Reviews

X-PRO 1 – Can I still use it in 2022?

Since we are just a few months away from the year 2022, please allow me to jump into 2022 instead of 2021. First thing first, yes, you can still use it to shoot. A camera is a camera, it is still capable of doing what it is designed to do. What I cannot answer is whether it is still viable in the year 2022. I do not own the X-Pro1 but I managed to borrow it from a friend for about a month to have a total hands-on experience with this classic rangefinder every day. Why am I using X-Pro1? That’s because I come across friends asking me these questions many times:

Fuji X-Pro 1 . XF35mm F1.4

“I am on a budget and I am interested to start to learn photography, do you think X-Pro1 is worth getting it?”; or “Is X-Pro1 a usable camera as a second camera system?”.

Fuji X-Pro 1 . XF35mm F1.4

Unfortunately, I cannot share my opinion with my friends because I do not have one. Hence, I always recommend my friends to rent it from a camera rental store or borrow it from someone who has it for at least a week. And in this one week, he/she has to try to bring it with him/her and do some shoots every day. So that he/she can see what does this camera lacking for his/her shooting preferences.

But now, it is a whole new different story for me.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/850” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f4 . 1/1250” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 18mm F1.4 @18mm . f11 . 1/1800” . ISO 800 . Post-edited

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots 
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

A little of my Fuji history

My first interchangeable mirrorless camera was the X-T2 and then now X-T3 and X-E3. I have never held an X-Pro1 and shoot the outside world with it. That is why I am lacking experience with the first mirrorless camera from Fujifilm. How is the experience using it in the outside world? I was always told that the first generation was slow and sometimes the focusing can let one person frustrated, and the list goes on. I think this is a good opportunity for me to experience the good and the bad about this classic guy.

Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @206.5mm . f5 . 1/125” . ISO 640 . Post-edited
Fuji X-Pro1 . TTArtisan 17mm F1.4 @17mm . f8 . 1/2900” . ISO 800 . Post-edited
Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @70mm . f4 . 1/125” . ISO 800 . Post-edited

Before I start to share, I believe everyone is familiar with the X-Pro1. Thus, other than my experience, I will not share the technical specification.

Build Quality

When I hold this camera, the grip, the touch, and the weight of this camera give me a premium touch. I cannot believe this camera was made 10 years ago and the craftsmanship of this camera still looks amazing today. The dials and buttons feedbacks are great. I know some people do not like the ergonomic of the rangefinder-style camera but I quite like the ergonomic with it. Looking through the optical viewfinder is a joyful experience. It reminds me of the DSLR days but this experience is way better.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 500 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 640 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f4 . 1/1250” . ISO 1250 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f16 . 1/125” . ISO 1600 . Pro Neg Hi

Shooting Experience …

For the shooting experience, I think it is good to split into 3 segments, the first is with the first generation Fuji lens and the second is with the Fuji newer generation lenses.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2.8 . 1/1900” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/850” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/90” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/450” . ISO 800 . Pro Neg Hi

i) With Classic Lens

I have one and only one classic lens and that is XF35mm F1.4. It is one of my most favourite lenses in my whole entire Fujifilm line-up. Needless to say, the combination of both XF35mm F1.4 and the X-Pro 1 is incredibly beautiful and it seems that they are a match made in heaven. From the moment I start to focus on an object, I finally know what do people meant by slow. The focusing really takes a longer time than the current newer Fuji cameras to lock onto the subject. There is some focus hunting. Sometimes I even encounter this during broad daylight, not to mention how bad it can be under challenging light conditions. Despite the worse, I still can bear with it and get the shot I want. Patience is the key.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/125” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/125” . ISO 1000 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/1000” . ISO 400 . Pro Neg Hi

ii) With Newer Lenses

I have tried with a few newer generation lenses such as XF18mm F1.4, XF23mm F2, XF27mm F2.8 WR, and XF70-300mm F4-5.6. To my surprise, they do not give the same slow focus experience like the XF35mm F1.4 does. But rather, in my opinion, they do give a faster focusing lock and less focus hunting.

Image Quality

I have nothing to gripe about when comes to image quality. Coming out from the X-Trans first-generation CMOS sensor, the result is really impressive. From 100% viewing with the Lightroom Classic, the details are well preserved. Another surprise for me is that the dynamic range is decent too, it is capable of recovering quite an amount of details with the post-processing.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/280” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/55” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 800 . Pro Neg Hi

The Drawbacks:

I have a few drawbacks to share but these are based on my own preference and it may not be a drawback for you in your preference.

i) Front Command Dial

What I miss the most is the Front Command Dial and X-Pro 1 do not come with it. I usually use it for changing my exposure compensation and scroll through photos, etc, which I had gotten used to with the newer camera bodies.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f8 . 1/320” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/20” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/125” . ISO 1600 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2.8 . 1/125” . ISO 320 . Pro Neg Hi

ii) Exposure Compensation Dial

In order to use the Front Command Dial, I set this exposure compensation dial to Custom (C). Unfortunately, this camera does not have the C in the dial.

