Reviews

Tamron 18-300mm: The Best All-Rounder Lens?

Special thanks to Cles Distribution of Tamron Singapore for giving me the opportunity to loan the Tamron 18-300mm F3.5-6.3 Di III-A VC VXD (Model B061) for Fuji mount for a review. At the time of releasing this review, I have returned the loan unit to Cles Distribution.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
 are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.
3. I reserve ownership of these images, if you wish to use my images, please notify me.
4. The opinions are based on my experience. If there is any mistake made, please kindly drop me a message and I will gladly make the amendment.

Tamron 18-300mm F3.5-6.3 Di III-A VC VXD

Before I start, I wish to highlight that this is a lengthy sharing session of my personal experience with this lens but not too much on the technical specification. You may skip to the Conclusion if you wish to or just browse the photos.

Fuji X-T3 with Tamron 18-300mm
Fuji X-T3 with Tamron 18-300mm

A Little History

Tamron has a long history of producing lenses and they are the pioneer of producing high-ratio zoom lenses. AF 28-200mm F3.8-5.6 was the first all-in-one zoom lens that was launched in 1992 and since then, Tamron has never stopped innovating and creating many “first” in the photography industry. In other words, Tamron is an expert in this field.

Fuji X-T3 . Tamron 18-300mm @ 64.3mm . f5 . 1/125″ . ISO 1600 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/180″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 800 . Classic Chrome

About The Lens

As the name of this lens has suggested, it is an ultra-zoom lens that features a 16.6x zoom ratio. Besides having a focal length from 27mm to 450mm (full-frame equivalent). At 18mm focal length, this lens is capable of shooting at a Minimum Object Distance (MOD) of 15 cm with a maximum magnification ratio of 1:2 and MOD at 1 meter at the tele end with a maximum magnification ratio of 1:4. That is a pretty remarkable piece of engineering to me as I love to shoot close up a lot.

Fuji X-T3 . Tamron 18-300mm @ 148.6mm . f3.5 . 1/300″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 126.8mm . f5.6 . 1/160″ . ISO 250 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 48.6mm . f4.5 . 1/240″ . ISO 160 . Classic Chrome

It is a plastic lens body with a metal rear mount bayonet. To be honest, the experience is not as good as the metal-constructed lens but it is still feels solid and does not feel cheap on my hand. Rotating the zoom ring is smooth while giving you some little friction. Do note that when the lens zooms to 300mm, the physical length of the lens does extend to almost 3/4 times its original length.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 2500 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 203mm . f6.3 . 1/125″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 117.3mm . f5.6 . 1/160″ . ISO 200 . Classic Chrome

Unlike most of the Fujifilm lenses, it does not come with an aperture ring, that’s means you have to control the aperture via the front command dial on the camera body. If you wish to purchase a filter to protect the front lens element, it has a filter size of 67mm, which the cost is on the affordable side.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/5″ . ISO 80 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 37mm . f4 . 1/160″ . ISO 2500 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 64.3mm . f5 . 1/160″ . ISO 1600 . Classic Chrome

It weighs 620 grams which are acceptable for an ultra-zoom lens. By looking at the numbers, the lens seems to be heavy. Fear not, the weight distribution is evenly throughout the lens.

Image Quality

During the day, the image quality across all focal lengths is great. I am surprised that the images are decent and beyond my expectation. Of course, the image quality is not comparable to prime lenses but not too far behind from the shorter zoom ratio lenses. Different lenses are created for different purposes, so it is not a fair comparison if you are comparing it with other lenses directly.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/50″ . ISO 3200 . Post-edited
Fuji X-T3 . Tamron 18-300mm @ 18mm . f5 . 1/15″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 93.2mm . f5 . 1/55″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/160″ . ISO 2500 . Classic Chrome

Also, I am not expecting creamy, nice, and beautiful bokeh produces by this lens, the result is quite acceptable for me. It still does its job well for separating the subject from the foreground/background. The good thing about its bokeh is that it still produces smooth and nice fall-off and it does not give harsh and disturbing background blur.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f8 . 1/450″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 248.6mm . f6.3 . 1/160″ . ISO 1000 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 45.4mm . f4.5 . 1/160″ . ISO 200 . Classic Chrome

If someone is concerning whether the aperture at F6.3 for 300mm does not give a good background bokeh, well, I think this has to depend on what genres you are shooting with. At least for my shoots, I think the bokeh is okay.

Focusing

Thanks to the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism, the focusing is pretty fast at all focal lengths and silent under the sun. The focus is quite accurate at most focal lengths but I do miss some shots at 300mm. I am wondering if it is due to the small aperture at 300mm.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/32000″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 69.2mm . f5 . 1/240″ . ISO 160 . Post-edited
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/1250″ . ISO 160 . Classic Chrome

As for dim lighting situations or nighttime, the focusing speed is noticeably reduced. At 18mm, the focusing speed is still not too bad. However, as the focal length increases, the focusing speed is getting slower and more focus hunting is observed too. I think this is also due to the small aperture value at 300mm.

Optical Stabilization

This lens is equipped with Tamron’s proprietary VC (Vibration Compensation) image stabilization, which helps to compensate for unwanted camera movements, especially under low light situations. While the official statement does not indicate the number of f-stops the lens can deliver, I tested and I manage to get decently sharp photos at 1/14 sec at 300mm. I think I can confirm that VC does work reasonably well under such a situation.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/14″ . ISO 400 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 55.8mm . f4.5 . 1/160″ . ISO 320 . Classic Chrome

Minimum Object Distance

I have mentioned the MOD earlier. But what I want to mention here is how impressive the MOD is. If you want to shoot at 18mm, basically your lens is very close to the subject. It is surprisingly a fun perspective to shoot with.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/1000″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/160″ . ISO 640 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/680″ . ISO 320 . Classic Chrome

Others

Soft vignetting is observed throughout the focal lengths but it can be easily correctly via post-processing. Also, I notice some softness at 300mm at F6.3 for some shots but it gets slightly better if the aperture is lower to F8 onwards.

Left: Fuji X-E4 . Tamron 18-300mm @ 18mm . f3.5 . 1/1500″ . ISO 320 . Classic Negative
Right: Fuji X-E4 . Tamron 18-300mm @ 300mm . f6.3 . 1/450″ . ISO 160 . Classic Negative
Left: Fuji X-E4 . Tamron 18-300mm @ 18mm . f8 . 1/800″ . ISO 320 . Classic Negative
Right: Fuji X-E4 . Tamron 18-300mm @ 300mm . f8 . 1/680″ . ISO 160 . Classic Negative
Fuji X-T3 . Tamron 18-300mm @ 18mm . f8 . 1/200″ . ISO 160 . Classic Chrome
Left: Fuji X-T3 . Tamron 18-300mm @ 300mm . f8 . 1/210″ . ISO 160 . Classic Negative
Right: Fuji X-T3 . Tamron 18-300mm @ 300mm . f8 . 1/220″ . ISO 160 . Classic Negative
Both shots are taken at the same spot of the previous photo.

This lens comes with a Zoom Lock switch where it locks the zoom ring at 18mm and prevents the lens from creeping due to the weight of the lens while on the move. This mechanical switch is common among all long barrel lenses and I am glad that the Tamron engineers do include it in this lens as well.

This is another thing that I like about this lens and I think it is worth mentioning. If I want to change the focal length from 18mm to 300mm, all it takes is to rotate the zoom ring 45° and I have arrived at 300mm.

Fuji X-T3 . Tamron 18-300mm @ 233.4mm . f6.3 . 1/210″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 69.2mm . f5 . 1/400″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/240″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 59.9mm . f4.5 . 1/240″ . ISO 160 . Classic Chrome

Who is this for?

This lens is actually quite a versatile lens and it’s a great lens of its class. If the image quality is not much of a concern, this lens basically can shoot anything under the sun.

