As the title suggests, please take this comparison with a pinch of salt. It’s just for fun and nothing too technical to share and discuss. This is something I did not try before but there is always a first time.
First thing first, why compare these 2 lenses? My reason is simple. They are approximately the same size and same price range (approximately 150 USD different) for brand new. Some might suggest why not compare the Sigma 18-50mm with the XF 16-55mm instead. In my opinion, they are not the same size and you can buy 2 of the Sigma 18-50mm lenses and have some cash left. To cut things short, they are in a different league.
Here we go.
Left: Sigma 18-50mm f2.8 @ f2.8. Right: XF 18-55mm f2.8 – 4 @ f2.8. Shoot at approximately 50 cm. Both at 18mm.
Left: Sigma 18-50mm f2.8 @ f2.8. Right: XF 18-55mm f2.8 – 4 @ f2.8. Shoot at 30 cm. (XF 18-55mm minimim focus distance). Both at 18mm.Sigma 18-50mm @ f2.8 @ 18mm . minimum focus distance @ 12.1 cm
Left: Sigma 18-50mm f2.8 @ f2.8 @ 50mm. Right: XF 18-55mm f2.8 – 4 @ f4 @ 55mm. Shoot at approximately 100 cm.
Sigma 18-50mm f2.8 @ f2.8 @ 50mm. Shoot at approximately 100 cm.
In conclusion: Despite having 5mm shorter than the Fuji, Sigma has more versatility. All thanks to the capability of shooting at a much closer Minimum focus distance at both wide and tele ends. As for image quality, I think they come in quite close together. What do you think? Are you willing to sacrifice the aperture ring and the metal build lens to opt for a Sigma 18-50mm f2.8?
Thank you for reading.
Disclaimer: 1. All the shots taken here are shot by me. 2. All shots are straight out of the camera. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
I can’t deny that 35mm (50mm in full-frame equivalent) is one of the favorite focal lengths among most photographers. And I see why the manufacturers are releasing this focal length at a higher priority and more frequently (with various aperture values) than any other focal length. Having said that, we, photographers, have so many options to choose from when it comes to this focal length.
Meike 35mm f0.95
As far as I know, 4 manufacturers are producing 35mm f0.95 to date. Namely TTArtisan, 7Artisans, Mitakon (Zhongyi), and of course, the main character of this post: Meike.
Meike 35mm f0.95
Intro
This is my first time working with Meike and I appreciate Meike for sending me this lens for review. Having said that, this review is not biased but rather based on my true opinion.
I did a short research on the company. The Hong Kong-based manufacturer was established in 2007 and they are specialized in many videography and photography tools and equipment. They have many cine lenses and still lenses (both auto and manual lenses) in their business portfolio. In order words, they are very experienced in this field.
This lens was announced back in October 2022 and comes with massive 6 camera mounts: Sony E, Fujifilm X, Canon EF-M, Nikon Z, Canon RF, and Micro Four Thirds.
From the look of this lens, it has a very distinctive design. The manual focus ring has that unique pattern that not only helps the photographer to “identify” the which ring he/she is rotating. This design is inspired by Voigtlander lenses and some of the older Nikon manual lenses.
(Update 15 April 2023: Special thanks to a friend who pointed out that the Voigtlander and some of the Nikon lenses manual focus ring has the same design.)
Speaking of the focus ring, I shall share my experience with both the manual and aperture rings together. Both have a different texture but they are very comfortable and grippy to hold. Rotating them is a pleasure. They have a good balance of friction and you do not need to apply too much force to rotate.
At 380 grams, it is not as heavy as it seems to be. The weight of the lens is very well distributed and balanced. Also, it has a relatively small filter size. Only 52mm. For context, XF35mm f1.4 and XF18mm f2 are the same filter size.
Oh yes, this lens comes with a metal build body with a cap-on lens cap, which I feel is a quicker removal option than the screw-in lens cap. But a little pity is that the lens cap is made of plastic. Something I am not expecting from a high-quality built lens.
Maybe it is me, but it is a challenge to nail the shot well in wide-open with moving/motion subjects. At f0.95, the image quality has a certain level of softness, lacking some contrast, sharpness, and a very shallow depth of field. It also has some glowing effect on it which sometimes make me think I have taken an off-focused shot.
I also do observe pretty obvious chromatic aberration and vignetting at f0.95. I think that’s acceptable or rather within my expectations for manual lenses with a large aperture. As for overall image quality, I find it is okay and actually much more usable than I thought. If you are picky or pixel-peeper, you will probably not be in favor of the results.