iii) Using Fuji Remote App

Yes. This app gives me minor problems such as unstable network connectivity and file transfer connectivity. But it still comes in handy when I wish to transfer photos from camera to mobile phone and doing shooting via remote control. Since this camera does not come with Wi-Fi or Bluetooth module, that also means I need to go through the old-school way of file transferring.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1600” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/900” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/480” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @300mm . f5.6 . 1/3200” . ISO 200 . Post-edited

iv) Focus Peaking

I test the focus peaking with TTArtisan 17mm F1.4 and the result is awesome. There is no complaint about the image quality. The problem that I have is that I am too relying on the “Red” or “Blue” as my focus peaking highlight whereas X-Pro1 only comes with “High” and “Low” options. While it is not something that is not difficult to use, it is just personal preference.

v) The Menu System

The menu system from this rangefinder is not difficult to use, however, the current menu system is way better. I did use the old menu system before with my X10 but I am so used to the current menu that I feel a bit lost to use the old one. Again, this is about adaptability.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/3200” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 2500 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/320” . ISO 640 . Pro Neg Hi

vi) The Little Focus Stick

Some people hate it, some people love it and I belong to the latter. In fact, I use it more often than the 4 directional buttons, also known as selector buttons. Whenever I try to navigate the menu system, my thumb will unknowingly move to where the focus stick position is. Then I only realize that this camera does not equip with it when I try to push the “stick”.

vii) The In-Camera Raw Processing

The newer lineup of Fujifilm cameras comes with a good suite of film simulations and basic editing tools to do some simple post-processing or fine-tune your photos, so you can share them with your family and friends immediately.

I love to use this function, especially when I can make some fine adjustments inside the camera during commuting or between breaks. However, the raw processor included in this first generation is rather slow. But if you want to do some simple post-processing in the camera, you can still do it.

Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @87.5mm . f5.6 . 1/800” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1100” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 18mm F1.4 @18mm . f5.6 . 1/2400” . ISO 200 . Post-edited

Conclusion

It is a good camera with minor drawbacks. 16 megapixels (mp) is certainly enough for the magazine size print and more than enough for your social media sharing. I am totally fine with 16mp as I hardly crop my photos by a lot. So should I get one? Probably not the X-Pro 1. Don’t get me wrong. This camera is still capable of shooting amazing shots. Having said that, I might consider getting a used X-Pro2 instead of X-Pro 1. That is because X-Pro 2 at least eliminates my drawbacks. (Sorry for the disappointment.)

To answer both questions stated in my second paragraph. If you do not mind the drawbacks that I have mentioned, you can get one for your photography learning adventure or for a second camera system. I always prioritize great quality lenses first over the camera body. Hence, pick up one or two good primes lenses (or zoom lens if you prefer) together with this camera.

In My Own Words

The evolution of the technology in the camera industry has been improving from time to time. I always think of the longevity of the camera technologies one can optimize with. When I am purchasing a camera, I will weigh the cost and the longevity for myself. As this X-Pro1 is hitting its 10 years mark in 2022, this also means the technology inside its gut is 10 years old too. I’m not saying this camera cannot be used. But what I am suggesting is that if one person is to invest in a camera system, probably can consider cameras that launch in recent years. At least you can stop “chasing” after a newer camera when you get the more recent one. If brand new is not an option, you can also consider getting the pre-owned newer camera models at a better and affordable price point.

Thank you for reading.

If you need helps, you may direct message me in either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Fuji X-Pro 1 . Fuji X100V

Reviews

My “40mm” point of view

In 2012, Canon announced the EF 40mm F2.8 STM. It was one of the affordable and compact lenses in the whole EF lenses lineup. As this lens could allow my Canon 6D to be more compact and lightweight, I bought it without hesitation. I cannot say it has the best image quality that this brand can offer but it is one of the well-balanced between image quality and portability that I have at that point in time.

Fuji X-Pro3 . Fuji 27mm F2.8 WR

Why do I like pancake lenses?

It was all started in the mid-2000 when I am sourcing information on which camera system to be my first DSLR. Then I came to know about pancake lenses offered by Pentax. I had no idea why I have this fascination with the pancake lenses, such as 21mm F3.2 AL, 40mm F2.8 Limited, and 70mm F2.4 AL. If I am to give myself some explanations. The first reason could be probably the compactness these lenses can offer and the second reason was the engineering achievement. But after all the hypes and struggles that my inner self had, I decided to go with the majority, Canon. That’s because I have friends who are using the same brands and they have lenses that I did not own and vice versa. And so I thought it will be good to share the lenses if one ever need them. But eventually, this sharing “idea” rarely happened.

Fuji X-Pro3 . Fuji 27mm F2.8 WR
Fuji X-Pro3 . Fuji 27mm F2.8 WR

Fast forward to 2021, I have to thank Mr. Keitaro So (Divisional Head of Fujifilm) for giving me the opportunity to experience the “40mm” equivalent focal length again and it is called the XF27mm R WR lens. It is a minor upgrade lens from its predecessor with some exterior improvement while maintaining the same good optical glass. I have written it over here before in mid-February but not really in detail. So I feel that I need to give a proper personal opinion about this lens.

Months after it’s launched, I decided to get one myself. How does this 40mm focal length fits into my most favorite and commonly used focal lengths, 35mm and 50mm in the full-frame equivalent? To be honest, I have no idea how it will turn out to be. But I know I need to shoot more with this lens and my experiences will tell.

Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/240” . ISO 320 . Classic Chrome
Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/100” . ISO 640 . Classic Chrome

Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/100” . ISO 320 . Classic Chrome
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 320 . Classic Negative

This is my 7th week of using this lens when I am writing this article. Basically, it is my to-go lens for any camera body I am using. These 7 weeks of experience may not be qualified as worthy experience to some. But they are just my thoughts.