This lens also gives a good focal length for a photographer who is exploring different kinds of genres without breaking his wallet. If a photographer wants to travel light for his overseas trip, this is one good option too. Besides, if the photographer wants to do a simple product shoot with budget studio lights, this lens is capable of it too.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f4 . 1/28″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 45.4mm . f4.5 . 1/17″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 100.6mm . f5.6 . 1/45″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 86.4mm . f5 . 1/50″ . ISO 3200 . Classic Chrome

Conclusion

This is Tamron very first lens for Fujifilm users and I think this is a wise choice to start off with. That’s because Fujifilm does not have this level of the all-in-one zoom lens in its lens lineup. The closest that Fujifilm has is the 18-135mm and it is nowhere near what Tamron has to offer. Not only that, it is selling at USD 699 (SGD 1088). With such competitive pricing, I think it will attract lots of interested photographers.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/250″ . ISO 1250 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/250″ . ISO 320 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 640 . Classic Chrome

In my own words

Frankly speaking, I am excited to see more and more 3rd party manufacturers stepping into Fujifilm X-system. Not only this gives Fuji users more lens varieties to choose from, but also provides healthy competition with other APS-C manufacturers.

Fuji X-T3 . Tamron 18-300mm @ 34.5mm . f4 . 1/160″ . ISO 2500 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 93.2mm . f5 . 1/80″ . ISO 400 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/75″ . ISO 400 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 59.9mm . f4.5 . 1/600″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 100.6mm . f11 . 1/160″ . ISO 160 . Post-edited

By the way, if you are in Singapore and interested to buy this lens, do drop by SLR Revolution. As far as I know, they are one of the leading local retailers carrying this lens.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Reviews

XF33mm F1.4: The “epic” lens for the next decade

Before all else, I would like to thank Mr. Keitaro So, Divisional Head of Fujifilm for providing the loan for X-E4 and XF33mm F1.4. The units were loaned from Fujifilm Asia Pacific and had returned back to them.

Fujifilm XF33mm F1.4
Fujifilm XF33mm F1.4

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
 are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.
3. I reserve ownership of these images, if you wish to use my images, please notify me.

XF35mm F1.4 is one of the “epic” lenses that Fujifilm ever created. On paper, it is not the perfect lens but to many photographers, it is much more than just perfect. I am one of them. XF33mm F1.4 is by no means to replace the magical characteristic of XF35mm F1.4. But I believe it will be the magical lens for the next decade.

Fujifilm X-E4 with XF33mm F1.4
Fujifilm X-E4 with XF33mm F1.4

In this review, I will discuss less technical and more on my personal experience with the lens itself. At the same time, as much as possible, I will try not to compare the XF33mm F1.4 with the XF35mm F1.4. It is not a fair comparison by any means. So I hope I can achieve a more independent review of this new lens.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/2700″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/2500″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/1600″ . ISO 320 . Classic Neg

One last thing before I start my review, here is my suggestion to all the X-E4 users. If you are interested to buy this lens after reading this review, I will recommend you to use an additional grip to have better overall balance when you equip this lens with your X-E4.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1000 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/240″ . ISO 320 . Classic Neg

Build Quality

For a start, it is made in Philippines. But we should dismiss that the product is poorly produce if the product is made in other countries other than Japan. To be honest, this metal- built lens is fantastic and I can feel it is a great quality lens when I hold it in my hand. The manual focus ring has a gentle smooth rotation. The aperture ring has that same nice and gentle clicky feedback when you are rotating it. Like the newer lenses, it has also come with the “A” (Auto) position lock which locks the aperture ring and prevents any accidental movement. Also, it comes with a plastic hood instead of the metal square hood that XF35mm F1.4 has.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/220″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f2.8 . 1/4400″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f4 . 1/2500″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/180″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/5000″ . ISO 160 . Classic Neg

It comes with a 58mm filter size. The weight distribution throughout the lens is good and I can’t really tell it actually weighs 360 grams when I am holding it. There are some 3rd party lenses that are slightly lighter than this lens feel heavier.

Weather Resistant

Like all the new XF lenses, the XF33mm F1.4 also equips itself with the weather-resistant. This is a good direction from Fujifilm because it does help the photographer to have one thing to less worry about.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/125″ . ISO 1250 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/250″ . ISO 1000 . Classic Neg

Focusing

Fast, accurate, and silent are the 3 keywords that best describe this gem. It is probably one of the lenses that nail the subject so fast that I sometimes wonder if I have half-press the shutter. Even under dim light conditions, I did not notice the focusing speed slowing down at all.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/2500″ . ISO 1250 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/420″ . ISO 320 . Classic Neg

I even test this lens with an X-E3 which has the previous generation X-Trans sensor. The lens performs is exactly the same as the one with X-E4. At least, I am not able to notice the difference in terms of speed.

Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/200″ . ISO 200 . Classic chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f2 . 1/150″ . ISO 200 . Classic Chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/125″ . ISO 200 . Classic Chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/100″ . ISO 500 . Classic Chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/100″ . ISO 2500 . Classic Chrome

Image Quality

The image quality coming out from this lens is absolutely stunning! The results coming out of this lens is incredibly crisp and sharp. Basically, I did not notice any flaw with these mind-blowing images.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 640 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1600 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 320 . Classic Neg

The foreground and background blur fall off very smoothly, creamy, and gently. This is one of the nicest bokeh that I can recommend photographers to use this lens to shoot wide open. Besides that, I also hardly notice any distortion, vignetting, and obvious chromatic aberration.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/800″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg

Minimum Focus Distance & Magnification

This is one of my favorite parts because this is one of the features when I am looking for a lens. Its minimum focus distance (MFD) is 30 cm which is pretty impressive. I love to shoot close up for certain subjects and understanding the MFD of this lens will allow me to visualize what result I can achieve.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/3000″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/13000″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/3500″ . ISO 160 . Classic Neg

Side By Side

On photos, the XF 33mm F1.4 may look bigger than XF 35mm F1.4 but please do not deceive by its size. It is actually relatively small and compact when you look at it on its own. Nevertheless, the lens hood indeed makes the lens looks much taller than it is.

Fujifilm XF33mm F1.4 and Fujifilm XF35mm F1.4
Fujifilm XF33mm F1.4 and Fujifilm XF35mm F1.4

Apart from that, XF35mm F1.4 is noisier, slower (depends on which camera body you are mounting with), and more retro style to me.

Who is this for?

XF35mm F1.4 is here to stay and will continue selling side by side with the XF33mm F1.4. Both lenses are fantastic and have their pro and con. As a wise photographer, you know what works best for you and your budget.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 2500 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 2500 . Classic Neg

From my standpoint, if you do not own the XF35mm F1.4 and you are into street, documentary, and/or portrait photography, then the XF33mm F1.4 is a wiser choice to have. Its accuracy, fast focusing speed, and fantastic image quality are something that I think you will love it. Yes. it is more expensive but I think it is worth to be part of your arsenal.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1250 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1000 . Classic Neg

If you own the XF35mm F1.4, it is really up to you if you want to sell it away and purchase this lens. Personally, I will keep my XF35mm F1.4 a little longer with me.

Conclusion

XF33mm F1.4 is really excellent and I am undoubtedly impressed by its optical and focusing performance. This lens also show how much effort are the engineers in Fujifilm had put in and raises the bar of what flagship APS-C lenses can be. If I have to point out the disadvantage of this lens, it will be the price of this lens. Like Mr Shinichiro Udono said in the X Summit, the XF33mm F1.4 should become Fujifilm new “epic” lens.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f8 . 0.6″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f8 . 1.3″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/1500″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f16 . 1/420″ . ISO 320 . Classic Neg

Thank you for reading.

If you wish to contact me, you may direct message me in either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Reviews

GFX 50S II: A Taste of “More Than Full Frame”

Before I begin, I would like to thank Mr. Keitaro So, Divisional Head of Fujifilm for providing the loan for GFX 50S II, GF 45mm, GF 50mm, GF 80mm, and GF 32-64mm. The units were loaned from Fujifilm Asia Pacific and had returned back to them by the time of releasing this review.

GFX 50S II
GFX 50S II
GFX 50S II

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
 are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.
3. I reserve ownership of these images, if you wish to use my images, please notify me.
4. I have posted my preview photos in my previous post. You can see it here.