Nonetheless, I can also see better image quality improvement from f2 onwards. But that is not the main purpose of having an f0.95 lens if you want to stop it down to f2 right?
For sunny star result, it gives a much contrast and sharp star result as compared to some of the manual lenses. And also, it introduces some flares as well if facing directly toward the light source.
For most of my other manual lens tests, I always observed that the result is always off-focus when I shoot at the infinity mark. I have to rotate the focus ring somewhere before the infinity mark to get the right infinity shot.
This is also the case for the Meike lens. In order to shoot at actual infinity, rotate to where the printed infinity symbol printed is and not where it’s labeled position.
From MFD to infinity, the focus throw is approximately 90°. Like most manual lenses, this gives a good amount of “distance” for precise focusing. I do have not much of a comment for this department.
0.39m is its MFD. Not the shortest MFD for its focal length but the image quality from this lens is pretty good. The MFD is very similar to the Ronkinon 35mm f1.2 but a few centimeters further than the average 0.35m from other lens manufacturers have for their lenses.
Compared with other f0.95 of the same focal length, this lens is priced at 259 USD. Do you think it is expensive? I think Meike priced it just right among the competitors and I think it is still a fair price to have that f0.95 aperture value.
Something interesting to note: it may be due to my camera or its settings. There is an obvious white balance change whenever I changed from other aperture values to f0.95. It does not have a real impact on me since I can change it under In-Camera Raw Processing.
I have the TTArtisan 35mm f0.95 with me to compare with this lens. As you can see, they have very different designs, sizes, and approaches. So, which one do you prefer?
As a manual focus lens, it is targeted a very specific group of photographers who understand the pro and cons of owning this unique lens and knowing what they can achieve from this lens. Having said that, this is a focal length that is very suitable for many genres. And also, it is one of the focal lengths for new photographers to get adapt to easily, especially for first-timer prime lens photographers.
As for professional photographers, unless you know what you want to do with this lens, then you can consider getting one.
Conclusion
There are many manual lenses out in the market and we are spoilt for choice. But if you are planning to get into the brightest and fastest manual lens in the market with a fair decent price. Given that the shots taken wide-open are pretty usable, I think this is one of the lenses for your consideration.
This is my first time testing out this lens from Meike and it leaves me quite a positive impression. Although it shares quite a lot of similarities with other manual lenses in the market, it does stand out quite a bit from them too. Especially on the lens design and image quality at wide open.
Not forgetting that they have launched the first autofocus lens (85mm f1.8) for the Fujifilm community. I am excited to see more products released from them!
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
When it comes to third-party zoom lenses, Fujifilm photographers do not have many options. If I remember correctly, Sigma 18-50mm f2.8 DC DN Contemporary is the 3rd zoom lens (among the third-party lenses), and it is the first zoom lens from Sigma for Fuji available in the market.
Sigma 18-50mm f2.8
Sigma 18-50mm f2.8 was announced way back in October 2021 but that was meant for L-mount and E-mount cameras. The X-mount version was only announced merely one year later.
When I think about a constant f2.8 zoom lens, my perception of the lens is that it should be a huge lens, a big filter size, and be heavy. Sigma did a wise choice by doing something different with this lens. It is totally the opposite of what I just mentioned. It is so compact and small. And I can’t help thinking this might be a perfect choice to bring for travel.
Sigma 18-50mm f2.8
Before I share further, allow me to thank Mr. Lawson from Sigma Marketing (Singapore) for loaning me the Sigma 18-55mm f2.8 Contemporary DC DN lens for review. I appreciate his support to make this review a reality.
Design and Build Quality
The overall design language of this lens shares a lot of similarities with Sigma 16mm f1.4, Sigma 30mm f1.4, and Sigma 56mm f1.4. It does not come with an aperture ring and the lens body is polycarbonate (also known as Thermally Stable Composite TSC) constructed.
Having said that, this 285 grams lens (it is just 5 grams heavier than the Sigma 56mm f1.4 and 10 grams heavier than the Sigma 30mm f1.4) is genuinely great to hold with and the built quality is very sturdy and it does not give out a sense of cheap feeling.
The 28-75mm (in full-frame equivalent) also comes with dust and splash resistant. This compact lens comes with a filter size of 55mm which is very decent and photographers who buy filters are delighted to know about it.
I have to say… The image quality coming out of this glass is great. The sharpness and contrast are great. At f2.8, the image is totally usable. The details are tremendous and resolve very well with my X-T5’s 40 megapixels sensor. This shows there are some quality and engineering works done with Sigma’s engineering team.
