Reviews

Brightin Star 35mm f0.95 – A Lens to Shine

When comes to 35mm f0.95, we are not lacking of any choices in the market. To name a few: Mitakon ZhongYi 35mm f0.95, TTArtisan 35mm f0.95, 7artisans 35m f0.5 and Meike 35mm f0.95. And then, here comes the latest 35mm f0.95 competitor from Brightin Star. This was only announced in September 2023. Can it stand out from the rest?

Brightin Star 35mm f0.95

Intro

Brigthin Star is a name that may not be familiar to everyone. In case someone ever wonders, the name “Brightin Star” is a direct translation of their Chinese brand name, 星曜. It is a strange and catchy English name but good enough to get my attention. I also tried to understand more about this company. Unfortunately, there is very little information about them. So based on my limited capability, this company started off in 2019 (at least from the news announcement they had made) and they did make several manual lenses (both full frame and APS-C) for various mounts like M-mount, E-mount, and M43 mount, etc.

Design and Build Quality

It has been a long time since I mentioned how much I like the design, the color, and the handling of the lens. Yes, this lens design pretty much resembles Leica lens design. Not a bad thing and pretty much other manufacturers did something similar as well. Nevertheless, the lens design from Brightin Star is aesthetically pleasing.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/10,000″ . ISO 125 . Nostalgic Negative

The 50mm (in full frame equivalent) lens is about 370 grams. You can feel how dense the lens is and how well the built quality is when you hold it in your hands. You can imagine how many glasses are there in this lens. As expected, this lens is metal-constructed.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f4. 1/1900″ . ISO 125 . Nostalgic Negative

It comes with a 52mm filter-size thread. It’s a very good welcome for not burning a deep pocket for filter fans. One interesting detail here, the rear mount comes with black/grey coated. It gives a very premium feel to the overall viewing experience.

The aperture ring is great. It gives you very good clicky feedback when you rotate it. Ergonomic wise, you have no issue with changing the aperture as it has ample amount of space especially for those who have big fingers.

As for the lens cap, it is a capped-on metal lens cap. Unlike other capped-on lens caps, it has a kind of cushion and you can feel it is there. It gives me a kind of satisfaction whenever I remove and put on the lens cap.

Image Quality

The image quality is phenomenal. It is probably the best f0.95 lens I have tested thus far. The result is not perfect but better than some of the counterparts I have tested. Typically, shooting at f0.95 will present you glowing and soft effect, but this lens does not behave this way. I know some photographers prefer glowing and soft effects, but I personally prefer this.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/22,000″ . ISO 125 . Nostalgic Negative

If you blow up the shot, you are still able to see the softness of the result. When comes to contrast and sharpness, it is also slightly better.

I have low expectations when comes to chromatic aberration and vignetting at wide open. Well, chromatic aberration seems to be present mildly in my tested shots but not that obvious. As for vignetting, it is present and considerably heavy as expected. Of course, the overall image quality improved from f2 onwards. And it looks the best at f2.8.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f16. 1/50″ . ISO 1250 . Nostalgic Negative

The fall-off between the focused subject and the foreground/background is a pleasure to view at. Not forgetting that shooting at f0.95, the focused subject is very pop out from the others and it should be expected to have this result.

As for the sun-star result, seems to be the same as the rest of the 35mm f0.95 lens. They are okay but not a tad sharp. Do bear in mind that flares will be introduced as well but I quite like how the flares are created.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f16. 1/450″ . ISO 125 . Nostalgic Negative

Minimum Focus Distance (MFD)

37cm MFD is fine. Not the shortest or as close to the one from TTArtisan (@ 35cm), but not the worst too. Nevertheless, it does not lose out too much for MFD per se.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/200″ . ISO 125 . Nostalgic Negative

As for the image quality, I think this is the weak point of this lens as it provides poor contrast and sharpness. Something to take note of.

Focusing

The focus ring is relatively smooth and there is nothing much to feedback about. It comes with minimal friction and it is comfortable enough to rotate the focus ring.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/1250″ . ISO 125 . Nostalgic Negative

As for the MFD to infinity, the focus throw is approximately 100°. Also, pretty much the same as the other 35mm f0.95 lenses out there, and it also gives a fair amount of “traveling” for precise focusing.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/160″ . ISO 160 . Nostalgic Negative

Similar to the rest of the manual lenses, the infinity is not directly opposite to the MFD. In order to have the true infinity, you have to rotate back a little to achieve it (somewhere the infinity symbol is).

Price Point

At 199 USD, it is priced the same as the TTArtisan and 7artisan variants and slightly cheaper than the Meike at 259 USD and even cheaper than Mitakon at 399 USD.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/180″ . ISO 125 . Nostalgic Negative

Others

If you have noticed, this lens does not come with f5.6. It jumps from f4 to f8, skipping two full stops worth of light. It is a strange lens design and this is my first time encountering this. But does it really affect my day-to-day usage with this lens? Probably not. If I want to bring this lens out for a shoot, what’s more important for me is the usability of the shots taken at wide-open, in this case, f0.95, rather than the missing out of f5.6.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/80″ . ISO 800 . Nostalgic Negative

If you are the kind that is into unique details, this lens comes with a black/dark grey coated rear lens element. While it does nothing but aesthetics, at least this is something different from the other manufacturers.

Who is this for?

If you are new to manual lenses or you want to have an experience of what f0.95 is, this is one of the many manual lenses you can consider getting. With its focal length, this lens is pretty much suitable for many genres such as street, cityscape, portrait, documentary, and etc.

Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/125″ . ISO 400 . Nostalgic Negative

As for professional photographers, I believe you know whether you will need this lens for your professional works or causal.

Conclusion

I genuinely love this lens. Despite its shortfall on the MFD and missing f5.6, it is a great f09.5 lens to own. It has been a long time that I have enjoyed shooting at wide-open. I have more shots taken at f0.95 than in any other aperture value because I feel it should be the way. Plus given its 199 USD price point, I think it is pretty worth it. It may seem biased but really, it’s not.

Left: Fuji X-T5 . Brightin Star 35mm f0.95 @ 35mm . f0.95. 1/20,000″ . ISO 125 . Nostalgic Negative

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Meike 10mm f2 – The Widest Lens Yet

This is Meike widest lens ever created, 10mm may not sound as wide as the recently launched XF8mm f3.5 but that does not mean this lens of Meike is not great. So when comes to the ultrawide lens, what are our expectations if we are getting one? Widest possible focal length? Brightest possible aperture? How about size, weight, and price play a part in the consideration? There is no right or wrong answer to these questions. It is up to individuals to find the best suitable lens for their wants or needs. Having said that, the Meike 10mm f2 could be the lens some photographers might be looking for.

Meike 10mm f2

The good people in Meike have recently shared with me the 10mm f2. I thank them for their kindness and continuous support. Making another post possible. Having said that, I stay neutral and true to myself.

Intro

This lens was announced exactly back in 1 year ago in July 2022. It is still a pretty new lens in the market. As usual, it comes with various mounts too: Canon RF, Nikon Z, Sony E, M43, and of course, the Fujifilm X mount.

