Reviews

TTArtisan 40mm f2.8 – A Macro Lens For Street

I am lucky to have had the opportunity to test quite a fair amount of manual lenses but this is the second macro manual lens I have tested thus far. So testing a manual macro lens is still a new thing for me. Usually, I use a macro lens for 2 genres and that is product shots and portraits. It is because of the sharp optical glass and I am basically worry-free about the minimum focus distance limitation the lens has. Nonetheless, I am very excited to give this lens a spin.

Intro

On September 2021, TTArtisan announced its very first macro lens. It comes with various mounts such as L mount, m43, EOS-M, RF mount, Z mount, E mount, and X mount. At 60mm (in 35mm format equivalent), this is an uncommon focal length where we do not see many players in the market releasing something close, except for Fuji XF30mm f2.8.

Although this lens has been in the market for almost 20 months, I am glad that TTArtisan is willing to send me this lens for a hands-on. Without their support, this post will not become a reality.

In any case, this review is still my own opinion.

TTArtisan 40mm f2.8

Design and Build Quality

From the lens design, we can see how it has taken inspiration from their TTArtisan 23mm f1.4 and inspired their TTArtisan 35mm f0.95 and TTArtisan 50mm f0.95. They shared a lot of similarities lens design elements and yet we get to notice that each category has its own design characteristics.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/100″ . ISO 125 . Nostalgic Negative

Having said that, this lens weighing 380 grams is good to hold. It has a very gentle clicky aperture ring and it also comes with an excellent damp but smooth manual focus ring. Some photographers might prefer a less damp, smoother manual focusing experience, but I think it is just fine as it also gives me a sense of better manual control for my shooting style.

The 52mm filter-size lens has a screw-in type lens cap like most TTArtisan lenses.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 250 . Nostalgic Negative

From the side view, it looks like a normal lens. But when you view it from the top, it has a unique lens barrel design where the front lens element is deeply recessed into the lens barrel. I have no idea why TTArtisan has such a design but it definitely stands out from the rest.

When the focus ring is at infinity, the lens is at its smallest compact look. But when we shoot at its Minimum Focus Distance, the lens is protruded approximately two third of its original length.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/850″ . ISO 125 . Nostalgic Negative

Image Quality

Unlike many other TTArtisans lenses where you need to stop down the aperture values to at least 1-2 stops to achieve decent sharpness, contrast, and details of photos taken. It has been a long time since I tested out a prime lens that I can truly use the images at wide-open (except for TTArtisan 25mm f2 and TTArtisan 50mm f2.)

At f2.8, I am amazed by the image quality. In most parts of the image, it has a good level of sharpness at the center and it does preserve some level of contrast but has decent enough details (not the best and not the worse either). As compared to most manual lenses, I am also amazed that the chromatic aberration is in good control.

But with all the praises, here comes the feedback. It has very strong vignetting and obvious softness at the corner. Of course, everything will be fine if you lower the aperture by 1 to 2 stops but that is not the point.

Another thing to note is that subject separation from the background is not as blurry as larger aperture values like f1.4 can do and most photographers know that. Also, it does not have a very seamless gentle fall-off between the main subject and others. Furthermore, depending on the background, the bokeh can be easily harsh.

As for the sunny star, it is not the sharpest one but not that bad.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/6″ . ISO 3200 . Nostalgic Negative

Focusing

The focusing from MFD to infinity is approximately 270 degrees and I think it gives a very good amount of “space” for nailing the shot but this amount of focus throw can be “troublesome” to some photographers who preferred to have a shorter focus throw.

Also similar to most manual lenses, it does not give a fully focused shot at infinity, we still need to rotate back a little to achieve the actual fully focused shot.

