Uncategorized

Brightin Star 35mm f1.4 – Manual Focus, Maximum Vibes

The 35mm focal length, or roughly 50mm in full-frame equivalent, has always been one of my personal favourites. The versatility of this focal length works beautifully across genres like street, documentary, travel, and even portraits. That is probably why most manufacturers tend to prioritise 50mm equivalent lens before expanding into other focal lengths.

Brightin Star 35mm f1.4
Brightin Star 35mm f1.4
Brightin Star 35mm f1.4

For Brightin Star, however, this marks their very first 35mm f1.4 manual lens.

Intro

While I continue waiting patiently for Brightin Star’s next autofocus release, the company seems determined to keep expanding its manual lens lineup. I suppose the demand for manual lenses is still very much alive in 2026.

Fujifilm X-M5 with Brightin 35mm f1.4
Fujifilm X-M5 with Brightin 35mm f1.4
Fujifilm X-M5 with Brightin 35mm f1.4


When I first heard about this lens, my immediate thought was: How many 35mm f1.4 manual lenses are already out there? After digging around, I realised the market is actually crowded with options from third-party manufacturers such as TTArtisan, 7Artisans, Meike, Pergear, Kamlan, Neewer, and Zonlai. Brightin Star is simply the latest name joining the list.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f2. 1/5400″ . ISO 125 . Classic Negative
Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/3500″ . ISO 320 . Nostalgic Negative
Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/8500″ . ISO 160 . Nostalgic Negative


Before going further, a huge thanks to the great people at Brightin Star for sending this lens over for review. As always, they had absolutely no influence over my opinions. Everything written here is based purely on my own experience with the lens.

Design and Build Quality

Brightin Star really knows how to make an attractive lens.

This 35mm f1.4 carries a completely different visual identity compared to some of their other manual lenses, such as the Brightin Star 35mm f0.95. It feels like the company is trying to create a more distinctive design language for this series, and honestly, I like it a lot.

At first glance, the lens blends retro charm with modern styling surprisingly well. It has that classic rangefinder-inspired aesthetic while still looking contemporary. It is one of those lenses that simply looks good mounted on any Fujifilm camera.

Brightin 35mm f1.4

As I had expected, the lens feels solid in my hand. Weighing only 218 grams with a full metal construction, the build quality is excellent. Weight distribution across the body is nicely balanced, making it comfortable to use for extended periods. The small 49mm filter thread also gives you an idea of just how compact this lens really is. Unfortunately, it comes with a plastic lens cap, which I think could be better if it came with a metal one like their f0.95 variant or the Brightin Star 10mm f5.6 Pro.

Brightin Star 35mm f1.4 with Lens Cap

One particularly interesting feature is the aperture ring. Brightin Star includes a small switch that lets you toggle between clicky and clickless aperture control. The clicked mode provides gentle but satisfying tactile feedback, while the clickless option will definitely appeal to videographers.

The switch

Image Quality

Manual lenses from Chinese manufacturers have often been associated with certain characteristics: soft rendering wide open, low contrast, noticeable chromatic aberration, and heavy vignetting. Of course, some photographers intentionally seek out those imperfections because they add character to the images.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/100″ . ISO 160 . Nostalgic Negative

Naturally, I expected something similar here. But after reviewing my shots taken wide open at f1.4, I was genuinely surprised.

No, the lens is not optically perfect, but it is noticeably more refined than many older manual lenses in this category. The improvements are obvious enough that you can immediately tell this is a newer optical design.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/340″ . ISO 125 . Nostalgic Negative

At f1.4, sharpness is decent with a touch of softness, which is fairly expected. Contrast is not especially rich, but it is still respectable. Surprisingly, vignetting is very well controlled to the point where I barely noticed it. Chromatic aberration is present, though thankfully not overly distracting.

The biggest weakness, however, lies in the rendering transition between the focused and out-of-focus areas. The foreground and background blur can sometimes appear harsh or slightly nervous, especially in busy scenes. That said, when the background is cleaner and less cluttered, the bokeh becomes much more pleasant and easier on the eyes.

Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f16 . 1/950″ . ISO 320 . Nostalgic Negative

Minimum Focus Distance (MFD)

The lens offers a minimum focusing distance of 30cm, which is relatively close for a lens in this focal range.
That extra close-focusing capability does add versatility, although image quality becomes noticeably softer when shooting wide open at minimum distance. If maximum sharpness is important, stopping down the aperture will definitely help recover more detail.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/220″ . ISO 160 . Nostalgic Negative
Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/200″ . ISO 125 . Nostalgic Negative
Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/180″ . ISO 320 . Nostalgic Negative

Focusing

Compared to the Brightin Star 35mm f0.95, the focusing ring here feels significantly smoother. There is very little resistance, making focus adjustments fluid and enjoyable. That said, some photographers prefer a bit more resistance, or at least “can feel” the resistance feedback.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/100″ . ISO 160 . Nostalgic Negative
Fuji X-M. Brightin Star 35mm f1.4 @ 35mm . f5.6. 1/200″ . ISO 640 . Nostalgic Negative
Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/210″ . ISO 320 . Nostalgic Negative

The focus throw, from the minimum focus distance to infinity, is approximately 150 degrees. Some photographers love to have this degree of longer throw because it allows for more precise focusing. Others may find it slightly slower during fast-paced shooting situations since it requires more rotation back and/or forth.

Like many manual lenses, true infinity focus is not located exactly at the infinity marking itself. You will need to pull back slightly before the infinity symbol to achieve accurate infinity focus.

Price Point

At around 190 USD, this lens sits on the more expensive side compared to competing with other manual 35mm f1.4 options.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/1250″ . ISO 125 . Classic Negative
Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f5.6. 1/2500″ . ISO 125 . Classic Negative

For comparison:

  • 7Artisans 35mm f1.4: around 69 USD
  • TTArtisan 35mm f1.4: around 73 USD
  • Meike 35mm f1.4: around 100 USD

This definitely makes the buying decision more difficult, especially if you are shopping purely based on value.

However, Brightin Star’s lens is also one of the newest designs in this category, and it does show improvements in optical performance. In theory, the newer optical formula should provide better rendering and image quality than some of the older competitors.

Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f5.6. 1/2900″ . ISO 320 . Nostalgic Negative
Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/800″ . ISO 320. Nostalgic Negative
Fuji X-M5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/125″ . ISO 400 . Nostalgic Negative

For context, the 7Artisans version was released back in 2023, making it the second newest lens among similar configurations.

Others

Although Brightin Star officially describes this lens as “silver” colour, I would personally describe the finish as more of a gunmetal colour. So do not be surprised if it appears darker than expected in person.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/100″ . ISO 400 . Nostalgic Negative
Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/105″ . ISO 125 . Classic Negative
Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/100″ . ISO 200 . Nostalgic Negative

Also, depending on the camera mount you choose, the dimensions and weight of the lens may vary slightly.

Who is this for?

This lens is ideal for photographers who do not mind spending a little extra for a newer manual lens design with improved optical quality and good handling.

Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/1250″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f1.4. 1/5000″ . ISO 125 . Nostalgic Negative
Fuji X-E5 . Brightin Star 35mm f1.4 @ 35mm . f5.6. 1/640″ . ISO 125 . Nostalgic Negative

It is also a surprisingly good option for photographers who are just starting to experiment with manual lenses. Thanks to its versatile focal length, like I mentioned earlier, it works well across multiple genres, including street photography, documentary, and journalism, portraits, and travel photography.

Conclusion

The Brightin Star 35mm f1.4 surprised me in several ways, particularly with its optical improvements. While it is far from being a flawless lens, I genuinely did not expect such decent and usable image quality at f1.4 from a manual lens in this category.

Fujifilm X-E5 with Brightin 35mm f1.4
Fujifilm X-E5 with Brightin 35mm f1.4

On top of that, the lens features a beautifully designed exterior that stands apart from Brightin Star’s previous offerings.

