Reviews

Fujifilm X-S20 – I Can Hold This Whole Day

I can still remember the Fuji X-S10 surprised the world when it was announced back in 2020. The SLR-style mirrorless camera not only surprised the Fuji community but also gained unexpected popularity from outside the Fuji community. It was a successful product. 3 years later, Fujifilm introduced the successor, X-S20, to the world. Is it attractive for the community again?

Fuji X-S20 with XF23mm f1.4 WR

Fujifilm takes a good approach to introduce its new camera in the X-Summit Bangkok and I think it is a good move. Bangkok is one of the most popular cities for tourism and this is probably one of the best Fuji cameras for travel they are possibly the best match to showcase everything.

I also take the opportunity to bring the review unit to Bangkok and try to experience the X-S20 the same way Yuji Igarashi San and Mr. Ekkarat Punyatara have in the X-Summit (sort of).

Before I continue further, I would like to thank Ms. Carmen, Marketing Manager of Fujifilm Singapore, for arranging and loaning the X-S20 for review. By the time this post is online, the camera unit had returned back to Fujifilm Singapore.

Fuji X-S20 . XF23mm f1.4 @ 23mm . f1.4 . 1/280″ . ISO 320 . Nostalgic Negative

Over here, I am sharing my opinion from a photographer’s point of view. That’s because I am not a videographer and I have limited knowledge about videography. Pardon me.

Design, Build Quality, Handling & The Shutter…

The overall design of the X-S20 is almost identical to the X-S10 with just a little change in length (127mm against 126mm), and a deeper hand grip. But what changes the most is the internal parts. First thing, it has upgraded the X-Processor to the 5th generation while keeping the X-Trans 4 sensor. Secondly, the battery has been upgraded to NP-W235. It is a great move because there was quite a lot of feedback about the NP-W126 battery life. Lastly, improvements on the ports and buttons.

Fuji X-S20 . Tamron 11-20mm f2.8 @ 20mm . f5 . 1/100″ . ISO 320 . Nostalgic Negative

The build quality gives a premium feel and does not feel like a polycarbonate-built camera, which I think is great. Unfortunately, it does not come with weather-sealed. I guess we can look forward to its successor. At 491 grams (including battery and memory card), this camera is light to carry (but also subject to what lenses you are mounting it with).

Fuji X-S20 . XF23mm f1.4 @ 23mm . f1.4 . 1/105″ . ISO 320 . Nostalgic Negative

I have a big hand and my little pinky is left out with this camera but I love holding this X-S20 handgrip. I remember that mounting big lenses on the X-S10 may leave very little room space for the finger to hold the grip. With the new slightly longer and slightly slimmer grip than the X-S10, this X-S20 is more comfortable and better with the big lenses.

As for the shutter, it does not have the same satisfying mechanical shutter feedback as the X-T5 but it is just fine. Nothing to shout about.

Fuji X-S20 . Tamron 11-20mm f2.8 @ 11mm . f5.6 . 1/550″ . ISO 320 . Nostalgic Negative

Oh yes, the ISO & the Q buttons are now bigger than the predecessor. In my opinion, it is much better to press too.


Fuji X-S20 . Viltrox 75mm f1.2 @ 75mm . f2 . 1/420″ . ISO 320 . Nostalgic Negative

Do note that the X-S20 is not a weather-sealed/resistance camera, if you come across heavy rain, snow, etc., do protect your camera.

Sensor and Processor

Is it a disappointment to have the old X-Trans 4 sensor? Not for me. This is a very capable sensor and it does not show its “age” just yet. I love the 26 megapixels resolution as it is a very good sweet spot for me. Yes, I do have the X-T5 and I thought 40 megapixels would make my photography life a happier one. Not quite meaningful for me after all as I don’t have a cropping habit, I do not print, and lastly, 40 megapixels resolution is quite taxing to my hard disk space.


Fuji X-S20 . XF56mm f1.2 @ 56mm . f5.6 . 1/1800″ . ISO 320 . Nostalgic Negative

Having a new processor, X-Processor 5, co-exist with the sensor is a good move. It actually helps to lower power consumption, improve battery life, and also helps to improve overall performance like auto-focus speed and tracking algorithm. I think it is a win-win situation.

For a note: since it is using the X-Trans 4 sensor, the base ISO is ISO 160 and not the ISO 125 like the one found in the X-Trans 5 HR sensor.

Image Quality

The pros and cons of the X-Trans 4 remain the same in this X-S20. While the image quality is much dependent on the glass we put in front of the sensor, I have no complaints about it if I used a premium Fuji prime lens.

Fuji X-S20 . XF56mm f1.2 @ 56mm . f1.8 . 1/900″ . ISO 320 . Nostalgic Negative

Personally, I love the color produced by this sensor. I have no idea why but the film simulations such as the Classic Chrome and the Classic Negative seem to be better than the one found in X-Trans 5. Again it’s a personal feeling towards it.