In my own words
Allow me to start off with my conclusion to this review. GFX 50S II is set to be the cheapest medium format camera in the industry. Every camera does come with pros and cons and this camera sure has them too. Instead of making comments on why there is missing hardware or function in its gut, we have to really understand what really serves our needs, achieve our goal, and we have to ask ourselves if we can actually live with the cons.

GFX 50S II . GF 32-64mm F4 @ 64mm . f8 . 1/105″ . ISO 100 . Nostalgic Neg
GFX 50S II . GF 45mm F2.8 @ 45mm . f2.8 . 1/80″ . ISO 2000 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 32mm . f8 . 1/105″ . ISO 200 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 64mm . f4 . 1/1000″ . ISO 200 . Nostalgic Neg

I have had the opportunity to test out this beauty for merely 2 weeks. And in these 2 weeks of testing, I am flooded with stunning photos that this camera can give. This makes me believe that if you are someone who is looking for fantastic image quality but do not dare to tip your toe in the world of medium format because of the price, then this camera might be the one you are looking for. I am sure that you will be rewarded handsomely with the results from this medium format camera. If you are interested to find out why, please continue to read.

Left: GFX 50S II . GF 32-64mm F4 @ 64mm . f4 . 1/850″ . ISO 100 . Nostalgic Neg
Right: GFX 50S II . GF 32-64mm F4 @ 64mm . f4 . 1/1600″ . ISO 200 . Nostalgic Neg

Introduction

Remember that GFX 50R was once the cheapest medium format camera? Now it is GFX 50S II. Fujifilm promise of making affordable medium format cameras and they still keep their promise. This also means there they are also creating more opportunities for more photographers to have a taste of what it is like to have the “more than full frame” experience.

GFX 50S II . GF 32-64mm F4 @ 64mm . f4 . 1/1300″ . ISO 100 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 64mm . f32 . 1/125″ . ISO 320 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 32mm . f4 . 1/500″ . ISO 200 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 64mm . f4 . 1/170″ . ISO 200 . Nostalgic Neg

In this review, I am sharing more of my personal experience and not much on the technical side of this camera.

Design

It is actually the same as the GFX 100S. Every single bit of it is identical to its brother except for one thing. There is a label on the left of the camera to indicate it is a GFX 50S II. I quite like the look of it and I am happy that Fujifilm has brought the same look to the 50S II too.

GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/30″ . ISO 3200 . Nostalgic Neg
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/450″ . ISO 200 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 32mm . f4 . 1/90″ . ISO 3200 . Nostalgic Neg
GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/1500″ . ISO 200 . Nostalgic Neg

Handling

The weight and the build of this camera assure you that you are holding professional and quality workhorse gear. Although it weighs 900 grams, it comes with a comfortable handgrip. The grip is deep enough to allow you to hold the camera well and confidently with one hand. To be honest, I think the grip is even better than the DSLRs I had previously.

The Shutter

This is probably one of the most enjoyable and satisfying mechanical shutters I have experienced so far. When I click the shutter, I can feel the gentle mechanic shutter feedback it gives and also a sense of assurance that I have clicked the shutter. The shutter sound is actually considerably silent and hardly anyone else notices it when I shoot with it.

GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/340″ . ISO 100 . Classic Chrome
GFX 50S II . GF 50mm F3.5 @ 50mm . f5.6 . 1/250″ . ISO 200 . Classic Chrome
GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/125″ . ISO 2500 . Classic Chrome
GFX 50S II . GF 50mm F3.5 @ 50mm . f5.6 . 1/125″ . ISO 400 . Classic Chrome

The Viewfinder & The LCD Screen

GFX 50S II is equipped with the 3.69M-dot OLED electronic viewfinder (EVF) with a magnification of 0.77x. Although it is not the best EVF I have tried, but it still gives me a comfortable viewing experience.

The LCD screen is my preferred kind of screen and this is one of the reasons why I do not upgrade my X-T3 to X-T4. I love and enjoy using this 3 ways tilted screen for my shooting. I am pleased that Fujifilm keeps this 3 ways tilted screen in their professional workhorse.

GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1″ . ISO 3200 . Post-edited
GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/320″ . ISO 1250 . Classic Chrome
GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/125″ . ISO 320 . Nostalgic Neg

Image Quality

This is really where the medium format sensor shines gloriously. My words might be over-exaggerating but this is my way of expressing how awesome it is. The bokeh really falls off nicely and renders smoothly. To be honest, the image result is quite distinguishable from other image sensor sizes.

GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/42″ . ISO 3200 . Nostalgic Neg
GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/100″ . ISO 3200 . Nostalgic Neg

Unless my photos happen to be slanted a little, I am not a person who loves to crop my photos. Nonetheless, this camera has a whopping 51 megapixels for me to experience the fun of cropping without sacrificing the details. The photos will speak for themselves. Frankly, I am stunned by the cropped results.

GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/125″ . ISO 200 . Classic Chrome
GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/125″ . ISO 800 . Nostalgic Neg
GFX 50S II . GF 80mm F1.7 @ 80mm . f8 . 1/800″ . ISO 100 . Post-edited

Dynamic range is absolutely stunning and it can recover most of the data very well. Although the color might be off a little, I believe the professional should be able to recover the color back to the desired one easily.

GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/100″ . ISO 1000 . Post-edited
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/110″ . ISO 640 . Post-edited
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/80″ . ISO 500 . Post-edited
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/340″ . ISO 640 . Post-edited

Performance

Unlike the other medium format cameras I have played before, the focusing speed on this camera is incredibly fast and I have also experienced less hunting too. I think it has to do with the X-Processor 4 in its gut because I can hardly tell that I am shooting with a medium format camera.

But on a side note, I do experience somewhat slow focusing speed with the GF 80mm, probably unlike the other lenses, it lacks the Linear Motor (LM).

GFX 50S II . GF 50mm F3.5 @ 50mm . f4 . 1/150″ . ISO 100 . Nostalgic Neg
GFX 50S II . GF 50mm F3.5 @ 50mm . f3.5 . 1/27″ . ISO 3200 . Nostalgic Neg
GFX 50S II . GF 50mm F3.5 @ 50mm . f4 . 1/340″ . ISO 125 . Nostalgic Neg

When I first learned about the 50S II will be using the 4 years old 50S sensor (based on the year it went on sales), I give my disappointment. But on second thought, given that it is the cheapest medium format camera, the manufacturer has to reduce their cost somewhere. However, after using this camera, I dismiss my misconception that this sensor is “old” and “unusable”. Instead, this sensor still stays strong for at least another 5 to 10 years.

GFX 50S II . GF 32-64mm F4 @ 64mm . f4 . 1/125″ . ISO 320 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 32mm . f5.6 . 1/200″ . ISO 200 . Nostalgic Neg
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/4700″ . ISO 200 . Nostalgic Neg
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/1300″ . ISO 200 . Nostalgic Neg

Since the 50S II uses the original 50S sensor, this also means that it comes with contrast detection only. Hence, it is missing the hybrid system with phase detection technology that most of the modern mirrorless camera has. Despite lacking phase detection, Fujifilm has actually reworked the algorithm and together with the new processing engine to improve the photographer’s overall shooting experience. In other words, the shooting experience is far better for 50S II than the 50S. In short, I have no problem shooting in most of the scenarios in my testing period.

IBIS

On paper, 50S II offers an incredible 6.5 stops of compensation. How does it translate into real-world usage? A successful 1-second handheld shot. Of course, it comes with a few tries before I manage to get a decent shot. This pretty much has become an achievement for me.

GFX 50S II . GF 50mm F3.5 @ 50mm . f6.4 . 1″ . ISO 100 . Nostalgic Neg
GFX 50S II . GF 50mm F3.5 @ 50mm . f9 . 0.8″ . ISO 100 . Classic Chrome

Feedback

Actually, I am struggling to say this but I do miss the retro dials that Fujifilm has in most of their X system cameras but they replace the dials with the top-panel status LCD. I am not saying it is bad because both of them serve their purposes well with useful information for individuals. But it is just me that I love those retro dials and I am going to miss them if I ever own one.