Minimum Focus Distance (MFD)

Although 17 cm MFD is not the closest I have tested, it is pretty decent for a macro lens. It still gives a very close-up tight shot of the subject and typically can cast a shadow on the subject.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/160″ . ISO 2500 . Nostalgic Negative

Price Point

This lens is selling at an attractive price point. At 99 USD (or 94 USD under promotion), it is one of the most affordable macro lenses out there in the market. For reference, Fuji XF30mm f2.8 is 599 USD, Meike 60mm f2.8 is 190 USD, 7Artisan 60mm f2.8 is 139 USD, and Voigtlander Macro APO-Ultron 35mm f2 at 629 USD.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 1600 . Nostalgic Negative

Others

I notice that the white balance changed when I shot with different aperture values. But this could be a problem for lenses that do not come with electronic contact? Or this could be due to how the sensor “sees” from the lens and the processor changes according to the information given by the sensor? Anyway, I think this is less of a problem if the photographers are shooting in Raw. But if you are a straight-out-of-camera photographer, then do take note of it.

There is also some strong lens flare if the lens is pointing directly to the strong light source. So do take note of it too.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/56″ . ISO 3200 . Nostalgic Negative

Who is this for?

I don’t know how well is this lens for insect photographers to shoot but I can say that this lens is very comfortable for landscape, street, food, and product shoots. For portrait, journalist, and documentary photographers, I will leave it for you to decide as it’s a manual lens and its focus throw is huge. You might miss the shots by the time you nailed the focus.

Conclusion

This lens is compact and I am very comfortable using this lens for the street. While the protruding front lens element can be quite a disturbing factor to me and the image quality at wide open is not the best among the macro lens category, I can give in to the focal length, compactness, and price point. All in all, it is easily a good macro lens for photographers to own and attempt to do macro shots, especially for photographers who do not have a macro lens.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 400 . Nostalgic Negative
Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 250 . Nostalgic Negative

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Meike 60mm f2.8 – Compactly Good

Since my DSLR era, I have had a soft spot for macro lenses. Not because I love to shoot insects or flowers, but because I love to use them for product shoots. Till today, I am still using a macro lens for most of the product shoots in this blog.

Intro

The Meike 60mm f2.8 was announced in early March 2023. In case one wonders, this is Hong Kong-based manufacturer’s first-ever attempt to build a manual macro lens. So how well it works? Let’s find out.

Before I proceed, I would like to thank Meike for sending me this lens for review. Like other posts, the review of this lens is based on my true opinion.

Meike 60mm f2.8

Design and Build Quality

This 300 grams lens is nicely built with quality. But the first thing I notice with the lens is the lens design. It is greatly inspired by the design of Canon RF-S lenses (maybe there are other manufacturers with similar designs too, please let me know as I would like to know it too, thanks in advance). The focus ring has a similar texture design to the one found in the RF-S aperture ring and I quite love the texture when I touch it with my fingertips. The rotating of the focus ring is smooth with little dampness/friction.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/100″ . ISO 125 . Nostalgic Negative

The next thing I would like to talk about is the aperture ring. This 90mm (in full frame equitant) has a smooth, clickless ring, and I believe videographers will love it. I am okay with it but I do miss the clicky experience. It gives me some sense of which aperture I am at now (after all, the lens does not have any electronic contact to provide the metadata to the camera body).

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 500 . Nostalgic Negative

Oh yes, this 49mm filter-size lens feels great on hand.

Image Quality

When comes to macro lenses, I set my expectation a little higher than prime lenses. Typically, the results from the glass tend to produce much sharper, more contrasty, and more detailed images.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 160 . Nostalgic Negative

This lens does not disappoint me. Although the image quality level is slightly below the XF80mm and XF30mm, it still has very good sharpness and contrast at wide open. But I also notice that the sharpness isn’t that great at the extreme corners. In short, the image is totally usable.

Another surprise to me is that it has good chromatic aberration control but I do observe mild vignetting. At least there is one less thing to take care of in post-processing.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 800 . Nostalgic Negative

The background blur surprisingly renders quite well too. At least the fall-off between the subject and the foreground/background is comfortable to my eyes.

If there are some readers who wonder, the sunny star result is also a sharp one too.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f22 . 1/320″ . ISO 3200 . Nostalgic Negative

Focusing

Similar to Meike 35mm f0.95, it also has the problem of having off-focus results when I shoot at the infinity mark. So the right infinity shot is somewhere the infinity symbol is.