Fuji X-S20 . XF23mm f1.4 @ 23mm . f2.8 . 1/450″ . ISO 320 . Nostalgic Negative

Performance

The performance of the camera is associated with the lens it is paired with. In my course of testing, the camera works just fine and performs decently well. The camera has no issue with the third-party autofocus lenses I have on hand. (Anyway I am not expecting something weird.)

Fuji X-S20 . XF56mm f1.2 @ 56mm . f2 . 1/100″ . ISO 800 . Nostalgic Negative

When comes to autofocus tracking, I can feel that it is more sticky to the subject than I had with the X-S10 and the autofocus tracking is also capable of tracking an object pretty far away. My guess is that the new processor provides a good improvement over here.

IBIS

With the rating at 7.0 stops, I have no scientific way to prove if the IBIS is 7 stops effective. It is also 1 stop improvement over the predecessor’s 6 stops. In layman’s testing, I am about to handheld with my XF23mm f1.4 WR at approximately 1 second.

Fuji X-S20 . XF23mm f1.4 @ 23mm . f8 . 0.9″ . ISO 160 . Nostalgic Negative

Of course, I do have hits and misses due to my shaky hands but I think IBIS helps to reduce the motion blur caused by shaky hands and the camera shakes when I do the shutter press. If you have a more steady pair of hands, I think it will perform even better. Do note that a high shutter speed will not automatically activate the IBIS function.

Battery Life

Yuji Igarashi San took up the challenge to take over 1000 shots with the X-S20 in the X-Summit Bangkok. 1000 shots is a high benchmark for Fujifilm and I am not doubting Yuji San’s challenge will fail. At the end of the X-Summit, he shared that he had taken 1033 shots with 1 bar of battery left.

So I am very curious over here how many more shots can I take with 1 full bar of battery? So in my Bangkok trip, it took me about 2.5 days to use up one NP-W235 battery and I have a total of 1394 shots. That’s a whopping 40% more than what Fujifilm has claimed in the X-Summit.

In case someone wonders, my usage behavior is that I will turn off the camera after each use and on again. The term “use” is usually about 1-3 shots. I also use the X-app to transfer approximately 50 shots over a span of a 2.5-day period. While I believe not everyone has the same behavior as me, I suggest you consider changing to another fully charged battery when you hit between 900-1000 shots. Unless you are as adventurous as me, I think this is a safer benchmark for everyone to use.

Feedback

While there is not much “fault” that I can find with this camera throughout the test, there is one thing that I wish that Fuji would consider implementing a focus mode button like the one found in X-H2 and X-H2S (the fn3 button default setting). I know there is a “Q” function for quick access, but having the focus mode button at the bottom right corner would allow the photographer to access the focus mode even faster.

Another thing I wish to feedback on is the joystick. Since the X-S20 does not have the directional buttons like the X-T5, I hope the successor will come with a bigger joystick for navigation.

Others

The Electronic View Finder remains the same as its predecessor at 0.62x magnification and 2.36 million dot resolution. It is good enough to use but we always hope to have something bigger and better.

Fuji X-S20 . XF56mm f1.2 @ 56mm . f1.2 . 1/320″ . ISO 320 . Nostalgic Negative

Like the X-S10, it comes with a built-in flash which is a nice gesture and good to have for “just in case” situations when one needs it.

In case you are a film simulation lover like me, X-S20 has the latest Nostalgic Negative film simulation. It’s a nice touch to have the newest (but not so new) film simulation integrated into this camera.

Fuji X-S20 . Tamron 11-20mm f2.8 @ 11mm . f4 . 1/80″ . ISO 800 . Nostalgic Negative

In my testing, I did encounter a high temperature warning just once and that was under the 11 a.m. sun. I understand that such a thing might happen for a camera that compacts. Anyway, there is a FAN-001 accessories that is meant for videography purposes for X-H2S and X-H2, it works on X-S20 as well.

Fuji X-S20 . XF23mm f1.4 @ 23mm . f1.4 . 1/100″ . ISO 400 . Nostalgic Negative

Lastly, there is a compact charging brick included in the package, along with the typical accessories like a camera strap and USB-C cable. I do know that the packages vary across countries and regions. So the one that you received might not have the charging brick.

Who is this for?

If you are a new photographer or attempting to switch to a new system or get a second camera system, I think this is one of the best cameras for photographers to enter into Fujifilm and access their rich lens choices (including a lot of third-party lenses). But this upgrade might not be sufficient enough for the X-S10 photographers to upgrade.

Fuji X-S20 . XF23mm f1.4 @ 23mm . f5.6 . 1/1100″ . ISO 160 . Nostalgic Negative

In my own words

X-S20 is lightweight and capable camera. The upgrade in X-S20 is positive and considerably huge. They introduce quite a fair bit of improvement for the camera, but what I love the most is the NP-W235 battery and the brand new X-Processor 5 plus X-Trans 4 sensor. This is a new combination and this also shows how capable the combination of the processor and the battery can be. 1000+ shots are just incredible.