Built Quality

It has the XF quality built standard and you can rest assured of this. The aperture ring has a smooth and satisfying clicky experience like most of the XF lenses.

Autofocus

In the day, the autofocus is fast and pretty accurate in nailing the shots. At night, it sometimes performs slightly slower than the day but usually still can get the subject in focus and also dependable on the environment’s available light source. Nevertheless, I have to say that I have an off-focus shot at night, which only happens once. The camera has indicated that it has focused ( green box shown) when I half-pressed the shutter button, the photo turns out to be off-focus and I do not even realize it when I preview it with the LCD screen. It is obvious and I believe I will notice the result if I preview it from the EVF. Fortunately, this is a one-off case.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 500 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative

Image Quality

The image quality is great for such a compact lens. I preview the images from Lightroom Classic at 100% and the details are decent and the sharpness is solid. No complaint about this. Another good thing about this lens is that I do not observe any chromatic aberrations (CA). Although CA can be easily corrected in post-processing, it is good to have this advantage because I can have 1 step lesser to handle.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/120” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative

Weather Resistant

Most of the new Fujifilm lenses are equipped with Weather Resistant (WR). Although I will not put any of my lenses under extremely harsh weather, this is definitely a welcome feature to have. XF 27mm WR is the second lens after XF 10-24mm WR to get updated with WR and keeping the same optic glass formula and quality. If Fujifilm is following this trend, I think they will continue to “WR” the other old lenses and extend their longevities.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 400 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/350” . ISO 160 . Classic Negative

What is the advantage and disadvantage with this lens?

I will just break down 3 advantages and 3 disadvantages (fair thing).

Let’s talk about the disadvantage first. It is the slowest prime lens among all the prime lenses Fujifilm is offering. Unless you have an In-Body Image Stabilization camera or tripod or steady hands, otherwise you might need to increase your ISO for certain low light conditions for your shots.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f16 . 1/200” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/450” . ISO 160 . Classic Negative

Another disadvantage is the Minimum Focusing Distance (MFD), it is sometimes difficult to achieve a close-up shot with the subject that I want. At 0.34m, it is not the best MFD experience among the prime lenses that I have.

The last disadvantage is that it is not really bokehlicious like other prime lenses. When I shoot at F2.8, sometimes it renders busy and messy background. The separation between the subject and the rest works but does not render smoothly. Worse still, it distracts the subject-in-focused from the viewers. Especially to me.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 640 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . F4.5 . 1/480” . ISO 160 . Classic Negative

As for the advantage, obviously, it is compact and weighs only 84 grams. Mounting this lens onto any of the camera bodies has a very insignificant impact on the overall weight. I am not expecting anyone to complain that their hands are tired with this lens on their cameras.

Secondly, it does not attract any attention from anyone when I am doing street photography. I have tried using it and snap many shots in a busy wet market and no one takes a second look at what I am doing.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1000 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1600 . Post Edited

Another advantage is that I am using it as a “lens cap”. It means that I usually mount it on a camera body permanently when I am not in use (in this case, on an X-E3). To add on, I can quickly take it out from my dry cabinet and shoot if I spot some interesting moment or a beautiful sky. This is something like the X100V.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f4 . 1/2000” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/4000” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 200 . Classic Negative

Who is this for?

This lens is suitable for anyone who wants to reduce the overall package without compromising the image quality. Especially for people who love to travel light and as simple as possible and it can be easily kept inside a small bag.

But if you are looking for your first prime lens on a budget, this lens might not be a good option for you. Its predecessor should be a better option since they shared the same optic quality and it is cheaper in retail and even cheaper if you get it from the second-hand market. However, take note that the predecessor does not come with an aperture ring. Otherwise, XC 35mm F2 should be the best budget option. I always recommend this XC lens to people who want to learn to use a prime lens.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 320 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/240” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5 . 1/200” . ISO 250 . Classic Negative

Last but not least, if you are willing to accept the disadvantages that I have listed in earlier paragraphs, I think you should be happy with this lens.

In Summary

40mm was a very popular focal length a few decades ago, with many popular film cameras like the Olympus Trip, Rollei 35, Leica Minilux and Bell and Howell / Canon Canonet 28, et cetera were equipped with this focal length. However, with the wider focal lengths made available to the market in the latter decades, the “40mm” focal length is no longer in the eyes of consumers and professionals. It is not as wide as today’s wide-angle standards (24mm, 28mm in 35mm format). Despite that, this is subjective to individuals’ opinions.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/85” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/120” . ISO 1600 . Classic Negative

At 40mm, I do meet some challenges, especially framing from low angles and in confined spaces. If the environments allow, I can try to overcome these challenges by lowering down my camera further or step a little behind. On the other hand, sometimes I feel that this focal length is nice for landscape, just right for snapping food shots, and without a doubt, street photography.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 320 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/600” . ISO 160 . Classic Negative

After these 7 weeks of shooting, here are my thoughts: I can continue to use this lens alongside my XF23mm and XF35mm lenses. I can use them individually or side by side and that will depend on my mood to pick either one of them (or all three) for my street shooting therapy. I can say that it has become my 3rd favorite lens.

Thank you for reading.

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/900” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/480” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/3200” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1100” . ISO 200 . Post-edited

street

The First Photowalk Since CB Phase 2 (HA)

Circuit Breaker Phase 2 (Heightened Alert) started on 16 May 2021 and lasted for a month. As we are now moving into Phase 2 of re-opening, we started out with a small group of gangs for a small photowalk in the morning at the Kebun Baru Birdsinging club and the neighbourhood around it.

