Reviews

FunLeader Caplens 18mm f8 Pro – Always Ready To Shoot

We all know the function and purpose of a camera rear body cap. It is to cover and protect the sensor when it is not in use. That’s simple.

FunLeader Caplens 18mm f8 Pro

Some of us might even be aware of some interesting body caps such as Fujifilm XM-FL 24mm, 7artisans 18mm f6.3, or other pinhole body cap lenses. The purpose is to enjoy the fun of shooting and create very lomography kind of photo results.

Before I continue further, I would like to thank the good guy at FunLeader for sending this cap lens to me for review without any hesitation. I am grateful to them for supporting and believing in me. Nonetheless, this post is not biased and shared purely my experience with the cap lens.

Intro

FunLeader launched their first FunLeader Caplens 18mm f8.0 (a Kickstarter product) back in December 2019. It is still available on FunLeader’s website today! And now, FunLeader launches their upgraded cap lens and it is called FunLeader Caplens 18mm f8 0.3m-∞  Pro. From the name, we can tell there must be something different from their 2019 cap lens, and of course, the name has already given out the hint.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/1250″ . ISO 125 . Nostalgic Negative

This 27mm (in full-frame equivalent) wide-angle focal length is one of the popular focal lengths among street photographers. As the name suggested, f8 is its brightest aperture. In fact, f8 is the only aperture, and no other aperture options are available to choose from. So how is it going to perform as an f8 lens? Continue to scroll down.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/170″ . ISO 125 . Nostalgic Negative

Note: This cap lens comes with 2 mounts, E-mount and X-mount.

Design & Build Quality

It is an aluminum build cap lens. It is well constructed with unexpectedly sleek and decent built quality. It weighs 71 grams and is 17 mm thick! It seems light in number but you can feel the weight of the cap lens when you hold it in your hand.

Being a cap lens also means that there is no filter thread for you to mount your filters in and does not come with a lens cap.

Focusing

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/2″ . ISO 125 . Nostalgic Negative

Like all cap lenses, it is a fixed aperture and non-electronic contact. The similarity stops here. FunLeader 18mm f8 pro comes with an adjustable focus dial with distances between 0.3m, 0.5m, 0.7m, 1m, 2m, and infinity. If you are aware, the usual body cap lenses do not provide such functionality.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/80″ . ISO 640 . Nostalgic Negative

The idea of having an adjustable focus distance is excellent. It allows photographers to have close to manual lens shooting experience.

And very similar to changing the aperture on some manual lenses, changing between the focus distances gives excellent clicky feedback.

Image Quality

I do not have the first-generation cap lens from FunLeader, hence, I am not sure how much the image quality has improved in this pro version. In my opinion, the image quality is within my expectation. That doesn’t mean the image quality is excellent but acceptable for a cap lens.

I noticed that the photos look better with any focus distance except for infinity. For most focus distances, the results look good, adequately sharp with decent contrast in it.

At infinity, the shots sometimes look unexpectedly soft, lacking a certain level of sharpness, and contrast. Vignetting is pretty strong with this cap lens. On the other hand, thanks to the small aperture value, I do not observe any chromatic aberration.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/80″ . ISO 2500 . Nostalgic Negative

By the way, if you are looking to create a sunny star shot from this cap lens, you should probably look out for another lens because this cap lens does not come with any aperture blade.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/680″ . ISO 320 . Nostalgic Negative

Minimum Focus Distance (MFD)

Honestly, for a cap lens to have an MFD of 30 cm is impressive. It is a tiny, extremely compact “lens” than any other lens out there in the market. For comparison, XM-FL 24mm has an MFD of 1 meter, 7artisans 18mm f6.3 is 35cm and the original cap lens is 80 cm.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/150″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/85″ . ISO 125 . Nostalgic Negative

As I mentioned earlier, the results at 30 cm are pretty usable. The sharpness and contrast are pretty good here.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/420″ . ISO 320 . Nostalgic Negative
Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/180″ . ISO 320 . Nostalgic Negative

Other

FunLeader is a thoughtful company. Knowing that most photographers will stick the cap lens to their camera, FunLeader still includes a pouch for the cap lens when it is not in use. “Lens” protection in a way.

Cap lens pouch

Something to note and maybe it is only me (user problem). I do encounter some dust trapped around the cap lens, especially the gap between the focus dial and the non-movable area. Some of the dust can be easily removed but some are just stubbornly stuck there.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/2400″ . ISO 125 . Nostalgic Negative

Secondly, due to its slim design, the focus dial is slim too. Hence, it is a little hard to grab with big fingers. But I get used to it after a little familiarization.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/200″ . ISO 125 . Nostalgic Negative

Although it is not able to create a sunny star shot, it does have some flares when you are facing the sun.

Price Point

For the price of 139 USD, it is not cheap as there are many fully functional manual lenses around this price or even cheaper. But if you want it, you will get it, right?

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/6400″ . ISO 320 . Nostalgic Negative

Who is this for?

This wide-angle cap lens covers quite a good coverage of photography genres such as landscape, cityscape, and street.

Like all cap lenses, this cap lens comes with one and only one aperture, f8. If you are looking for challenging yourself shooting street with a fixed aperture lens, for the “Lomographic” fun and enjoying straightforward results, then this cap lens might be suitable for you.

Fuji X-T5 . FunLeader Caplens 18mm f8 Pro @ 18mm . f8 . 1/56″ . ISO 3200 . Nostalgic Negative

Also, the holiday season is coming and I think it is a great gift to your fellow photographer friends.

Conclusion

From this Caplens 18mm f8 Pro, I can see innovation from the company. FunLeader had made some good improvements from the first-generation cap lens such as improved MFD, lighter weight, and most important of all, focus dial. This focus dial is the first of its kind and no one else actually did it, except FunLeader.

I hope to see more interesting lenses coming out from FunLeader, especially for the APS-C world.

If you are interested in getting this cap lens, the good guy at FunLeader has given me the coupon code “ALWINKOK” and you can enjoy 5% off with your purchase at checkout.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 35mm f0.95 – The Second Fastest Lens

TTArtisan has just announced yet another fast, bright lens. The TTArtisan 35mm f0.95 is the second lens after TTArtisan 50mm f0.95. If you are a fan of TTArtisan or somehow followed them closely, you will notice that they are slowly expanding and differentiating their product line-up. While they focus on compactness and portability lenses like the TTArtisan 25mm f2, they have another product line-up that goes “all-in” by creating the fastest, brightest lens they can. Can this lens do as good as its sibling? Let’s find out.

TTArtisan 35mm f0.95

Before I continue with my sharing, I thank TTArtisan for sending this lens to me. To the readers passing by this blog post, you can rest assured that I give my honest opinions on this lens, similar to the rest of the TTArtisan products that I have shared.

Intro

This is TTArtisan’s second 35mm (or 50mm in full-frame equivalent focal length) lens for the APS-C sensor. This focal length is also one of my favorite focal lengths, especially for street shots and simple portraits, and I believe there are many photographers who love this focal length too.