With the right lens, holding the X-S20 is a joy. It does not strain my waist after one whole day of holding it around. Nothing is more important than traveling comfortably with a powerful compact camera like it.

With the success of this X-S20, I hope that the X-T30II and X-E4 successor will continue with this combination.

Fuji X-S20

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. The camera firmware is 1.1.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Tamron 11-20mm f2.8 – Ultrawide with Versatility

When comes to ultrawide zoom lenses, we have limited options to choose from other than. the Fujifilm lens line-up. Namely, XF8-16mm f2.8 and XF10-24mm f4.

And that has been this way for a while until this new Tamron 11-20mm f2.8. Will this lens be worth our eyes on it? Let’s find out.

Tamron 11-20mm f2.8

Intro

Tamron introduced this 16.5mm to 30mm (in full-frame equivalent) for Sony for quite a while before Tamron makes it available to Fuji X-mount. This is an attractive focal length that does not has the widest nor it has the most tele focal length like the other 2 ultrawide lenses that Fuji is offering. But does it has its spot in the whole Fuji lens lineup (including third parties)?

If you just want to know my opinion, scroll all the way to the conclusion session.

Tamron 11-20mm f2.8

Before I continue further, I would like to special thanks to Cles Distribution of Tamron Singapore for allowing me to loan the Tamron 11-20mm f2.8 Di III-A RXD (Model AFB060X-700) for Fuji X-mount for this blog review. At the time of releasing this review, I have returned the loan unit to Cles Distribution.

Tamron 11-20mm f2.8

Design and Build Quality

Right off the bat, you will notice that the lens starts at 20mm (which is at the tele end of the focal length) and not at 11mm. The lens will zoom externally but not be extended by a lot. That’s considered a good thing for an external zoom lens. So in short, 11mm is at the lens’ longest end.

Fuji X-T5 . Tamron 11-20mm f2.8 @ 20mm . f8. 1″ . ISO 125 . Nostalgic Negative

One might wonder why this lens is designed differently and unlike the typical lenses that “starts” at the widest focal length and “ends” at the tele focal length. I guess that 20mm is closer to street photography focal lengths like 18mm and 23mm, where this focal length has a higher usability rate than 11mm. Or maybe I think too much and it is just engineering design to make it as compact as possible.

This lens has the same polycarbonate build quality with a metal rear mount bayonet as its other sibling lenses (Tamron 18-300mm and Tamron 17-70mm). This does not mean the lens is not good. It feels fine, sturdy and does not feels any loose end or anything bad.

Fuji X-T5 . Tamron 11-20mm f2.8 @ 11mm . f8. 1/340″ . ISO 125 . Nostalgic Negative

This 67mm filter-size lens weighs 335 grams. It does have weight when I hold it in my hand but not feel heavy. It also has a good balance with my X-T5 too. (Do you know that both Tamron 18-300mm and Tamron 17-70mm share the same filter size too?)

Similar to other Tamron lenses, it also lacks an aperture ring. It may sound like a deal breaker to many photographers. But after a while, I have gotten used to controlling the aperture values via the front command dial.

Image Quality

The image quality is great. Or at least I am more than happy with the results it provides across all the focal ranges at wide open. For a zoom lens, the contrast and sharpness are great. If you are comparing it with a prime lens, it is not as superb as a prime lens. But who will compare the zoom lens with the prime lens?

Fuji X-T5 . Tamron 11-20mm f2.8 @ 11mm . f2.8. 1/900″ . ISO 125 . Nostalgic Negative

Vignetting is mild and it can be noticeable if one is to nitpick the photo. Chromatic aberration is well-controlled. Distortion control is pretty good here. While I am not sure if it is done through software or not, at least the results straight out of the camera are pretty decent for distortion.

For transition between a focused subject and off-focused foreground/background, it is seamless and does not give messy or rough off/focused results.

As for the sun star, it gives very decent sun star results with nice sharp edges.

Focusing

Focusing speed is fast but not as snappy/instantly as Fujifilm’s new prime lenses. But I notice one phenomenon. If I focus on a darker area/spot, there is a chance the lens is unable to focus correctly or off-focused. But if I relocate my focus point to a brighter area/spot, it works and focuses fast.

This phenomenon does not matter if it’s outdoor or indoor, daylight or low light environment. It’s a unique behavior that I observed thus far with this lens.

Fuji X-T5 . Tamron 11-20mm f2.8 @ 20mm . f2.8. 1/750″ . ISO 125 . Nostalgic Negative

Putting that aside, this lens comes with RXD (Rapid eXtra-silent stepping Drive) stepper motor unit which allows it to focus silently. This is very good for street photographers and significantly better for videographers when they use this lens for video productions.

Minimum Focus Distance (MFD)

Tamron is doing a great job when comes to MFD. Both the Tamron 17-70mm and Tamron 18-300mm give very impressive MFD and this lens is no exception. The MFD is 15cm at 11mm and 24cm at 20mm.

