Reviews

XF33mm F1.4: The “epic” lens for the next decade

Before all else, I would like to thank Mr. Keitaro So, Divisional Head of Fujifilm for providing the loan for X-E4 and XF33mm F1.4. The units were loaned from Fujifilm Asia Pacific and had returned back to them.

Fujifilm XF33mm F1.4
Fujifilm XF33mm F1.4

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
 are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.
3. I reserve ownership of these images, if you wish to use my images, please notify me.

XF35mm F1.4 is one of the “epic” lenses that Fujifilm ever created. On paper, it is not the perfect lens but to many photographers, it is much more than just perfect. I am one of them. XF33mm F1.4 is by no means to replace the magical characteristic of XF35mm F1.4. But I believe it will be the magical lens for the next decade.

Fujifilm X-E4 with XF33mm F1.4
Fujifilm X-E4 with XF33mm F1.4

In this review, I will discuss less technical and more on my personal experience with the lens itself. At the same time, as much as possible, I will try not to compare the XF33mm F1.4 with the XF35mm F1.4. It is not a fair comparison by any means. So I hope I can achieve a more independent review of this new lens.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/2700″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/2500″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/1600″ . ISO 320 . Classic Neg

One last thing before I start my review, here is my suggestion to all the X-E4 users. If you are interested to buy this lens after reading this review, I will recommend you to use an additional grip to have better overall balance when you equip this lens with your X-E4.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1000 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/240″ . ISO 320 . Classic Neg

Build Quality

For a start, it is made in Philippines. But we should dismiss that the product is poorly produce if the product is made in other countries other than Japan. To be honest, this metal- built lens is fantastic and I can feel it is a great quality lens when I hold it in my hand. The manual focus ring has a gentle smooth rotation. The aperture ring has that same nice and gentle clicky feedback when you are rotating it. Like the newer lenses, it has also come with the “A” (Auto) position lock which locks the aperture ring and prevents any accidental movement. Also, it comes with a plastic hood instead of the metal square hood that XF35mm F1.4 has.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/220″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f2.8 . 1/4400″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f4 . 1/2500″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/180″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/5000″ . ISO 160 . Classic Neg

It comes with a 58mm filter size. The weight distribution throughout the lens is good and I can’t really tell it actually weighs 360 grams when I am holding it. There are some 3rd party lenses that are slightly lighter than this lens feel heavier.

Weather Resistant

Like all the new XF lenses, the XF33mm F1.4 also equips itself with the weather-resistant. This is a good direction from Fujifilm because it does help the photographer to have one thing to less worry about.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/125″ . ISO 1250 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/250″ . ISO 1000 . Classic Neg

Focusing

Fast, accurate, and silent are the 3 keywords that best describe this gem. It is probably one of the lenses that nail the subject so fast that I sometimes wonder if I have half-press the shutter. Even under dim light conditions, I did not notice the focusing speed slowing down at all.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/2500″ . ISO 1250 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/420″ . ISO 320 . Classic Neg

I even test this lens with an X-E3 which has the previous generation X-Trans sensor. The lens performs is exactly the same as the one with X-E4. At least, I am not able to notice the difference in terms of speed.

Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/200″ . ISO 200 . Classic chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f2 . 1/150″ . ISO 200 . Classic Chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/125″ . ISO 200 . Classic Chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/100″ . ISO 500 . Classic Chrome
Fuji X-E3 . XF 33mm F1.4 @ 33mm . f1.4 . 1/100″ . ISO 2500 . Classic Chrome

Image Quality

The image quality coming out from this lens is absolutely stunning! The results coming out of this lens is incredibly crisp and sharp. Basically, I did not notice any flaw with these mind-blowing images.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 640 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1600 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 320 . Classic Neg

The foreground and background blur fall off very smoothly, creamy, and gently. This is one of the nicest bokeh that I can recommend photographers to use this lens to shoot wide open. Besides that, I also hardly notice any distortion, vignetting, and obvious chromatic aberration.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/800″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg

Minimum Focus Distance & Magnification

This is one of my favorite parts because this is one of the features when I am looking for a lens. Its minimum focus distance (MFD) is 30 cm which is pretty impressive. I love to shoot close up for certain subjects and understanding the MFD of this lens will allow me to visualize what result I can achieve.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/3000″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/13000″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/3500″ . ISO 160 . Classic Neg

Side By Side

On photos, the XF 33mm F1.4 may look bigger than XF 35mm F1.4 but please do not deceive by its size. It is actually relatively small and compact when you look at it on its own. Nevertheless, the lens hood indeed makes the lens looks much taller than it is.