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 640 . Nostalgic Negative
Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/200″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/80″ . ISO 200 . Nostalgic Negative

Design & Build Quality

TTArtisan does a good job of distinguishing its lens design and this design element maintains the same as the TTArtisan 50mm f0.95. The zebra-like design, however, has received mixed opinions among photographers and some discussions are made among the groups.

The aperture ring is as good as the rest of the TTArtisans lens lineup. It gives a very comfortable clicky experience when you rotate the aperture ring. I do enjoy changing apertures because of that even when I am just holding my camera in my hand.

TTArtisan provides screw-in lens cap like most of their lenses. But I do miss the cap-on lens cap found in TTArtisan 23mm f1.4.

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f8 . 1/120″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f1.4 . 1/350″ . ISO 125 . Nostalgic Negative

When I have this lens, there is no information about its specification and also its weight. So I use my wife’s kitchen weighing scale to weigh. It is 243 grams (258 grams with the lens cap). It is 168 grams lighter than the sibling so it is not the heaviest manual lens.

When you hold this lens, the first thing you will feel is the weight. Secondly, you can also feel how well the full metal and glass built quality are.

Image Quality

The depth of field of f0.95 is really very shallow and thus gives me an issue nailing the shots. When I manage to hit a focused shot, this lens can give a kind of soft and glowing character which gives us a kind of dreamy feel to the photos.

Left: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/1100″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/1800″ . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 320 . Classic Chrome

On the other hand, chromatic aberration and vignetting are observable, especially at wide open. This is an expected result (at least to me) but it can fix in post-processing.

In my test, nonetheless, shooting at f2 meets my minimum acceptance of a good level of sharpness and contrast. Again, this is my personal preference and yours might be different from me.

Fuji X-T5 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/20″ . ISO 3200 . Nostalgic Negative

Focusing

The manual focusing ring still gives a very smooth rotating experience with small gentle friction. Honestly speaking, I love it.

Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/125″ . ISO 320 . Classic Chrome

The focus throw is approximately 180° which gives an ample amount of “distance” for more precise and easier focus. This really helps a lot, particularly for photographers who are not getting used to manual focus.

Minimum Focus Distance (MFD)

Similar to most 35mm lenses out in the market, the MFD is 35 cm. In my opinion, nothing to complain about the MFD. Shooting at this MFD allows better subject-background separation but if you shoot wide open, you will get to see heavier dreamy soft shots than any other focus distance.

Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f2 . 1/80″ . ISO 640 . Classic Chrome

Price Point

Given that it is one of the fastest lenses in the market, at 199 USD, I think the lens is well-priced and also slightly cheaper than its sibling. Moreover, the price is highly competitive as compared to its competitors.

Who is this for?

This lens is a lens you can consider if you are a dreamy and soft photo lover and you know what you want to achieve with this lens. It is also lighter than its sibling, making it a better option if someone wants that fast and bright lens.

Fuji X-T3 . TTArtisan 35mm f0.95 @ 35mm . f0.95 . 1/1700″ . ISO 320 . Classic Chrome

If you are a first-timer with manual lenses and you are unsure if you want to invest in them or are ready for the world of manual focusing lenses, then I think you can consider many other TTArtisan lenses that are an even lighter and more affordable option.

if you are like me who prefers the results taken at f2, shouldn’t it make sense for me to choose the other f2 lenses instead of this one? Yes, you can consider that but photographers always say that it is always to have such a lens on standby with you. Because you never know when you will need it.

Conclusion

Both siblings share a lot of common things like image quality, built quality, and the character of the lens. Everything I expect from this lens is within my expectation, which is a good thing. If choosing between the 2 siblings, I will prefer to get this lens over the other, all because of the weight and versatility.

TTArtisan shows no sign of stopping here and I am sure these benefits photographers like us as we have more lens options to choose from. My guess is that they are probably going to launch the 3rd lens for this category and I hope that 23mm will be the one. I am excited and looking forward to what TTArtisan has up its sleeve in the year 2023.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 25mm f2 – A Tiny Street Lens

TTArtisan focuses very much on portability and compactness and TTArtisan 25mm f2 is another product born from this idea.

TTArtisan 25mm f2

Before I begin, I thank TTArtisan for their tremendous support towards me. For readers out there, you can rest assured that I am and always give my honest opinions for their products and that’s including this lens.

TTArtisan 25mm f2
TTArtisan 25mm f2

Intro

At 38mm full-frame equivalent focal length, it reminds me of the point-and-shoot film camera back in those days. I remember it was just a fixed focal length and I think it was quite common back then before it goes wider and wider and wider…

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 250 . Classic Negative

It is not a common focal length by today’s standards and I believe this focal length is not every photographer’s first focal length in mind.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 400 . Classic Negative

Design & Build Quality

The design element of this TTArtisan 25mm f2 follows exactly the same as the TTArtisan 50mm f2. Modern, minimalistic, and sleek are probably the best words to describe this lens.

The aperture ring still comes with that enjoyable and satisfying clicky experience. As for the manual focus ring, it is still as smooth as the other TTArtisan lenses. Basically, you are assured that this lens’s quality is maintained at TTArtisan’s standard.

The lens cap is the screw-in type. It is up to individuals to love it or hate it. As for me, more like I have to get used to it.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f8 . 1/2000″ . ISO 160 . Classic Negative

At 167.4 grams, the weight of this lens is really good to hold. Although it is not as light as the newly announced TTArtisan AF 27mm f2.8, it is still the lightest among their manual lens lineups.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f4 . 1/950″ . ISO 160 . Classic Negative

There is one thing that I have never mentioned in all my manual lens reviews. In case you wonder, the lens does protrude a little when you rotate the focus ring to the Minimum Focus Distance (MFD).

It has a small filter size of 43mm. If you are looking for a hood to put it on, it is still able to find one online. Please note that no hood is included.

Image Quality

The image quality from this lens is surprisingly good and I meant it. Who would expect a lens that is so affordable yet has decent image quality? Typically we expect some will cut corners somehow.

Also, you will also observe some vignetting for wide-open shots. This is a common behavior for TTArtisan lenses and this applies to other third-party lenses too.

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 1000 . Classic Chrome
Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 320 . Classic Chrome

Focusing

From MFD to infinity, the focus throw is approximately 160°. In my view, this compact lens gives quite an ample amount of “distance” for more precise focusing.

Like most manual lenses, the result is might not at its sharpest at the infinity marking. Rotate slightly backward on the focus ring to get a better result.

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 400 . Classic Chrome

Minimum Focus Distance (MFD)

This lens has an MFD of 25 cm which means it can do quite a close-up shot if you want to. You will also notice some softness when shooting at MFD wide-open. I think it is acceptable and pretty much-expected behavior.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/2700″ . ISO 160 . Classic Negative
Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/2700″ . ISO 160 . Classic Negative

Price Point

While I thought that the TTArtsian 50mm f2 is the cheapest lens, this 25mm has set a whole new record of 55 USD. Yes, this is how much this lens costs. It can go even lower with occasional promotion from TTArtisan.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/2500″ . ISO 160 . Nostalgic Negative
Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/100″ . ISO 320 . Acros

Others

There are always pros and cons for all lenses. This lens is no exception. Well, it depends on how you see this negative thing. If you point the lens facing to a light source at a specific angle at f2, you will have a light-blooming effect. Some people love it, and some people don’t. As for me, I kind of love it as it gives an additional special character to the lens. The blooming effect will get reduced with a smaller aperture. But beyond the light-blooming effect, it can also introduce some unique flare. So please beware. Lens hood might be able to solve this problem. If you happened to own this lens and a compatible lens hood, please let me know if it does solve it.