Fuji X-T5 . Tamron 11-20mm f2.8 @ 11mm . f2.8. 1/600″ . ISO 125 . Nostalgic Negative

In short, 11mm can give a very unique perspective/close-up of the subject. It brings new creative options for photographers to explore.

As for 20mm, it can also capture very close to the subject but the wow factor is all on the 11mm.

Price Point

Given it is priced at 829 USD, I think it is a good price point. For instant, XF 8-16mm f2.8 and XF 10-24mm f4 are priced at 1499 USD and 999 USD respectively.

Others

While this lens does not come with weather resistance, it does come with Moisture-Resistant Construction and Fluorine Coating that offer additional protection when outdoor shooting.

Who is this for?

I think it is pretty clear who is this for and what genre is suitable with this focal length.

Fuji X-T5 . Tamron 11-20mm f2.8 @ 20mm . f2.8. 1/80″ . ISO 250 . Nostalgic Negative

Conclusion

Technically, Fujifilm gives a very clear option for photographers to choose from. If you have a reasonable budget on hand and don’t mind the bulky lens build, XF8-16mm is the choice. Otherwise, XF10-24mm is the best alternative with a reasonable price tag.

Fuji X-T5 . Tamron 11-20mm f2.8 @ 20mm . f2.8. 1/450″ . ISO 125 . Nostalgic Negative

With the Tamron 11-20mm f2.8, Tamron steps-in in the right spot with the right price tag. It gives many Fujifilm photographers one of the best alternative options to choose from.

With decent image quality at wide open, decent weight and size, and decent build quality, this is the lens I will recommend for photographers who are looking for one with a bang for the buck.

Fuji X-T5 . Tamron 11-20mm f2.8 @ 20mm . f2.8. 1/80″ . ISO 125 . Nostalgic Negative

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Event

My Favorite Photos in 2022

The year 2022 was another fruitful year for me. Of the 28 posts I have posted this year, 21 are reviews of camera gears and lenses. I also had a small achievement by getting 100k views on this blog this year (A big thank you, everyone!). It is challenging to juggle my job, photo shoots, and family time but I am glad I have made it and I enjoy the process.

Again, I would like to thank Carmen, Marketing Manager of Fujifilm Singapore, Cles Distribution of Tamron, Mr. Lawson from Sigma Marketing (Singapore), TTArtisan, Laowa, and FunLeader for giving me the opportunity to be able to hands-on with the gears and lenses, otherwise, this would not even happen.

I am happy to see more X-mount lenses released this year. Especially this year, Fuji has gained a lot of support from the 3rd party manufacturers and of course, I am referring to the autofocus lenses. While we have no idea what Fujifilm going to release next year but I hope to have an exciting one (I pray for X-Pro 4 and X100V successor arrival). And I also hope to see more autofocus lenses from 3rd party manufacturers to be released next year.

Okay, back to the topic. This is a little different from last year. I decided just to share what are my favorite photos taken this year (because it is hard to filter just 12 photos) and I also split them into 2 categories: “The street” & “The portrait”. Please enjoy.

The street:

#1

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/26000″ . ISO 320 . Classic Neg

#2

Fuji X-E4 . XF 23mm f1.4 R @ 23mm . f1.4 . 1/180″ . ISO 1250 . Classic Neg

#3

Fuji X-E4 . XF 33mm f1.4 WR @ 33mm . f1.4 . 1/7000″ . ISO 320 . Classic Neg

#4

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f5.6 . 1/160″ . ISO 500 . Classic Neg

#5

Fuji X-T3 . Sigma 16mm f1.4 @ 16mm . f1.4 . 1/640″ . ISO 160 . Post-edited

#6

Fuji X-E4 . XF 27mm f2.8 WR @ 27mm . f5.6 . 1/480″ . ISO 320 . Classic Neg

#7

Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/11,000″ . ISO 400 . Classic Chrome

#8

 Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/9000″ . ISO 400 . Classic Chrome

#9

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/680″ . ISO 160 . Classic Negative

#10

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/800″ . ISO 160 . Classic Neg

#11

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/300″ . ISO 160 . Classic Neg

#12

Fuji X-H2S . XF27mm f2.8 WR @ 27mm . f2.8 . 1/5400″ . ISO 160 . Nostalgic Negative

#13

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/1500″ . ISO 320 . Classic Chrome .