Although I am more of a prime lens user, I get to use or test with some zoom lenses. To be fair, prime lenses are still on better image quality, much sharper, and have better contrast. So if I am to compare the Sigma 18-50mm with the other zoom lenses, I think I am really impressed with this lens’ optic quality.
At wide open, the bokeh is very good with a very decent and gentle fall-off between the subject and background/foreground. I do observe very mild chromatic aberration and vignetting and I think it is within my acceptable range.
This lens comes with a stepper motor but, to be frank, the focusing performance surprises me. In good lighting conditions, it is really fast in focus locks onto the subject. Almost instantly. And I do not hear any sound produced by the focusing motor. It is silent.
However, I do occasionally experience slowing down and have the push-pull effect before it focuses on the subject. But it recovered quickly and the same behavior did not occur immediately.
As for challenging lighting conditions, I do see it struggle a little more before focusing on the subject. I think this is normal since most lenses have very similar behavior.
Minimum Focus Distance (MFD)
At 18mm, it has the shortest MFD of 12.1 cm. How close is that? You have to remove the lens hood to get that close. Otherwise, you will get the shadow of the lens hood in your shots.
At 50mm, it too has the shortest MFD for the same focal length. I haven’t come across any 50mm lens to have 30 cm MFD. With such a close MFD, it is very impressive to give me a new point of view.
At MFD, the shots retent their sharpness and contrast pretty well with a little bit of softness.
Price Point
This is probably the most important part. It is selling at SRP 549 USD. It is probably the best price-to-performance and size ratio in the market. It is probably the most affordable constant f2.8 lens on the market.
I can’t help but to compare this little beast with my very first lens and also the first zoom lens from Fuji, XF 18-55 f2.8- 4.
XF18-55mm f2.8 – f4 and Sigma 18-50mm f2.8
Physically, they are very close to each other with XF18-55mm being a tad bigger but you cannot tell the difference if you are not comparing them side by side.
XF18-55mm f2.8 – f4 and Sigma 18-50mm f2.8
Putting image quality and performance aside, if I were to choose between them, I will choose Sigma 18-50mm. The reason is simple: constant aperture. As I have an IBIS camera, I do not need an Optional Image Stabilizer lens.
Others
Unlike other third-party manufacturers, this lens does not come with a data-transfer port (i,e. USB-C) or docking station to update the firmware. It is simply downloading the lens firmware, transferring it to an SD card, and updating the firmware via the camera body. the same as how we do for Fuji lenses.
In general, if you want to use it for commercial works or shooting events, documentaries, etc, it is possible. The focal length is sufficient to cover most genres but I would like to suggest this lens to a specific group of photographers and that is travel photographers and budget photographers.
Travel photographers who want to travel lightweight (especially avoiding strain on your shoulder on long hours) or want to pack as compactly as possible but do not want to sacrifice too much on image quality. I think you can consider this lens for your next trip.
This lens also comes with a very attractive price point which I think is a good starter lens for the photographer who has a budget to work on.
Conclusion
Although this lens does not come with the widest possible focal length (like 16mm), this lens no doubt has great versatility which covers our most frequently used focal lengths. As a Fuji fanboy, I do miss the aperture ring. But let’s not forget that it does produce decent image quality, compact size, and reliable autofocus speed. And most importantly, it is priced very well for a constant aperture lens. What can I ask for? A better-built quality like the I series. I hope to see the X-mount variant someday.
Disclaimer: 1. All the shots taken here are shot by me. 2. Sigma 18-50mm f2.8 is running on firmware 0.99. At the time of this blog release, firmware 1.10 was released, but I have not had the chance to upgrade and test it. 3. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing or Capture One. 4. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 5. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
Another week another Photowalk. In fact, it is just 4 days apart from the preview Photowalk. This is organized by Ivan Joshua Loh. For the first time ever, this Photowalk falls on a weekday, Wednesday. Thanks to the Fujifanboys, the weekday turnup rate is very high. To make things interesting, there is also a small challenge in this Photowalk. The winner of this challenge will win a Fiveray M40 (worth 159 SGD). Thanks to the sponsor, Zhiyun!
Mdm Yeo of Yeo Buan Heng has her portrait shots taken.
Our dear Matte is sharing about the home he stayed in from baby to 8 years old. This is the exact place. Shots with a powerful pocketable 40W source light, Fiveray M40 .
Thank you for reading.
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing or Capture One. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
This is one of Fujifilm’s finest and best optical lenses that Fuji fanboys and fangirls should consider owning. Especially if you do not own any portrait lenses and plan to get one, you may consider this gem. I know it’s not a cheap lens, so save up the money and aim for this one. You will fall in love with it.