Fuji X-E3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/60″ . ISO 2000 . Classic Chrome
Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 640 . Classic Chrome
Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 1000 . Classic Chrome
Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/90″ . ISO 320 . Classic Chrome

Who is this for?

This is easily one of the most affordable and usable lenses to consider if you want to experience what it is like using a fully manual lens. The focal length of this lens is very easy to adapt to and is very suitable for genres like street, journalist, documentaries, landscapes, cityscapes, and even portraits.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/500″ . ISO 160 . Classic Negative
Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/1400″ . ISO 160 . Classic Negative

For photographers who want to let their older Fujifilm cameras have their “second life”, you can consider getting one too. It might spice up your love with the cameras again.

Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/3500″ . ISO 160 . Classic Negative
Fuji X-Pro 3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/1600″ . ISO 160 . Classic Negative

Conclusion

TTArtisan surprised me once again with this lens. At USD 55, this is the cheapest manual lens ever produced by TTArtisan yet. But they do not compromise on both build quality and image quality. In fact, I am surprised by how usable the images are at wide open and the build quality is as good as other TTArtisan lenses. This is easily a recommendation from me to a photographer wanting to experience manual lenses.

Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 640 . Classic Chrome
Fuji X-T3 . TTArtisan 25mm f2 @ 25mm . f2 . 1/80″ . ISO 3200 . Classic Chrome

I love to see more of this compact lens series with an affordable price point in the near future. Please continue to give us some surprises.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

TTArtisan AF 27mm f2.8 – The First

TTArtisan had been teasing us about their very first autofocus (AF) lens since September 2021. While there was very little information shared about the 32mm f2.8 lens, the only thing we know is that it will be available for various camera systems.

However, the much anticipated AF lens did not arrive in many systems except for the Nikon Z mount. What I have understood from TTArtisan is that they faced some challenges in the process of manufacturing it and they did not share more in-depth about it. Nevertheless, I am glad they have finally announced their first AF lens and release for sale!

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f5.6 . 1/100″ . ISO 3200 . Classic Negative
Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/280″ . ISO 160 . Classic Negative

Before I share my experience with this lens, I would like to thank TTArtisan for sending this lens for my review. I appreciate their support to make this post a reality.

Intro

I believe this focal length has caught almost everyone by surprise and that’s including me. Why TTArtisan released this 40mm full-frame equivalent focal length as their first AF lens for Fujifilm and not the 35mm or 50mm equivalent focal length?

According to TTArtisan, they are focusing a lot on portable and compact lenses. Considering the size of this lens, it suits well with the retro style of Fuji camera bodies and together in a smaller package for easy to carry around for street photography.

Design and Build Quality

Just like the other TTArtisan lenses, it comes with a metal-built body (made of aviation aluminum). But I have to say that when I first hold it, it feels very light. Unlikely the usual weighty lenses, this lens is unbelievably light. According to my wife’s kitchen weighing scale, it weighs at 89 grams only (and 93 grams with the lens hood).

Considering how compact the lens is, the build quality is good. Over here, TTArtisan does not take a shortcut, it does come with a clickable aperture ring and a manual focus ring. The click, however, seems to be stiffer than the other TTArtisan manual lenses. But I accept it since it is so compact.

On the other hand, the manual focus ring is buttery smooth as usual.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/350″ . ISO 160 . Classic Negative

One interesting thing to note, TTArtisan has finally come with a lens hood and it is a light small metal piece of protection like the one found in XF27mm.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/500″ . ISO 160 . Classic Negative
Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/240″ . ISO 160 . Classic Negative

The lens cap is no longer metal built and unlike screw-in types like 50mm f0.95 or capped-on types like 23mm f1.4. Now it is the pinch-to-release type and it is made of plastic. The good thing is that it can cover the lens with and without the lens hood on.

For a note, it comes in 2 colors: Black and Titanium. From the official post, I think the Titanium looks good.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f8 . 1/900″ . ISO 160 . Classic Negative

Image Quality

At wide open, you will notice the heavy vignetting at the corners and it is more obvious when focusing at infinity. It seems to be inherent in the same characteristic as many other TTArtisan lenses. But it can be easily corrected via post-edit.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 160 . Classic Negative

If you know me, I usually increase 1-stop of the aperture instead of using the widest aperture on most of the TTArtisan manual lenses. But the image quality results from this lens at f2.8 are actually nice, sharp, and totally usable.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 1600 . Classic Negative

Focusing

This lens comes with Stepper Motor (STM) which is also stated to adopt the “STM+leading screw”. I am unsure what that actually means, but to my surprise, this lens has a very silent and smooth focusing system. But how fast is this lens performing?

Based on my test with 2 camera bodies (X-E3 and X-Pro 3), this lens’s autofocus (AF) speed is very much dependent on the camera bodies. On X-E3, its AF is quite slow as compared to X-Pro 3. After all, the camera body does play a part in the lens focusing speed. So to be fair to the lens, it performs pretty decently fast and it is internal focusing!

Minimum Focus Distance

The Minimum Focus Distance is 35 cm. In real life scenario, it is not as close as I thought it would be. In spite of that, it does help to separate the main subject from the others very well.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 640 . Classic Negative

Side By Side

This lens shares a lot of similarities with the XF27mm, so I decided to do a small breakdown.

First, XF27mm’s micromotor AF system is noisier than TTArtisan’s but the AF speed are comparable between the two.

Fuji XF27mm f2.8 WR and TTArtisan AF 27mm f2.8

Second, XF27mm weight is slightly lighter at 84 grams.

Third, TTArtisan is actually a tad taller than XF27mm.

Fourth, this lens has a very similar MFD to the XF27mm WR.

Lastly, the TTArtisan lens hood can fit on the XF27mm because both of them are 39mm filter threads.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 1000 . Classic Negative
Fuji X-E3 . TTArtisan 27mm f2.8 @ 27mm . f4 . 1/1800″ . ISO 400 . Classic Chrome

Others

This lens comes with a unique rear lens cover. It is actually a dock with a built-in USB C port (yeah!) connection that allows firmware upgrading in the future. That’s sweet.

My suggestion is to leave the rear dock cover at home and use another rear lens cover to cover it or just stick it with the camera body.

Oh yes, this lens is not weather resistant but given the price of this lens, I accepted that.

Who is this for?

It is a street lens. Having said that, I could recommend everyone to get one. Especially one who wants to try out what a 40mm focal length is like, use it as a lens cap, give this manufacturer’s lens a try or gift your photographer friends (the Christmas season is around the corner).

Conclusion

With the release of this lens, it means TTArtisan is the latest manufacturer joining other manufacturers like Sigma, Tamron, Tokina, Viltrox, and Rokinon/Samyang in offering third-party autofocus lenses for the Fuji X-mount system.