Fujifilm XF33mm F1.4 and Fujifilm XF35mm F1.4
Fujifilm XF33mm F1.4 and Fujifilm XF35mm F1.4

Apart from that, XF35mm F1.4 is noisier, slower (depends on which camera body you are mounting with), and more retro style to me.

Who is this for?

XF35mm F1.4 is here to stay and will continue selling side by side with the XF33mm F1.4. Both lenses are fantastic and have their pro and con. As a wise photographer, you know what works best for you and your budget.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 800 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 2500 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 2500 . Classic Neg

From my standpoint, if you do not own the XF35mm F1.4 and you are into street, documentary, and/or portrait photography, then the XF33mm F1.4 is a wiser choice to have. Its accuracy, fast focusing speed, and fantastic image quality are something that I think you will love it. Yes. it is more expensive but I think it is worth to be part of your arsenal.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1250 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/160″ . ISO 1000 . Classic Neg

If you own the XF35mm F1.4, it is really up to you if you want to sell it away and purchase this lens. Personally, I will keep my XF35mm F1.4 a little longer with me.

Conclusion

XF33mm F1.4 is really excellent and I am undoubtedly impressed by its optical and focusing performance. This lens also show how much effort are the engineers in Fujifilm had put in and raises the bar of what flagship APS-C lenses can be. If I have to point out the disadvantage of this lens, it will be the price of this lens. Like Mr Shinichiro Udono said in the X Summit, the XF33mm F1.4 should become Fujifilm new “epic” lens.

Fuji X-E4 . XF 33mm F1.4 @ 33mm . f8 . 0.6″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f8 . 1.3″ . ISO 160 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f1.4 . 1/1500″ . ISO 320 . Classic Neg
Fuji X-E4 . XF 33mm F1.4 @ 33mm . f16 . 1/420″ . ISO 320 . Classic Neg

Thank you for reading.

If you wish to contact me, you may direct message me in either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

street

The First Photowalk Since CB Phase 2 (HA)

Circuit Breaker Phase 2 (Heightened Alert) started on 16 May 2021 and lasted for a month. As we are now moving into Phase 2 of re-opening, we started out with a small group of gangs for a small photowalk in the morning at the Kebun Baru Birdsinging club and the neighbourhood around it.

I also take this opportunity to play with my XF27mm WR lens, XF 70-300mm with an X-Pro3. I have to thanks my neighbor (Mr. Ivan Loh) for lending me this wonderful and sexy camera body.

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/280” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/300” . ISO 160 . Classic Negative

A new friend who is using Olympus at the moment. Planning to jump over to Fujifilm.

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/2400” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @240mm . f5.6 . 1/200” . ISO 1250 . Classic Negative
Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @300mm . f5.6 . 1/200” . ISO 640 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative

Manage to have 2 starbursts. Can you see it?

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f8 . 1/640” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/420” . ISO 160 . Classic Negative

The usual you shoot him, I shoot you shot.

Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @278mm . f5.6 . 1/200” . ISO 320 . Classic Negative

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/350” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/1400” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5.6 . 1/200” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5.6 . 1/1700” . ISO 160 . Classic Negative

Thank you for viewing.

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
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Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Uncategorized

My First X100

X100 was announced back in Photokina 2010. Lots of praise from the media and online reviewers. Fujifilm nailed the design of the retro-style enthusiast rangefinder camera with traditional analogue control dials. It was a great hit and instantly built up a large pool of fans base. I am one of them but…  Here’s the “but”… As a student, the price tag scared me off. 

One year later, they announced the X10, a younger brother of X100, and it fulfilled my dream of having my first Fujifilm camera. Like I mentioned in my earlier post, it was a fun camera and I love the film simulations. Despite that, it did not spark much joy for me. 

Occasionally, I went to the retailer stores to play with the X100. I love the build quality, it was good to hold it in my hands and I was blown away by the hybrid viewfinder. On the other hand, the focusing system was not snappy enough, the shooting menu was not as good as what it is today and the images seem to be soft at F2. For the price tag, I have to give it a miss. 

Almost 3 years later, X100S had arrived at the shore and I still had not made the purchase. In fact, I wasn’t shooting a lot during those years and I still can count how much time I had actually brought my camera out for a click. It was my low point, it had become a hassle to bring the camera out and slowly I lost my passion for shooting.I still read up the reviews, tested it with a few clicks at the retail stores and nothing more beyond these two points.    

Another 3 years later, X-T2 caught my attention unknowingly. I knew there was a X-T1 but it was X-T2 that captured my interest. It sounds crazy but it really ignited my passion towards photography again. I even placed a pre-order for it and I got my first Fuji prime lens, XF 23mm F2, to go with it. From that day forward, I had been using the 23mm on most occasions. The versatility of 23mm is just great for street, travel and documentary, isn’t it?