#14

Fuji X-T3 . Fuji XF18-120mm @ 120mm . f4 . 1/680″ . ISO 160 . Classic Chrome

#15

Fuji X-H2 . XF23mm f1.4 WR @ 23mm . f5 . 2″ . ISO 125 . Nostalgic Negative . 65:24 crop

#16

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 320 . Acros

#17

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f5.6 . 1/3200″ . ISO 320 . Classic Chrome

#18

Fuji X-T5 . XF50mm f2 WR @ 50mm . f3.2 . 1/80″ . ISO 1250 . Nostalgic Negative

#19

Fuji X-T5 . XF23mm f1.4 WR @ 23mm . f1.4 . 1/45″ . ISO 125 . Nostalgic Negative

#20

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 400 . Classic Negative

#21

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 1000 . Classic Negative

The portrait:

#1

Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/9000″ . ISO 160 . Post-edit

#2

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/5000″ . ISO 160 . Post-edited

#3

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f8 . 1/125″ . ISO 160 . Post-edited

#4

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/220″ . ISO 320 . Post-edited

#5

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/125″ . ISO 2000 . Post-edited

#6

Fuji X-S10 . Fuji XF18-120mm @ 98.8mm . f4 . 1/240″ . ISO 160 . Classic Neg

#7

Fuji X-T3 . Tamron 17-70mm @ 35mm . f2.8 . 1/105″ . ISO 320 . Classic Chrome

#8

Fuji X-T3 . Tamron 17-70mm @ 54.7mm . f4.5 . 1/80″ . ISO 160 . Classic Chrome

#9

Fuji X-T3 . Tamron 17-70mm @ 17mm . f4 . 1/640″ . ISO 160 . Classic Chrome

#10

Fuji X-H2S . XF80mm f2.8 @ 80mm . f2.8 . 1/680″ . ISO 320 . Nostalgic Negative

#11

Fuji X-H2 . XF50mm f1 WR @ 50mm . f2 . 1/220″ . ISO 125 . Nostalgic Negative

#12

Fuji X-H2 . XF50mm f1 WR @ 50mm . f1.8 . 1/120″ . ISO 125 . Nostalgic Negative

#13

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/500″ . ISO 160 . Classic Negative

#14

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/1600″ . ISO 160 . Classic Negative

#15

Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/60″ . ISO 3200 . Nostalgic Negative

#16

The last one that I did not post in any of my blogs at all.

Fuji X-H2 . XF50mm f1 @ 50mm . f1.8 . 1/110″ . ISO 125 . Nostalgic Negative

Thank you for reading (browsing).

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

photowalk

Fujifanboys Photowalk At Railway Corridor

It’s always good to know more good people in photowalk, sharing the good things about photography, gear and experience they had. And not forget the good guy in Cles Distribution for loaning the Tamron 18-300mm and Tamron 17-70mm in this walk.

We started with a visit to the newly rejuvenated Bukit Timah Railway Station in Railway Corridor and then slowly walk to Beauty World Centre.

X-H2S with Tamron 17-70mm
Good family bonding
A group of cyclists came into our photowalk…
… and then Ivan starts to coordinate for the group photo shoot.
… and continues…
As always. We have the “you shoot me, I shoot me” scene.
We have a Canon photographer joining us in the photowalk too.
I leave the imagination for you guys.
A snapshot before it crawled back into the track ballast
Always remember to “check-in”
On the way to Beauty World Centre…
One last shot with X-H2S with Tamron 18-300mm

Thank you for reading.

If you like my works, please follows me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Reviews

Tamron 17-70mm – The Best General Purpose Lens?

To begin with, I would like to special thanks to Cles Distribution of Tamron Singapore for giving me the opportunity to loan the Tamron 17-70mm f2.8 Di III-A VC RXD (Model B070X) for Fuji mount for this review. At the time of releasing this review, I returned the loan unit to Cles Distribution.

Tamron 17-70mm F/2.8 Di III-A VC RXD (Model B070)

Intro

Tamron 18-300mm f3.5-6.3 was first announced in August 2021. Fast forward 8 months later, here comes the second lens. Based on the full-frame equivalent, it gives a focal length from 25.5mm to 105mm and this is actually a good range for everyone to pick up easily.

Design & Build Quality

First of all, it comes with a plastic build body with a metal rear mount bayonet. It may not have the best handling experience but the built quality is solid for its class. The plastic material gives it a smooth like feel when you hold it.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f5.6 . 1/750″ . ISO 160 . Classic Chrome

If you have noticed, this lens does not have an aperture ring, which means controlling the aperture value has to be done on the front dial of the camera body.

Fuji X-T3 . Tamron 17-70mm @ 35mm . f4 . 1/3800″ . ISO 320 . Classic Chrome

Rotating the zoom ring gives a smooth with little friction experience. The zoom throw takes 90° from 17mm to 70mm, which is great for quick zooming purpose. Unlike the zoom ring, the manual focus ring is frictionlessly smooth.

Likewise, it is also an external zoom lens, which means it extends the length of the overall lens when you zoom. At 70mm, it extends about 1/3 of the original length. The 67mm filter size lens weighs 530 grams. Personally, I feel the weight is well distributed throughout the lens. I do not feel the lens weight is heavy on the front, especially at 70mm.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/1600″ . ISO 320 . Classic Chrome

Although this is an external zoom lens, it comes with weather sealing, not weather resistant!