Fuji X-Pro 3 . TTArtisan 27mm f2.8 @ 27mm . f2.8 . 1/170″ . ISO 160 . Classic Negative

At the price of 149 USD, I can’t help to think it is the cheapest option to get as an AF lens in the market. It is, even more, cheaper than the XF27mm f2.8 WR which costs 399 USD. I mean I cannot find any reason not to recommend this lens to everyone. It is a nice small and compact lens that can go easily with any Fuji camera.

TTArtisan really makes a bold move in this and this is a good start. I am happy to see them onboarding into this X-mount journey and giving us photographers one more option to choose from.

As I mentioned earlier, TTArtisan is working toward portable and compact lenses. It’s a good hint of what will be TTArtisan’s next AF lens to be there for us in the near future. I am hoping for an 18mm f2 lens (or similar), what will be your wish lens?

TTArtisan AF 27mm f2.8 with square hood

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. Thank you Ivan Wong from Lightsmith Co for lending me the X-Pro 3.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

TTArtisan 50mm f2 – A Tiny Portrait lens

I think TTArtisan has a soft spot for “50mm” and they released the 50mm f0.95 not too long ago. And now, TTArtisan had just released its third 50mm lens and it is the most compact 50mm lens TTArtisan ever made but it is the slowest in the lineup yet.

TTArtisan 50mm f2

But there is something different about this lens from the other 50mm lenses and that is this lens is designed as a full-frame lens but can also be mounted with various APS-C lens mounts (i.e. X-mount, M-mount, E-mount, RF-mount, Z-mount and M43-mount).

Does that mean the image quality is better because the optical glass is bigger than the APS-C sensor size? Let’s find out.

TTArtisan 50mm f2

Before I start, I would like to thank TTArtisan for sending me this lens for review and it is my privilege to do so. But you can rest assured that this review will be based on the lens I received and it is purely on my own opinion.

Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2.8 . 1/4700″ . ISO 320 . Nostalgic Negative
Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/1500″ . ISO 320 . Classic Chrome .

Design & Build Quality

The design is different from that of 50mm f0.95 and 23mm f1.4. You will not see the zebra-like design in this lens. Having said that, it gives a minimalistic and more modern-look design.

The aperture ring and the manual focus ring are still the same quality as any other TTArtisan lenses. The enjoyable clicky feedback on the aperture ring is one of my favourites among other 3rd party manufacturers while the manual focus ring is giving a satisfying smooth experience.

Speaking about the lens cap, it is also the common screw-in type, similar to most TTArtisan lenses. Love it or hate it. It depends on the individual.

The weight is 189 grams and that is without both front and rear lens caps. For comparison, XF27mm f2.8 WR is only 84 grams.

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/2200″ . ISO 320 . Classic Chrome

Another thing to note: the filter thread is 43mm.

Image Quality

In my opinion, the sharpness is decently sharp at wide open. Speaking of shallow depth of field, f2 gives a considerably good separation between subject and background. Of course, it is not as shallow as other faster prime lenses can give. Shooting at f2.8 or smaller apertures gives a better rendering of sharpness and contrast. However, I am pretty satisfied with the image quality at f2.

In my testing, chromatic aberration and vignetting are surprisingly better (based on my past experiences with other TTArtisan lenses). Although they are slightly observed especially when you are shooting wide open. Nonetheless, they can be fixed in post-processing, so this is the last I should worry about.

The sunny star shot is not the sharpest I have seen, but it is okay. Do note the rainbow flare if you want to avoid it.

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f16 . 1/80″ . ISO 1600 . Classic Chrome

Focusing

From MFD to infinity, the focus throw is approximately 160°. In my view, this compact lens gives quite an ample amount of “distance” for more precise focusing.

Like most manual lenses, the result is might not at its sharpest at the infinity marking. Rotate slightly backwards on the focus ring to get a better result.

Minimum Focus Distance (MFD)

At 75mm (in full-frame equivalent), the 50cm MFD is no different from other 50mm lenses. I was expecting that the MFD will be further because of the compactness of the lens but I was wrong. At least this is something I think is quite a remarkable achievement from the TTArtisan engineers.

Fuji X-H2S . TTArtisan 50mm f2 @ 50mm . f2 . 1/80″ . ISO 400 . Nostalgic Negative
Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/3200″ . ISO 320 . Classci Chrome
Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/600″ . ISO 320 . Classic Chrome

When shooting at MFD, I do notice a little softness in the image. From my standpoint, I think it is totally acceptable.

Price Point

At 69 USD, this is one of the most affordable lenses TTArtisan offers. There is another 69 USD lens (at least at this moment in writing this review) from TTArtisan and that is 35mm f1.4.

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f2 . 1/7000″ . ISO 320 . Classic Chrome

Who is this for?

For 69 USD, the amount is not that painful to spend. If you are new to photography and also wish to have some hands-on with a full pledge manual lens. If you want to attempt to try some portrait shots, this is also a good lens to try. Besides that, this lens can also be used for other genres like street, documentaries, landscapes, cityscapes and product shots.

There is another group of photographers who should consider this lens too. And they are photographers who are still using the older camera models and can consider getting this lens to spice up some love with the cameras and shoot.

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/4000″ . ISO 320 . Classic Chrome

Conclusion

TTArtisan never fails to surprise photographers with their new lenses. They always have something to fill in those “gaps” in their lenses lineup. This makes me think about what is up on their sleeve.

Personally, I love to use this lens simply because of its compactness, nice-looking design and not compromising on the image quality that much. I think this lens is best matched with the X-E series and X-A series for achieving the most compact package.

Fuji X-T3 . TTArtisan 50mm f2 @ 50mm . f5.6 . 1/640″ . ISO 320 . Classic Chrome . 65:24 cropped

Meanwhile, I am still hoping TTArtisan will release the first autofocus lens for Fujifilm.

Fuji X-T3 with TTArtisan 50mm f2

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots 
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Laowa 10mm f4 Cookie – The Modestly Priced Compact Ultra-wide lens

Usually, for the same focal length, there are basically 2 paths for making it. The first one is to make with better optic, faster, brighter and premium price tagged lens. The second one is to make a smaller, compact and wisely priced lens. And this Laowa 10mm f4 is the later one. Laowa Lenses (also known as Venus Optics) has been in this optic industry for almost 10 years. They have created many unique innovative lenses such as 24mm T14 2x PeriProbe, 4mm f2.8 fisheye and fast f0.95 Argus series of lenses. And this 10mm f4 is their newest creation.

Laowa 10mm f4 Cookie

I am glad that I have a few days of opportunity to try this lens before it was sent back to its headquarters in China.

On a side note: this lens comes with various mounts too (i.e. RF, Z, E and L mounts).

Laowa 10mm f4 Cookie

Design and Build Quality

The lens is compact, hence, the name “Cookie”. Probably Laowa is trying to come up with a new term rather than using “pancake”. Nonetheless, I can’t help to compare it with the XF27mm f2.8 WR and the overall size is somewhere close to each other. Laowa 10mm is about Ø59.8mm X 25mm while XF27mm is Ø62mm x 23mm. However, the weight of the Laowa 10mm is heavier (130 grams against 84 grams).