GFX 50S II . GF 45mm F2.8 @ 45mm . f5.6 . 1/900″ . ISO 200 . Nostalgic Neg
GFX 50S II . GF 32-64mm F4 @ 32mm . f8 . 14″ . ISO 100 . Nostalgic Neg
GFX 50S II . GF 45mm F2.8 @ 45mm . f11 . 1/280″ . ISO 100 . Nostalgic Neg

When I need to use the exposure compensation function, I need to press the exposure compensation button together with the rear command dial. This is different from the X-system I am using, where I can assign the exposure compensation function to the front command dial and use it straight away. It is a personal preference and personal habit and I hope that Fujifilm can allow users to have straight away access to the exposure compensation.

GFX 50S II . GF 45mm F2.8 @ 45mm . f2.8. 1/100″ . ISO 3200 . Nostalgic Neg
GFX 50S II . GF 45mm F2.8 @ 45mm . f5.6 . 1/125″ . ISO 2000 . Nostalgic Neg

GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/340″ . ISO 200 . Nostalgic Neg
GFX 50S II . GF 80mm F1.7 @ 80mm . f2 . 1/125″ . ISO 1250 . Nostalgic Neg

Who is this for?

If you are thinking to purchase a full-frame camera but does not rely on fast burst rate for your shoot, you may consider this powerhouse in your next purchase. This camera is suitable for photographers who are looking to advance their image quality to the next level. Whether you are a landscape photographer, portrait photographer, documentary photographer, or travel photographer, by pairing with some decent GF lenses, I believe you can harness the power of GFX 50S II and enjoy every single moment of it.

GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/125″ . ISO 2500 . Post-edited
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/120″ . ISO 3200 . Post-edited
GFX 50S II . GF 45mm F2.8 @ 80mm . f2.8 . 1/125″ . ISO 2500 . Post-edited
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/125″ . ISO 1250 . Post-edited
GFX 50S II . GF 80mm F1.7 @ 80mm . f1.7 . 1/160″ . ISO 800 . Post-edited

If you are a commercial photographer, I believe you know what you need to deliver your jobs. So I leave it to you to decide.

Thank you for reading.

If you like my works, please follows me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Reviews

Staycation With GFX 50S II

It was a last minute arrangement with Mr. Keitaro So, Divisional Head of Fujifilm for providing the loan unit of GFX 50S II and 4 GF lenses (GF 45mm f2.8, 50mm f3.5, 80mm f1.7 and GF32-64mm f4). We discussed over the night and the gears are on my hands the very next day. I am very grateful to Mr. Keitaro So for the effort and time for this arrangement and support.

GFX 50S II . GF 45mm F2.8
GFX 50S II . GF 45mm F2.8

This is my first time holding the GFX camera and I happened to have a short staycation at Sofitel Singapore City Centre. So, I think this is a good opportunity for me to test out this large format camera.

GFX 50S II . GF 45mm F2.8

I will be sharing my full experience in another blog post and that will be available in a few weeks time. Meanwhile, I will not share too much about the details over here but photos!

Disclaimer:
1. All the shots taken here are shot by me.
2. All the shots
are straight out of the camera with some shots are edited via In-Camera Raw Processing.
3. I reserve ownership of these images, if you wish to use my images, please notify me.

GFX 50S II . GF 50mm F3.5

I think I can see the stars…

GFX 50S II . GF 50mm F3.5

Couples…

GFX 50S II . GF 32-64mm F4
GFX 50S II . GF 32-64mm F4

The Depth of Field is so impressive at F4.

GFX 50S II . GF 32-64mm F4

Flower on the pool…

GFX 50S II . GF 32-64mm F4

Can you see the man at work?

GFX 50S II . GF 32-64mm F4
GFX 50S II . GF 50mm F3.5

Morning sunrise…

GFX 50S II . GF 50mm F3.5

Breakfast at Racines.

GFX 50S II . GF 32-64mm F4

The only mini cooper I can afford.

GFX 50S II . GF 80mm F1.7

Thank you for reading.

If you need helps, you may direct message me in either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Reviews

X-PRO 1 – Can I still use it in 2022?

Since we are just a few months away from the year 2022, please allow me to jump into 2022 instead of 2021. First thing first, yes, you can still use it to shoot. A camera is a camera, it is still capable of doing what it is designed to do. What I cannot answer is whether it is still viable in the year 2022. I do not own the X-Pro1 but I managed to borrow it from a friend for about a month to have a total hands-on experience with this classic rangefinder every day. Why am I using X-Pro1? That’s because I come across friends asking me these questions many times:

Fuji X-Pro 1 . XF35mm F1.4

“I am on a budget and I am interested to start to learn photography, do you think X-Pro1 is worth getting it?”; or “Is X-Pro1 a usable camera as a second camera system?”.

Fuji X-Pro 1 . XF35mm F1.4

Unfortunately, I cannot share my opinion with my friends because I do not have one. Hence, I always recommend my friends to rent it from a camera rental store or borrow it from someone who has it for at least a week. And in this one week, he/she has to try to bring it with him/her and do some shoots every day. So that he/she can see what does this camera lacking for his/her shooting preferences.

But now, it is a whole new different story for me.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/850” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f4 . 1/1250” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 18mm F1.4 @18mm . f11 . 1/1800” . ISO 800 . Post-edited

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots 
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

A little of my Fuji history

My first interchangeable mirrorless camera was the X-T2 and then now X-T3 and X-E3. I have never held an X-Pro1 and shoot the outside world with it. That is why I am lacking experience with the first mirrorless camera from Fujifilm. How is the experience using it in the outside world? I was always told that the first generation was slow and sometimes the focusing can let one person frustrated, and the list goes on. I think this is a good opportunity for me to experience the good and the bad about this classic guy.

Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @206.5mm . f5 . 1/125” . ISO 640 . Post-edited
Fuji X-Pro1 . TTArtisan 17mm F1.4 @17mm . f8 . 1/2900” . ISO 800 . Post-edited
Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @70mm . f4 . 1/125” . ISO 800 . Post-edited

Before I start to share, I believe everyone is familiar with the X-Pro1. Thus, other than my experience, I will not share the technical specification.

Build Quality

When I hold this camera, the grip, the touch, and the weight of this camera give me a premium touch. I cannot believe this camera was made 10 years ago and the craftsmanship of this camera still looks amazing today. The dials and buttons feedbacks are great. I know some people do not like the ergonomic of the rangefinder-style camera but I quite like the ergonomic with it. Looking through the optical viewfinder is a joyful experience. It reminds me of the DSLR days but this experience is way better.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 500 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 640 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f4 . 1/1250” . ISO 1250 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f16 . 1/125” . ISO 1600 . Pro Neg Hi

Shooting Experience …

For the shooting experience, I think it is good to split into 3 segments, the first is with the first generation Fuji lens and the second is with the Fuji newer generation lenses.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2.8 . 1/1900” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/850” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/90” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/450” . ISO 800 . Pro Neg Hi

i) With Classic Lens

I have one and only one classic lens and that is XF35mm F1.4. It is one of my most favourite lenses in my whole entire Fujifilm line-up. Needless to say, the combination of both XF35mm F1.4 and the X-Pro 1 is incredibly beautiful and it seems that they are a match made in heaven. From the moment I start to focus on an object, I finally know what do people meant by slow. The focusing really takes a longer time than the current newer Fuji cameras to lock onto the subject. There is some focus hunting. Sometimes I even encounter this during broad daylight, not to mention how bad it can be under challenging light conditions. Despite the worse, I still can bear with it and get the shot I want. Patience is the key.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/125” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/125” . ISO 1000 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/1000” . ISO 400 . Pro Neg Hi

ii) With Newer Lenses

I have tried with a few newer generation lenses such as XF18mm F1.4, XF23mm F2, XF27mm F2.8 WR, and XF70-300mm F4-5.6. To my surprise, they do not give the same slow focus experience like the XF35mm F1.4 does. But rather, in my opinion, they do give a faster focusing lock and less focus hunting.

