will they surprise us with next?

X-E5 with TTArtisan 75mm f2
X-E5 with TTArtisan 75mm f2

Thank you for reading. 

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

AstrHori 18mm f5.6 Shift Lens – Shift Happens

Tilt-shift lenses have always been a niche tool, designed for very specific kinds of photography, the kind most photographers never touch because, well, they used to cost a small fortune.

AstrHori 18mm f5.6 Shift Lens

But times have changed. With the rise of Chinese lens makers, we’re now seeing more affordable alternatives entering the market. These lenses bring once-exclusive creative tools into the hands of curious photographers who’ve always wanted to try tilt or shift lenses without breaking the bank.

Fuji X-E5 with AstrHori 18mm f5.6 Shift Lens

Before proceeding further, I would like to express my gratitude to the team at AstrHori for providing me with this lens for review. Rest assured that the opinion is my own.

Intro

When it comes to shift lenses, options are still rare. As far as I know, only AstrHori and Laowa (Venus Optics)currently make them.

Fuji X-M5 with AstrHori 18mm f5.6 Shift Lens

Now, it’s worth noting the difference between tilt and shift:

Tilt lenses allow you to play with the plane of focus, creating dreamy miniature effects or selective focus shots.

Shift lenses, on the other hand, are all about correcting perspective distortion, like the converging lines you see in architectural photos, while keeping your camera level. They’re also great for stitching large, high-resolution panoramas from overlapping shots.

AstrHori 18mm f5.6 Shift Lens

Design and Build Quality

The AstrHori 18mm f/5.6 feels solid and well-built, with a full-metal construction. You’ll immediately notice the zigzag line around the body — that’s the part where the shifting happens.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/600″ . ISO 125 . Nostalgic Negative

The lens can also rotate, with a satisfying click at each stop. This makes it easy to align your shift direction, whether you’re shooting in landscape or portrait orientation.

At 170 grams, it’s about twice the weight of the Fujifilm XF23mm f2.8 (which is 90g), but still feels light and well-balanced in hand.

Image Quality

This lens has a fixed aperture of f5.6, meaning there’s no way to change it , similar to the Viltrox 28mm f4.5. While that may sound limiting, it simplifies the shooting experience and keeps the design compact.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/480″ . ISO 320 . Nostalgic Negative

For the image quality, I will break down the image performance into two parts: normal and shift shooting.

Normal shooting mode

Image quality is surprisingly good, sharp enough with well-preserved contrast. Chromatic aberration is minimal, and vignetting is very well controlled, almost nonexistent.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/180″ . ISO 125 . Nostalgic Negative

Shift shooting mode

The AstrHori 18mm allows for a ±6mm shift range. Whether or not that’s a standard figure, it’s enough to make a noticeable difference. The perspective correction is clear and effective, with no visible loss in image quality.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/1500″ . ISO 125 . Nostalgic Negative

Since this lens does not come with a lens hood, we have to be mindful of the potential flare introduced into the photos.

Focusing

The focus throw spans about 170°, which gives you a good amount of precision for manual focusing. It’s smooth and consistent, exactly what you want for a lens like this.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/125″ . ISO 2500 . Nostalgic Negative

Minimum Focus Distance (MFD)

With a minimum focus distance of 30cm, it’s not meant for close-up work. But that’s expected; this is a shift lens designed primarily for architecture and perspective correction, not macro photography.

MFD at 30cm
Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 2500 . Nostalgic Negative
Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 2500 . Nostalgic Negative
Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/125″ . ISO 320 . Nostalgic Negative

Price Point

At just USD 119, this lens is an absolute steal. It’s inexpensive enough to buy out of curiosity, experiment with, and maybe even surprise yourself with the results. For the price of a nice dinner, you can add a creative tool to your camera bag that might come in handy one day.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/1100″ . ISO 320 . Classic Negative

Others

One thing to watch out for: be mindful of where your fingers rest when shifting the lens. The metal edges can be a little sharp, not enough to hurt, but enough to give you a surprise if you’re not paying attention. Hopefully, AstrHori smooths that out in the next version.

Sharp edges

The shift function works best when shooting upward or downward angles, like from the ground floor looking up at a building. If you’re shooting straight ahead, shifting mainly changes your framing rather than fixing distortion.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 1000 . Nostalgic Negative

Who is this for?

While the primary audience is architectural photographers, the 28mm (full-frame equivalent) field of view and f5.6 aperture also make it a fun lens for street photography. And again, at USD 119, it’s an easy lens to buy as a gift, or just to satisfy your curiosity.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/600″ . ISO 160 . Nostalgic Negative

Conclusion

Niche products like this are rare because most manufacturers won’t take the risk. So props to AstrHori for daring to do something different. The 18mm f5.6 Shift Lens is available in multiple mounts (E, L, and Z), opening up creative possibilities for photographers across systems.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/5″ . ISO 320 . Nostalgic Negative

It’s compact, affordable, and genuinely fun to use, proof that innovation doesn’t always have to come with a high price tag. Here’s hoping AstrHori keeps pushing boundaries with more unique releases, while continuing to refine their lineup of everyday lenses like the AstrHori 27mm f2.8.