This 15mm (in full-frame equivalent) lens comes with solid and good-built quality. Everything in this lens body makes of metal, including the rear bayonet. This Ø37mm filter threaded lens comes with a clickable aperture ring and a smooth focus ring. Anyway, it does not come with a lens hood.

The lens cap is of the traditional “squeeze to release” type. Nothing special to shout about. Not forgetting that this lens comes in 2 colours, black and silver.

Image Quality

This cookie lens offers an impressive 109.3° angle of view. But I have to say that it is not the best image quality I have ever seen. I mean when I first know of this product and its price tag, I set my expectation lower

Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/80″ . ISO 1600 . Classic Negative

At wide open, you will be greeted by a very heavy vignetting result. You can correct it in post-edit or set it to a lower aperture like f5.6 or f8. Also, I felt that the image is better and sharper if you step down the aperture to f5.6 or f8. At f4, the image seems to be softer and with less contrast.

Distortion is also noticeable at the corners and this is an expected result for such an ultra-wide angle. Hence, I can only suggest you take note of the distortion unless it is intended that way.

Fuji X-E4 . Laowa 10mm f4 @ 10mm . f4 . 1/52″ . ISO 3200 . Classic Negative
Fuji X-E3 . Laowa 10mm f4 @ 10mm . f8 . 1/200″ . ISO 400 . Classic Chrome

The flare is totally noticeable if you shoot directly toward the sun’s direction. That said, the sunny star is sharp at f22.

Fuji X-T3 . Laowa 10mm f4 @ 10mm . f22 . 1/1800″ . ISO 320 . Classic Chrome

Minimum Focus Distance

Another remarkable thing about this lens is its minimum focus distance, 10cm. Basically, I am shooting very close to the subject and the shadow of the lens is probably in the photo as well (if you shoot facing downward).

Fuji X-T3 . Laowa 10mm f4 @ 10mm . f4 . 1/680″ . ISO 320 . Classic Chrome

Something to take note of

This lens is a manual lens. That said, it does not come with any electronic contact and hence no aperture data is recorded in the EXIF.

If you shoot at infinity, the result is actually not sharp at the infinity marking. You have to rotate the focus zoom slightly backwards to get the right infinity shot. I can’t tell you how exactly backwards it is as I am afraid that the lens I am tested with may have a different “right” infinity spot than the copy you have. But you can also explore it yourself and you will get it.

Another thing to note is the thin focus ring and aperture ring. I have a pair of huge hands and fingers which is a little challenging for me to rotate the rings. My personal uneducated guess is that to achieve a compact size, making the width of both rings thinner might be a decision made by the company.

Who is this for?

A new photographer who does not wish to spend a fortune and does not mind having a manual lens to have an ultra-wide angle shooting experience.

Conclusion

During my test, I do miss quite a fair bit of shots and it is likely due to my incapability to nail the focus well. Nevertheless, I have mixed feelings about this lens. The photos sometimes turn out to be better than I have expected but sometimes it turns out to be soft.

At f4, it is not the brightest ultra-wide lens I have ever used and it is obviously meant for outdoor day use, such as architecture, landscape, creativity, abstract, and maybe a little bit of street. You can do some indoor/night shots if there is sufficient strong light to accompany you.

This cookie lens has a few competitors (Rokinon 10mm f2.8 and Samyang 12mm f2.0) in this price bucket. If you like something compact and do not mind the slower aperture, then this should be your choice. Because none of them beat the compactness of this cookie lens. Alternatively, Laowa also offers a more premium ultra-wide lens, Laowa 9mm f2.8, with 200 USD more.

Thank you for reading.

Disclaimer:
1. The lens is from Laowa Optic and I have returned it by the time this article is available online.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing
.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. All the shots taken here are shot by me. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Tamron 17-70mm – The Best General Purpose Lens?

To begin with, I would like to special thanks to Cles Distribution of Tamron Singapore for giving me the opportunity to loan the Tamron 17-70mm f2.8 Di III-A VC RXD (Model B070X) for Fuji mount for this review. At the time of releasing this review, I returned the loan unit to Cles Distribution.

Tamron 17-70mm F/2.8 Di III-A VC RXD (Model B070)

Intro

Tamron 18-300mm f3.5-6.3 was first announced in August 2021. Fast forward 8 months later, here comes the second lens. Based on the full-frame equivalent, it gives a focal length from 25.5mm to 105mm and this is actually a good range for everyone to pick up easily.

Design & Build Quality

First of all, it comes with a plastic build body with a metal rear mount bayonet. It may not have the best handling experience but the built quality is solid for its class. The plastic material gives it a smooth like feel when you hold it.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f5.6 . 1/750″ . ISO 160 . Classic Chrome

If you have noticed, this lens does not have an aperture ring, which means controlling the aperture value has to be done on the front dial of the camera body.

Fuji X-T3 . Tamron 17-70mm @ 35mm . f4 . 1/3800″ . ISO 320 . Classic Chrome

Rotating the zoom ring gives a smooth with little friction experience. The zoom throw takes 90° from 17mm to 70mm, which is great for quick zooming purpose. Unlike the zoom ring, the manual focus ring is frictionlessly smooth.

Likewise, it is also an external zoom lens, which means it extends the length of the overall lens when you zoom. At 70mm, it extends about 1/3 of the original length. The 67mm filter size lens weighs 530 grams. Personally, I feel the weight is well distributed throughout the lens. I do not feel the lens weight is heavy on the front, especially at 70mm.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/1600″ . ISO 320 . Classic Chrome

Although this is an external zoom lens, it comes with weather sealing, not weather resistant!

Image Quality

At f2.8, the sharpness of the image quality is sharp but not a tad sharp. Let me explain. If you view the photos from the monitor, phone or tablet at the “filled” size, they are sharp. If you blow it up to 100%, it is somehow not that sharp. But it could be me being picky.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/80″ . ISO 1250 . Classic Chrome

Nevertheless, the sharpness is pretty consistent across the focal lengths. The contrast is pretty decent too.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/400″ . ISO 320 . Classic Chrome

Since it is a zoom lens, I am expecting some chromatic aberration and vignetting. But the lens proves me wrong. I do not see any chromatic aberration but only a little vignetting was observed. I think Tamron did well in this department.

Fuji X-T3 . Tamron 17-70mm @ 35.5mm . f2.8 . 1/3200″ . ISO 320 . Classic Chrome

For sunny stars, the sharpest result is at its smallest aperture among all apertures. Not sure if this is the common behaviour when it comes to zoom lenses?

Focusing

The focusing speed is probably not the fastest I have ever tried on a zoom lens. Maybe it is due to the limitation of the Rapid eXtra-silent stepping drive (RXD) motor? It does focus fast enough during the day for all focal lengths. But when it comes to low-light situations, it is no longer fast enough. I can feel the response time of the focusing speed is slower or maybe it is me who feels it that way. Sometimes I am also unable to focus locked onto the subject and it takes a few tries to get it. You might have lost the golden moments when the subject is finally focused.