I also take this opportunity to play with my XF27mm WR lens, XF 70-300mm with an X-Pro3. I have to thanks my neighbor (Mr. Ivan Loh) for lending me this wonderful and sexy camera body.

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/280” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/300” . ISO 160 . Classic Negative

A new friend who is using Olympus at the moment. Planning to jump over to Fujifilm.

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/2400” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @240mm . f5.6 . 1/200” . ISO 1250 . Classic Negative
Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @300mm . f5.6 . 1/200” . ISO 640 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative

Manage to have 2 starbursts. Can you see it?

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f8 . 1/640” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/420” . ISO 160 . Classic Negative

The usual you shoot him, I shoot you shot.

Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @278mm . f5.6 . 1/200” . ISO 320 . Classic Negative

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/350” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/1400” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5.6 . 1/200” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5.6 . 1/1700” . ISO 160 . Classic Negative

Thank you for viewing.

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Discussion

What will be the future for the legendary 35mm?

As we all know, the XF35mm F1.4 is probably one of the legendary lenses in Fujifilm 10 years of X-series. Most of the Fujifilm photographers who use it, love it and praise it. So am I. The noisy focusing motor can be easily forgiven by the impressive results coming out from the optical magic that it has and of course, its compact size. My only regret is that I should have get this lens sooner than any other lenses. The price of this F1.4 lens is not as expensive as the other F1.4 lenses. So if budget is not an issue, I always recommend this lens to anyone who wants to own their first prime lens. Otherwise, it’s younger sibling, XC35mm F2.

Fuji X-T3 . XF35mm F1.4 . @35mm . F2.8 . 1/640″ . ISO 160
Fuji X-T3 . XF35mm F1.4 . @35mm . F2 . 1/320″ . ISO 800

Today, we know that everyone is desperately wanting for the MK II of this glass. Whenever there is a Fujifilm X Summit, everyone is hoping for Fujifilm to release some form of news or teaser. Yet, Fujifilm chooses to stay silent about it.

In this article, I am based on rumors and some observations from Fujifilm strategy, I will be sharing my thought of what this MK II lens will be like. So, please take this article as a pinch of salt.

First, let’s talk about rumors. Early this year, the popular Fujifilm rumors site, Fujirumors.com, has shared a piece of news stating that there will be an XF33mm F1.4. When I read this headline, I have this thought in my mind; We all know that Fujifilm has dropped the development of the XF33mm F1 and change to XF50mm F1. Despite that, it seems that Fujifilm has not given up the 33mm focal length at all. If this XF33mm F1.4 is true, then this lens will come with new optical formula (or probably a revised version of the F1 “predecessor”?), equips with better focusing technology, and probably larger in lens size too (compare to XF35mm F1.4). Does that mean there will no longer be an MK II of the XF35mm F1.4? My guess is that it is not going to replace the XF35mm F1.4 but rather sell along with the XF35mm F1.4 (MK II?).

Fuji X-T3 . XF35mm F1.4 . @35mm . F2 . 1/125″ . ISO 2000

Secondly, let’s discuss the Fujifilm strategy so far. We know that Fujifilm has recently released 2 MK II lenses. They are XF10-24mm F4 WR OIS WR and XF27mm F2.8 R WR. What do they have in common? They are using the same optical formula as their predecessors and added with some upgrades. Catch my theory? I suspect Fujifilm will use the same optical formula for the XF35mm F1.4 MK II and introduce WR and probably some upgrades to go along with. I think this strategy will work and will please most of the XF35mm F1.4 lovers. Because most of the XF35mm F1.4 owners share to me that their most concern is that Fujifilm might lose that magical mojo with its success

Fuji X-E3 . XF35mm F1.4 . @35mm . F2 . 1/180″ . ISO 400
Fuji X-E3 . XF35mm F1.4 . @35mm . F2 . 1/60″ . ISO 500
Fuji X-E3 . XF35mm F1.4 . @35mm . F9 . 1/900″ . ISO 200

If everything mentioned in this article is true in the future, then I think this is a good move from Fujifilm. While they get to keep their fans happy with the newly upgraded XF35mm F1.4, they can also comfy engineer a new piece of glass of a very similar focal length to target new photographers.

Fuji X-E3 . XF35mm F1.4 . @35mm . F4.5 . 1/80″ . ISO 640
Fuji X-E3 . XF35mm F1.4 . @35mm . F2.8 . 1/80″ . ISO 320
Fuji X-T3 . XF35mm F1.4 . @35mm . F1.4 . 1/4700″ . ISO 160

Thank you for reading.

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Reviews

XF18mm F1.4: Welcome to the F1.4 Family

Fuji X-S10 . Fuji 18mm F1.4 WR

First of all, I would like to thank Mr. Keitaro So, Divisional Head of Fujifilm for providing the loan for X-S10 and XF18mm F1.4. The units were loaned from Fujifilm Asia Pacific and had returned back to them. All the shots shown here are taken by me and some shots are minor edit inside the X-S10.

Secondly, I would like to thank Syen Lim (@syen.lim) and Yi Xuen for helping out to test with this lens.

Thirdly, the original post can be found here. The reason why I repeat the same thing over here is that I can fine-tune my message putting across to the readers and edit some of the typo errors found in the original post.