Fuji X-E5 with AstrHori 18mm f5.6 shift lens

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. If you are interested in this lens and also wish to support me, this is the affilinate link to purchase.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Fujifilm XF23mm f2.8 WR – The Pancake We’ve All Been Hungry For

23mm (35mm in full-frame equivalent) has always been my favorite walk-around focal length. So, whenever I’m not testing lenses, the X100VI is usually the first camera I reach for.

With the release of the new XF23mm f2.8 WR, we now have three different 23mm options from Fujifilm. That really shows just how popular this focal length is, and Fujifilm clearly knows it, giving us more choices to fit different shooting styles and budgets.

XF23mm f2.8 WR
XF23mm f2.8 WR

Intro

Back in 2022, a community poll on a rumors forum showed strong interest in a compact 23mm pancake lens. I was one of the photographers who voted for it. Over the years, bits and pieces of rumors kept surfacing, and I found myself always hoping the day would finally come. Now, in 2025, Fujifilm has delivered. The long-awaited pancake lens arrived alongside the X-E5 at the X-Summit in Shanghai.

Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 500 . Nostalgic Negative

Design and Build Quality

At first glance, you’ll immediately notice how small and lightweight this lens is. Weighing just 90 grams, it’s only slightly heavier than the XF27mm f2.8 WR (84 grams). In terms of size, its dimensions are 61.8mm x 23mm, almost identical to the XF27mm. In reality, both lenses are very close to each other, basically the same in size and weight. This also means this 23mm pancake won’t add any bulk to your camera setup.

Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/90″ . ISO 3200 . Nostalgic Negative

It also takes tiny 39mm filters, which is great for filter users. The metal build feels premium, exactly what we’ve come to expect from Fujifilm; no compromises here.

The aperture ring is another highlight. It delivers that satisfying, tactile click with every turn, something Fujifilm shooters will definitely appreciate.

Image Quality

When it comes to Fujifilm, image quality is rarely in question. Whether the lens is marketed as budget-friendly or premium, their standards remain high.

Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/680″ . ISO 125 . Classic Negative

This pancake is no exception. At wide-open, the images are sharp with excellent contrast. Chromatic aberration and vignetting are virtually unnoticeable, which is impressive for a compact lens like this.

Fuji X-E5 . XF23mm f2.8 @ 23mm . f16. 1/640″ . ISO 125 . Nostalgic Negative

Focusing

The lens uses a DC coreless motor for autofocus. In most cases, it’s quick and accurate, even in low-light conditions. It’s not quite as snappy as Fujifilm’s other two 23mm lenses, but still very reliable.

Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/105″ . ISO 3200 . Classic Negative

That said, I did encounter two instances in a row where the autofocus confirmed (green box lit up), but the final shot was back-focused. Oddly, this happened outdoors in bright sunlight. After those two occasions, everything went back to normal, and I haven’t been able to reproduce the issue.

Minimum Focus Distance (MFD)

Something surprised me in this department. I wasn’t expecting something so compact and yet able to deliver a much closer focusing distance at 20cm. It is impressive that the image quality holds up beautifully with crisp detail and punchy contrast.

Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/125″ . ISO 400 . Nostalgic Negative
Fuji X-E5 . XF23mm f2.8 @ 23mm . f3.2. 1/80″ . ISO 200 . Nostalgic Negative

Price Point

As of now, this lens is bundled as the kit option with the X-E5. The price difference between the X-E5 body only and the kit with this lens is about USD 200 / SGD 300.

Fuji X-T5 . XF23mm f2.8 @ 23mm . f2.8. 1/17″ . ISO 3200 . Nostalgic Negative

If purchased separately, the lens is expected to retail at USD 499 / SGD 599. Availability seems to vary by region—here in Singapore, for instance, it’s not yet being sold standalone.

Others

The lens doesn’t ship with a square hood, but it does include a small round hood. It’s more for basic protection than style, but it gets the job done.

Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/15″ . ISO 3200 . Nostalgic Negative

Who is this for?

This lens is aimed at photographers who value compactness above all else. While you can certainly mount it on cameras like the X-T5 or X-H2(S), I think it pairs best with Fujifilm’s smaller bodies, such as the X-M5, X-E series, or X-Txx series.

Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 160 . Classic Negative

Conclusion

As mentioned at the start, Fujifilm now offers three 23mm primes, ensuring there’s an option for every type of shooter.

Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/2200″ . ISO 125 . Classic Negative

The XF23mm f2.8 WR may not be the brightest lens in the lineup, but it’s the compact street photography lens that many Fujifilm users have been waiting for, and Fujifilm has finally delivered. Now that we have the long-anticipated 23mm pancake, I can’t help but wonder what Fujifilm’s next pancake lens might be. Will it be a 35mm, or maybe a 50/56mm? What do you think?

X-M5 with XF23mm f2.8 WR

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.