But thanks to the RXD, the focus is silent and I hardly notice any motor noise whenever I press the shutter.

Fuji X-T3 . Tamron 17-70mm @ 53.2mm . f2.8 . 1/340″ . ISO 160 . Classic Chrome

Minimum Focus Distance (MFD)

At 17mm, this lens is capable of shooting at a Minimum Object Distance (MOD) of 19 cm and has a maximum magnification ratio of 1:4.8. How close is 19 cm? Basically, I have to remove the lens hood if I want to shoot that close. At 70mm, the MOD is 39cm and has a maximum magnification ratio of 1:5.2. I must say the engineering of this lens is very impressive. It allows the photographer to shoot a very close-up of the subject.

Shooting wide open will give you a soft render characteristic feel. Some photographers appreciate it while some do not. Stepping down the aperture will help to improve the overall sharpness.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 1/420″ . ISO 160 . Classic Chrome

Something to note

Unlike the Tamron 18-300mm, it does not come with a Zoom Lock Switch that prevents the lens from creeping. Probably it does not need one?

Fuji X-T3 . Tamron 17-70mm @ 34mm . f2.8 . 1/900″ . ISO 320 . Classic Chrome

As the name of this lens suggests, it comes with Vibration Compensation (VC). While there is no official statement on how many stops of compensation, I find it works well. At 70mm, I can go as slow as 0.2 seconds. This is something beyond my expectation and I am very satisfied with this outcome. This makes me think that it might work even better with In-Body Image Stabilization cameras.

Fuji X-T3 . Tamron 17-70mm @ 70mm . f2.8 . 0.23″ . ISO 160 . Classic Chrome

Side by side

There are not many lenses in the market that meet the constant f2.8 zoom criteria. The closest is the red badge XF16-55mm f2.8 and the soon-to-arrive Sigma 18-50mm f2.8.

From what I see, each lens has obvious pros and cons. The biggest pro for Tamron is that it is equipped with an optical image stabiliser, has a longer reach and better price (compared to XF 16-55mm only, 799 USD versus 1999 USD & SGD 1262 versus SGD 1799).

Who is this for?

It can be used for almost every genre except for wildlife (probably). For photographers who just want to keep as few lenses as possible, this is one good lens to consider and I am sure it is also a good travel lens too.

Conclusion

As a general purpose lens, Tamron strikes a good balance in almost everything and does serve its purpose. It has a constant f2.8, decent image quality, decent MFD, considerably lightweight, weather sealing and it gives a reasonable price too. If these criteria meet your checklist for a new zoom lens, you can consider this to be your next arsenal.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
 are straight out of the camera while others are edited via In-Camera Raw Processing, Capture One and Photoshop.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

TTArtisan 50mm f0.95 – The Fastest Lens Again

TTArtisan 50mm f0.95

Before anything else, I would like to thank TTArtisan for sending this lens for my review. I appreciate their support to make this post a reality.

Intro

While I am still waiting for the TTArtisan first-ever autofocus lens available for X-mount, TTArtisan decided to surprise everyone with the first-ever f0.95 extreme fast lens.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2.8 . 1/80″ . ISO 800 . Classic Chrome
Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2.8 . 1/160″ . ISO 320 . Classic Chrome

I wrote about TTArtisan 50mm f1.2 a few months back and mentioned that it was the fastest lens back then. Not anymore. It has been replaced by another newcomer from the same family and now the f0.95 is the fastest lens ever built. But how does this lens perform and how is the photo usability wide open? Let’s find out.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f1.4 . 1/3200″ . ISO 160 . Classic Chrome

Design & Build Quality

First thing you will notice the design element of this lens is adapted from the TTArtisan 23mm f1.4 and the TTArtisan 40mm f2.8 with a little twist. Some do not like the look of it, and some like the design character of it. I am the latter. This zebra-like design helps itself to get distinguished from the rest.

The aperture click is as good as the rest of the TTArtisans lenses I have used before it. The same comfortable and gentle feedback when you change the aperture values. The manual focusing ring is too provides a smooth focusing experience.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2 . 1/80″ . ISO 1000 . Classic Chrome
Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2 . 1/2900″ . ISO 320 . Classic Chrome

A little disappointment here, this lens does not inherit one thing from the 23mm design and it is the lens cover design. Instead of using the cap-on lens cap, it goes back to the screw-in type. Though it is still a metal one.

At 411 grams, this is probably the heaviest manual lens that I have. This is kind of expected because of the large and heavy glass elements inside the lens. In comparison, XF56mm f1.2 weights 405 grams only. Having said that, the full metal constructed lens is very well built and dense. And I am pretty sure that someone will get injured if I throw it at him.

Image Quality

At a maximum aperture of f0.95, I have a problem nailing the shots because of how shallow the depth of field is. When the focus is a hit, this lens can give a kind of soft and glowing effect which gives us a kind of dreamy feel to the photos. The result is more obvious when shooting under strong light. However, the blur-off transition from in-focus to out of focus is pretty smooth.

Left: Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2 . 1/680″ . ISO 320 . Classic Chrome
Right: Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f0.95 . 1/2000″ . ISO 320 . Classic Chrome

In my testing period, I prefer to shoot at f2 and f2.8 as they give a good render of sharpness and contrast and they suit my own shooting preference. Of course, shooting at a lower aperture such as f5.6 gives better overall image quality which in return does not give a stronger depth of field.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2 . 1/80″ . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f1.4 . 1/13000″ . ISO 320 . Classic Chrome

Both chromatic aberration and vignetting are pretty obvious especially when you are shooting at wide open. I am expecting such behaviour but nevertheless, they can be fixed in post-processing.

Focusing

Focusing is manual. But what I want to share is the experience of rotating the focus ring. It is smooth but not loose. The focus throw is 180° which gives an ample amount of “distance” for more precise focusing. TTArtsian has been maintaining this experience for their photographers since the first lens and I think this is a good one.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2 . 1/1400″ . ISO 320 . Classic Chrome

Minimum Focus Distance (MFD)

The MFD is 50 cm and very similar to most of the lenses in this focal length. When I shoot wide open at this close, a more dreamy and softer shot as a result. In my opinion, this is even more drastic than any focus distance can achieve.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f0.95 . 1/200″ . ISO 320 . Classic Chrome

Price Point

At 218 USD, this lens is pretty close to one of their direct competitors. Is it considered expensive from your perspective? I reckon this is a reasonable price point for a manual, non-electric contact equipped extremely fast lens.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2 . 1/1700″ . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f2 . 1/420″ . ISO 320 . Classic Chrome

Who is this for?

This lens is not meant for everyone. Also, compared to other TTArtsian compact manual lenses, this lens is a heavy one. It might not be as enjoyable as the others in the long run. On this account, I think it’s targeted a very specific group of photographers who understand the pro and cons of owning this unique lens and knowing what they can achieve from this lens.

If you are a newcomer to the world of manual lenses, I will recommend you try out their other lenses and if you want this focal length, there is an alternative one such as TTArtisan 50mm f1.2.