Image Quality

I have nothing to gripe about when comes to image quality. Coming out from the X-Trans first-generation CMOS sensor, the result is really impressive. From 100% viewing with the Lightroom Classic, the details are well preserved. Another surprise for me is that the dynamic range is decent too, it is capable of recovering quite an amount of details with the post-processing.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/280” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/55” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 800 . Pro Neg Hi

The Drawbacks:

I have a few drawbacks to share but these are based on my own preference and it may not be a drawback for you in your preference.

i) Front Command Dial

What I miss the most is the Front Command Dial and X-Pro 1 do not come with it. I usually use it for changing my exposure compensation and scroll through photos, etc, which I had gotten used to with the newer camera bodies.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f8 . 1/320” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/20” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/125” . ISO 1600 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2.8 . 1/125” . ISO 320 . Pro Neg Hi

ii) Exposure Compensation Dial

In order to use the Front Command Dial, I set this exposure compensation dial to Custom (C). Unfortunately, this camera does not have the C in the dial.

iii) Using Fuji Remote App

Yes. This app gives me minor problems such as unstable network connectivity and file transfer connectivity. But it still comes in handy when I wish to transfer photos from camera to mobile phone and doing shooting via remote control. Since this camera does not come with Wi-Fi or Bluetooth module, that also means I need to go through the old-school way of file transferring.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1600” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/900” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/480” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @300mm . f5.6 . 1/3200” . ISO 200 . Post-edited

iv) Focus Peaking

I test the focus peaking with TTArtisan 17mm F1.4 and the result is awesome. There is no complaint about the image quality. The problem that I have is that I am too relying on the “Red” or “Blue” as my focus peaking highlight whereas X-Pro1 only comes with “High” and “Low” options. While it is not something that is not difficult to use, it is just personal preference.

v) The Menu System

The menu system from this rangefinder is not difficult to use, however, the current menu system is way better. I did use the old menu system before with my X10 but I am so used to the current menu that I feel a bit lost to use the old one. Again, this is about adaptability.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/3200” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 2500 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/320” . ISO 640 . Pro Neg Hi

vi) The Little Focus Stick

Some people hate it, some people love it and I belong to the latter. In fact, I use it more often than the 4 directional buttons, also known as selector buttons. Whenever I try to navigate the menu system, my thumb will unknowingly move to where the focus stick position is. Then I only realize that this camera does not equip with it when I try to push the “stick”.

vii) The In-Camera Raw Processing

The newer lineup of Fujifilm cameras comes with a good suite of film simulations and basic editing tools to do some simple post-processing or fine-tune your photos, so you can share them with your family and friends immediately.

I love to use this function, especially when I can make some fine adjustments inside the camera during commuting or between breaks. However, the raw processor included in this first generation is rather slow. But if you want to do some simple post-processing in the camera, you can still do it.

Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @87.5mm . f5.6 . 1/800” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1100” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 18mm F1.4 @18mm . f5.6 . 1/2400” . ISO 200 . Post-edited

Conclusion

It is a good camera with minor drawbacks. 16 megapixels (mp) is certainly enough for the magazine size print and more than enough for your social media sharing. I am totally fine with 16mp as I hardly crop my photos by a lot. So should I get one? Probably not the X-Pro 1. Don’t get me wrong. This camera is still capable of shooting amazing shots. Having said that, I might consider getting a used X-Pro2 instead of X-Pro 1. That is because X-Pro 2 at least eliminates my drawbacks. (Sorry for the disappointment.)

To answer both questions stated in my second paragraph. If you do not mind the drawbacks that I have mentioned, you can get one for your photography learning adventure or for a second camera system. I always prioritize great quality lenses first over the camera body. Hence, pick up one or two good primes lenses (or zoom lens if you prefer) together with this camera.

In My Own Words

The evolution of the technology in the camera industry has been improving from time to time. I always think of the longevity of the camera technologies one can optimize with. When I am purchasing a camera, I will weigh the cost and the longevity for myself. As this X-Pro1 is hitting its 10 years mark in 2022, this also means the technology inside its gut is 10 years old too. I’m not saying this camera cannot be used. But what I am suggesting is that if one person is to invest in a camera system, probably can consider cameras that launch in recent years. At least you can stop “chasing” after a newer camera when you get the more recent one. If brand new is not an option, you can also consider getting the pre-owned newer camera models at a better and affordable price point.

Thank you for reading.

If you need helps, you may direct message me in either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Fuji X-Pro 1 . Fuji X100V

Reviews

TTArtisan 50mm F1.2 – The fastest lens from TTArtisan

Recently, I have written a short review on the TTArtisan 7.5mm F2 lens and I have had this TTArtisan 50mm F1.2 with me for about 6 months now. So I think it should be nice to share my opinion with this lens as well.

I am no stranger to a 50mm (75mm in 35mm equivalent) focal length. My second prime lens from Fujifilm is an XF50mm F2 lens and I have been using it for quite a long time. And I have also had some hands-on experience with the XF50mm F1 lens before. The reason why I bought this lens is because I am very interested in the usability of the fast aperture it offers with just USD 98.

Fuji X-T3 . TTartisan 50mm F1.2
Fuji X-T3 . TTartisan 50mm F1.2

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

TTartisan 50mm f1.2

About The Lens

The build quality is fantastic. Again it is TTArtisan quality standard for such a sturdy build. It is heavy (at 336 grams) for a manual lens like this and it seems to be common thing among the manual lens manufacturers. To give you some sensing about its weight. It is 68% heavier than Fuji 50mm F2 (200 grams), it is about 20.5% lighter than Fuji 56mm F1.2 (405 grams) and it is about 250% lighter than Fuji 50mm F1 (845 grams). Do you think the weight is acceptable for you?

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/60” . ISO 320 . Post-edited
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/200” . ISO 320 . Classic Chrome

The aperture ring rotates the opposite of the Fujifilm lenses. So take note of it when you are changing the aperture without looking at it. Apart from this, the aperture ring gives you a very satisfying clicky experience when you rotate it. Besides that, the manual focus ring also gives you nice rotating friction when you turning it. The full rotation from 0.5 meters to infinity focus is 180°.

Like most of the other TTartisan lenses, this lens does not come with any lens hood but it comes with screw-in lens caps. In my opinion, for a lens to be this cheap, they have to lower down the cost somewhere and this is where it is. By the way, this lens is not weather-resistant and I do not think it is necessary.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/160” . ISO 640 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/85” . ISO 1600 . Classic Chrome

Fortunately, this lens comes with a common filter size of 52mm, and if you need a lens hood for this lens, I think it is easy to source for a third-party one.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f16 . 1/1800” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/1400” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/320” . ISO 1250 . Classic Chrome

Image Quality

At aperture F1.2, it does give you a good shallow depth of field, soft-focus feel but it is also easily prone to a small amount of chromatic aberration. It has 10 diaphragm blades which allow a creamy and nice fall-off between the subject and the background. But I prefer how the results look at F2 because it gives a good balance of the overall sharpness and blur background.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/400” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/350” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/3500” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/1250” . ISO 320 . Classic Chrome

Minimum Focus Distance

The Minimum Focus Distance (MFD) is 0.5 m, which in my opinion is not the closest I have experienced with for this focal length. In comparison, it is better than XF50mm F1 (MFD at 0.7 m) but not as good as XF50mm F2 (MFD at 0.39m). But does it really matter? It depends on individual usage, but nevertheless, it can separate the main subject with decent blur background.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/200” . ISO 500 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/80” . ISO 500 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2.8 . 1/30” . ISO 500 . Classic Chrome

Portrait Shoot

Like all other 50mm lenses, this lens is also suitable for portrait shoots. I have tried both outdoors and studio shoots and I have no complaints about using this lens on both shoots. The sharpness and the details are well-preserved.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/750” . ISO 160 . Classic Chrome (lens flare on the bottom left)
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/1700” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/600” . ISO 320 . Classic Chrome

I cannot say I have 100% perfectly sharp focus on the models for all photos I have taken. I do have some missed focus shots which is probably a slight movement from the model or myself. Luckily, there is a focus peaking function in modern mirrorless systems which helps me reducing the focusing errors a lot.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/125” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/125” . ISO 160 . Classic Chrome

Street Shoot

If you are the type of street photographer who wishes to stay at a certain distance away from the subject (i.e. not to distract the person or you are not comfortable shooting close to the person), this focal length is really suitable for you.