Meike 10mm f2

Design and Build Quality

From my first impression, this is not the sexiest lens nor it is ugly either. It gives a unique overall design look. The most distinguishable one among other lenses is the wider front element which comes with a 77mm filter thread. If you take a closer look, the front lens is protruding, so I think this might be the factor why it obtains its unique lens look.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/80″ . ISO 3200 . Nostalgic Negative

At 550 grams, the weight is dense when I hold it in my hand. You can imagine how many glass elements are inside this metal-built lens.

The aperture ring is de-click and smooth with very little friction, which means it benefits videographers. While it doesn’t harm much for my shoot, I do wish to see an option to click and de-click the aperture ring in their future lenses. Because with the clicky experience, I can roughly tell which aperture am I at. After all, this lens does not come with any electronic contact, hence, there is no information exchanged between the lens and the camera.

It comes with a cap-on style lens cap and if there is anyone concerned about its build material, it’s plastic. It may not feel as good as the lens body but I think it makes some sense to reduce the overall weight.

Image Quality

When comes to image quality, I think apart from how good the image quality it will be, other questions such as how good is distortion control is, how strong the vignetting is, and how heavy is the chromatic aberration. This ultrawide lens is no exception too.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/80″ . ISO 320 . Nostalgic Negative

To answer them one by one. The image quality is great. The subject is sharp and contrast when I shoot wide open. I am surprised by how good the results are.

I am impressed with the distortion control from this lens. I cannot say it is 100% distortion free or zero distortion because if I nitpick with it, some very minor distortion at the edge of the photo can be observed.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/10″ . ISO 3200 . Nostalgic Negative

Vignetting is unavoidable when shooting at f2 but is not as strong as other manual lenses. As for chromatic aberration, I am shocked by how well it is controlled. At least from the shots I have taken, I am not able to find one.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f5.6. 1/320″ . ISO 125 . Nostalgic Negative

Another thing that I like about this lens is its transition between the focused subject against the other. At least to me, it is very pleasing to my eyes.

If anyone is curious, the sun star result is pretty good and sharp.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f22. 1/80″ . ISO 400 . Nostalgic Negative

Focusing

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/5800″ . ISO 125 . Nostalgic Negative

When handling the focus ring, it has the same experience as the aperture ring: smooth with little friction. Apart from the ring designs and the width of the rings, I am expecting some levels of friction difference when handling both rings but I was wrong with this lens. In my opinion, I prefer to have a bit more friction handling differences to set the aperture ring and focus ring apart. Because there are a few times when I mistakenly change the aperture ring when I am supposed to rotate the focus ring to my desired focused point. Again, that could be me only.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f4. 1/1900″ . ISO 125 . Nostalgic Negativ

Like other Meike lenses I have tested thus far, it shares the same similarity when comes to focusing. The other end of the MFD is not the true infinity, the right infinity shot is where the infinity symbol is.

Minimum Focus Distance (MFD)

The MFD is 30 cm and I find it a pity as it is not as close as I expected. Probably due to engineering limitations or other technical issues, the Meike cannot make it shorter. For info, the Meike 7.5mm f2.8 fisheye lens is 15cm. But then, it is a fisheye lens and this is an ultrawide lens. Both lenses are designed differently.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/2200″ . ISO 125 . Nostalgic Negative

So if you are looking to have some very close-up shots, this lens may not be the right choice.

Price Point

Originally priced at 449 USD but now it is priced at 349.99 USD on the Meike website. It is not the cheapest price nor it is the most expensive one among all the manual lenses. It’s somewhere in between those price ranges.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/80″ . ISO 1600 . Nostalgic Negative

Just for some sense, the newly launched XF8mm f3.5 is selling at 799.95 USD, Viltrox AF 13mm f1.4 is 459 USD, Rokinon 12mm f2 is 248 USD, and TTArtisan 17mm 1.4 is 118 USD.

Others

Similar to other manual lenses tested, there is an obvious change in white balance whenever I change aperture values; for example f2 to f4. It does not have a real impact if you shoot in raw format. But if you are a straight-out-of-camera (SOOC) photographer, probably you might have to take note of it.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/80″ . ISO 400 . Nostalgic Negative

Who is this for?

As for the current market, I think there is no other lens that offers this combination (15mm in full frame equivalent and f2). For landscapes, architecture, cityscapes, and astrography photographers, you can consider getting this lens as part of your arsenal.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/1500″ . ISO 125 . Nostalgic Negative

Although it is a manual lens, getting the right focus is not that challenging. If you have the time to spare, take your time to nail the shots or snap a few more shots with a slight change in focus range.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/80″ . ISO 1000 . Nostalgic Negative

Conclusion

This lens is exceptionally good for its focal length. Although size and weight are the 2 drawbacks I have for this lens, it gives very usable f2 image quality shots that I cannot complain much about.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f4. 1/80″ . ISO 640 . Nostalgic Negative

With its latest pricing (as compared to the initial launched price), I think it is a very good investment if you can accept the 2 drawbacks. If Meike management or engineers are reading this article, if you are planning to create the successor, I hope you can improve on the 2 drawbacks and possibly on the front lens element as well. I believe it will be a popular one.

Fuji X-T5 . Meike 10mm f2 @ 10mm . f2. 1/80″ . ISO 160 . Nostalgic Negative

Nonetheless, I am happy using this lens.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Meike 7.5mm f2.8 – In My Fisheye View

As the title suggests, it’s a fisheye lens. In my opinion, the fisheye lens is a niche product and it is really up to the photographers’ creativity (pardon me I’m not the creative one) to showcase this unique point of view. Nonetheless, I try my best to share what I can do with this lens.

This is not my first time experiencing a fisheye lens. I got my very first fisheye lens from 7Artisans when I had my X-T2 not long ago and then I also tested the TTArtisan 7.5mm f2 2 years back. In other words, a fisheye lens is not something I am not that unfamiliar with. Oh yes, this is a diagonal fisheye lens and not a circular fisheye lens.

Intro

This Fisheye lens from Meike was announced quite some time ago, in May 2022, which translates to a year-ish from the time this post is live. But it is still worth trying out with the new 40 megapixels sensor from Fujifilm.

For a note: It comes with various APS-C mounts (namely Canon EF-M, Fujifilm X, Nikon Z, and Sony E mount camera systems) and Micro Four Thirds mount too. Meike also released a couple of fisheye lenses (both diagonal and circular type) but this 7.5mm is probably the sexiest one among them.

Before continuing, I would like to express my gratitude to Meike for sharing this lens with me. Without their support, this post will not be able to be here today.

Meike 7.5mm f2.8

Design and Build Quality

The first thing you will get to notice is how well the lens is constructed. Visually, it’s a very compact fisheye lens, not as compact as a pancake lens but still compact. Unfortunately, like other Fisheye lenses, it is not possible to place a filter in front of the protruding lens. Oh yes, it comes with a built-in lens hood like most other fisheye lenses do too.

With its 260 grams, it doesn’t feel that heavy when I had it on hand. It feels a little bit dense but overall it does feel good on hand and is well-balanced.

At 7.5mm, it is equivalent to 11.25mm in 35mm format. This focal length is also probably the widest focal length among all landscape-oriented lenses. In case someone wonders, its angle of view is 190° diagonal, 161.8° horizontal, and 106.5° vertical.