Intro
XF56mm f1.2 WR is one of the most anticipated lenses ever released. When it was announced at the X Summit NYC back in September 2022 together with the X-H2, I think I can hear many fans (including myself) of this 85mm (full frame equivalent) screaming to get one.
But lady luck is not with me. Somehow I did not manage to get one since it launched. It took me longer than expected and together with the help of my friend to get one.
Design and Build Quality
It comes with Fujifilm well-built, well-constructed, and well-weight lens. At 445 grams, it is actually not as heavy as it sounds. Fujifilm keeps the best clicky aperture ring and smooth manual focus ring (focus-by-wire) experience. They are still as satisfying as the other FujiFilm lenses.
They also include the auto-aperture lock button too, which I think is pretty standard for Fujifilm’s new-generation lenses. Similarly, Fujifilm includes a plastic hood instead of a metal hood (like the good old days).
The filter size is 67mm. This is considered a decent size for a mid-telephoto lens (and not too painful for photographers spending on filters).
Image Quality
What can I complain about this lens’ image quality? At wide-open, it is undeniable the clinically sharp image quality I have ever seen among the Fujifilm lenses (but personal opinion, XF80mm f2.8 is still the sharpest lens). I seldom use this word to express the image quality but it is definitely breathtaking.
As for the background blur, I love how beautiful the fall-off between the focused subject and the other is. Unlikely some other lenses from third-party manufacturers where the bokeh are hard and harsh, the bokeh from this lens is rendered very smoothly and very pleasing to my eyes.
Speaking of chromatic aberration, there is no purple fringing to be seen. Again, this is a benchmark from Fujifilm. But for vignetting, there is a tiny vignetting at the corners at wide open. This is very impressive for an f1.2 lens. Of course, you can either remove the vignetting in post-edit or step up the aperture value.
The lens/focus breathing is good here. The focus distance did not change dramatically as you change the focus distance between the Minimum Focus Distance and infinity and vice versa. But I cannot say this lens will be a great lens for videographers (I will share more later).
Focusing
It may not be the fastest from Fujifilm but it is a quiet one. It focuses fast if the subject is slightly off-focus and under well-lit conditions. Otherwise, the lens might give some wobbly focusing experience and might take quite a while to focus lock onto the subject. I do experience being unable to focus on the subject and that is mainly under extremely low light or challenging conditions.
If you are wondering how much better is the new one and the original XF56mm f1.2, I tested with the original one before and I can say that the newer one does focus much better and faster.
What contributes to the “not the fastest” focusing lens? I guess that it is missing the Linear Motor (LM) (as the name of the lens missing out the LM, suggested that there is no LM) which is designed to drive the focus lens group faster and quieter.
According to Fujifilm, they use the DC motor.
Minimum Focus Distance (MFD)
The MFD is 50cm, which is remarkably short for a mid-telephoto lens and also a huge improvement from the original XF56mm f1.2 at 70cm.
The image quality taken at MFD is very impressive too. Some lenses do have some characteristics shown up at MFD such as a soft glowing effect and this lens does not have any.
At 999 USD, it is definitely not the cheapest portrait lens out there in the market and the price of this lens set it far apart from its peers and competitors.
Who are the competitors? We have Viltrox 75mm f1.2 in the market at almost half the price of the XF56mm f1.2 WR and Viltrox 56mm f1.4 at 299 USD. Not forgetting that we also have the Sigma 56mm f1.4 and the original XF56mm f1.2 is priced just a little more than the Viltrox.
Others
I kind of dislike the plastic hood it provided. When I keep the lens hood facing inwards, it blocks the aperture ring and I am unable to control it. So some possible solutions will be:
Remove the hood completely / not mounting the lens hood at all;
Set to Automatic Aperture control and then control via the front command dial to get my shots.
Don’t get me wrong, I always do mount the lens hood facing outwards for long-duration shots. I just find it cumbersome if I want to do some quick snapshots.
Who is this for?
Putting the price aside, this lens is easily my recommendation for professional portrait photographers. But as for street photographers, journalists, and documentary photographers, I will leave it to you for your consideration. The focal length might be too tight for some to get used to but it is a good focal length to complement other focal lengths such as 28mm/35mm (in full frame equivalent). Be it with your primary camera or dual camera setup.
As for videographers, I think it is a great lens to use if you need the wide-open f1.2 aperture for your work. Also, the autofocus sometimes does have some jerking, so probably need to manually focus it or alternative external controls.