Furthermore, when you get used to manual focusing, using this lens for the street shoot is actually a fun experience.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/2500” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/1600” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/800” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/640” . ISO 320
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/750” . ISO 320 . Classic Chrome

Who is the for?

Before I give my suggestion, let me emphasize that this is not a lightweight manual lens. The weight of this lens is on par with most of the Fujifilm ultra-fast prime lenses (exclude XF35mm F1.4). But it is way cheaper than any of the Fujifilm ultra-fast prime lenses available on the market.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/90” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/75” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/750” . ISO 320 . Classic Chrome

If you are a photographer who is curious about the full manual lenses and wish to have the experience of using them, you can choose to buy this or the TTArtisan 35mm F1.4 (although the latter is much lighter and more portable).

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/950” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/4000” . ISO 320 . Classic Chrome

If you are a photographer who needs an ultra-fast prime lens like this focal length for the casual shoot (not limited to any genres) but on a tight budget, you may consider getting this lens to be part of your arsenals.

If you are a photographer who needs it for a paid assignment, I probably will not recommend this. Unless you know what you are doing, and if it is a statics work like studio photography, then I think you can give it a try and having your autofocus lens(es) standby with you. If the paid assignment is covering an event such as a wedding, then you cannot have my recommendation and I believe you know why.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/4400” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/6400” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f4 . 1/80” . ISO 160 . Classic Chrome

Conclusion

This is TTArtisan’s second released APS-C lens and it does wow me with everything it can offers. The image quality is decent but it does have some lens flare if you are facing the sunlight.

Yes. it has its flaws but the image coming out from this piece of glass is fantastic and hence this is already exceeded my expectation for a USD 98 lens. For this price range, I cannot find any other manufacturers which are as good as this modern manual lens is.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/1900” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2.8 . 1/160” . ISO 640 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/500” . ISO 640 . Classic Chrome

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/210” . ISO 160 . Classic Chrome

Thank you for reading.

Reviews

Viewing my world with TTArtisan 7.5mm F2

First and foremost, I would like to thank TTArtisan for inviting me to review this lens and it is my privilege to do so. Nevertheless, you can rest assured that this review will not be biased and it is purely in my own opinion.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

Intro

TTArtisan 35mm F1.4, 50mm F1.2, 17mm F1.4 and 7.5mm F2.
TTArtisan 7.5mm F2.
TTArtisan 7.5mm F2.
TTArtisan 7.5mm F2.

TTArtisan was established in 2019. Being a young company, TTArtisan has launched its 4th APS-C lens and they show no sign of slowing down. When I am preparing this lens review, they have just released their 5th lens, a 40mm F2.8 macro lens. What’s more? They are also planning to launch an auto-focus lens for Fujifilm! TTArtisan is definitely expanding aggressively and also giving the Fujifilm community more lens choices to choose from. Back to this lens, there are two “first” for this 7.5mm lens. The first ultra-wide creativity lens for the company and also the first F2 fisheye lens in the market.

At 7.5mm focal length, it is 11.25mm (35mm equivalent) which also gives a 180° angle of view and this is a really wide perspective point of view. It is not an everyday lens to some people but I will be going to give it a try to be my everyday lens.

Build Quality

Like the other TTArtisan lenses, the build quality is awesome solid. The same sturdy built that never disappoints me. The aperture ring has a gentle and comfortable clicky feedback when you rotate it. The rotation of the manual focus ring from one end to the other is 180° but the process of rotating it is a pleasure. Like many other fisheye lenses, it comes with a built-in metal lens hood. And not forgetting that it comes with a metal bayonet too.

Having said that, this lens comes with a “cost” and that is the weight. It weighs 385 grams with a lens cap and 355 grams without a lens cap. If you have the Fuji 16mm F1.4 or the 18mm F1.4, that is the weight thereabout. When you hold this lens in your hands, you will know that you are holding a premium quality lens. By the way, like many other manual lenses, this lens is not weather resistant.

Fuji X-T3 with TTArtisan 7.5mm F2.
Fuji X-T3 with TTArtisan 7.5mm F2.

Image Quality

At F2, the center of the photo is really good and usable. The contrast, sharpness, and preserving the details are impressive. However, corners of the photo can be soft but this is acceptable for a USD150 manual lens. Shooting at F5.6 will improve better on the sharpness and contrast. Surprisingly, this lens gives good chromatic aberration control. Only mild chromatic aberration is observed in my day-to-day experience. You might not even notice it unless doing pixel-peeping.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2 . 1/1400” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/30” . ISO 1250 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2 . 1/320” . ISO 320 . Post-edited.

This lens comes with 7 diaphragm blades which also means that the bokeh renders normally. It is not the best bokehlicious result you can find in the market. But hey, this lens is not focusing on bokeh. On the other hand, it is capable of creating a nice sunburst effect.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2 . 1/680” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/1000” . ISO 320 . Classic Chrome

Innovative Gestures

There are two things that I think TTArtisan does right for this lens and they are just a sweet touch to provide a better user experience for the photographers.

Unscrewed lens cap.
Unscrewed lens cap on the lens

First is the lens cap. This lens cap is unique. You can remove the center of the lens cap by unscrewing the top while the lens cap still covering the lens. This approach allows you to shoot like circular fisheyes results. I suppose those who love to have this effect will love this gesture.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/480” . ISO 320 . Classic Chrome . with lens cap .
Fuji X-E3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/125” . ISO 200 . Post-edited . with lens cap .

The second is about the filter. We know that it is not possible to place any filter in front of the protruding front lens. Nevertheless, TTArtisan does provide a screw-in type ND1000 filter and this ND filter will be screw in from the bayonet. This is really thoughtful especially for photographers who want to shoot landscapes with long exposure.

Bayonet without ND filter.
Bayonet with ND filter.

Minimum Focus Distance

It has a Minimum Focus Distance (MFD) of 0.125m and I am impressed with the TTArtisan design team. Although it is not a true 1:1 macro kind of photography, it can shoot a subject really up close and allowing the photographers to use this capability upon their creativities (pardon me, I have close to zero creativity). For me, I love to photograph food and this MFD really makes the perspective another level of viewing pleasure. But do note that with such a short MFD, you might even capture the shadow of the lens hood under certain lighting conditions.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f4 . 1/55” . ISO 500 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f4 . 1/40” . ISO 500 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2 . 1/160” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2 . 1/1250” . ISO 200 . Classic Chrome

Embracing the flare and halo

With such an ultrawide lens, it is easily prone to having lens flare and lens halo. Especially when you are pointing the camera towards the sun, you will receive it. I cannot say it is a bad or good thing to have the lens flare and lens halo effect. It is more towards individual preference. And in this case, I am accepting it and making it part of my photos.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/550” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/400” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2.8 . 1/28” . ISO 1250 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f8 . 1/450” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/1900” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2.8 . 1/90” . ISO 200 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/105” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/900” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2 . 1/30” . ISO 800 . Classic Chrome

Something to take note of

There are two small issues but I feel that the readers should take note of and not panicking when observing the same issue.

For the first issue, assuming you are shooting a landscape shot, usually, you will rotate the manual focus ring to infinity. However, the result is not sharp. But what you can do is to turn it back a little to get the right in-focus shot. For my received lens, I feel that the best sharp result is achievable when I rotate the manual focus ring to between 0.5m to 1m.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f5.6 . 1/1000” . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2.8 . 1/60” . ISO 250 . Classic Chrome

I have asked this question to TTArtisan and they inform me that this might be due to the different focus peaks of the different cameras. I have also encountered this small issue with other manufacturers’ manual lenses too. So please do not panic. You can try to find the best result by exploring with the lens. My guess about why this could be a common issue is because when the manufacturers are manufacturing for various mounts and different mounts have different flange focus distances and thus having this issue.