Fuji X-S10 . Fuji 18mm F1.4 WR
Fuji X-S10 . Fuji 18mm F1.4 WR

First and foremost

XF18mm F1.4 is the fourth lens that comes with this aperture in Fujifilm lens line-up (XF16mm F1.4, XF23mm F1.4, XF35mm F1.4). It was announced under development back in Fujifilm X Summit held on 15 October 2020 and today it is here.

It has a field of view equivalent to 27mm in the 35mm film format. In this day and age, most of us should be very familiar with this field of view and use this focal length to shoot in our daily life. Yes. I am referring to our smartphones. Apple iPhone 12, Samsung Galaxy S21, Google Pixel 5 and Oppo Find X3 Pro, to name a few, share the common focal length with this lens. I suppose this lens is perfect for landscapes, portraits and general street and food shots.  

So how does this lens sit inside the F1.4 family?

Fuji XF18mm F1.4

Build Quality

When I first hold this pre-production lens, I find the lens’ size and weight is somewhat familiar.

I pick up my XF16mm F1.4 and compare both of them. Indeed, they are very close to each other. XF18mm F1.4 is slightly taller but smaller filter size (@ 62mm) than XF16mm F1.4 (@ 67mm). And according to my not-so-accurate kitchen weighting scale, it weights 370 grams (slightly lighter than XF16mm F1.4 @ 375 grams).

There is this interesting button on the lens. This button helps to prevent photographer from accidentally turn the aperture ring to “A” (Auto Aperture). In order to use this “A”, you have to press the button and turn the aperture ring. If you notices, XF27mm WR also share this similar. A thoughtful engineering from Fujifilm.

The lens is well-constructed and built quality is awesome. The aperture ring is smooth and it has a good “click” satisfaction. Unsurprisingly, the lens hood is plastic. The lens barrel is not wide and large, so it fits well with most Fuji cameras.    

Pairing this lens with X-S10 is comfortable. The weight is well-balanced throughout the lens and there is no sign of heavier front elements. WR is undeniably a welcome feature too.

Fuji XF16mm F1.4 . Fuji XF18mm F1.4 . Fuji XF35mm F1.4
Fuji XF16mm F1.4 . Fuji XF18mm F1.4 . Fuji XF35mm F1.4
Fuji XF18mm F1.4 WR . 370 grams (0.82 lbs)

Get Started

To be frank, this is not my most frequently used focal length. 35mm and 50mm (in full frame equivalent) are my most used focal length and followed by 24mm. I wonder how I can optimize this lens as my daily street lens and portrait lens throughout this trial period.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/7500” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f8 . 1/420” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/1700” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5 . 1/1400” . ISO 320 . Classic Negative

Image Quality

The overall image quality is excellent and I couldn’t find anything to complain about. In my opinion, the photos taken at F1.4 are usable and the bokeh renders smoothly too. Of course, the bokeh is also comfy and pleasant to my eyes.

I also do not observe much chromatic aberration, maybe there is very little. Even if there is, it does not affect my photos a lot as it is easily remove in post. So I am not worry much about it.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/2” . ISO 160 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1.6” . ISO 160 . Classic Negative

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/105” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/150” . ISO 320 . Classic Negative

Autofocus

Everyone’s expectation for autofocus speed is high and Fujifilm does not disappoint everyone with this lens. During the day, the focusing speed is real fast, it’s silent and it’s also confident in locking onto the subjects. For indoor environment, I do not experience any slow in focusing, it still silent. I do sometime experience miss focusing but it does focus right on my second attempt.

On the other hands, under extreme dim conditions, I can feel that the focus is slightly slower but not that terribly slow. Funnily enough, it does not hunt.  

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f8 . 1/28” . ISO 160 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f8 . 1/10” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/25” . ISO 640 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/350” . ISO 320 . Classic Negative

Using it for streets

Yes. No doubt this lens is for street photography. This focal length is wide enough to cover mostly general street shots. I don’t have much complain using this lens for street shots. I think I adapt to this focal length very well.

One of the benefits of having this lens is with its fast aperture, it gives “brighter” shooting opportunity for night street. Especially for someone who like to take night street photos. 

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1” . ISO 160 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f4 . 1/2400” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/420” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/1250” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/10” . ISO 160 . Classic Chrome

Minimum Focus Distance & Magnification

This is one of the key features when I am looking for a lens and that’s because I love to take shots at its Minimum Focus Distance (MFD). Understanding the MFD will allow me to visualize what result can I achieve with this lens. I know it may not be a big concern for some people but it does concern me a lot.

In my trial period, I do not have the specification for this lens and hence, I does not have the exact MFD value. But I feel that it is not as close as what XF16mm F1.4 can achieve. If case you wonder, the MFD for XF16mm is 0.15m and I think for this XF18mm F1.4 is about 0.2m. But the result is actually not bad.  (According to official statement, the MFD is indeed 0.2m and the magnification is at 0.15x.)

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/250” . ISO 160 . Classic Negative

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/600” . ISO 160 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/15” . ISO 160 . Classic Chrome

Using it for portraits Undoubtedly, Fujifilm has a range of amazing portrait lenses to choose from. I know we are not lacking of choices but I still want to show how well does this lens performs as a “portrait” lens.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/8000” . ISO 160 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/8500” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/1400” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/150” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/80” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/60” . ISO 640 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/180” . ISO 320 . Classic Chrome

From my standpoint, the results produce from this lens is beyond above passing level. The separation between the subject and the background is clean and decent. Eyes are sharp. Skin tone is pleasant. Having say that, I think this lens is very useful for environmental portraits.  