As my title said, this successor is almost perfect. What is the missing piece? For me, everything is perfect, the lens size, the weight, and the superior image quality. Only if Fujifilm could introduces the LM instead of using the DC motor, it will be a perfect lens. Of course, there might be many factors or reasons that stop them from using LM.
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing or Capture One. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
This is the first FFB photowalk in 2023. In this photowalk, we are happy to collab with Mezame from Zhiyun and Momotaru. Also, thank Mr. Iwata and Jasper from Fujifilm Singapore for attending this wonderful photowalk.
Once again, we would like to special thanks to Fujifilm Singapore, Zhiyun, Boundary Supply, and Momotaru for sponsoring this event.
Thanks to another monsoon surge, we have very cold and wet weather in Singapore. Despite the wet weather, we have every fanboy and fangirl turn up for the photowalk. Nothing gotta stops us, right?
Everyone has a good start by having a refreshing coconut shake from Momotaru. Briefing before the photowalk begins Mezame guides us using these amazing Zhiyun LED lights.
Model Natalie
Matte and his X100VWinner of Zhiyun Fiveray M40 + Silicon DiffuserWinner of Boundary Supply Errant PackWinner of Zhiyun Fiveray F100 comboMomotaru coconut pudding to bring homeAs usual, a group photo. Photo by Jasper.
Thank you for reading.
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing or Capture One. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
I thank Ivan Joshua Loh from Fujifanboys for lending me this handheld cage for a short review. Before I begin, allow me to clarify, I am not a videographer so I cannot speak about how good the handling of this product is while filming. What I will share is my first impression of it, my apologies.
What’s in the box
It comes with many things in this package and I will list them below:
Cage
Top handler
HDMI & USB-C cable clamp
Hot shoe cover (with leveling)
Shutter button adapter
Side lock adapter
M2 screw (1 x short and 1 x long)
M3 screws x 2
Allen wrench
Tapered screw
Screws are not inside the shot.
Design
From its first look, it gives a compact and very strong retro steampunk vibe design (hence, the name). While the overall cage design is very much the same as the usual handheld cage design, this retro design set it apart from the norm. The brass-like cage with the brushed-off finished texture is so beautiful. Not forgetting the stitched leather handgrip is so beautifully curved along the grip.
Being a cage, it has to include several accessory mounting points right? So it comes with ARRI 3/8″-16 locating hole, a 1/4″-20 threaded hole, a 3/8″-16 threaded hole, a NATO rail, and also a cold shoe mount. And of course, this cage also comes with Arca-Swiss quick-release plate at the bottom.
Build Quality & Handling
The materials used here are mainly aluminum alloy, silicone, leather, and stainless steel. Overall, it gives a very sturdy and strong build. (I mean no one is expecting to have flimsy parts for a cage, right?)
It comes with a top handle, which gives a very good texture look and is comfortable in holding it.
The grip has a very deep contour and is very comfortable to hold for big hands like mine. With this huge grip design, SmallRig has even included a shutter button adapter to overcome the problem of reaching out to the shutter release button comfortably. How thoughtful they are. (But my long finger is still able to reach out for the shutter button.)
Others
There is a press-and-flip mechanism on the screw-on HDMI & USB-C cable clamp. This allows the videographer easily access to the camera interface cover without the need to remove the clamp.
If there are videographers who wish to wrist strap the camera, the cage comes with a wrist strap hole too.
At the base of the cage, there is a magnetic wrench/key which saves us a lot of time finding the right tool to loosen/tighten the screws.
In my own words
At 199 USD, it is the most expensive cage ever sold in SmallRig but I think it is totally worth it. I am sold by its retro design. It probably will seek some attention from the surrounding. But I feel that this retro cage does fuse well with the beautiful X-T5 too. Not only do they blend so well with each other, but the cage does also hold comfortably well. Thanks to its look, I might even consider getting this without the top handle. (Yes, SmallRig also sells without the top handle and cable clamp.) If you are looking for a beautifully crafted cage and do not mind spending a bit more, I think you can consider this.
Thank you for reading.
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing or Capture One. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
When I first saw the teaser post from Fuji rumors, my impression was that this is going to be hot selling one within the Fujifilm community if it is priced right. And the turn out to be quite true. At the price of 549 USD, Viltrox priced it so attractively and it sold out immediately on the Taobao platform and its online shop.
Viltrox 75mm f1.2
Intro
Viltrox is a name that we, Fujifilm photographers, are familiar with since the birth of its very first autofocus lens, 85mm f1.8 (MK I). Like many photographers, I am impressed by how the Viltrox engineers reverse engineered the X-mount design and work around it. To refresh everyone’s memory, Fujifilm did not open up their X-mount protocol to every third-party manufacturer and Viltrox make it!