Rotating the aperture ring is a pleasure, its clicky ring gives me a gentle satisfying experience to me. And like all Meike lenses I have tested so far, it comes with a rear metal bayonet too.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 1/85″ . ISO 125 . Nostalgic Negative

Image Quality

From my first impression, I am surprised by how sharp and contrasting it is at wide-open. And it is consistent at all focus ranges. However, the corners of the shots can be a little soft if ever one wonders. The fall-off between the subject and the foreground/background is smooth and blends quite well.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 1/80″ . ISO 2500 . Nostalgic Negative

Although it has very mild vignetting, it also has good chromatic aberration control. I think I can ignore about doing post-processing because it is unnoticeable unless you are looking for it intentionally.

Another good surprise is how well the lens resolves around the newly developed sensor. No complain here.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f4 . 1/600″ . ISO 125 . Nostalgic Negative

Lastly, it does render very good sun star with very sharp star edges. However, background blur/bokeh is not something majestic and jaw-dropping, but it does its job well on subject separation. Anyway, I don’t think this is something most photographers are looking for in a fisheye lens.

Focusing

Like most of the Meike lenses I have tested thus far, the manual focus ring on this lens is smooth with very gentle friction. Oh yes, it rotates approximately 50° from Minimum Focus Distance to Infinity. It seems a little shorter than other lenses but it just works well with the focus precision with this focal length.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f4 . 1/1000″ . ISO 125 . Nostalgic Negative

Minimum Focus Distance (MFD)

With an MFD of 15cm, I hope it can go a little closer like 10cm or so. Because I think there will give a more interesting and creative point of shot if it is able to shoot at a shorter MFD.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 1/450″ . ISO 125 . Nostalgic Negative

Don’t get me wrong, 15cm is still impressive and it is a marvel achievement for a small and compact lens. The image results in retent the good sharpness and contrast at MFD. This is really stunning.

Price Point

Formally priced at USD 149, USD 139 is the new price it is going for on the Meike website. I think the price is pretty decent for the quality of this lens.

Others

Because it is an ultrawide lens and also such a compact lens. Depending on how you place your left index finger on the camera body, it can be within the field of view and will be part of the photo taken. At least this happens to my huge clumsy index finger saying hi to some of the photos taken.

One thing I am a little disappointed about is the lens cap. Although I wish the lens cap is made out of metal, it turns out to be a plastic one. After a while, I think it is fine but the lens cap happened to be quite loose. I am not sure if this just happened to be my unit. Nonetheless, this is the case.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 1/28″ . ISO 3200 . Nostalgic Negative

Like most manual lenses, it does suffer from white balance shifting from one aperture to the other. If you are doing in raw format, it is not much of a concern. If you are a Straight-Out-Of-Camera photographer, do take note.

Left: Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 1/2500″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f5.6 . 1/640″ . ISO 125 . Nostalgic Negative

One last thing to note is that, although it comes with a built-in lens hood, it can still suffer with lens flare.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f8 . 1/1900″ . ISO 125 . Nostalgic Negative

Who is this for?

With this focal length, it makes suitable for landscapes, cityscapes, and astrography. But I believe creative minds and photographers who want to explore the beauty of the fisheye lens are welcome. If you ask me if there is any particular genre that is good with this lens, my answer to you is that I think it can suit almost every genre. As long as you know what you are looking for.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f5.6 . 1/800″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 1/80″ . ISO 1000 . Nostalgic Negative

Conclusion

This lens is definitely one of the few primes lenses that I will bring for oversea travels. Not only it gives a whole new perspective to the places that I visit, it is also a good selfie/wefie lens.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 0.18″ . ISO 3200 . Nostalgic Negative

Meike did a good job in creating such a beautifully crafted fisheye lens. Great image quality and compact size are one of the best selling points for this lens. Not forgetting that the price is reasonable and affordable for any photographer who wants to attempt to try out this lens. It is surely another good attempt from Meike in broadening its portfolio with this lens.

Fuji X-T5 . Meike 7.5mm f2.8 @ 7.5mm . f2.8 . 1/80″ . ISO 200 . Nostalgic Negative

Thank you for reading.

If you are interested to get this lens, Meike is running an offer at a 20% discount. Simply key in this code: 207528 at checkout.

Click the link to purchase.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

AstrHori 50mm f1.4 Tilt – Tilting Around My World

The good people of AstrHori send me their 50mm f1.4 Tilt lens for review. I thank them for their kind support. It does help our Fuji community to have one more opportunity to learn about this lens.

AstrHori was founded in 2018 and it is one of the few manufacturers who is producing accessories and lenses for full-frame mount and also GFX GF mount. But this is not the story for today.

Before proceeding further, I would like to clarify that the lens has tilt capability only and is not what the packaging or the box suggests, i.e., TS (Tilt Shift). One interesting fact about this lens is that it is a full-frame lens but it is available in X-mount.

Intro

We have limited options when it comes to tilt lens (and tilt-shift lens is literally non-existence for the native mount). As far as I am aware, there are not many manufacturers producing tilt lenses. The first one is from TTArtisan 50mm f1.4 tilt and then followed by AstrHori 50mm f.14 tilt.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f4 . 1/2700″ . ISO 125 . Nostalgic Negative – Tilt

AstrHori 50mm f1.4 tilt comes with various mounts such as RF mount, Z mount, E mount but it also comes in M43 and of course the X mount.

Design and Build Quality

The first thing you will notice about this lens is that it has a very unique lens design. This is unlike any other normal lens and also the tilt-shift lens you see in the market. Rather, it resembles much like the Lensbaby.

It weighs 340 grams, I can feel it is quite dense and solid metal built when holding it in my hand. I can say it has very impressive built quality.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f1.4 . 1/80″ . ISO 400 . Nostalgic Negative

It has two mechanisms to perform the tilt effect. There is a lock near the rear lens mount where we have to rotate clockwise to unlock and allow the ball to rotate freely. After adjusting the ball to the desired position, lock it back and start shooting. Sounds easy in principle, but we need to spend some time getting familiar with its mechanism. There is also a zero-return line where we can return the lens to this position for normal mode.

AstrHori 50mm f1.4 Tilt – Zero-Return Line

When comes to the aperture ring, this 75mm (full frame equivalent) lens is smooth and clickless. Like other clickless aperture ring lenses, I miss the clicky one as it gives me a sense of satisfaction when changing the aperture value. But the texture on the aperture ring is comfortable to hold.

Oh yes, it comes with a nice 46mm filter size. Very good size for filter lovers. And for the lens cap, it’s a screw-on cap. Not the most convenient but it’s nostalgic!

Image Quality

Since this is the tilt lens, I will discuss the image quality in two different modes, normal mode, and tilt mode.