Conclusion

Fujifilm has never fail to amaze everyone with their lens line-up and once again Fujifilm has done a good job providing such a high quality product. This lens gives many potential buyers more lenses options to choose from but definitely a hard time deciding.

Who is this for? I believe there will be some XF18mm F2 photographers going to upgrade to the F1.4 variant but I also know that there are lots of XF18mm F2 photographers will still keep their current F2 lens with them. Because who don’t love compact, small, lightweight and easy to carry around lens for general purpose shoots. The way I see it, I think Fujifilm is not targeting this group of photographers but rather another group of photographers who do not mind about the size and weight but a fast and big aperture lens. Having said that, there is no comparison between the F1.4 and F2 variant of the 18mm lens because they are both designed for different needs and purposes.

(The official price was announced at USD 999 and will be available from late May 2021.)

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Thank you for reading.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/1100” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/52” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/800” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/4700” . ISO 320 . Classic Chrome

street

A small walk in the Jewel

If it is not seeing my colleague one last time before he heading back to his country, I would not have this opportunity to visit Jewel Changi Airport. It was almost a year since my last visit to the Jewel and everything still looks the same, just added a few more barricades and scanning counters.

And I finally get to bring my X-E3 and XF23mm F2 for a spin. The last time I used the XF23mm was like in December 2019. Shots are all straight out of camera.

Uncategorized

Fuji Fanboys 2nd Annual Best of Show Exhibition

Best of Show Exhibition 2019.

Early this year, the biggest Fuji Fanboy, Ivan Joshua Loh, had organized the “Best of Show” Exhibition in it’s 2nd year. This is an interesting exhibition, there is no theme or genre at all. Be it landscape, cityscape, sports, macro, fashion, foods or portraits. He has only one rule and it has to be “Fujifilm” camera. It does not matter if it is taken with film or digital. All you need to do is to hashtag “fujifanboys_2nd” in 5 of your most favourite photos. Apart from the top 10 winning prizes, all the top 25 photos will be exhibited in Fujifilm Studio Singapore for a month in July 2020.

Lucky winner.

I took part in his first exhibition competition last year and it was organized locally in Singapore. We actually submitted 3 photos via email and I was lucky enough to be 1 of the 25 to be exhibited in Fujifilm Studio. There was no prize back then but it was sort of an achievement because there was about 300 submissions and I was selected. It was probably one of the greatest achievements in my life.

The Selected Photo.

I had submitted 5 for this year submission. Wish me luck. : )

The 2nd year Fuji Fanboy was called on 20 April 2020 and the deadline is 10 June 2020. There are approximate 3000 submissions so far as of today.

Below are the rules if you are interested to submit.

1. Maximum of 5 submissions per person at IG
2. Each submission is required to hagstag #FUJIFANBOYS_2nd
3. Submission deadline 10th June 2020.
4. Follow IG @FujiFanBoys

My first submission for Best of Show Exhibition 2020.
My second submission for Best of Show Exhibition 2020.
My third submission for Best of Show Exhibition 2020.
My fourth submission for Best of Show Exhibition 2020.
My last submission for Best of Show Exhibition 2020.

Disclaimer:

1. All the shots taken here were shot by me.

2. I reserve ownerships to these images, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Uncategorized

Budget & Camera

Lenses

Buying camera is never an easy task to being with. Of course, if budget is not an issue, you can purchase what you want off the shelf from the store immediately. But there are still a group of people who are more cautious about money spending, especially for the young one, be it a student or a young workforce.

Continue from my previous post, my friend had replied to me he want to use it for mainly for travel and causal family and friend shoot during weekends when there is a gathering or two. So he also further asked me to help him to recommend him what camera, lenses and accessories he should prioritize within the given budget with his usage. He So after understanding what he wants, I had work out some camera models & lenses from various brands and accessories. Over here, it’s all about Fujifilm. So I shared with you what I had shared with him.

With a budget of SGD2000, I have a few models for him to try out. These are based on suggested retail prices, street price should be slightly cheaper. (Due to Circuit Breaker, I am not able to get the street price.)

  1. X-T30 with XC 15-45mm (SGD 1549) + XC 35mm F2 (SGD 299) = SGD 1848.
  2. X-E3 with XF 18-55mm (SGD 1399) + XC 35mm F2 (SGD 299) = SGD 1698.
  3. X-T200 with XC 15-45mm (SGD 1148) + XC 35mm F2 (SGD 299) = SGD 1447.

Talk about camera body, X-T200 is the newest among this 3 choices but I will advise to get X-T30, given that it is using the latest sensor and processor. The longevity of the camera should last longer. X-T200, on the other hand, has bigger flip LCD screen for selfie and vlogger to use. Auto focus is not as fast as X-T30, probably similar to X-E3. Unless you love to selfie, X-T30 is my recommendation.

Usually I do not recommend XC 15-45mm lens but it seems that XC 16-50mm MK II is no longer available in Fujifilm Singapore. If I have to choose between these two XC lenses, I prefers XF 16-50mm over XC 15-45mm. Wait a minute, isn’t 15mm (22.5mm in full frame equivalent) is wider than 16 (24mm in full frame equivalent). Yes, it is wider and definitely helpful when you need that wide to cover some shots especially on landscape sceneries and group photos. The reason of not recommending is not because it has poor optic quality but because it is using power zoom lens which in my opinion is much slower than manually zooming.