Viltrox 75mm f1.2
Viltrox 75mm f1.2 is an uncommon focal length at 112.5mm (in full frame equivalent). But I believe photographers, who are using XF80mm and XF90mm, easily adapt to this new focal length.
Viltrox 75mm f1.2
Design and Build Quality
There are two things you will get to notice when you hold the lens: the weight, and the build quality.
At 670 grams, I can feel the mass on my hand. It is definitely not light among most of the lenses. Every part of it is by no means cheap or cheap-built, you can feel that the build quality is belongs to the top tier.
The aperture ring is the clickable one (it does not have de-click option) and it has that satisfying clicking experience whenever you rotate the ring. It also comes with a “A” for automatic aperture choosing by the camera but what missing here is the aperture ring lock release that prevents accidental switch.
Unlike the metal lens hood with Viltrox 33mm f1.4, this 75mm lens comes with the plastic lens hood and it is kind of loose when it is face-inside the lens barrel. But it locked up quite well when it faces away from the lens barrel.
Image Quality
At f1.2, the image quality is really sharp. Probably one of the most clinical sharp lenses on the market out there. At wide open, the subject easily pops out from the background. The lens renders the bokeh well and quite smoothening. Even the fall-off is excellent too.
Is clinical sharp a bad thing or a good thing? In my opinion, it is not a good or bad thing. It is based on individual preference and I know some photographers end up de-sharpen in posts with the results from this lens. For me, this is how this lens performs and something, and it is better to have clinically sharp than characteristically soft because this is a pro-grade lens.
As for me, certain shots happen to be over sharpen for my liking but still within my acceptable range. This doesn’t happen in every shot I take. Probably many factors like light and shadow play a part too.
The chromatic aberration is very well-controlled and I did not notice anything. However, there is a small amount of vignetting at wide-open but it can be resolved via increasing of aperture value or in post-processing.
The lens (or focus) breathing is surprisingly good here. The focus distance did not change dramatically as you change the focus distance from MOD to infinity and vice versa. This can be a great deal for videographer.
Focusing
How should I put it? If I try to focus from the Minimum Focus Distance to anywhere far, I will experience some sluggish focusing. It will take quite a while to focus on the subject I want.
Two: Stepper Motor (STM) might be another factor as it is not the faster-focusing motor that is equipped with a lens. But we have seen some other lenses perform quite well with STM too.
If the focus distance and the subject are close to each other, it performs quite well. On the other hand, the eye-AF works quite well and behaves quite close to what the Fujifilm lenses can perform. (that is provided it does not encounter the sluggish focusing mentioned above.)
Minimum Focus Distance (MOD)
It has a MOD of 0.88m, which also means that it can’t really focus that close to the subject. If you are looking for a lens that can do a tight close-up shot, this lens is not designed for that.
I have to reiterate again that 549 USD for a fast autofocus prime lens with the metal build quality is really a good deal. So far, there is no one lens that can price match with Viltrox in this aspect.
Like other third-party manufacturers, there is always a kind of digital communication to support future firmware upgrades via SD card, dock, or USB port. In this case, there is a USB-C port located at the rear of the lens. I’m glad to see this than the micro-USB found in Viltrox 85mm f1.8 Mark II. Unfortunately, pardon the OCD, the design of the USB-C is not quite symmetrical to the red dot, I wish it is.
As a pro lens, it comes with an AF/MF switch, and if you need to switch to manual mode, you need to switch it from the switch. The Focus mode selector on your Fuji camera bodies will not enable the lens to manual focus. This might be a little hassle for photographers who need it but do take note.
Who is this for?
This is a portrait lens and of course, I have to recommend it to portrait photographers and pre-wedding photographers. Although this lens is slow in focusing return, it will not fail you with the image quality it produces. For product shoot photographers, you can consider this lens too.
As for the rest of the genres, I cannot really recommend using them. I mean it is a great lens but here are some of the downsides that make it not as versatile as other lenses offered in the market.
First, this lens is not ideal for street, documentary, and the like photography genres because of its size and weight. It attracts attention easily, and the weight will weigh you down over time. Basically, it is not a suitable candidate for such genres. But if you insist (like me), you can do so. Because image quality will pay off your sweat and effort.
Second, it does not have short (or close) MOD. So for a photographer like me who love to shoot as close to the subject as possible, this is kind of a bumper. But it still renders the image very well at MOD.