Image Quality

At f2.8, the sharpness of the image quality is sharp but not a tad sharp. Let me explain. If you view the photos from the monitor, phone or tablet at the “filled” size, they are sharp. If you blow it up to 100%, it is somehow not that sharp. But it could be me being picky.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/80″ . ISO 1250 . Classic Chrome

Nevertheless, the sharpness is pretty consistent across the focal lengths. The contrast is pretty decent too.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/400″ . ISO 320 . Classic Chrome

Since it is a zoom lens, I am expecting some chromatic aberration and vignetting. But the lens proves me wrong. I do not see any chromatic aberration but only a little vignetting was observed. I think Tamron did well in this department.

Fuji X-T3 . Tamron 17-70mm @ 35.5mm . f2.8 . 1/3200″ . ISO 320 . Classic Chrome

For sunny stars, the sharpest result is at its smallest aperture among all apertures. Not sure if this is the common behaviour when it comes to zoom lenses?

Focusing

The focusing speed is probably not the fastest I have ever tried on a zoom lens. Maybe it is due to the limitation of the Rapid eXtra-silent stepping drive (RXD) motor? It does focus fast enough during the day for all focal lengths. But when it comes to low-light situations, it is no longer fast enough. I can feel the response time of the focusing speed is slower or maybe it is me who feels it that way. Sometimes I am also unable to focus locked onto the subject and it takes a few tries to get it. You might have lost the golden moments when the subject is finally focused.

But thanks to the RXD, the focus is silent and I hardly notice any motor noise whenever I press the shutter.

Fuji X-T3 . Tamron 17-70mm @ 53.2mm . f2.8 . 1/340″ . ISO 160 . Classic Chrome

Minimum Focus Distance (MFD)

At 17mm, this lens is capable of shooting at a Minimum Object Distance (MOD) of 19 cm and has a maximum magnification ratio of 1:4.8. How close is 19 cm? Basically, I have to remove the lens hood if I want to shoot that close. At 70mm, the MOD is 39cm and has a maximum magnification ratio of 1:5.2. I must say the engineering of this lens is very impressive. It allows the photographer to shoot a very close-up of the subject.

Shooting wide open will give you a soft render characteristic feel. Some photographers appreciate it while some do not. Stepping down the aperture will help to improve the overall sharpness.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/420″ . ISO 160 . Classic Chrome

Something to note

Unlike the Tamron 18-300mm, it does not come with a Zoom Lock Switch that prevents the lens from creeping. Probably it does not need one?

Fuji X-T3 . Tamron 17-70mm @ 34mm . f2.8 . 1/900″ . ISO 320 . Classic Chrome

As the name of this lens suggests, it comes with Vibration Compensation (VC). While there is no official statement on how many stops of compensation, I find it works well. At 70mm, I can go as slow as 0.2 seconds. This is something beyond my expectation and I am very satisfied with this outcome. This makes me think that it might work even better with In-Body Image Stabilization cameras.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 0.23″ . ISO 160 . Classic Chrome

Side by side

There are not many lenses in the market that meet the constant f2.8 zoom criteria. The closest is the red badge XF16-55mm f2.8 and the soon-to-arrive Sigma 18-50mm f2.8.

From what I see, each lens has obvious pros and cons. The biggest pro for Tamron is that it is equipped with an optical image stabiliser, has a longer reach and better price (compared to XF 16-55mm only, 799 USD versus 1999 USD & SGD 1262 versus SGD 1799).

Who is this for?

It can be used for almost every genre except for wildlife (probably). For photographers who just want to keep as few lenses as possible, this is one good lens to consider and I am sure it is also a good travel lens too.

Conclusion

As a general purpose lens, Tamron strikes a good balance in almost everything and does serve its purpose. It has a constant f2.8, decent image quality, decent MFD, considerably lightweight, weather sealing and it gives a reasonable price too. If these criteria meet your checklist for a new zoom lens, you can consider this to be your next arsenal.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
 are straight out of the camera while others are edited via In-Camera Raw Processing, Capture One and Photoshop.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

photowalk

The First Ever FujiFanBoys Photo Walk

I have organized quite a few small groups of photo walk for the past 2 years but this is the first photo walk organized under the name of FujiFanBoys Facebook Group. I am excited because this is my first attempt to organize with Ivan Joshua Loh with such a huge group size together. In case you wonder, this is a whopping 40 pax group size.

Not only that, we have lens support from 5 amazing brands: Fujifilm, Sigma, Tamron, TTArtisan and Voigtländer. Really appreciate their kind support!

This first walk is not an easy one, to begin with, the weather decides to rain heavily in the morning. Instead of starting photo walking at 8:45am, we delay it an hour later. Now come to think of it, the rain actually gives us a good opportunity to mingle around with the group before the walk.

Morning coffee before the photo walk
Briefing commences…
Have a can of beer before the photo walk starts.
Hello to Otter from Zouk Otter Family

Despite the rainy morning, I am glad that the majority of the FujiFanBoys and FanGirls choose to turn up for the walk! Hope we will arrange another one soon!