When comes to normal mode, the wide-open shots are usable but lacking of contrast. However, some softness, chromatic aberration, and glowing effects can be observed if shots are taken between 3 meters and the infinity focal range. Mild vignetting can be observed across all focal ranges at wide open. Of course, the image quality will improve when you choose an aperture value from f2.8 onwards.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f1.4 . 1/80″ . ISO 500 . Nostalgic Negative

As for tilt mode, the result is very shallow, soft, and lack of contrast at wide-open and that is beyond my level of usability. In my opinion, aperture f4 or f5.6 achieve more usable results. Similar to the normal mode, softness, and chromatic aberration have the same characteristics at the same focal range.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f1.4 . 1/170″ . ISO 125 . Nostalgic Negative

As for the sun star, it achieves a pretty good result.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f16 . 1/125″ . ISO 125 . Nostalgic Negative

Focusing

The texture on the manual focus ring is the same as the aperture ring but it feels denier than the aperture ring when you rotate it. Having said that, it gives me a better-focusing control and also helps me to identify which ring am I. Also, it provides about 170° rotation from Minimum Focus Distance to Infinity.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f1.4 . 1/14000″ . ISO 125 . Classic Negative – Tilt

Minimum Focus Distance (MFD)

Similar to most same focal length lenses, it comes with a 50cm MFD. Nothing to complain about because at least it is not more than 50cm.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f1.4 . 1/80″ . ISO 160 . Nostalgic Negative

For shots taken at MFD and wide-open, it still has some softness and chromatic aberration, but maintains a good amount of sharpness and contrast.

Price Point

At 259 USD (199 USD on eBay), it belongs to the mid-tier price range one among the other manual lenses but given that it comes with 2 “types” of shooting experiences. I think it is still worth it.

Others

Like most modern manual lenses, you will get an off-focus shot at the infinity mark. With the help of focus-peaking, you can easily identify the right infinity shot.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f1.4 . 1/300″ . ISO 125 . Nostalgic Negative

Who is this for?

Definitely, it is a good recommendation for photographers who want to try and explore shift lenses. And not forgetting that this 75mm (in full-frame equivalent) lens can be used for many other genres as well, especially portraits.

Fuji X-T5 . AstrHori 50mm f1.4 Tilt @ 50mm . f1.4 . 1/80″ . ISO 2500 . Nostalgic Negative

Conclusion

The tilt lens is niche but it comes in handy if you need one. Although it comes with a learning curve to use and understand how this shift lens works, I am sure you will be fine after getting hold of it.

And also, it is hard to come by to have a capable wide-open manual lens.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 40mm f2.8 – A Macro Lens For Street

I am lucky to have had the opportunity to test quite a fair amount of manual lenses but this is the second macro manual lens I have tested thus far. So testing a manual macro lens is still a new thing for me. Usually, I use a macro lens for 2 genres and that is product shots and portraits. It is because of the sharp optical glass and I am basically worry-free about the minimum focus distance limitation the lens has. Nonetheless, I am very excited to give this lens a spin.

Intro

On September 2021, TTArtisan announced its very first macro lens. It comes with various mounts such as L mount, m43, EOS-M, RF mount, Z mount, E mount, and X mount. At 60mm (in 35mm format equivalent), this is an uncommon focal length where we do not see many players in the market releasing something close, except for Fuji XF30mm f2.8.

Although this lens has been in the market for almost 20 months, I am glad that TTArtisan is willing to send me this lens for a hands-on. Without their support, this post will not become a reality.

In any case, this review is still my own opinion.

TTArtisan 40mm f2.8

Design and Build Quality

From the lens design, we can see how it has taken inspiration from their TTArtisan 23mm f1.4 and inspired their TTArtisan 35mm f0.95 and TTArtisan 50mm f0.95. They shared a lot of similarities lens design elements and yet we get to notice that each category has its own design characteristics.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/100″ . ISO 125 . Nostalgic Negative

Having said that, this lens weighing 380 grams is good to hold. It has a very gentle clicky aperture ring and it also comes with an excellent damp but smooth manual focus ring. Some photographers might prefer a less damp, smoother manual focusing experience, but I think it is just fine as it also gives me a sense of better manual control for my shooting style.

The 52mm filter-size lens has a screw-in type lens cap like most TTArtisan lenses.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 250 . Nostalgic Negative

From the side view, it looks like a normal lens. But when you view it from the top, it has a unique lens barrel design where the front lens element is deeply recessed into the lens barrel. I have no idea why TTArtisan has such a design but it definitely stands out from the rest.

When the focus ring is at infinity, the lens is at its smallest compact look. But when we shoot at its Minimum Focus Distance, the lens is protruded approximately two third of its original length.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/850″ . ISO 125 . Nostalgic Negative

Image Quality

Unlike many other TTArtisans lenses where you need to stop down the aperture values to at least 1-2 stops to achieve decent sharpness, contrast, and details of photos taken. It has been a long time since I tested out a prime lens that I can truly use the images at wide-open (except for TTArtisan 25mm f2 and TTArtisan 50mm f2.)

At f2.8, I am amazed by the image quality. In most parts of the image, it has a good level of sharpness at the center and it does preserve some level of contrast but has decent enough details (not the best and not the worse either). As compared to most manual lenses, I am also amazed that the chromatic aberration is in good control.

But with all the praises, here comes the feedback. It has very strong vignetting and obvious softness at the corner. Of course, everything will be fine if you lower the aperture by 1 to 2 stops but that is not the point.

Another thing to note is that subject separation from the background is not as blurry as larger aperture values like f1.4 can do and most photographers know that. Also, it does not have a very seamless gentle fall-off between the main subject and others. Furthermore, depending on the background, the bokeh can be easily harsh.

As for the sunny star, it is not the sharpest one but not that bad.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/6″ . ISO 3200 . Nostalgic Negative

Focusing

The focusing from MFD to infinity is approximately 270 degrees and I think it gives a very good amount of “space” for nailing the shot but this amount of focus throw can be “troublesome” to some photographers who preferred to have a shorter focus throw.

Also similar to most manual lenses, it does not give a fully focused shot at infinity, we still need to rotate back a little to achieve the actual fully focused shot.

Minimum Focus Distance (MFD)

Although 17 cm MFD is not the closest I have tested, it is pretty decent for a macro lens. It still gives a very close-up tight shot of the subject and typically can cast a shadow on the subject.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/160″ . ISO 2500 . Nostalgic Negative

Price Point

This lens is selling at an attractive price point. At 99 USD (or 94 USD under promotion), it is one of the most affordable macro lenses out there in the market. For reference, Fuji XF30mm f2.8 is 599 USD, Meike 60mm f2.8 is 190 USD, 7Artisan 60mm f2.8 is 139 USD, and Voigtlander Macro APO-Ultron 35mm f2 at 629 USD.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 1600 . Nostalgic Negative

Others

I notice that the white balance changed when I shot with different aperture values. But this could be a problem for lenses that do not come with electronic contact? Or this could be due to how the sensor “sees” from the lens and the processor changes according to the information given by the sensor? Anyway, I think this is less of a problem if the photographers are shooting in Raw. But if you are a straight-out-of-camera photographer, then do take note of it.

There is also some strong lens flare if the lens is pointing directly to the strong light source. So do take note of it too.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/56″ . ISO 3200 . Nostalgic Negative

Who is this for?

I don’t know how well is this lens for insect photographers to shoot but I can say that this lens is very comfortable for landscape, street, food, and product shoots. For portrait, journalist, and documentary photographers, I will leave it for you to decide as it’s a manual lens and its focus throw is huge. You might miss the shots by the time you nailed the focus.

Conclusion

This lens is compact and I am very comfortable using this lens for the street. While the protruding front lens element can be quite a disturbing factor to me and the image quality at wide open is not the best among the macro lens category, I can give in to the focal length, compactness, and price point. All in all, it is easily a good macro lens for photographers to own and attempt to do macro shots, especially for photographers who do not have a macro lens.

Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 400 . Nostalgic Negative
Fuji X-T5 . TTArtisan 40mm f2.8 @ 40mm . f2.8 .  1/80″ . ISO 250 . Nostalgic Negative

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Meike 60mm f2.8 – Compactly Good

Since my DSLR era, I have had a soft spot for macro lenses. Not because I love to shoot insects or flowers, but because I love to use them for product shoots. Till today, I am still using a macro lens for most of the product shoots in this blog.

Intro

The Meike 60mm f2.8 was announced in early March 2023. In case one wonders, this is Hong Kong-based manufacturer’s first-ever attempt to build a manual macro lens. So how well it works? Let’s find out.

Before I proceed, I would like to thank Meike for sending me this lens for review. Like other posts, the review of this lens is based on my true opinion.

Meike 60mm f2.8

Design and Build Quality

This 300 grams lens is nicely built with quality. But the first thing I notice with the lens is the lens design. It is greatly inspired by the design of Canon RF-S lenses (maybe there are other manufacturers with similar designs too, please let me know as I would like to know it too, thanks in advance). The focus ring has a similar texture design to the one found in the RF-S aperture ring and I quite love the texture when I touch it with my fingertips. The rotating of the focus ring is smooth with little dampness/friction.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/100″ . ISO 125 . Nostalgic Negative

The next thing I would like to talk about is the aperture ring. This 90mm (in full frame equitant) has a smooth, clickless ring, and I believe videographers will love it. I am okay with it but I do miss the clicky experience. It gives me some sense of which aperture I am at now (after all, the lens does not have any electronic contact to provide the metadata to the camera body).

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 500 . Nostalgic Negative

Oh yes, this 49mm filter-size lens feels great on hand.

Image Quality

When comes to macro lenses, I set my expectation a little higher than prime lenses. Typically, the results from the glass tend to produce much sharper, more contrasty, and more detailed images.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 160 . Nostalgic Negative

This lens does not disappoint me. Although the image quality level is slightly below the XF80mm and XF30mm, it still has very good sharpness and contrast at wide open. But I also notice that the sharpness isn’t that great at the extreme corners. In short, the image is totally usable.

Another surprise to me is that it has good chromatic aberration control but I do observe mild vignetting. At least there is one less thing to take care of in post-processing.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 800 . Nostalgic Negative

The background blur surprisingly renders quite well too. At least the fall-off between the subject and the foreground/background is comfortable to my eyes.

If there are some readers who wonder, the sunny star result is also a sharp one too.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f22 . 1/320″ . ISO 3200 . Nostalgic Negative

Focusing

Similar to Meike 35mm f0.95, it also has the problem of having off-focus results when I shoot at the infinity mark. So the right infinity shot is somewhere the infinity symbol is.

But there is something I observed for my test unit. If I shoot on a subject that is somewhere between 3 meters marking and infinity marking, I have a little hard time nailing the shot right. The focus on the subject is like either undershoot or overshoot. I have to rotate the focus ring really slowly to get it right. It could be my focus peaking issue or my technic is wrong.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/200″ . ISO 125 . Nostalgic Negative

Minimum Focus Distance (MOD)

At MOD of 17.5 cm, this lens delivers true 1:1 magnification. Having said that, it has various magnifications throughout its focusing distance.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/950″ . ISO 125 . Nostalgic Negative

Because there are various magnifications throughout its focusing distance, you might get the illusion that there is lens breathing or “zooming” going on.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/105″ . ISO 125 . Nostalgic Negative

Price Point

At 190 USD, I think it is a very good price point for photographers who want to attempt to get an experience of what a macro lens can do but do not mind having to do with manual focusing. And of course, it is a lot cheaper than the autofocus macro lenses.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/320″ . ISO 125 . Nostalgic Negative

Others

Something worth noting (but probably not for some readers): the lens is internal focusing, which means that the lens does not protrude or any movement when we rotate the focus ring back and forth.

Secondly, there is an obvious white balance change with the change in aperture value. This is similar to what I observed with the Meike 35mm f0.95. So again, it might be my camera setting. If you are shooting raw, then you have nothing much to worry about. You can always post-process it. If you are a Straight-Out-Of-Camera photographer, then you probably have to take note of it.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/350″ . ISO 125 . Nostalgic Negative

Who is this for?

As I mentioned earlier, I think the price of this lens is very well priced and it gives photographers a good chance to experience the macro lens and its macro capabilities.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 640 . Nostalgic Negative

But that does not mean that a macro lens is limited to only macro photography. I find the focal length is very suitable for street (depending on the kind of street photography you are in), portrait, product shoots, and possibly journalist photography.

Conclusion

Despite being the first macro lens from Meike, they have done a good job with this lens. To summarize my thoughts, the lens design is very modernized and beautiful. Besides that, the lens build quality and image quality is nothing to shout about.

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f2.8 . 1/80″ . ISO 1250 . Nostalgic Negative

One last thing that I like about it is its size and weight. It is practically able to carry around more easily than the XF80mm. After all, the Meike 60mm is much shorter and weighs much lighter than the XF80mm (750 grams).

Fuji X-T5 . Meike 60mm f2.8 @ 60mm . f11 . 1/125″ . ISO 125 . Nostalgic Negative

All in all, I feel that this lens is a great attempt for Meike.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One 2023.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Meike 35mm f0.95 – Another f0.95 Contender

I can’t deny that 35mm (50mm in full-frame equivalent) is one of the favorite focal lengths among most photographers. And I see why the manufacturers are releasing this focal length at a higher priority and more frequently (with various aperture values) than any other focal length. Having said that, we, photographers, have so many options to choose from when it comes to this focal length.

As far as I know, 4 manufacturers are producing 35mm f0.95 to date. Namely TTArtisan, 7Artisans, Mitakon (Zhongyi), and of course, the main character of this post: Meike.

Intro

This is my first time working with Meike and I appreciate Meike for sending me this lens for review. Having said that, this review is not biased but rather based on my true opinion.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/10,500″ . ISO 125 . Nostalgic Negative

I did a short research on the company. The Hong Kong-based manufacturer was established in 2007 and they are specialized in many videography and photography tools and equipment. They have many cine lenses and still lenses (both auto and manual lenses) in their business portfolio. In order words, they are very experienced in this field.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/1600″ . ISO 125 . Nostalgic Negative

This lens was announced back in October 2022 and comes with massive 6 camera mounts: Sony E, Fujifilm X, Canon EF-M, Nikon Z, Canon RF, and Micro Four Thirds.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/80″ . ISO 1000 . Nostalgic Negative

Design and Build Quality

From the look of this lens, it has a very distinctive design. The manual focus ring has that unique pattern that not only helps the photographer to “identify” the which ring he/she is rotating. This design is inspired by Voigtlander lenses and some of the older Nikon manual lenses.

(Update 15 April 2023: Special thanks to a friend who pointed out that the Voigtlander and some of the Nikon lenses manual focus ring has the same design.)

Speaking of the focus ring, I shall share my experience with both the manual and aperture rings together. Both have a different texture but they are very comfortable and grippy to hold. Rotating them is a pleasure. They have a good balance of friction and you do not need to apply too much force to rotate.