But there is something I observed for my test unit. If I shoot on a subject that is somewhere between 3 meters marking and infinity marking, I have a little hard time nailing the shot right. The focus on the subject is like either undershoot or overshoot. I have to rotate the focus ring really slowly to get it right. It could be my focus peaking issue or my technic is wrong.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/200″ . ISO 125 . Nostalgic Negative

Minimum Focus Distance (MOD)

At MOD of 17.5 cm, this lens delivers true 1:1 magnification. Having said that, it has various magnifications throughout its focusing distance.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/950″ . ISO 125 . Nostalgic Negative

Because there are various magnifications throughout its focusing distance, you might get the illusion that there is lens breathing or “zooming” going on.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/105″ . ISO 125 . Nostalgic Negative

Price Point

At 190 USD, I think it is a very good price point for photographers who want to attempt to get an experience of what a macro lens can do but do not mind having to do with manual focusing. And of course, it is a lot cheaper than the autofocus macro lenses.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/320″ . ISO 125 . Nostalgic Negative

Others

Something worth noting (but probably not for some readers): the lens is internal focusing, which means that the lens does not protrude or any movement when we rotate the focus ring back and forth.

Secondly, there is an obvious white balance change with the change in aperture value. This is similar to what I observed with the Meike 35mm f0.95. So again, it might be my camera setting. If you are shooting raw, then you have nothing much to worry about. You can always post-process it. If you are a Straight-Out-Of-Camera photographer, then you probably have to take note of it.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/350″ . ISO 125 . Nostalgic Negative

Who is this for?

As I mentioned earlier, I think the price of this lens is very well priced and it gives photographers a good chance to experience the macro lens and its macro capabilities.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 640 . Nostalgic Negative

But that does not mean that a macro lens is limited to only macro photography. I find the focal length is very suitable for street (depending on the kind of street photography you are in), portrait, product shoots, and possibly journalist photography.

Conclusion

Despite being the first macro lens from Meike, they have done a good job with this lens. To summarize my thoughts, the lens design is very modernized and beautiful. Besides that, the lens build quality and image quality is nothing to shout about.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 1250 . Nostalgic Negative

One last thing that I like about it is its size and weight. It is practically able to carry around more easily than the XF80mm. After all, the Meike 60mm is much shorter and weighs much lighter than the XF80mm (750 grams).

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f11 . 1/125″ . ISO 125 . Nostalgic Negative

All in all, I feel that this lens is a great attempt for Meike.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

XF30mm f2.8 – Fuji’s Smallest Macro Lens

XF30mm f2.8 R LM WR macro, I will call it XF30mm f2.8 here, was first teased in Fujifilm X Summit Omiya 2022 and then finally announced together with X-T5 on the Fujifilm X Summit Tokyo 2022. This lens also marked the “last of 10th anniversary of X mount” released in 2022.

Before I share further, I would like to thank Ms. Carmen, Marketing Manager of Fujifilm Singapore, for arranging and loaning the XF30mm f2.8 and X-E4 for this review. By the time this post was online, both the lens and camera unit had returned back to Fujifilm Singapore. Also, in this experience sharing, I tested with my X-T5 as well.

Intro

XF30mm f2.8 is the latest and the third macro lens in the Fujifilm lineup. At 45mm in full-frame equivalent, this focal length is unique for a life-size macro photography lens. That’s because typically when we think about macro lenses, they are usually about 100mm-ish focal length and shoot from a mid-range distance. Although there are manufacturers that create similar focal lengths to XF30mm, this is Fujifilm’s first of its kind.

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/400″ . ISO 160 . Classic Negative

Design and Build Quality

First things first, the design element of this lens resembles much like the XF50mm f2. From afar, I am sure not everyone can tell the difference between the two (unless using a silver XF50mm f2). If you take a closer look, the XF30mm is a tad taller but it comes with a smaller filter thread at 43mm as compared to 46mm on the XF50mm f2.