XF 18-55mm is my most preferred choice among all 3 choices. This is my first and only zoom lens from Fujifilm. To me, it is the standard of what premium kit lens should be. As most of the time, even for for travel, I use prime lens, unless situation does not allow me to do so, I will use this XF 18-55mm.

If you notice, I also included XC 35mm F2 inside all the 3 packages. This XC lens features plastic barrel but the optic quality is the same as XF 35mm F2. Of course it is lack of aperture control but I think it is okay. It is Fujifilm’s fifty nifty lens. It is the cheapest prime that I will definitely recommend to newcomers if they are entering to Fujifilm’s playground.

“XC class lenses can be viewed as Fuji’s budget oriented X-Mount lenses. There are currently only two XC lenses, both feature plastic barrels and lack the aperture rings often found on their XF R siblings. XC lenses also feature slower apertures but still feature ED and ASP elements to ensure consistent and high image quality. Often found bundled with Fujifilm’s lower priced mirrorless cameras, both the current XC lenses are under $400 and can be identified by the inclusion of ‘XC’ in the lens model designation.”

From Shutter Muse
Lenses

How about accessories?


First and foremost: Filters
I used to mount filters a lot and I always believe that they help to protect the front piece of glass. Just like “screen protector” logic to mobile phone. But I was wrong. I dropped one of the lens (not fuji) without the lens hood before and it actually scratched the front glass. Conclusion: no matter how, hood over filter. Always mount hood. Unless you want do special effect with certain filters, then it’s okay. By the way, getting cheap filters might also degrade the image quality.

Second item: Battery
This is important. For me, I have tons of spare batteries. Currently about 9 batteries in used with 3 brand new in box. I always bring 2-3 spare batteries with me for shoot and about 6 spare batteries for travel. That shows how afraid I am of losing batteries to shoot. It is not an excuse that not able to shoot certain things when I want to and the reason is because I forgot to bring extra battery. Depending on the retail shops, they might give you a spare battery as a free gift. So I think getting an extra one more battery should be sufficient for starter, which mean 3 batteries in total.

Third item: Cleaning kit
Basic cleaning kit is important. Typically getting a package that includes a decent blower, wipes, pen brush and microfibre cloth is good to start with.

Fourth item: Dry cabinet
If you do not intend to expand your lens collection so fast and so soon, you may consider to get a reasonable size digital dry cabinet. A 30 litre size is selling approximately SGD89 in Singapore. If on a budget, a dry box is doing fine with silica gel.

Fifth item: Tripod
Cheap tripod does the function of being a tripod but usually it is not stable and weak when exposed to outdoor environment. I do not recommend getting it. Tripod is not really essential unless you want to explore long exposure landscape photography. If you do, purchase a good one. But you are on budget, save up on some money to get it. This is something you shouldn’t save money on or you might be regret.

Last but not least: Memory Card
Never ever invest in cheap memory card. Why? Why do you want to take the risk of having problem with your memory card? What if your photos are corrupted because of the cheap memory card? In my opinion, it does not worth the risk at all. The price of getting decent brand memory card is reasonable nowadays and I don’t see why we need to take risk in getting a cheap one.

The above are the general idea of what I have shared with my friend. I hope the tips are helpful in your adventure of getting your first camera.

Lenses

On the other hand, I have also compiled as list between USA, Singapore and Hong Kong for your info. The price list is based on May 2020.

Camera and lens descriptionAdorama (US)
(USD)
B&H (US)
(USD)
Singapore
(SGD)
Hong Kong
(HKD)
X-T30 w/ XF 18-55$1,299.00$1,299.00$1,999.00$6,290.00
X-T30 w/ XC 15-45$999.00$999.00$1,549.00NA
X-T30 w/ XF 23f2NA$1,348.00NANA
X-T30 Body$899.00$899.00$1,399.00$4,350.00
X-T20 w/ XF 18-55$899.00NANA$5,050.00
X-T20 w/ XC 15-45NANANA$3,890.00
X-T20 BodyNANANA$3,220.00
X-E3 w/ XF 18-55$799.00$799.00$1,399.00$4,540.00
X-E3 w/ XF 23f2$749.00$1,052.50$1,299.00$4,680.00
X-E3 Body$499.00$499.00$999.00$2,520.00
X-T200 w/ XC 15-45$699.00$699.95$1,148.00$4,580.00
X-T200$599.00$599.95NA$3,890.00
X-A7 w/ XC 15-45$499.00$499.00$849.00$3,680.00
XC 35mm F2$199.00$199.00$299.00$1,380.00
XF 35mm F2$399.00$399.00$699.00$2,290.00
Table comparison

Disclaimer:

1. All the shots taken here were shot by me.

2. I reserve ownerships to these images, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Uncategorized

My Stay Home Series

“In view of the COVID-19, Singapore Prime Minister first announced the “Circuit Breaker” (CB) measures in 3rd April 2020 that kicked in four days later and last for a month, forcing people to stay at home and work from home at much as possible in effort to limit the virus’ spread. While there are many non-essential services closed, you still can go to supermarkets and food center to get your needs and foods.”

Before the commencement of the CB, I usually travelled around Singapore every weekend to fulfil my shutter therapy. With this CB in place, basically you are unable to do thing as you used to be. So what can I do at home? How can I spend my weekends to satisfy my shutter therapy?