At 380 grams, it is not as heavy as it seems to be. The weight of the lens is very well distributed and balanced. Also, it has a relatively small filter size. Only 52mm. For context, XF35mm f1.4 and XF18mm f2 are the same filter size.

Left: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f2 . 1/2200″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/6000″ . ISO 125 . Nostalgic Negative

Oh yes, this lens comes with a metal build body with a cap-on lens cap, which I feel is a quicker removal option than the screw-in lens cap. But a little pity is that the lens cap is made of plastic. Something I am not expecting from a high-quality built lens.

Image Quality

Maybe it is me, but it is a challenge to nail the shot well in wide-open with moving/motion subjects. At f0.95, the image quality has a certain level of softness, lacking some contrast, sharpness, and a very shallow depth of field. It also has some glowing effect on it which sometimes make me think I have taken an off-focused shot.

Left: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f2.8 . 1/900″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/8000″ . ISO 125 . Nostalgic Negative

I also do observe pretty obvious chromatic aberration and vignetting at f0.95. I think that’s acceptable or rather within my expectations for manual lenses with a large aperture. As for overall image quality, I find it is okay and actually much more usable than I thought. If you are picky or pixel-peeper, you will probably not be in favor of the results.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/1600″ . ISO 125 . Nostalgic Negative

Nonetheless, I can also see better image quality improvement from f2 onwards. But that is not the main purpose of having an f0.95 lens if you want to stop it down to f2 right?

Left: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 800 . Nostalgic Negative
Right: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/80″ . ISO 250 . Nostalgic Negative

For sunny star result, it gives a much contrast and sharp star result as compared to some of the manual lenses. And also, it introduces some flares as well if facing directly toward the light source.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f16 . 1/240″ . ISO 125 . Nostalgic Negative

Focusing

For most of my other manual lens tests, I always observed that the result is always off-focus when I shoot at the infinity mark. I have to rotate the focus ring somewhere before the infinity mark to get the right infinity shot.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/250″ . ISO 125 . Nostalgic Negative

This is also the case for the Meike lens. In order to shoot at actual infinity, rotate to where the printed infinity symbol printed is and not where it’s labeled position.

From MFD to infinity, the focus throw is approximately 90°. Like most manual lenses, this gives a good amount of “distance” for precise focusing. I do have not much of a comment for this department.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/110″ . ISO 125 . Nostalgic Negative

Minimum Focus Distance (MFD)

0.39m is its MFD. Not the shortest MFD for its focal length but the image quality from this lens is pretty good. The MFD is very similar to the Ronkinon 35mm f1.2 but a few centimeters further than the average 0.35m from other lens manufacturers have for their lenses.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/1500″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/170″ . ISO 125 . Nostalgic Negative

Price Point

For reference, the Mitakon 35mm f0.95 is selling at 399 USD. TTArtisan and 7artisan are priced at 199 USD and 229 USD respectively.

Compared with other f0.95 of the same focal length, this lens is priced at 259 USD. Do you think it is expensive? I think Meike priced it just right among the competitors and I think it is still a fair price to have that f0.95 aperture value.

Other

Something interesting to note: it may be due to my camera or its settings. There is an obvious white balance change whenever I changed from other aperture values to f0.95. It does not have a real impact on me since I can change it under In-Camera Raw Processing.

Left: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f8 . 1/500″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/25,000″ . ISO 125 . Nostalgic Negative

Side by side

I have the TTArtisan 35mm f0.95 with me to compare with this lens. As you can see, they have very different designs, sizes, and approaches. So, which one do you prefer?

Who is this for?

As a manual focus lens, it is targeted a very specific group of photographers who understand the pro and cons of owning this unique lens and knowing what they can achieve from this lens. Having said that, this is a focal length that is very suitable for many genres. And also, it is one of the focal lengths for new photographers to get adapt to easily, especially for first-timer prime lens photographers.

As for professional photographers, unless you know what you want to do with this lens, then you can consider getting one.

Conclusion

There are many manual lenses out in the market and we are spoilt for choice. But if you are planning to get into the brightest and fastest manual lens in the market with a fair decent price. Given that the shots taken wide-open are pretty usable, I think this is one of the lenses for your consideration.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/250″ . ISO 125 . Nostalgic Negative

This is my first time testing out this lens from Meike and it leaves me quite a positive impression. Although it shares quite a lot of similarities with other manual lenses in the market, it does stand out quite a bit from them too. Especially on the lens design and image quality at wide open.

Fuji X-T5 . Meike 35mm f0.95 @ 35mm . f0.95 . 1/480″ . ISO 125 . Nostalgic Negative

Not forgetting that they have launched the first autofocus lens (85mm f1.8) for the Fujifilm community. I am excited to see more products released from them!

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Rokinon 35mm f1.2 – Surprisingly . Good .

One fine day, Ivan posted the Rokinon deal on the Fujifanboys Facebook group. It was Rokinon 85mm f1.4 and it was quite a good deal at about 68 SGD (51 USD) or less. I was not tempted somehow. A moment later, Ivan posted yet another Rokinon deal and it was shared by Rayz Lee (a member of the Facebook group) to him.

Rokinon 35mm f1.2
Rokinon 35mm f1.2 with lens hood

Based on the header of this post, no surprise here. I immediately placed my order for the Rokinon 35mm f1.2 and it was only 98 SGD (73 USD). In case you wonder, Amazon sells this lens between 300 SGD to 600 SGD (223 USD to 445 USD). That’s a huge discount for this Korean brand (also known as Samyang).

I have a few “reasons” to explain why I decide to buy this lens and here is why:

  1. It’s cheap and even cheaper than the already similar aperture manual lenses in the market from 7Artisans, TTArtisan, Voigtlander, and the like.
  2. I heard about this brand and read about the beauty of this lens for a long time and this is my opportunity to test drive it.
  3. This is like the stars are aligned. So why not.

Design & Build Quality

From the lens appearance, it isn’t as small as the XF35mm f1.4 and also evitably larger than what other 3rd party manual lens manufacturers are offering. And it is even bigger in size than the TTArtisan 35mm f0.95. To be fair, this Rokinon 35mm f1.2 was announced back in 2016, and the lens design is definitely improved over the years in the industry.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f4 . 1/30″ . ISO 3200 . Nostalgic Negative

The lens is made of plastic but it’s a high-quality one. Again this is a different approach from the usual metal build quality 3rd party manufacturers and I can probably understand why this is the approach. I will explain later.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/140″ . ISO 125 . Nostalgic Negative

It weighs 433 grams which I think is somehow reasonable. Similarly, a 62mm filter size is also pretty reasonable as well.

The aperture ring on this 50mm (full frame equivalent) is clicky and not those de-click buttery smooth kind found in most recent new lenses from other manufacturers. However, it is a little stiff when I change the aperture. Not sure if it just happens to my unit but I have to use a little more force to rotate the ring than any of the lenses I have tried so far.

As for the lens cover, it is the typical pinch-to-release type of plastic cover. The lens hood is also made of plastic but it is painted to have the same color as the lens body. At least there is some attention to detail here.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 1000 . Nostalgic Negative

Image Quality

Shooting wide open is unbelievably great and the image quality is totally usable with great contrast. With f1.2, it gives more separation between the main subject and others and allows the main subject to be more pop.