For the second issue, it could be my problem. Whenever I equip the ND filter and shoot, I couldn’t get sharp images. I have tried it with all the focusing distance and am not able to find the sweet spot like I mentioned earlier. If there is any reader out there who knows how should correct this issue, please let me know.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f11 . 60” . ISO 160 . Classic Chrome . With ND filter
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f11 . 1/13” . ISO 160 . Classic Chrome . Without ND filter

Conclusion

After weeks of using this lens, it does impress me with its image and build quality. Using this lens on the street is a breeze and a fun experience to have. It makes the world looks more interesting through this fisheye lens.

I have tried other manufacturers’ manual lenses before and nothing comes close in terms of the image quality of the product. Most manual lenses often have some level of softness and lack of sharpness in the photos at wide open. Usually, I have to step down to at least 2 stops to have my preferred sharpness. But for this lens, I can use it wide open without any worry.

Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f2.8 . 1/70” . ISO 200 . Post-edited
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f4 . 1/3000” . ISO 200 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f11 . 8” . ISO 160 . Classic Chrome
Fuji X-T3 . TTArtisan 7.5mm F2 @11.25mm . f4 . 1/30” . ISO 500 . Classic Chrome

If you are a landscape photographer, astrophotography photographer, time-lapse photographer, and photographer who is looking to do creative portraits and creative streets, you may consider getting this lens as part of your arsenal of lenses. After all, it is not an expensive lens to try out with.

Thank you for reading.

Uncategorized

First hospitalization after 2 decades

The History

I went to Ng Teng Fong (NTF) General Hospital A&E on 25 July 2021. It was my 4th gastric cramp in 6 weeks. On my first encounter with gastric cramp at night on 13 June 2021, it started at about 8pm and the pain did not go off since then. After 3 hours of constant cramp, I decided to visit the 24 hours clinic for help. It was a wrong decision made. After spending hundreds of dollars, the medicine was useless and a waste of time. I decided to visit the NTF A&E for help. After some medication via injections, it was cured. I was discharged on the same night/ early morning.

The second encounter was a month later. Exactly the same scenario for me and this time I went straight to A&E. And then I was discharged on the same night/early morning.

The third encounter happened on the 14 July but this time in the early morning. The cramp started off around 6am and I visited my neighborhood General Practice (GP) clinic. He went through my medical records via the Electronic Medical Record Exchange system to understand my situation and then he also jabbed me with pain killer. He also wrote a memo in case I have to visit the A&E anytime soon.

The first poke.

Day 1

Back to 25 July, after understanding my situation, the A&E doctor decided to admit me to the hospital. From here onwards, I will try to remember my experience as much as possible.

Before approving to get admitted to the hospital, I had to undergo a swab test at 7.30 am and waited for 2 hours for the result. After tested negative, I was on the waiting list to be warded. During this period, I was in the A&E waiting for updates. From here, you get to see how busy the A&E is. Probably lacking nurses is one of the issues here but I also notice that miscommunication seems to be a norm “practice” too. The meals served in the A&E were cold.

After staying in A&E for over 18 hours, I have the opportunity to go to a hospital ward room. While I had made a request for at least Class B1 ward, it came out to be a Class C ward. I made feedback to the nurses and they asked me to ask the check with night duty nurses in the ward. Oh well, at least I have a proper bed to sleep in for now.

Unfortunately, I had a stiff neck and the pain causes me unable to sleep. I informed the nurse about it and they activated a night duty doctor to come to me. It was around 3am when the pain had gone.

Day 2

There were 2 groups of gastroenterology and hepatology senior doctors with trainee doctors who consulted me in the morning. After which, they arranged Computerized Tomography (CT) scan on Day 2 and an endoscope scan on Day 3. Besides that, I had 7 tubes of blood drawn. Because of CT scan, I am not allowed to consume any food and drink, and hence I had an intravenous (IV drip).

The CT scan was conducted in the evening. So what’s for my dinner? The doctor suggested only clear soup. It was quite an experience for me because I literally had a day without any food. Luckily my wife brought me soup to drink.

While I thought my day 1 going to be “miserable”, the night duty nurse asked me if I want to have any fruits and milo? I told her that the doctor advised me not to eat anything and she said actually I am able to eat but I have to fast from 12am onwards. That’s the instruction received. Of course, I asked for the fruits and milo before my sleep.

Day 3

Another round of consultations and this time the doctors arranged for me for the Magnetic resonance imaging (MRI) on Day 4.

Another Day without any meal (so far). My appointment for the endoscope scan had managed to push forward from 5.30pm to 1.30pm. That was a good sign but I have actually waited in the waiting room till 4.30pm before my turn. I have no idea how I spent these 3 hours of my life lying on the bed doing nothing.

The endoscope scan was a “quick” one because I was injected with anesthesia. I was told that I should be half-conscious in this scanning but seems like otherwise.

Fortunately, I was allowed to eat my meal.

Day 4

Finally, I had my breakfast. Again, there seems to be some miscommunication despite my meals are ordered in advance by registering with the system. Eventually, the nurses managed to get the right breakfast for me.

I had my MRI in the early afternoon. The usual long waiting time before entering the scan. During the MRI scan, I am supposed to stay awake and focused on my breathing but I have fallen asleep at the end of the process. I cannot believe I can fell asleep in such a noisy and loud environment.

In the evening, I was informed that I am able to discharge and follow up with a few medical appointments in the coming weeks.

Conclusion

The doctor concluded that I have gallstones in my gallbladder. Fortunately, the gallstones seem to be as small as a grain of fine sands. He recommended me for an operation to avoided many other potential events like an infection to my nearby organs and organ blockage, et Cetra due to the gallstones.

Via the MRI scan, it was observed that I have fatty liver but no suspicious arterially enhancing lesson with washout is seen. And also observed that I had an unusual spleen found near my liver.

I have a total of 7 spots been poked for IV and blood draw. 4 on the right and 3 on the left. As of today, I still can feel the pain on my front hands. Probably it will take a while longer to get a full recovery.

Experience with NTF

During my stay with NTF, I observed there are a few miscommunications and misinterpretations of messages between the staff and between various departments. I also witness a few arrogant patients and I think it’s great that the nurses really try their best to handle those patients and they handle it quite well. They had trained well and cope well with their Emotional Quotient (EQ) to handle such situations.

On my Day 1 stay, I noticed the area surrounding the IV needle which was on my left elbow was red. So I asked various staff (from A&E nurse to Ward Nurse & night duty doctor) and shared my concern. Most of their responses were told me to ask for the doctor’s advice and the night duty doctor told me to wait for the doctor who handled my case for advice. So I waited till morning and asked the senior doctor and she told me it was swollen and immediately instructed the nurse to remove it and helped me to apply for some medicine. She commented that this should not “wait”.

Reviews

My “40mm” point of view

In 2012, Canon announced the EF 40mm F2.8 STM. It was one of the affordable and compact lenses in the whole EF lenses lineup. As this lens could allow my Canon 6D to be more compact and lightweight, I bought it without hesitation. I cannot say it has the best image quality that this brand can offer but it is one of the well-balanced between image quality and portability that I have at that point in time.

Fuji X-Pro3 . Fuji 27mm F2.8 WR

Why do I like pancake lenses?

It was all started in the mid-2000 when I am sourcing information on which camera system to be my first DSLR. Then I came to know about pancake lenses offered by Pentax. I had no idea why I have this fascination with the pancake lenses, such as 21mm F3.2 AL, 40mm F2.8 Limited, and 70mm F2.4 AL. If I am to give myself some explanations. The first reason could be probably the compactness these lenses can offer and the second reason was the engineering achievement. But after all the hypes and struggles that my inner self had, I decided to go with the majority, Canon. That’s because I have friends who are using the same brands and they have lenses that I did not own and vice versa. And so I thought it will be good to share the lenses if one ever need them. But eventually, this sharing “idea” rarely happened.

Fuji X-Pro3 . Fuji 27mm F2.8 WR
Fuji X-Pro3 . Fuji 27mm F2.8 WR

Fast forward to 2021, I have to thank Mr. Keitaro So (Divisional Head of Fujifilm) for giving me the opportunity to experience the “40mm” equivalent focal length again and it is called the XF27mm R WR lens. It is a minor upgrade lens from its predecessor with some exterior improvement while maintaining the same good optical glass. I have written it over here before in mid-February but not really in detail. So I feel that I need to give a proper personal opinion about this lens.

Months after it’s launched, I decided to get one myself. How does this 40mm focal length fits into my most favorite and commonly used focal lengths, 35mm and 50mm in the full-frame equivalent? To be honest, I have no idea how it will turn out to be. But I know I need to shoot more with this lens and my experiences will tell.

Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/240” . ISO 320 . Classic Chrome
Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/100” . ISO 640 . Classic Chrome

Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/100” . ISO 320 . Classic Chrome
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 320 . Classic Negative

This is my 7th week of using this lens when I am writing this article. Basically, it is my to-go lens for any camera body I am using. These 7 weeks of experience may not be qualified as worthy experience to some. But they are just my thoughts.

Built Quality

It has the XF quality built standard and you can rest assured of this. The aperture ring has a smooth and satisfying clicky experience like most of the XF lenses.

Autofocus

In the day, the autofocus is fast and pretty accurate in nailing the shots. At night, it sometimes performs slightly slower than the day but usually still can get the subject in focus and also dependable on the environment’s available light source. Nevertheless, I have to say that I have an off-focus shot at night, which only happens once. The camera has indicated that it has focused ( green box shown) when I half-pressed the shutter button, the photo turns out to be off-focus and I do not even realize it when I preview it with the LCD screen. It is obvious and I believe I will notice the result if I preview it from the EVF. Fortunately, this is a one-off case.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 500 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative

Image Quality

The image quality is great for such a compact lens. I preview the images from Lightroom Classic at 100% and the details are decent and the sharpness is solid. No complaint about this. Another good thing about this lens is that I do not observe any chromatic aberrations (CA). Although CA can be easily corrected in post-processing, it is good to have this advantage because I can have 1 step lesser to handle.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/120” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative

Weather Resistant

Most of the new Fujifilm lenses are equipped with Weather Resistant (WR). Although I will not put any of my lenses under extremely harsh weather, this is definitely a welcome feature to have. XF 27mm WR is the second lens after XF 10-24mm WR to get updated with WR and keeping the same optic glass formula and quality. If Fujifilm is following this trend, I think they will continue to “WR” the other old lenses and extend their longevities.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 400 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/350” . ISO 160 . Classic Negative

What is the advantage and disadvantage with this lens?

I will just break down 3 advantages and 3 disadvantages (fair thing).

Let’s talk about the disadvantage first. It is the slowest prime lens among all the prime lenses Fujifilm is offering. Unless you have an In-Body Image Stabilization camera or tripod or steady hands, otherwise you might need to increase your ISO for certain low light conditions for your shots.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f16 . 1/200” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/450” . ISO 160 . Classic Negative

Another disadvantage is the Minimum Focusing Distance (MFD), it is sometimes difficult to achieve a close-up shot with the subject that I want. At 0.34m, it is not the best MFD experience among the prime lenses that I have.

The last disadvantage is that it is not really bokehlicious like other prime lenses. When I shoot at F2.8, sometimes it renders busy and messy background. The separation between the subject and the rest works but does not render smoothly. Worse still, it distracts the subject-in-focused from the viewers. Especially to me.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 640 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . F4.5 . 1/480” . ISO 160 . Classic Negative

As for the advantage, obviously, it is compact and weighs only 84 grams. Mounting this lens onto any of the camera bodies has a very insignificant impact on the overall weight. I am not expecting anyone to complain that their hands are tired with this lens on their cameras.

Secondly, it does not attract any attention from anyone when I am doing street photography. I have tried using it and snap many shots in a busy wet market and no one takes a second look at what I am doing.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1000 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1600 . Post Edited

Another advantage is that I am using it as a “lens cap”. It means that I usually mount it on a camera body permanently when I am not in use (in this case, on an X-E3). To add on, I can quickly take it out from my dry cabinet and shoot if I spot some interesting moment or a beautiful sky. This is something like the X100V.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f4 . 1/2000” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/4000” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 200 . Classic Negative

Who is this for?

This lens is suitable for anyone who wants to reduce the overall package without compromising the image quality. Especially for people who love to travel light and as simple as possible and it can be easily kept inside a small bag.

But if you are looking for your first prime lens on a budget, this lens might not be a good option for you. Its predecessor should be a better option since they shared the same optic quality and it is cheaper in retail and even cheaper if you get it from the second-hand market. However, take note that the predecessor does not come with an aperture ring. Otherwise, XC 35mm F2 should be the best budget option. I always recommend this XC lens to people who want to learn to use a prime lens.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 320 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/240” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5 . 1/200” . ISO 250 . Classic Negative

Last but not least, if you are willing to accept the disadvantages that I have listed in earlier paragraphs, I think you should be happy with this lens.

In Summary

40mm was a very popular focal length a few decades ago, with many popular film cameras like the Olympus Trip, Rollei 35, Leica Minilux and Bell and Howell / Canon Canonet 28, et cetera were equipped with this focal length. However, with the wider focal lengths made available to the market in the latter decades, the “40mm” focal length is no longer in the eyes of consumers and professionals. It is not as wide as today’s wide-angle standards (24mm, 28mm in 35mm format). Despite that, this is subjective to individuals’ opinions.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/85” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/120” . ISO 1600 . Classic Negative

At 40mm, I do meet some challenges, especially framing from low angles and in confined spaces. If the environments allow, I can try to overcome these challenges by lowering down my camera further or step a little behind. On the other hand, sometimes I feel that this focal length is nice for landscape, just right for snapping food shots, and without a doubt, street photography.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 320 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/600” . ISO 160 . Classic Negative

After these 7 weeks of shooting, here are my thoughts: I can continue to use this lens alongside my XF23mm and XF35mm lenses. I can use them individually or side by side and that will depend on my mood to pick either one of them (or all three) for my street shooting therapy. I can say that it has become my 3rd favorite lens.

Thank you for reading.

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/900” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/480” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/3200” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1100” . ISO 200 . Post-edited

street

The Last Photowalk Before The Start of CB Phase 2 (HA) Again

Singapore has entered Circuit Breaker Phase 2 (Heightened Alert) again due to the rise of Delta variant in multiple new clusters. Fortunately, the Fujifans managed to meet up for a morning photowalk.

Over here, I will not disclose what Fujifilm camera I am using. You can make a guess and comment down below. All photos are post-processed with intended additional grain effect.

XF35mm F1.4 @35mm . f5.6 . 1/125” . ISO 400
XF70-300mm F4-5.6 @300mm . f5.6 . 1/3200” . ISO 200
XF35mm F1.4 @35mm . f4 . 1/1250” . ISO 200
XF18mm F1.4 @18mm . f5.6 . 1/1400” . ISO 800
XF18mm F1.4 @18mm . f8 . 1/250” . ISO 200

TTArtisan 17mm F1.4 @17mm . f5.6 . 1/800” . ISO 400
TTArtisan 17mm F1.4 @17mm . f5.6 . 1/2200” . ISO 800
TTArtisan 17mm F1.4 @17mm . f4 . 1/125” . ISO 320
XF70-300mm F4-5.6 @300mm . f5.6 . 1/125” . ISO 1250
TTArtisan 17mm F1.4 @17mm . f8 . 1/850” . ISO 800
XF27mm F2.8 @27mm . f5.6 . 1/125” . ISO 320
XF27mm F2.8 @27mm . f5.6 . 1/1600” . ISO 200
XF27mm F2.8 @27mm . f5.6 . 1/1480” . ISO 200
XF27mm F2.8 @27mm . f4 . 1/1100” . ISO 800
XF70-300mm F4-5.6 @70mm . f4 . 1/125” . ISO 800
XF27mm F2.8 @27mm . f5.6 . 1/900” . ISO 200
XF27mm F2.8 @27mm . f4 . 1/950” . ISO 400
XF27mm F2.8 @27mm . f5.6 . 1/400” . ISO 400
XF27mm F2.8 @27mm . f5.6 . 1/140” . ISO 400

XF18mm F1.4 @18mm . f5.6 . 1/1800” . ISO 200
XF27mm F2.8 @27mm . f5.6 . 1/1100” . ISO 200

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Thank you for viewing.