Photo by Jere of Fujifilm.
Thank you to Sean for taking this portrait shot of me with the new X-H2S and XF18-120mm

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Tamron 18-300mm: The Best All-Rounder Lens?

Special thanks to Cles Distribution of Tamron Singapore for giving me the opportunity to loan the Tamron 18-300mm F3.5-6.3 Di III-A VC VXD (Model B061) for Fuji mount for a review. At the time of releasing this review, I have returned the loan unit to Cles Distribution.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
 are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.
3. I reserve ownership of these images, if you wish to use my images, please notify me.
4. The opinions are based on my experience. If there is any mistake made, please kindly drop me a message and I will gladly make the amendment.

Tamron 18-300mm F3.5-6.3 Di III-A VC VXD

Before I start, I wish to highlight that this is a lengthy sharing session of my personal experience with this lens but not too much on the technical specification. You may skip to the Conclusion if you wish to or just browse the photos.

Fuji X-T3 with Tamron 18-300mm
Fuji X-T3 with Tamron 18-300mm

A Little History

Tamron has a long history of producing lenses and they are the pioneer of producing high-ratio zoom lenses. AF 28-200mm F3.8-5.6 was the first all-in-one zoom lens that was launched in 1992 and since then, Tamron has never stopped innovating and creating many “first” in the photography industry. In other words, Tamron is an expert in this field.

Fuji X-T3 . Tamron 18-300mm @ 64.3mm . f5 . 1/125″ . ISO 1600 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/180″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 800 . Classic Chrome

About The Lens

As the name of this lens has suggested, it is an ultra-zoom lens that features a 16.6x zoom ratio. Besides having a focal length from 27mm to 450mm (full-frame equivalent). At 18mm focal length, this lens is capable of shooting at a Minimum Object Distance (MOD) of 15 cm with a maximum magnification ratio of 1:2 and MOD at 1 meter at the tele end with a maximum magnification ratio of 1:4. That is a pretty remarkable piece of engineering to me as I love to shoot close up a lot.

Fuji X-T3 . Tamron 18-300mm @ 148.6mm . f3.5 . 1/300″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 126.8mm . f5.6 . 1/160″ . ISO 250 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 48.6mm . f4.5 . 1/240″ . ISO 160 . Classic Chrome

It is a plastic lens body with a metal rear mount bayonet. To be honest, the experience is not as good as the metal-constructed lens but it is still feels solid and does not feel cheap on my hand. Rotating the zoom ring is smooth while giving you some little friction. Do note that when the lens zooms to 300mm, the physical length of the lens does extend to almost 3/4 times its original length.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 2500 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 203mm . f6.3 . 1/125″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 117.3mm . f5.6 . 1/160″ . ISO 200 . Classic Chrome

Unlike most of the Fujifilm lenses, it does not come with an aperture ring, that’s means you have to control the aperture via the front command dial on the camera body. If you wish to purchase a filter to protect the front lens element, it has a filter size of 67mm, which the cost is on the affordable side.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/5″ . ISO 80 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 37mm . f4 . 1/160″ . ISO 2500 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 64.3mm . f5 . 1/160″ . ISO 1600 . Classic Chrome

It weighs 620 grams which are acceptable for an ultra-zoom lens. By looking at the numbers, the lens seems to be heavy. Fear not, the weight distribution is evenly throughout the lens.

Image Quality

During the day, the image quality across all focal lengths is great. I am surprised that the images are decent and beyond my expectation. Of course, the image quality is not comparable to prime lenses but not too far behind from the shorter zoom ratio lenses. Different lenses are created for different purposes, so it is not a fair comparison if you are comparing it with other lenses directly.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/50″ . ISO 3200 . Post-edited
Fuji X-T3 . Tamron 18-300mm @ 18mm . f5 . 1/15″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 93.2mm . f5 . 1/55″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/160″ . ISO 2500 . Classic Chrome

Also, I am not expecting creamy, nice, and beautiful bokeh produces by this lens, the result is quite acceptable for me. It still does its job well for separating the subject from the foreground/background. The good thing about its bokeh is that it still produces smooth and nice fall-off and it does not give harsh and disturbing background blur.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f8 . 1/450″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 248.6mm . f6.3 . 1/160″ . ISO 1000 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 45.4mm . f4.5 . 1/160″ . ISO 200 . Classic Chrome

If someone is concerning whether the aperture at F6.3 for 300mm does not give a good background bokeh, well, I think this has to depend on what genres you are shooting with. At least for my shoots, I think the bokeh is okay.

Focusing

Thanks to the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism, the focusing is pretty fast at all focal lengths and silent under the sun. The focus is quite accurate at most focal lengths but I do miss some shots at 300mm. I am wondering if it is due to the small aperture at 300mm.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/32000″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 69.2mm . f5 . 1/240″ . ISO 160 . Post-edited
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/1250″ . ISO 160 . Classic Chrome

As for dim lighting situations or nighttime, the focusing speed is noticeably reduced. At 18mm, the focusing speed is still not too bad. However, as the focal length increases, the focusing speed is getting slower and more focus hunting is observed too. I think this is also due to the small aperture value at 300mm.