Furthermore, the bokeh (or background blur) is actually quite pleasing to view and not as distracting as some other lenses.

In my period of shooting, I do not observe any obvious chromatic aberration. Similar to vignetting, the corners are pretty mild and considered close to none.  

Minimum Focus Distance (MFD)

At 38mm MFD, there is nothing to shout about for this focal length. It is not a show-stopper to prevent photographers to shoot in their favorite genres. Just that it is slightly further away than what current 35cm “standard” MFD that other manufacturers are providing.

Fuji X-T3 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 160 . Classic Chrome
Fuji X-T3 . Rokinon 35mm f1.2 @ 35mm . f2 . 1/80″ . ISO 160 . Classic Chrome
Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/8000″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/2500″ . ISO 125 . Nostalgic Negative

Focusing

Unlikely the aperture ring, the focus ring is smooth but comes with very minimal and comfortable friction.

From MFD to infinity, the focus throw is approximately 100°, which I think is okay and it also gives a good amount of “distance” for precise focusing.

Price Point

I bought it well below its average selling price, so I will not base it on the price I have but rather base it on the real selling price.

According to its suggested retail price, it is selling at 499 USD. While Amazon and B&H do have some sales occasionally, with an average of about 349 USD.

Who is this for?

I won’t recommend this lens to someone who is looking for a budget fast prime lens because it is not that budget unless you found the same deal as mine.

Secondly, it is not a compact lens like others too. If you really like the image quality from this lens, then you can consider getting one for the genre of your favorite except for macro.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 200 . Nostalgic Negative

Conclusion

To be fair, this manual lens isn’t cheap and the size of this lens is bigger than any other lenses released in recent 1-2 years. But the image quality from this glass is undeniably great among the other lenses of the same category.

Fuji X-E4 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/80″ . ISO 640 . Nostalgic Negative

Despite having some shortfalls like build quality, size, weight, and not being the fastest lens on the market, I enjoy every shot taken with this lens especially taken wide open. It is just so awesome that I can simply accept these disadvantages.

After using so many metal-constructed lenses, I do miss the metal-build quality as it does make the lens feel more premium. I do hope this lens comes with one as well but the plastic build of this lens is there for a reason. It is to keep the weight down and reasonably balance with the camera body. I think Rokinon/Samyang has considered it as well.

Fuji X-T5 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/500″ . ISO 800 . Nostalgic Negative

Overall, this lens is easily categorized as one of the best manual lenses out there in the market.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 50mm Tilt f1.4 – Tilting My Point Of View

I think TTArtisan loves “50mm” a lot. They have lots of choices for this mid-telephoto focal length. TTArtisan has the brightest 50mm, the most compact 50mm variants, and now they have introduced the 4th “50mm” and it has the most distinctive function among all their lenses; the tilt function.

TTArtisan 50mm Tilt f1.4

Similar to the compact 50mm, this lens is also designed as a full-frame lens. Does that mean the optical quality is better on the APS-C sensor? I think we can scroll down and see it for ourselves.

Before you read further, this is my first time using a tilt lens. I will try to elaborate based on my experience with using this lens as much as possible. Also, I would like to thank TTArtisan for sending this lens to me. Without their kind support, this will not happen.

Design & Build Quality

The first thing you will notice is the design of this lens. It has a completely different design language from the rest of the TTArtisan lenses. The most obvious 2 extra knobs on the lens body are the first thing I noticed and followed by the sort of zig-zag line across the lens. Obviously, they are important roles for the tilt function.

Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 .  1/4000″ . ISO 160 . Classic Negative

Despite all these new elements, you can rest assured of the build quality coming out from TTArtisan. As usual, still has the same well-built quality from them. You will not get any disappointment when holding this lens. It weighs 450 grams and it is the heaviest 50mm coming from TTArtisan thus far.

When comes to filter thread, this 75mm (full frame equivalent) lens has a “considerably” large 62mm filter thread that is compared to its 50mm siblings. Given the extra function in the lens, 62mm filter thread is considerably reasonable.

Back to the 2 knobs. The silver knob is the rotation lock knob which allows the rotation mechanism to rotate the lens 360° with 15° rotation per step.

The black knob is to control the tilt mechanism with a tilt angle of ± 8°. For how I use them, I will unlock one knob at a time, adjust to the desired degree, lock it and then continue to adjust with the other knob. With the focus peaking, it helps me to visualize and easily noticeable on where my plane of focus is.

Unlike the usual TTArtisan lenses, this lens uses a click-less aprture, and honestly speaking, I missed the clicks experience that I always love. To make things worse, there are times when I rotate the aperture ring instead of the focus ring without realizing it. Only get to notice it after checking out the shots and looking at my lens. (Since this lens does not have any electronic contact with the camera, hence I cannot see the aperture value from the EVF / LCD.) Sometimes I even think that my camera or the lens is “broken”.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 .  1/80″ . ISO 640 . Nostalgic Negative

And like the 23mm f1.4, it comes with metal cap-on lens cap instead of the screw-in type found in most of the lens lineup. I love this approach and I hope TTArtisan will keep it this way for their future lenses.

Image Quality

In this category, I will split into 2 sections: “conventional lens” mode and “tilt lens” mode.

Before that, shooting wide open for both modes has a strong vignetting and chromatic aberration. And of course, these can be edited in post-process or lower down the aperture value.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f5.6 .  1/1600″ . ISO 125 . Nostalgic Negative

For “conventional lens” mode, the image quality is slightly usable at wide open. The image quality tends to be soft and lacks contrast. And sometimes I cannot tell if my shots are in focus as the shots are too soft. This is based on my past experience with TTArtisan lenses and is usually not really within my minimum acceptance. Usually, I prefer f2 on most lenses. But for this lens, I preferred results at f2.8 as it is sharper and has better contrast.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 .  1/210″ . ISO 125 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 .  1/80″ . ISO 160 . Nostalgic Negative

For “tilt lens” mode, the image quality is not quite usable. Due to the tilt effect and shooting wide open, the focused subject can be very shallow (depending on the shooting angle) and very easily affected by chromatic aberration. Again, I preferred the results at f2.8 and f4 which give a better focus to blur off under the tilt effect. To note the tilt effect will be reduced further as the aperture value gets lower and that is pretty obvious from f5.6 onwards.

Minimum Focus Distance (MFD)

Like their other 50mm lenses, it maintains its MFD at 50cm. This is where I think the image quality is at its softest and lacking the contrast the most when shoot wide open. Again, shooting at 1 to 2 stops lower to gain better image quality.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 .  1/140″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 .  1/2500″ . ISO 125 . Nostalgic Negative

Focusing

From MFD to infinity, the focus throw is approximately 160°. It has one of the comfortable focus rings with a decent resistance when I rotate it.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 .  1/2500″ . ISO 125 . Nostalgic Negative

When you shoot at infinity for normal shooting and tilt shooting, this lens has a common issue like most manual lenses. The result will be off-focused. Hence you need to rotate back a little before the infinity marking to get a fully focused result.

Price Point

For 199 USD, it is priced very closely to the f0.95 lenses, which also means that it is priced on the higher side of the spectrum for the APS-C lenses category. Given the uniqueness of this lens, I think this is a decent price point.