In 2019, when I got my XF 35mm F1.4, things had changed a little in my path. I became obsessed with this lens as it gave me some sort of characteristic feel in my images. It boosted my passion for shooting even more. To be honest, I have left out the XF 23mm since then. The 35mm lens made me keen to bring my camera even on my working days. However, due to my working environment, I have to carry my heavy loaded bag for meetings almost everywhere in Singapore. The overall size of the camera and lens may be compact but it is not that small when I want to put it inside the office bag. This is where I started to miss the Fujifilm compact camera series. the X100, X70 and XF10.

So, what compact camera does Fujifilm have to offer? 

XF10, X70 and X100.

First of all, X70 had stopped production without a successor, not many retailers were selling it and even those retailers that were still selling it, would not recommend me to get it. XF10 was a “cut-down” version of X70, I tried and I was disappointed with the poor autofocusing and laggy interface, so I skipped. With this elimination method, that’s left with X100F. But it was 2019 already and X100F was in its third year cycle, which also meant that it may have a new successor in the pipeline. No one but Fujifilm knows when it will be announced. Since I am not an impatient person, I waited. 

After two months of waiting, the successor had finally said hello to the world. I happened to have the opportunity to try out the successor and I must say I love it. It’s that kind of first love. Beauteous, aesthetic, elegant, ravishing…. This is what I am waiting for. This is not two months of waiting but a good 10 years. This is the sexy camera that I have been waiting for since 2010! 

To tell everyone how much I love this X100V, I immediately brought it out to shoot with the packaging hand carried along. The photos presented over here are my virgin shots with it.

Sidetrack 1: This successor, which is the fifth X100 series, is also my fifth Fujifilm camera. Not sure it is coincidently or fate. Since there are lots of reviews on the web, I will not discuss the technical term or review this X100V in this blog.

Sidetrack 2: This X100V is initially planned to be my weekday camera, I was happy to have it with me and snap some interesting shots while I commute to my destinations.  But now it has become more than just a weekday camera, it’s my everyday camera. 

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

  1. Alwin Kok's avatar
  2. Giuseppe De Santis's avatar
  3. Unknown's avatar
  4. Unknown's avatar

Uncategorized

X-E3 and Me

Before I shared about my encounter with X-E3, X-E2 was the first that caught my attention in the X-E lineup. From the official images, it was a very sleek, beautifully designed retro style rangefinder camera. I thought it was as big as X-Pro series and without an OVF. Until I saw the online reviews, then I started to realise how compact it was. The compactness of the camera made me get more and more interested in it and eventually I did a few hands-on sessions with the product at the retail outlets. My conclusion every single time: I love the design but it was a “good to have” camera and I have a X10 as my secondary fun camera. I was still a canon user and never thought of getting a Fuji camera as a secondary system back then.

Fast forward to 2019, it was a family trip to Hong Kong in April. We visited a shopping mall where most shops sell pre-owned cameras of all brands. I was roaming around without any intention in mind. Spotted some Fuji cameras on the shelves but I did not ask for the price. 

The first click.
More clicks.

But before leaving the mall, I spotted a shop at the corner of the second floor and went in. A quick glance on the display window and I spotted a pre-owned X-E3. Out of curiosity, I asked the shop owner the price. As per normal, I did some currency conversion and was shocked with the price. Asked the shop owner again to confirm the numbers. I did not hear it wrongly. The next thing the shop owner did was he grabbed the camera out and showed it to me. 

As a pre-owned unit, some scratches around the body were expected but not terrible. However, I hesitated. At this point of time, I had 2 interchangeable X-mount cameras on my hands. I keep asking myself, do I need another one? While I am struggling with the decision in my mind, my wife stepped into the shop. She asked me a few non-technical questions until she asked the golden question: “how much does it cost”, I answered and then she said: “Maybe you should stop considering, just get it.” 

Mobile Softee.
Waiting at traffic light.

That evening, I was thrilled holding it on my hands. Paired it with XF 35mm F1.4 for some night street shots. Along the way, I experienced some hiccups but quickly got over it, thanks to Fujifilm for the simplified menu!

I love the combination of X-E3 with XF 35mm F1.4. It is probably the best combo that I have, lightweight and easy to carry around. I do not own an XF 27mm pancake lens, XF 14mm nor the XM-FL. I mounted the XF23mm F2 and tried a few times on different occasions before. It did not have that magical feel in me when I shot with this combination… Strange, isn’t it?

Asking for direction.
Outside supermarket.
Traffic in Mong Kok.
Coffee beans.

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

  1. Alwin Kok's avatar
  2. Giuseppe De Santis's avatar
  3. Unknown's avatar
  4. Unknown's avatar