Conclusion
This is Viltrox’s first-ever pro-grade lens. I think it nails almost everything and this lens simply outperforms its pricing with image quality. To date, there is no one lens able to match it equally. This is definitely a good start for Viltrox venturing into the Pro series and Viltrox has indeed set a high benchmark for every manufacturer to follow. I cannot wait to see what Viltrox’s next Pro lenses will be. I am really excited.
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing or Capture One. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
One fine day, Ivan posted the Rokinon deal on the Fujifanboys Facebook group. It was Rokinon 85mm f1.4 and it was quite a good deal at about 68 SGD (51 USD) or less. I was not tempted somehow. A moment later, Ivan posted yet another Rokinon deal and it was shared by Rayz Lee (a member of the Facebook group) to him.
Rokinon 35mm f1.2Rokinon 35mm f1.2Rokinon 35mm f1.2 with lens hood
Based on the header of this post, no surprise here. I immediately placed my order for the Rokinon 35mm f1.2 and it was only 98 SGD (73 USD). In case you wonder, Amazon sells this lens between 300 SGD to 600 SGD (223 USD to 445 USD). That’s a huge discount for this Korean brand (also known as Samyang).
From the lens appearance, it isn’t as small as the XF35mm f1.4 and also evitably larger than what other 3rd party manual lens manufacturers are offering. And it is even bigger in size than the TTArtisan 35mm f0.95. To be fair, this Rokinon 35mm f1.2 was announced back in 2016, and the lens design is definitely improved over the years in the industry.
From left to right: Rokinon 35mm f1.2 . XF35mm f1.4 . TTArtisan 35mm f1.4 . TTArtisan 35mm f0.95Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f4 . 1/30″ . ISO 3200 . Nostalgic Negative
The lens is made of plastic but it’s a high-quality one. Again this is a different approach from the usual metal build quality 3rd party manufacturers and I can probably understand why this is the approach. I will explain later.
The aperture ring on this 50mm (full frame equivalent) is clicky and not those de-click buttery smooth kind found in most recent new lenses from other manufacturers. However, it is a little stiff when I change the aperture. Not sure if it just happens to my unit but I have to use a little more force to rotate the ring than any of the lenses I have tried so far.
As for the lens cover, it is the typical pinch-to-release type of plastic cover. The lens hood is also made of plastic but it is painted to have the same color as the lens body. At least there is some attention to detail here.
Shooting wide open is unbelievably great and the image quality is totally usable with great contrast. With f1.2, it gives more separation between the main subject and others and allows the main subject to be more pop.
In my period of shooting, I do not observe any obvious chromatic aberration. Similar to vignetting, the corners are pretty mild and considered close to none.
At 38mm MFD, there is nothing to shout about for this focal length. It is not a show-stopper to prevent photographers to shoot in their favorite genres. Just that it is slightly further away than what current 35cm “standard” MFD that other manufacturers are providing.
According to its suggested retail price, it is selling at 499 USD. While Amazon and B&H do have some sales occasionally, with an average of about 349 USD.
Who is this for?
I won’t recommend this lens to someone who is looking for a budget fast prime lens because it is not that budget unless you found the same deal as mine.
Secondly, it is not a compact lens like others too. If you really like the image quality from this lens, then you can consider getting one for the genre of your favorite except for macro.
To be fair, this manual lens isn’t cheap and the size of this lens is bigger than any other lenses released in recent 1-2 years. But the image quality from this glass is undeniably great among the other lenses of the same category.
Despite having some shortfalls like build quality, size, weight, and not being the fastest lens on the market, I enjoy every shot taken with this lens especially taken wide open. It is just so awesome that I can simply accept these disadvantages.
After using so many metal-constructed lenses, I do miss the metal-build quality as it does make the lens feel more premium. I do hope this lens comes with one as well but the plastic build of this lens is there for a reason. It is to keep the weight down and reasonably balance with the camera body. I think Rokinon/Samyang has considered it as well.
Overall, this lens is easily categorized as one of the best manual lenses out there in the market.
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
I think TTArtisan loves “50mm” a lot. They have lots of choices for this mid-telephoto focal length. TTArtisan has the brightest 50mm, the most compact 50mm variants, and now they have introduced the 4th “50mm” and it has the most distinctive function among all their lenses; the tilt function.
TTArtisan 50mm Tilt f1.4
Similar to the compact 50mm, this lens is also designed as a full-frame lens. Does that mean the optical quality is better on the APS-C sensor? I think we can scroll down and see it for ourselves.