Who is this for?

There are not a lot of tilt lenses in the market. And not forgetting that back in those days, tilt and shift lenses are very expensive, and not many photographers will buy one and use it.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f1.4 .  1/80″ . ISO 160 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 .  1/80″ . ISO 200 . Nostalgic Negative

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 .  1/80″ . ISO 640 . Nostalgic Negative
Right: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f4 .  1/80″ . ISO 1250 . Nostalgic Negative

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f5.6 .  1/80″ . ISO 2500 . Nostalgic Negative

With this lens, the potential photographer can use it as a conventional portrait lens where it can be used for many genres like street, documentary, product shoot, archiecture, cityscape, landscape, etc. At times, the potential photographer can also use its tilt mode for more creativity, adventure, and extraordinary perspective.

Conclusion

I mentioned this before and I have to mention this again. TTArtisan never fails to surprise photographers with their new lenses. The overall usability of this lens is very versatile and probably even more practical than its f0.95 sibling.

Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 .  1/13″ . ISO 3200 . Nostalgic Negative

Personally, I like the tilt function as it helps me to create a good foreground and background blur especially for the cityscape shots and archiecture shots. It is also good in creating miniture effect too.

Left: Fuji X-T5 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2.8 .  1/200″ . ISO 125 . Nostalgic Negative

While the image quality at wide open has room to improve, I can tell that TTArtisan has been improving slowly with each new lens. I hope TTArtisan will continue with the new breakthrough and new unique lens to keep up with the excitement and of course, hope to see more tilt lenses in the future too.

Fuji X-E4 . TTArtisan 50mm Tilt f1.4 @ 50mm . f2 .  1/4400″ . ISO 160 . Nostalgic Negative

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Event

My Favorite Photos in 2022

The year 2022 was another fruitful year for me. Of the 28 posts I have posted this year, 21 are reviews of camera gears and lenses. I also had a small achievement by getting 100k views on this blog this year (A big thank you, everyone!). It is challenging to juggle my job, photo shoots, and family time but I am glad I have made it and I enjoy the process.

Again, I would like to thank Carmen, Marketing Manager of Fujifilm Singapore, Cles Distribution of Tamron, Mr. Lawson from Sigma Marketing (Singapore), TTArtisan, Laowa, and FunLeader for giving me the opportunity to be able to hands-on with the gears and lenses, otherwise, this would not even happen.

I am happy to see more X-mount lenses released this year. Especially this year, Fuji has gained a lot of support from the 3rd party manufacturers and of course, I am referring to the autofocus lenses. While we have no idea what Fujifilm going to release next year but I hope to have an exciting one (I pray for X-Pro 4 and X100V successor arrival). And I also hope to see more autofocus lenses from 3rd party manufacturers to be released next year.

Okay, back to the topic. This is a little different from last year. I decided just to share what are my favorite photos taken this year (because it is hard to filter just 12 photos) and I also split them into 2 categories: “The street” & “The portrait”. Please enjoy.

The street:

#1

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/26000″ . ISO 320 . Classic Neg

#2

Fuji X-E4 . XF 23mm f1.4 R @ 23mm . f1.4 . 1/180″ . ISO 1250 . Classic Neg

#3

Fuji X-E4 . XF 33mm f1.4 WR @ 33mm . f1.4 . 1/7000″ . ISO 320 . Classic Neg

#4

Fuji X-E4 . Sigma 30mm f1.4 @ 30mm . f5.6 . 1/160″ . ISO 500 . Classic Neg

#5

Fuji X-T3 . Sigma 16mm f1.4 @ 16mm . f1.4 . 1/640″ . ISO 160 . Post-edited

#6

Fuji X-E4 . XF 27mm f2.8 WR @ 27mm . f5.6 . 1/480″ . ISO 320 . Classic Neg

#7

Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/11,000″ . ISO 400 . Classic Chrome

#8

 Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/9000″ . ISO 400 . Classic Chrome

#9

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/680″ . ISO 160 . Classic Negative

#10

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/800″ . ISO 160 . Classic Neg

#11

Fuji X-S10 . Fuji XF18-120mm @ 120mm . f4 . 1/300″ . ISO 160 . Classic Neg

#12

Fuji X-H2S . XF27mm f2.8 WR @ 27mm . f2.8 . 1/5400″ . ISO 160 . Nostalgic Negative

#13

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/1500″ . ISO 320 . Classic Chrome .

#14

Fuji X-T3 . Fuji XF18-120mm @ 120mm . f4 . 1/680″ . ISO 160 . Classic Chrome

#15

Fuji X-H2 . XF23mm f1.4 WR @ 23mm . f5 . 2″ . ISO 125 . Nostalgic Negative . 65:24 crop

#16

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 320 . Acros

#17

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f5.6 . 1/3200″ . ISO 320 . Classic Chrome

#18

Fuji X-T5 . XF50mm f2 WR @ 50mm . f3.2 . 1/80″ . ISO 1250 . Nostalgic Negative

#19

Fuji X-T5 . XF23mm f1.4 WR @ 23mm . f1.4 . 1/45″ . ISO 125 . Nostalgic Negative

#20

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 400 . Classic Negative

#21

Fuji X-E4. XF30mm f2.8 @ 30mm . f2.8 . 1/80″ . ISO 1000 . Classic Negative

The portrait:

#1

Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/9000″ . ISO 160 . Post-edit

#2

Fuji X-T3 . Sigma 30mm f1.4 @ 30mm . f1.4 . 1/5000″ . ISO 160 . Post-edited

#3

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f8 . 1/125″ . ISO 160 . Post-edited

#4

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/220″ . ISO 320 . Post-edited

#5

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/125″ . ISO 2000 . Post-edited

#6

Fuji X-S10 . Fuji XF18-120mm @ 98.8mm . f4 . 1/240″ . ISO 160 . Classic Neg

#7

Fuji X-T3 . Tamron 17-70mm @ 35mm . f2.8 . 1/105″ . ISO 320 . Classic Chrome

#8

Fuji X-T3 . Tamron 17-70mm @ 54.7mm . f4.5 . 1/80″ . ISO 160 . Classic Chrome

#9

Fuji X-T3 . Tamron 17-70mm @ 17mm . f4 . 1/640″ . ISO 160 . Classic Chrome

#10

Fuji X-H2S . XF80mm f2.8 @ 80mm . f2.8 . 1/680″ . ISO 320 . Nostalgic Negative

#11

Fuji X-H2 . XF50mm f1 WR @ 50mm . f2 . 1/220″ . ISO 125 . Nostalgic Negative

#12

Fuji X-H2 . XF50mm f1 WR @ 50mm . f1.8 . 1/120″ . ISO 125 . Nostalgic Negative

#13

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/500″ . ISO 160 . Classic Negative

#14

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/1600″ . ISO 160 . Classic Negative

#15

Fuji X-T5 . XF30mm f2.8 @ 30mm . f2.8 . 1/60″ . ISO 3200 . Nostalgic Negative

#16

The last one that I did not post in any of my blogs at all.

Fuji X-H2 . XF50mm f1 @ 50mm . f1.8 . 1/110″ . ISO 125 . Nostalgic Negative

Thank you for reading (browsing).

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.