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 1000 . Classic Negative

Among its macro siblings, it is the lightest. Weighing 195 grams against XF60mm 2.4 at 215 grams and XF80mm f2.8 at 750 grams. It is also the smallest (smaller than XF60mm by a bit).

Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/90″ . ISO 125 . Nostalgic Negative

The aperture ring is as clicky as most of the Fuji lenses out there. It comes with an A (Auto) Position Lock too if you prefer to have aperture control via the front command dial.

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 200 . Classic Negative

Image Quality

At wide open, the image quality from this lens is super sharp with great contrast. Even when shooting so close to the subject, the sharpness remains great and the details are well-preserved. I think “clinical sharp” is the best word to describe the optic of this lens.

Unlike harsh and messy bokeh in some lenses, I do love and appreciate how the glass renders beautifully with the fall-off being seamless. Also, I think this is an expectation from Fuji-designed lenses but I do not observe any chromatic aberration or vignetting in the photos.

Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 160 . Nostalgic Negative

As for sunny star, this lens doesn’t seem to give a sharp one, even at its smallest aperture. But this is not important in my opinion because what’s important is its macro capability, right?

Focusing

I will split it into two parts to discuss this.

In the first part, its focus locked really quickly for the usual applications. Very similar to the new generation lens such as XF23mm f1.4 WR, etc, it just snaps onto the subject real quick. In this portion, I have no problem focusing both day and night. As for the cameras I have tested, it focuses fast on an X-E4 but it focuses even faster on the X-T5, which shows the power of the new X-Trans sensor and processor.

Fuji X-E4. XF30mm f2.8 @ 30mm . f8 . 1/80″ . ISO 320 . Classic Negative

The second part, it has the typical macro lens characteristics when I shoot really close to the subject and under low light situations. I experienced a slight focus throw to infinity and back slowly before it locked to the subject. If you know how to recover from this situation quickly, then it will be fine.

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/4700″ . ISO 160 . Nostalgic Negative

Minimum Focus Distance

The Minimum Focus Distance is only 10cm from the sensor, the shortest among all the Fujifilm lenses and that includes the macro lenses (XF64mm f2.4 is 26cm and XF80mm f2.8 is 25cm). It can shoot very close to the subject if you wonder. So close to the extent that the lens hood is in its way if you mount the lens hood for protection, etc.

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 400 . Classic Negative
Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 320 . Classic Negative

Price Point

Surprisingly, this is the cheapest macro lens among the 3 Fujifilm macro lenses. At 599 USD, it is merely 50 USD cheaper than the XF60mm f2.4 (the first-ever macro lens from Fujifilm).

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 160 . Classic Negative

Who is this for?

This might be a good choice if you are a new photographer or looking for your first prime lens. It has a sweet focal length suitable for genres like street, documentary, journalism, portraits, animal portrait, cityscape, and landscape and also steps into the world of macro like insects, products, etc.

Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 2000 . Nostalgic Negative
Fuji X-T5. XF30mm f2.8 @ 30mm . f2.8 . 1/850″ . ISO 125 . Nostalgic Negative

Conclusion

I love shooting with my XF80mm f2.8 especially when I shoot for products and portraits. That’s simply because of the sharpness and details that only a macro lens can deliver but it is not a cheap one and it is not the lightest prime lens.

Back to this lens, you do not need to be a macro lover to like this lens. Its MOD basically allows you to take a closer shot of your subject without worrying about having off-focus shots. It also has a focal length close to the “standard” prime lens. This brings out even more versatility in using this lens.

Last but not least, it is compact, and lightweight which makes it a great choice to bring out easily without burdening your shoulder.

Fuji X-T5. XF30mm f2.8 @ 30mm . f5.6 . 1/1300″ . ISO 125 . Nostalgic Negative

In short, the XF30mm f2.8 is not the brightest prime lens among the Fuji lenses, but it is one of the most well-balanced and versatile lenses on the market.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.