Side note

This heavy lens does not balance well with any compact X-mount cameras such as X-E series and X-A series photographers. For this reason, I do not recommend any X-E and X-A series photographer to pair with this lens because it makes the overall camera balance lead forward and hence makes your wrist more tired and it is not going to be a fun shooting experience. I will suggest including a hand grip from any sources available if you want to pair it with the lens.

Conclusion

This is my first extreme fast lens and my first ever hands-on with it. The image quality is what I have expected from this lens. While the optic quality is a little disappointing as compared to the TTArtisan 23mm f1.4, I think I can still forgive it because it gives me the thrill of shooting at an ultra-fast aperture experience.

As I mentioned earlier, I prefer the image results from f2 and f2.8, which makes me think if I ever need this lens in my arsenal. I can’t give you the right answer right now but I think it is always good to have one because you never know when you will need it someday.

Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f5.6 . 1/400″ . ISO 320 . Classic Chrome
Fuji X-T3 . TTArtisan 50mm f0.95 @ 50mm . f4 . 1/850″ . ISO 320 . Classic Chrome

Last by not least…

Dear TTArtisan, if you are reading this post, please give us the 32mm f2.8 autofocus lens!

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots 
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Voigtländer Nokton 35mm f1.2 – Hello To The Premium Manual Lens

Thanks to my friend Ivan Wong for giving me the opportunity to play with his latest lens, the Voigtländer Nokton 35mm f1.2, for a week. Unfortunately due to my unforeseen workload, I only get to try this lens for 4 days before I have to return the lens to him. So this is a pretty short hands-on experience compared to the usual one.

Voigtländer Nokton 35mm f1.2
Voigtländer Nokton 35mm f1.2
Voigtländer Nokton 35mm f1.2

Voigtländer has been a long time manufacturer in the market, they have been manufacturing beautifully crafted lenses for M mount, E mount, Z-mount and m43 mount. Now they have extended their portfolio to craft lenses for the X-mount. Their first lens in the X-mount portfolio is nothing but one of the popular focal lengths among the photographers, 35mm (50mm in full frame equivalent).

Design & Build Quality

We do see some manufacturers having the same lens design but different mount. However, Voigtländer completely designs a new lens design for Fujifilm X-mount. Some might say it’s a pity that it does not have similar design elements like other Voigtländer lenses or missing out on the design language that Voigtländer has. Personally, I think it is okay. After all, the design is still beautifully designed.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/200″ . ISO 320 . Classic Negative

This 196 grams lens has a solid metal constructed body and I can actually feel how dense the weight of this lens is when I hold it in my hand for the first time. The aperture ring clicks give me very satisfying feedback and the manual ring rotates smoothly with a bit of friction without much force needed.

It comes with a pretty small 46mm filter size and comes with a metal screw-in hood. But I believe that, for a reason, the photographers who purchase this lens do not wish to put on the lens hood.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f4 . 1/850″ . ISO 320 . Classic Negative

By the way, in case you wonder, the lens is not weather resistant.

Focusing

Well, unfortunately, the speed of focusing depends on the accuracy of your eyes and the speed of your fingers. Because it’s manual focusing.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/160″ . ISO 400 . Classic Negative

Image Quality

At wide open, this lens gives you a kind of glowing and soft look where the blur falls off quite beautifully and is comfy to my eyes. It also provides a characteristic flare if you face the sun or strong light directly. Unfortunately, I fails to create one that is as beautiful as I saw on the web.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/680″ . ISO 160 . Classic Negative

If you want to have a decent sharpness in the image, I recommend shooting from f2 onwards. The results are pretty good and usable at f2. Besides sharpness, contrast is decent too.

I have a high expectation (later on this) with this lens when it comes to chromatic aberration and vignetting. Luckily, I am not disappointed. They are very well controlled as I did not observe them from my shots.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/160″ . ISO 1250 . Classic Negative

Minimum Focus Distance (MFD) 

This lens comes with a 30 cm MFD which is the same as the XF33mm f1.4 and Sigma 30mm f1.4. At this distance, you can get stronger glowing and softer results. Not forgetting that the depth of field is very shallow when you shoot wide open.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f1.2 . 1/680″ . ISO 320 . Classic Negative

Price Point

I mentioned about me having high expectations about this lens. Allow me tell you why. According to the official suggested retail price, it costs USD 649. It is rather expensive for a manual lens. For reference, XF33mm is selling at USD 799 and Sigma 30mm f1.4 is at USD 339. If you want to justify the high price, what I can think of is the brand itself, fast aperture, compact, made in Japan and unlike other manual lens manufacturers, it does equip with electronic contact. I think it should suffice to justify, I guess?

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/160″ . ISO 1600 . Classic Negative

Who is this for?

If you are a photographer who wishes to gain some experience with pure manual lenses and you do not mind not knowing your aperture setting, there are many other manual lenses for your consideration. The price between Voigtländer and other manufacturers is a huge gap. From a money perspective, I personally do not recommend you to buy this lens unless you know what you are doing.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/240″ . ISO 320 . Classic Negative

Assuming you want to buy this lens, but you have no idea what genres is it suitable for. I think you do not need to worry about this. Because this focal length is very versatile and it covers generally most genres such as documentary, journalism, street and portrait.

Conclusion

Thanks to the electronic contact, this lens gives me a very good manual lens experience. It allows me to know what is my aperture setting like the other autofocus lenses. But the price of this lens position itself clearly from the rest of the manual lens manufacturers. The image quality is indeed better than the other manual lens manufacturers but the result isn’t too far off by a mile.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2 . 1/160″ . ISO 800 . Classic Negative

Having said that, I am still glad that Voigtländer is joining the Fujifilm community and not forgetting that the 23mm f1.2 is launching soon. All in all, I hope to see more lenses from them and benefit the photographers.

Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f2.8 . 1/160″ . ISO 1000 . Classic Negative
Fuji X-E4 . Voigtländer Nokton 35mm f1.2 @ 35mm . f1.6 . 1/160″ . ISO 1600 . Classic Negative

Thank you for reading.

Disclaimer:
1. The lens is from a friend of mine and I have returned it to him by the time this article is available online.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing
.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. All the shots taken here are shot by me. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Sigma 56mm f1.4 – The Most Compact Portrait Lens

Before I start with this experience sharing post, I would like to thank and appreciate Mr Lawson from Sigma Marketing (Singapore) for providing me with the loan of Sigma 56mm f1.4 Contemporary DC DN.

Sigma 56mm f1.4 Contemporary DC DN
Sigma 56mm f1.4 Contemporary DC DN

Intro

Fujifilm has never lacked of lens choices for portrait shooters to choose from. And there are even massive options available from the 3rd party manual lens manufacturers but not so much for autofocus lenses. I think this is the right time for Sigma to jump into the Fuji X-mount bandwagon with its trio lenses, especially the 56mm f1.4.