It has honestly been a while since I found myself enjoying a slightly bulkier manual lens. Normally, my go-to recommendations are smaller and more compact options like the ArtraLab 24mm f1.7 and TTArtisan 25mm f2. Yet somehow, this Brightin Star 35mm f1.4 has managed to earn a place on that recommendation list as well.

Left to right: Brightin Star 35mm f0.95 (Black), Brightin Star 35mm f1.4, Brightin Star 35mm f0.95 (Silver)

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Fujifilm X-M5 – The Smallest X-series yet

It’s been 11 years since the X-M1 was unveiled. Although many fans of the X-M series have little hope for its future and may believe that this series has come to an end, suddenly, the rumor mills start to share bits and pieces that the X-M series is being reignited. Today, Fujifilm skips the numbers 2 to 4 and decides to name this X-M1 successor as X-M5. It makes sense as we are into the 5th generation of the X-Trans sensor, hence, the “5” in the X-M5.

Fujifilm X-M5

Intro

The Fujifilm X-M5 was announced together with XF16-55mm f2.8 MK II and XF500mm f5.6 in the X Summit Clay Studio 2024. From the announcement, it is stated that X-M5 is the smallest X-series, even smaller than X-E4. What are the pros and cons of being the smallest? Is there anything been compromised? I’m sure it has but can we accept them?

Fujifilm X-M5

The X-M5 is clearly aimed at vloggers, especially the new young generation of vloggers with limited budgets. But it is also a great tool for young photographers. In this blog, I will share my experience with this camera from a photographer’s point of view.

Before I proceed further, I would like to mention all the lenses that I have tested with it.

Fujifilm X-M5

Design, Build Quality, Handling & The Shutter…

The camera features a rangefinder-style design and is incredibly compact—smaller than its predecessor, the X-M1. According to the official specs, the X-M5 is 5mm shorter in length, 1mm thinner in depth, and maintains the same 67mm height. However, it is slightly heavier, weighing 355 grams compared to the X-M1’s 330 grams.

Fuji X-M5 . XF27mm f2.8 @ 27mm . f2.8 . 1/50″ . ISO 3200 . Classic Negative

The build quality is decent for an entry-level camera, with a plastic body that feels solid, though you can tell it’s made of plastic when you hold it. As for handling, it’s not the most comfortable for larger hands like mine. The camera is so small it fits in my palm, so for a more secure grip, I prefer using an additional grip or holding the lens instead of the body.

The shutter sound is loud for a small and compact camera. Not an issue to me but I do prefer the shutter sound from the X-T5 (or maybe I have gotten used to it).

Fuji X-M5 . XF35mm f1.4 @ 35mm . f2 . 1/420″ . ISO 320 . Classic Chrome

It comes with 3 command dials (film simulation dial, mode dial, and rear command dial) and 1 front command dial. Quite a number of dials for an entry-level camera.

The film simulation dial is first introduced in X-T50. I know there has been a lot of feedback about this dial since its introduction, and I agree it to a certain point. But this is actually beneficial to photographers who are not similar to Fujifilm and it’s film simulations. Changing the film simulations via the dial and witnessing the change of colors can allow new photographers to get hold of the film simulations, find one that they love the most, and enjoy the Straight-Out-Of-Camera end results.

Fuji X-M5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/8500″ . ISO 160 . Classic Chrome

If you have noticed, out of the 4 dials, 2 dials are fixed. That said, we have left with 2 dials that are available to customize (such as exposure compensation control, ISO control, and aperture control for those lenses that do not come with an aperture ring) to suit our shooting behavior.

Fuji X-M5 . XF 70-300mm f4-5.6 @ 300mm . f6.4 . 1/550″ . ISO 320 . Classic Chrome
Fuji X-M5 . XF 70-300mm f4-5.6 @ 300mm . f5 . 1/2000″ . ISO 320 . Classic Chrome

Oh yes, I like the less stiff, tactile feedback from the rear command dial. Personally, I prefer this to the one on the X-T5.