TTArtisan 50mm Tilt f1.4
Before you read further, this is my first time using a tilt lens. I will try to elaborate based on my experience with using this lens as much as possible. Also, I would like to thank TTArtisan for sending this lens to me. Without their kind support, this will not happen.
TTArtisan 50mm Tilt f1.4
Design & Build Quality
The first thing you will notice is the design of this lens. It has a completely different design language from the rest of the TTArtisan lenses. The most obvious 2 extra knobs on the lens body are the first thing I noticed and followed by the sort of zig-zag line across the lens. Obviously, they are important roles for the tilt function.
Despite all these new elements, you can rest assured of the build quality coming out from TTArtisan. As usual, still has the same well-built quality from them. You will not get any disappointment when holding this lens. It weighs 450 grams and it is the heaviest 50mm coming from TTArtisan thus far.
When comes to filter thread, this 75mm (full frame equivalent) lens has a “considerably” large 62mm filter thread that is compared to its 50mm siblings. Given the extra function in the lens, 62mm filter thread is considerably reasonable.
The black knob is to control the tilt mechanism with a tilt angle of ± 8°. For how I use them, I will unlock one knob at a time, adjust to the desired degree, lock it and then continue to adjust with the other knob. With the focus peaking, it helps me to visualize and easily noticeable on where my plane of focus is.
Unlike the usual TTArtisan lenses, this lens uses a click-less aprture, and honestly speaking, I missed the clicks experience that I always love. To make things worse, there are times when I rotate the aperture ring instead of the focus ring without realizing it. Only get to notice it after checking out the shots and looking at my lens. (Since this lens does not have any electronic contact with the camera, hence I cannot see the aperture value from the EVF / LCD.) Sometimes I even think that my camera or the lens is “broken”.
And like the 23mm f1.4, it comes with metal cap-on lens cap instead of the screw-in type found in most of the lens lineup. I love this approach and I hope TTArtisan will keep it this way for their future lenses.
In this category, I will split into 2 sections: “conventional lens” mode and “tilt lens” mode.
Before that, shooting wide open for both modes has a strong vignetting and chromatic aberration. And of course, these can be edited in post-process or lower down the aperture value.
For “conventional lens” mode, the image quality is slightly usable at wide open. The image quality tends to be soft and lacks contrast. And sometimes I cannot tell if my shots are in focus as the shots are too soft. This is based on my past experience with TTArtisan lenses and is usually not really within my minimum acceptance. Usually, I prefer f2 on most lenses. But for this lens, I preferred results at f2.8 as it is sharper and has better contrast.
For “tilt lens” mode, the image quality is not quite usable. Due to the tilt effect and shooting wide open, the focused subject can be very shallow (depending on the shooting angle) and very easily affected by chromatic aberration. Again, I preferred the results at f2.8 and f4 which give a better focus to blur off under the tilt effect. To note the tilt effect will be reduced further as the aperture value gets lower and that is pretty obvious from f5.6 onwards.
Like their other 50mm lenses, it maintains its MFD at 50cm. This is where I think the image quality is at its softest and lacking the contrast the most when shoot wide open. Again, shooting at 1 to 2 stops lower to gain better image quality.
When you shoot at infinity for normal shooting and tilt shooting, this lens has a common issue like most manual lenses. The result will be off-focused. Hence you need to rotate back a little before the infinity marking to get a fully focused result.
For 199 USD, it is priced very closely to the f0.95 lenses, which also means that it is priced on the higher side of the spectrum for the APS-C lenses category. Given the uniqueness of this lens, I think this is a decent price point.
There are not a lot of tilt lenses in the market. And not forgetting that back in those days, tilt and shift lenses are very expensive, and not many photographers will buy one and use it.
With this lens, the potential photographer can use it as a conventional portrait lens where it can be used for many genres like street, documentary, product shoot, archiecture, cityscape, landscape, etc. At times, the potential photographer can also use its tilt mode for more creativity, adventure, and extraordinary perspective.
Conclusion
I mentioned this before and I have to mention this again. TTArtisan never fails to surprise photographers with their new lenses. The overall usability of this lens is very versatile and probably even more practical than its f0.95 sibling.
Personally, I like the tilt function as it helps me to create a good foreground and background blur especially for the cityscape shots and archiecture shots. It is also good in creating miniture effect too.
While the image quality at wide open has room to improve, I can tell that TTArtisan has been improving slowly with each new lens. I hope TTArtisan will continue with the new breakthrough and new unique lens to keep up with the excitement and of course, hope to see more tilt lenses in the future too.
Disclaimer: 1. All the shots taken here are shot by me. 2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing. 3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment. 4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
Alwin Kok 