Optical Stabilization

This lens is equipped with Tamron’s proprietary VC (Vibration Compensation) image stabilization, which helps to compensate for unwanted camera movements, especially under low light situations. While the official statement does not indicate the number of f-stops the lens can deliver, I tested and I manage to get decently sharp photos at 1/14 sec at 300mm. I think I can confirm that VC does work reasonably well under such a situation.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/14″ . ISO 400 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 55.8mm . f4.5 . 1/160″ . ISO 320 . Classic Chrome

Minimum Object Distance

I have mentioned the MOD earlier. But what I want to mention here is how impressive the MOD is. If you want to shoot at 18mm, basically your lens is very close to the subject. It is surprisingly a fun perspective to shoot with.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/1000″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/160″ . ISO 640 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/680″ . ISO 320 . Classic Chrome

Others

Soft vignetting is observed throughout the focal lengths but it can be easily correctly via post-processing. Also, I notice some softness at 300mm at F6.3 for some shots but it gets slightly better if the aperture is lower to F8 onwards.

Left: Fuji X-E4 . Tamron 18-300mm @ 18mm . f3.5 . 1/1500″ . ISO 320 . Classic Negative
Right: Fuji X-E4 . Tamron 18-300mm @ 300mm . f6.3 . 1/450″ . ISO 160 . Classic Negative
Left: Fuji X-E4 . Tamron 18-300mm @ 18mm . f8 . 1/800″ . ISO 320 . Classic Negative
Right: Fuji X-E4 . Tamron 18-300mm @ 300mm . f8 . 1/680″ . ISO 160 . Classic Negative
Fuji X-T3 . Tamron 18-300mm @ 18mm . f8 . 1/200″ . ISO 160 . Classic Chrome
Left: Fuji X-T3 . Tamron 18-300mm @ 300mm . f8 . 1/210″ . ISO 160 . Classic Negative
Right: Fuji X-T3 . Tamron 18-300mm @ 300mm . f8 . 1/220″ . ISO 160 . Classic Negative
Both shots are taken at the same spot of the previous photo.

This lens comes with a Zoom Lock switch where it locks the zoom ring at 18mm and prevents the lens from creeping due to the weight of the lens while on the move. This mechanical switch is common among all long barrel lenses and I am glad that the Tamron engineers do include it in this lens as well.

This is another thing that I like about this lens and I think it is worth mentioning. If I want to change the focal length from 18mm to 300mm, all it takes is to rotate the zoom ring 45° and I have arrived at 300mm.

Fuji X-T3 . Tamron 18-300mm @ 233.4mm . f6.3 . 1/210″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 69.2mm . f5 . 1/400″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/240″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 59.9mm . f4.5 . 1/240″ . ISO 160 . Classic Chrome

Who is this for?

This lens is actually quite a versatile lens and it’s a great lens of its class. If the image quality is not much of a concern, this lens basically can shoot anything under the sun.

This lens also gives a good focal length for a photographer who is exploring different kinds of genres without breaking his wallet. If a photographer wants to travel light for his overseas trip, this is one good option too. Besides, if the photographer wants to do a simple product shoot with budget studio lights, this lens is capable of it too.

Fuji X-T3 . Tamron 18-300mm @ 18mm . f4 . 1/28″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 45.4mm . f4.5 . 1/17″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 100.6mm . f5.6 . 1/45″ . ISO 3200 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 86.4mm . f5 . 1/50″ . ISO 3200 . Classic Chrome

Conclusion

This is Tamron very first lens for Fujifilm users and I think this is a wise choice to start off with. That’s because Fujifilm does not have this level of the all-in-one zoom lens in its lens lineup. The closest that Fujifilm has is the 18-135mm and it is nowhere near what Tamron has to offer. Not only that, it is selling at USD 699 (SGD 1088). With such competitive pricing, I think it will attract lots of interested photographers.

Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/250″ . ISO 1250 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 18mm . f3.5 . 1/250″ . ISO 320 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/160″ . ISO 640 . Classic Chrome

In my own words

Frankly speaking, I am excited to see more and more 3rd party manufacturers stepping into Fujifilm X-system. Not only this gives Fuji users more lens varieties to choose from, but also provides healthy competition with other APS-C manufacturers.

Fuji X-T3 . Tamron 18-300mm @ 34.5mm . f4 . 1/160″ . ISO 2500 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 93.2mm . f5 . 1/80″ . ISO 400 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 300mm . f6.3 . 1/75″ . ISO 400 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 59.9mm . f4.5 . 1/600″ . ISO 160 . Classic Chrome
Fuji X-T3 . Tamron 18-300mm @ 100.6mm . f11 . 1/160″ . ISO 160 . Post-edited

By the way, if you are in Singapore and interested to buy this lens, do drop by SLR Revolution. As far as I know, they are one of the leading local retailers carrying this lens.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits