Reviews

Voigtländer Nokton 35mm f1.2 – Hello To The Premium Manual Lens

Thanks to my friend Ivan Wong for giving me the opportunity to play with his latest lens, the Voigtländer Nokton 35mm f1.2, for a week. Unfortunately due to my unforeseen workload, I only get to try this lens for 4 days before I have to return the lens to him. So this is a pretty short hands-on experience compared to the usual one.

Voigtländer Nokton 35mm f1.2
Voigtländer Nokton 35mm f1.2
Voigtländer Nokton 35mm f1.2

Voigtländer has been a long time manufacturer in the market, they have been manufacturing beautifully crafted lenses for M mount, E mount, Z-mount and m43 mount. Now they have extended their portfolio to craft lenses for the X-mount. Their first lens in the X-mount portfolio is nothing but one of the popular focal lengths among the photographers, 35mm (50mm in full frame equivalent).

Design & Build Quality

We do see some manufacturers having the same lens design but different mount. However, Voigtländer completely designs a new lens design for Fujifilm X-mount. Some might say it’s a pity that it does not have similar design elements like other Voigtländer lenses or missing out on the design language that Voigtländer has. Personally, I think it is okay. After all, the design is still beautifully designed.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/200″ . ISO 320 . Classic Negative

This 196 grams lens has a solid metal constructed body and I can actually feel how dense the weight of this lens is when I hold it in my hand for the first time. The aperture ring clicks give me very satisfying feedback and the manual ring rotates smoothly with a bit of friction without much force needed.

It comes with a pretty small 46mm filter size and comes with a metal screw-in hood. But I believe that, for a reason, the photographers who purchase this lens do not wish to put on the lens hood.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f4 . 1/850″ . ISO 320 . Classic Negative

By the way, in case you wonder, the lens is not weather resistant.

Focusing

Well, unfortunately, the speed of focusing depends on the accuracy of your eyes and the speed of your fingers. Because it’s manual focusing.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/160″ . ISO 400 . Classic Negative

Image Quality

At wide open, this lens gives you a kind of glowing and soft look where the blur falls off quite beautifully and is comfy to my eyes. It also provides a characteristic flare if you face the sun or strong light directly. Unfortunately, I fails to create one that is as beautiful as I saw on the web.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/680″ . ISO 160 . Classic Negative

If you want to have a decent sharpness in the image, I recommend shooting from f2 onwards. The results are pretty good and usable at f2. Besides sharpness, contrast is decent too.

I have a high expectation (later on this) with this lens when it comes to chromatic aberration and vignetting. Luckily, I am not disappointed. They are very well controlled as I did not observe them from my shots.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/160″ . ISO 1250 . Classic Negative

Minimum Focus Distance (MFD) 

This lens comes with a 30 cm MFD which is the same as the XF33mm f1.4 and Sigma 30mm f1.4. At this distance, you can get stronger glowing and softer results. Not forgetting that the depth of field is very shallow when you shoot wide open.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f1.2 . 1/680″ . ISO 320 . Classic Negative

Price Point

I mentioned about me having high expectations about this lens. Allow me tell you why. According to the official suggested retail price, it costs USD 649. It is rather expensive for a manual lens. For reference, XF33mm is selling at USD 799 and Sigma 30mm f1.4 is at USD 339. If you want to justify the high price, what I can think of is the brand itself, fast aperture, compact, made in Japan and unlike other manual lens manufacturers, it does equip with electronic contact. I think it should suffice to justify, I guess?

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/160″ . ISO 1600 . Classic Negative

Who is this for?

If you are a photographer who wishes to gain some experience with pure manual lenses and you do not mind not knowing your aperture setting, there are many other manual lenses for your consideration. The price between Voigtländer and other manufacturers is a huge gap. From a money perspective, I personally do not recommend you to buy this lens unless you know what you are doing.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/240″ . ISO 320 . Classic Negative

Assuming you want to buy this lens, but you have no idea what genres is it suitable for. I think you do not need to worry about this. Because this focal length is very versatile and it covers generally most genres such as documentary, journalism, street and portrait.

Conclusion

Thanks to the electronic contact, this lens gives me a very good manual lens experience. It allows me to know what is my aperture setting like the other autofocus lenses. But the price of this lens position itself clearly from the rest of the manual lens manufacturers. The image quality is indeed better than the other manual lens manufacturers but the result isn’t too far off by a mile.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/160″ . ISO 800 . Classic Negative

Having said that, I am still glad that Voigtländer is joining the Fujifilm community and not forgetting that the 23mm f1.2 is launching soon. All in all, I hope to see more lenses from them and benefit the photographers.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/160″ . ISO 1000 . Classic Negative
Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f1.6 . 1/160″ . ISO 1600 . Classic Negative

Thank you for reading.

Disclaimer:
1. The lens is from a friend of mine and I have returned it to him by the time this article is available online.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing
.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. All the shots taken here are shot by me. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Sigma 30mm f1.4 – Never Too Late

First of all, allow me to thank Mr Lawson from Sigma Marketing (Singapore) for loaning me the Sigma 30mm f1.4 Contemporary DC DN lens for a review. I appreciate his support to make this review a reality.

Sigma 30mm f1.4 Contemporary DC DN

Intro

Sigma 30mm f1.4 Contemporary DC DN (I will just call it Sigma 30mm in short for the rest of the review) was announced back in February 2016. It was introduced with various mounts (i.e. EF-M, M43, E-mount and Leica L). 6 years later, X-mount is the latest mount in the Sigma family.

30mm f1.4 Contemporary DC DN
30mm f1.4 Contemporary DC DN

35mm (50mm in full-frame equivalent) is a very popular focal length among all others. And then, Sigma comes with this 30mm focal length and this is an interesting focal length to compete with many 35mm lenses in the Fuji market. It also sits right between the 27mm and 33mm of what Fujifilm has offered.

At an equivalent to 45mm in full-frame, let’s dive in and see how this lens can actually perform.

Design & Build Quality

According to the official, the build of this lens is made out of a type of polycarbonate called “Thermally Stable Composite” (TSC). This material has a thermal expansion rate similar to that of aluminium and it also has a high affinity to metal parts which contributes to high-quality product manufacturing.

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f5.6 . 1/1000″ . ISO 160 . Classic Neg
Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f5.6 . 1/160″ . ISO 500 . Classic Neg

And according to my hands-on, it feels great to hold. Although it is polycarbonate built, it does not feel cheap at all. The lens is very well built and solid. But one thing to point out is that it is a fingerprint magnet and it can leave some fingerprint marks on the lens. Luckily, it can be easily wiped off.

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f5 . 1/60″ . ISO 1250 . Classic Neg
Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f4 . 1/90″ . ISO 640 . Classic Neg

This lens comes with a filter size of 52mm and it is more than welcome for photographers to buy filters at a more affordable price.

At 275 grams, the weight of this compact lens is decently light to mount on any Fujifilm camera body without feeling adding much weight to the camera.

One fact to note is that this lens is equipped with dust and splash resistant sealing that helps to protect the lens from certain conditions.

Image Quality

Before I share my opinion about the optical quality. My understanding from Sigma Marketing is that the lens optical is exactly the same as other mounts, which also means that the glass elements and design are the same as 6 years ago.

So how does it perform in real-world situations? Well, the image quality is exceptionally good. The results at wide-open actually surprised me. The details, sharpness and contrast are well preserved.

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/22000″ . ISO 320 . Classic Neg
Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/2500″ . ISO 320 . Classic Neg

As for the chromatic aberration, I hardly notice it. I think the lens did a good job of controlling it. It does help us to reduce one task in our post-processing.

For the sunny star result, the shot taken at f8 produces much softer and less rounded results. On the other hand, it looks sharper at f16 and more detailed than that of f8.

Focusing

Two words to describe it. Silent sniper. The focusing speed is surprisingly fast, accurate and completely silent. The word “completely” may sound too strong but it is really silent and the only sound I can hear is coming from my shutter. All thanks to the stepping motor that is equipped with the lens, this also means that this lens can be a wise choice for videographers to consider.

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f4 . 1/160″ . ISO 500 . Classic Neg

As for accuracy, I can say it has a very high accuracy rate, probably around 95%. Why not 100%? Because I do encounter a few off-focused results when the little green box has lit up. For under low light situations, this lens still performs well most of the time.

Something to highlight, when I am trying to do some closed up shots under broad daylight, I encountered this phenomenon where the subject is not in focus but the little green box has lit up. What I do is focus on another nearby object and then it works as per normal.

But rest assure, Sigma is constantly updating their lenses to improve the focus quality and accuracy. In fact, there is an update for this lens last Friday. Unfortunately, I do not have the chance to give it a try.

Minimum Focus Distance (MFD)

The MFD is at 30cm which is considered quite close but not extremely close. One thing to note is that shooting at MFD produces a very special character to the photo. Shooting under sunlight, the focused object looks sharp but anything around it is kind of soft and the softness will slowly blend into the background as the distance is further from the object. Somehow, I quite like how it renders.

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/1900″ . ISO 160 . Classic Neg
Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/1000″ . ISO 160 . Classic Neg

Also, if you are shooting wide-open at the MFD, it produces a very shallow depth of field.

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/3800″ . ISO 160 . Post-edited
Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f2 . 1/2400″ . ISO 160 . Post-edited

Price Point

I rarely open up discussions about price points. But this lens is really positioned itself very well. At *SGD488 (or USD339), it is slightly above as XC35mm f2 at SGD299 (or USD 199) and way below XF35mm f2 at SGD699 (or USD 399). Yet it offers one full stop more light.

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/60″ . ISO 500 . Classic Neg
Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/60″ . ISO 400 . Classic Neg

With this price point, it does attract a lot of potential buyers who are about to start their photography journey.

*The price quoted is based on Recommended Retail Price.

Conclusion

Coming from a guy who likes to shoot streets with 23mm and 35mm focal lengths, I am able to adapt the Sigma 30mm f1.4 very well. In these 2 weeks of loan, I do not find much of a challenge using this lens except for the above-mentioned issue.

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/2700″ . ISO 160 . Post-edited

For a slightly over a demi-decade old glass design, the photos taken with this lens are considered impressive and pretty usable, especially for the wide-open shots.

However, this lens does come with some downsides. First, it does not has an aperture ring. Something that I do miss sometimes. Second, it is not a full weather resistant lens. It does not matter to me but I think it is good to let the readers know.

Overall, I think this piece of glass does strike a good balance between price, image quality and the tradeoffs. Plus, it is made in Japan.

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/5000″ . ISO 160 . Post-edited

Who is this for?

This focal length covers well in most genres such as street, journalism, portraits and landscape. Hence I will highly recommend it to an amateur who just picking up photography and trying to explore the world with prime lenses; someone who does not has a 35mm focal length; and someone who is on a tight budget.

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f2.2 . 1/170″ . ISO 160 . Classic Chrome
Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/280″ . ISO 600 . Classic Chrome
Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/2000″ . ISO 160 . Post-edited

Thank you for reading.

Disclaimer:
1. The lens is a loan unit from Mr. Lawson from Sigma Marketing (Singapore). By the time this review is online, the lens had returned back to Sigma Marketing (Singapore).

2. The lens firmware that I am using is version 0.63.
3. Some of the shots are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.

4. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
5. All the shots taken here are shot by me. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.