Chrysanthemums – Orange Spider Mums.
Chrysanthemums – Orange Spider Mums.

Product shoot is the first thing that came into my mind. It has been a good 1.5 years since my last product shoot was done (not counting with the recent X100V product shots). I love to shoot product shots in my early days of photography and I love to shoot abstract from it as I love to see the details from it.  With that in mind, so I decided to pick it up again. I also intended to shoot with different products every week and hence, It is going to be my “Stay Home” series.

Coffee Beans.
Coffee Beans.

Shooting a product is simple. Just find a product and shoot. It’s fast and quick. i.e. flower, lens, phone, spectacle, kitchenware, fruits, etc.

But getting from a different perspective of the product is not simple. It took a lot of time spend to explore different angles of the product and trial and error to see if the results meet my expectation.

Bowl.
Bowl.

So initially our Government mentioned a month of CB but extended for another month in the recent updates. So from 4 products to shoot, now I have to source for another 4 products to shoot. While writing this post, we are still 4 weeks away to the end of the CB.

Over here, what I posted here are the product shots that I have done for the past 4 weeks. You can look up what products I shot during this period in my Instagram account.

Dalgona Coffee.
Dalgona Coffee.
My favourite Guinness Draught.
My favourite Guinness Draught.
My Fujifilm cameras.
My Fujifilm cameras.

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

  1. Alwin Kok's avatar
  2. tkphotosz's avatar
  3. Unknown's avatar
  4. Unknown's avatar
  5. Unknown's avatar
Uncategorized

My First X100

X100 was announced back in Photokina 2010. Lots of praise from the media and online reviewers. Fujifilm nailed the design of the retro-style enthusiast rangefinder camera with traditional analogue control dials. It was a great hit and instantly built up a large pool of fans base. I am one of them but…  Here’s the “but”… As a student, the price tag scared me off. 

One year later, they announced the X10, a younger brother of X100, and it fulfilled my dream of having my first Fujifilm camera. Like I mentioned in my earlier post, it was a fun camera and I love the film simulations. Despite that, it did not spark much joy for me. 

Occasionally, I went to the retailer stores to play with the X100. I love the build quality, it was good to hold it in my hands and I was blown away by the hybrid viewfinder. On the other hand, the focusing system was not snappy enough, the shooting menu was not as good as what it is today and the images seem to be soft at F2. For the price tag, I have to give it a miss. 

Almost 3 years later, X100S had arrived at the shore and I still had not made the purchase. In fact, I wasn’t shooting a lot during those years and I still can count how much time I had actually brought my camera out for a click. It was my low point, it had become a hassle to bring the camera out and slowly I lost my passion for shooting.I still read up the reviews, tested it with a few clicks at the retail stores and nothing more beyond these two points.    

Another 3 years later, X-T2 caught my attention unknowingly. I knew there was a X-T1 but it was X-T2 that captured my interest. It sounds crazy but it really ignited my passion towards photography again. I even placed a pre-order for it and I got my first Fuji prime lens, XF 23mm F2, to go with it. From that day forward, I had been using the 23mm on most occasions. The versatility of 23mm is just great for street, travel and documentary, isn’t it?

In 2019, when I got my XF 35mm F1.4, things had changed a little in my path. I became obsessed with this lens as it gave me some sort of characteristic feel in my images. It boosted my passion for shooting even more. To be honest, I have left out the XF 23mm since then. The 35mm lens made me keen to bring my camera even on my working days. However, due to my working environment, I have to carry my heavy loaded bag for meetings almost everywhere in Singapore. The overall size of the camera and lens may be compact but it is not that small when I want to put it inside the office bag. This is where I started to miss the Fujifilm compact camera series. the X100, X70 and XF10.

So, what compact camera does Fujifilm have to offer? 

XF10, X70 and X100.

First of all, X70 had stopped production without a successor, not many retailers were selling it and even those retailers that were still selling it, would not recommend me to get it. XF10 was a “cut-down” version of X70, I tried and I was disappointed with the poor autofocusing and laggy interface, so I skipped. With this elimination method, that’s left with X100F. But it was 2019 already and X100F was in its third year cycle, which also meant that it may have a new successor in the pipeline. No one but Fujifilm knows when it will be announced. Since I am not an impatient person, I waited. 

After two months of waiting, the successor had finally said hello to the world. I happened to have the opportunity to try out the successor and I must say I love it. It’s that kind of first love. Beauteous, aesthetic, elegant, ravishing…. This is what I am waiting for. This is not two months of waiting but a good 10 years. This is the sexy camera that I have been waiting for since 2010! 

To tell everyone how much I love this X100V, I immediately brought it out to shoot with the packaging hand carried along. The photos presented over here are my virgin shots with it.

Sidetrack 1: This successor, which is the fifth X100 series, is also my fifth Fujifilm camera. Not sure it is coincidently or fate. Since there are lots of reviews on the web, I will not discuss the technical term or review this X100V in this blog.

Sidetrack 2: This X100V is initially planned to be my weekday camera, I was happy to have it with me and snap some interesting shots while I commute to my destinations.  But now it has become more than just a weekday camera, it’s my everyday camera. 

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

  1. Alwin Kok's avatar
  2. tkphotosz's avatar
  3. Unknown's avatar
  4. Unknown's avatar
  5. Unknown's avatar