Sigma 56mm f1.4 Contemporary DC DN
Sigma 56mm f1.4 Contemporary DC DN with 2 XF 27mm f2.8 WR

56mm (85mm in 35mm format equivalent) is one of the popular focal lengths among portrait lovers. That’s because the mid-tele focal length gives good compression and shallow depth of field. But before going down further. I have to confess that I do not own the XF 56mm f1.2 or any 3rd party autofocus lenses of the same focal length. Hence, I am unable to make a good comparison between them. But what I can do is share my experience using this lens with the readers and hope the readers will have a good perspective of this lens.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f4 . 1/80″ . ISO 400. Classic Chrome

I have reviewed the Sigma 16mm f1.4 and Sigma 30mm f1.4 and now the Sigma 56mm f1.4 Contemporary DC DN is on the table. This is the last piece of the trio prime lenses and let’s see how good the lens performance is.

Design & Build Quality

The lens built shared the same design elements as its brothers, giving us a low key minimalistic look. I get more enjoyment with the looks, especially the black labelled wordings on it. Similarly, this lens is also made of “Thermally Stable Composite” (TSC) polycarbonate material. Overall, it provides a very well-built lens body that is easy and lightweight to hold. Something to note, the lens does attract some fingerprints on the glossy material. Although it can be easily wiped off with a piece of cloth, it can be a little annoying and hard not to notice it.

In my opinion, when I talked about the compact lens, a reasonably small filter thread size and weight are part of the elements. This lens comes with a 55mm filter thread and weighs only 280 grams. So I think this lens qualifies as a compact lens.

Likewise, this lens is also equipped with dust and splash resistant sealing that helps to protect the lens from certain weather/environmental conditions. Last but not least, it does not come with an aperture ring either.

Image Quality

According to Sigma Marketing, each and every part of this lens was designed in 2018 (except the mount). Fast forward to 2022, how does the optical quality perform in real-world situations? If you read about how well the Sigma 30mm performed, then you can conceivably conclude that this is as good as that piece of glass or possibly even better. At wide open, the sharpness, details and contrast produced by this lens are comfortably good for my liking.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/4000″ . ISO 320 . Classic Chrome

I do observe some mild vignetting when I shoot at f1.4 but I think that is acceptable. If vignetting is a problem, you can either stop down to lower aperture or remove it via post-processing. As for the chromatic aberration, I do not think I observe any or I barely notice it during my tests. I think Sigma engineers are really doing a great job in this department.

For the sunny star result, the shot taken at f8 produces a softer and less rounded result. Contrastingly, the result looks sharper at f16 and more pronounced than that of f8.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/17,000″ . ISO 320 . Classic Chrome

For a portrait lens, what a photographer wants from a portrait lens is bokeh. Who doesn’t love beautiful bokeh? This lens probably does not produce the best bokeh but rather a pretty decent and comfortable to the eyes. Although the bokeh ball is lemon-shaped like at wide open, it does not distract me from looking at the main subject.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f8 . 1/125″ . ISO 160 . Post-edited

Focusing

Thanks to the stepping motor, the focusing experience is a great one. It is silent, fast and *accurate. I cannot hear a single motor sound produced by the stepping motor while I am focusing. Apparently, my shutter is louder.

Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/11,000″ . ISO 400 . Classic Chrome

Unlike its brothers, this lens does not inherit the focusing accuracy issue. On the flip side, I do encounter some rare auto-focus hunting at times. It does not matter whether I used it during the day or night, indoor or outdoor. While I tried to replicate the focus hunting issue right from the moment I experienced it, I failed. The lens somehow just does not has this hurdle anymore.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/1800″ . ISO 320 . Classic Chrome
Fuji X-E3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/5000″ . ISO 400 . Classic Chrome

But do not worry about it. As I understand from Sigma Marketing, their team is constantly updating their lenses to improve the focus quality and accuracy.

Minimum Focus Distance (MFD)

This lens’ MFD is at 50cm. For a glimpse comparison, XF56mm f1.2 is 70cm, XF50mm f2 is 39cm and the XF50mm f1 is also 70cm.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/125″ . ISO 160 . Classic Chrome
Fuji X-E3 . Sigma 56mm f1.4 @ 56mm . f1.4 . 1/10,000″ . ISO 200 . Classic Chrome

While it is not as close as the XF50mm f2, it is definitely better than the other 2 Fuji lenses have to offer. Does MFD matter? In my case, the answer is yes. It allows me to have a shallower depth of field between the subject and the background.

Certain lenses have some level of softness when you shoot at wide-open and at MFD. Fortunately, this lens is otherwise, it is surprisingly sharp & usable. I actually like how it renders and it does not have very harsh bokeh results.

Price Point

Okay, this is “straightforward” and also “challenging” at the same time.

Let’s talk about “straightforward” first, if you are on a budget and compare it with the XF50mm f2 (*SRP SGD749, USD449). I think the Sigma 56mm (SRP SGD688, USD479) is pretty worth it. Hear me out. While you sacrifice the weather resistance that Fuji 50mm f2 offers, you have one full stop of light at your disposal. It is always an advantage when you have that extra stop of light, it will come in handy when you need it. More light is a higher priority in my case.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f8 . 1/300″ . ISO 320 . Classic Chrome

Here comes the challenging part, Sigma is actually priced right between another 2 third party manufacturers, Viltrox and Tokina. I believe you know which one costs higher and which one is more pocket friendly. I cannot speak on behalf of these 2 manufacturers about their portrait lenses because I did not try them out before. What I searched online is that they shared some similarities (with a little 10% difference) like weight, filter size and MFD. I think it is best for you to visit your local stores to have some hands-on experience with these 3 lenses.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/680″ . ISO 320 . Post-edited

*SRP – Suggested Retail Price

Conclusion

This is a decent portrait lens for its price and compactness. In these few weeks of hands-on, I enjoy shooting with this lens a lot. I mean, I actually used it for street photography and cityscape besides shooting portraits. It gives me a new perspective and sees things differently from my usual 23mm and 35mm focal length.

The optical quality does not tell this lens is actually designed in 2018 and the results are truly usable and sharp and contrast at wide open. In short, Sigma delivers great results in its “Contemporary” series. I am actually excited and looking forward to that one day when Sigma updates its “Contemporary” lenses and distinguishes itself among the third party manufacturers.

Who is this for?

For photographers who are just picking up and want a portrait lens with a modest budget, this might be a wise choice for you. This lens gives you an extra stop of light as compared to XF50mm f2 and is more economical than XF56mm f1.2. It really strikes a good balance in terms of price and performance while minimising the compromise that it has.

Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/125″ . ISO 320 . post-edited
Fuji X-T3 . Sigma 56 mm f1.4 @ 56mm . f1.4 . 1/220″ . ISO 320 . Post-edited

For street photographers who love to shoot at a distance away from the subject, this is also a good choice but, of course, it does not have as much flexibility as the Sigma 30mm has.

Thank you for reading.

Disclaimer:
1. The lens is a loan unit from Mr. Lawson from Sigma Marketing (Singapore). By the time this review was online, the lens had returned back to Sigma Marketing (Singapore).

2. The lens firmware that I am using is version 1.00.
3. Some of the shots are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic & Capture One.

4. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
5. All the shots taken here are shot by me. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

http://www.instagram.com/alwinkok_

http://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.