Sensor and Processor

Like the X-S20, it comes with an X-Trans 4 CMOS sensor and X-Processor 5 combination. Is this a bad combination? No. In fact, it is probably my preferred combination. I explained in the X-S20 post that I preferred 26 megapixels over 40 megapixels. The resolution is a sweet spot for my memory space and storage space since I hardly do photo cropping.

Fuji X-M5 . TTArtisan 56mm f1.8 @ 56mm . f1.8 . 1/3500″ . ISO 320 . Classic Chrome

Having X-Processor 5 actually does help battery efficiency and focusing performance. More on these later. But do note that the base ISO is 160 and not 125 as that can only be found in the X-Trans 5 HR sensor.

Image Quality

I have no complaints about the image quality here. If the image quality from this sensor is poor, I guess it won’t be the flagship sensor for X-T3 and X-T4. I am glad that Fujifilm decided to keep this sensor and extend its longevity further.

Fuji X-M5 . TTArtisan 56mm f1.8 @ 56mm . f1.8 . 1/80″ . ISO 800 . Classic Chrome

Performance

The autofocus algorithm seems to improve quite a lot. The eye-AF tracking is more sticky and picking up the subject is faster than my X-T5 with the firmware 2.03 (I’m lazy, don’t judge me).

I can feel that my hit rates has gone higher than before and more reliable.

Fuji X-M5 . Sigma 10-18mm f2.8 @ 17.3mm . f2.8 . 1/1700″ . ISO 320 . Classic Chrome

Battery Life

The camera uses the NP-W126S battery. Will it offer poor battery life? From my experience with the X-T50, I was able to get around 550 shots before the battery drained. With this camera, I managed to capture about 530 shots, which meets my expectations and is better than the CIPA rating of 330 shots. If you find the battery life insufficient for a full day of shooting, it’s a good idea to carry one or two spare batteries.

Feedback

Every camera isn’t perfect, and there is always room for improvement. X-M5 is not exceptional.

I name a few of them as I deem them more important to me.

The screen resolution is low by today’s standard (at 1,040,000 dots). It has the same screen resolution as the X-T3 which was first announced in 2018 and even worse than the X-E4 (at 1,620,000 dots). I’m not saying low screen resolution is terrible but sometimes it gives me a little bit of wrong judgment.

Fuji X-M5 . ArtraLab 24mm f1.7 @ 24mm . f1.7 . 1/6400″ . ISO 320 . Classic Negative

I was surprised that Fujifilm did not release an optional hand grip like they did for X-E4. But this is not an issue, as many third-party accessory makers are making one for X-M5.

The “Q” Quick Menu button is positioned between both the mode dial and the rear command dial and it is a pretty small button. This gives me a problem to press the “Q” button as I have a pretty big finger. I wonder why they do not include the “Q” button beside the AEL/AFL button. Oh yes. the playback and AEL/AFL button can be bigger.

Fuji X-M5 . ArtraLab 24mm f1.7 @ 24mm . f1.7 . 1/420″ . ISO 160 . Classic Chrome

Finally, the absence of an EVF (Electronic Viewfinder) is likely the most common complaint from Fujifilm users. I can relate, as I missed having the EVF when reviewing my shots or shooting in bright sunlight. It would be great if Fujifilm could offer an external EVF as an optional accessory, as I believe most X-M5 owners would gladly purchase one.

Price Point

At 800 USD, this is the most affordable interchangeable X camera released, and it took the crown from X-E4, which was once the cheapest X camera ( priced at 850 USD).

Fuji X-M5 . Viltrox 13mm f1.4 @ 13mm . f5.6 . 1/400″ . ISO 320 . Classic Chrome

Others

While the X-M1 features a built-in pop-up flash, the X-M5 replaces it with a film simulation dial. Is this change worthwhile? Personally, I think it’s a great trade-off. The film simulation dial not only benefits newcomers but also makes it easier for me to switch between my favorite film simulations. While the “Q” button also lets me change film simulations, having a dedicated dial provides a more tactile, hands-on experience.

Fuji X-M5 . Viltrox 75mm f1.2 @ 75mm . f1.2 . 1/6000″ . ISO 320 . Classic Chrome

Oh yes, this is probably the best affordable camera to experience 20 film simulations with 8 film simulations allocated on the dial with 3 presets available. I remember my X-T3 had only 16 film simulations and that’s it.

Fuji X-M5 . Viltrox 27mm f1.2 @ 27mm . f1.2 . 1/280″ . ISO 320 . Classic Chrome

The last one is the mechanical shutter, where X-M5 can only go as fast as 1/4000s, whereas 1/8000s on X-T5.

Who is this for?

Like I mentioned earlier, this camera is aiming at vloggers with limited budget. But that does not mean this is not a capable camera by any means. It is a very decent entry level camera which using very capable sensor and processor.

Fuji X-M5 . Brightin Star 50mm f1.4 @ 50mm . f1.4 . 1/750″ . ISO 320 . Classic Negative

If you are new to photography and attempt to step one step up from mobile photography, I think this is a good camera to buy and take photos with. You will not be disappointed with the results and get to explore the magic of the Fujifilm film simulations.

Conclusion

I do not share the other benefits of the X-M5, and that is the videography portion. I have very minimal videography knowledge, and I do not think I am the right person to share. Nonetheless, this camera comes with a 6.2k open gate recording in 10-bit. This is a huge move for an entry-level camera, or at least I have not encountered one yet from any brand. It also comes with a good-positioned microphone/remote release connector.

Fuji X-M5 . Viltrox 27mm f1.2 @ 27mm . f1.2 . 1/180″ . ISO 160 . Classic Chrome

The camera’s compact design does come with a few compromises. The handling is not ideal, but this can be improved with an additional grip. The absence of an EVF can be addressed with an optical viewfinder, though it works best with 27mm focal length lenses. The lack of IBIS can be compensated by using lenses with OIS, and Fujifilm offers a solid selection of OIS lenses beyond the kit lens, such as the XF16-80mm, XF80mm macro, and XF70-300mm. That said, I’m personally fine without IBIS, as my shooting style hasn’t changed significantly, and I shot with the X-T2 and X-T3 for a long time without major issues.

Fuji X-M5 . Brightin Star 50mm f1.4 @ 50mm . f1.4 . 1/250″ . ISO 320 . Nostalgic Negative

What I miss the most are the dials found on my X-T5, like the ISO dial and shutter speed dial. I really appreciate those dials because they provide quick access and setup for certain unique shooting situations. As a result, I don’t miss many important moments. That said, I usually preset my camera settings and stick to them most of the time, so I rarely need to adjust the dials during a shoot. As for X-M5, there are options to reconfigure or remap the command settings using the available buttons, so I recommend assigning your most frequently used functions to the buttons you use less often.

Fuji X-M5 . ArtraLab 24mm f1.7 @ 24mm . f1.7 . 1/8500″ . ISO 320 . Classic Negative

Despite these compromises, the X-M5 is still a great camera, offering excellent value for those looking to try Fujifilm. It provides a fantastic introduction to the beautiful film simulations Fujifilm is known for. With the new X-Processor 5 and the improved autofocus algorithm, the autofocus performance and the subject tracking are impressive. Additionally, the X-Trans 4 sensor continues to deliver excellent image quality.

Fuji X-M5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/80″ . ISO 400 . Classic Chrome

I hope to see good sales with this X-M5, after all, it has been 11 years since the series was born.

Fuji X-M5

Thank you for reading.

If you like my works, please follows me on either one of the 2 Instagram accounts:

Disclaimer:
1. All the shots taken here are shot by me. 
2. All of the shots
 are straight out of the camera with some edited via In-Camera Raw Processing.
3. The photos are resized to 30% of the original size except for cropped ones. If you wish to see the original file, contact me and I will be happy to share it with you.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.