Reviews

X-PRO 1 – Can I still use it in 2022?

Since we are just a few months away from the year 2022, please allow me to jump into 2022 instead of 2021. First thing first, yes, you can still use it to shoot. A camera is a camera, it is still capable of doing what it is designed to do. What I cannot answer is whether it is still viable in the year 2022. I do not own the X-Pro1 but I managed to borrow it from a friend for about a month to have a total hands-on experience with this classic rangefinder every day. Why am I using X-Pro1? That’s because I come across friends asking me these questions many times:

Fuji X-Pro 1 . XF35mm F1.4

“I am on a budget and I am interested to start to learn photography, do you think X-Pro1 is worth getting it?”; or “Is X-Pro1 a usable camera as a second camera system?”.

Fuji X-Pro 1 . XF35mm F1.4

Unfortunately, I cannot share my opinion with my friends because I do not have one. Hence, I always recommend my friends to rent it from a camera rental store or borrow it from someone who has it for at least a week. And in this one week, he/she has to try to bring it with him/her and do some shoots every day. So that he/she can see what does this camera lacking for his/her shooting preferences.

But now, it is a whole new different story for me.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/850” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f4 . 1/1250” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 18mm F1.4 @18mm . f11 . 1/1800” . ISO 800 . Post-edited

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots 
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

A little of my Fuji history

My first interchangeable mirrorless camera was the X-T2 and then now X-T3 and X-E3. I have never held an X-Pro1 and shoot the outside world with it. That is why I am lacking experience with the first mirrorless camera from Fujifilm. How is the experience using it in the outside world? I was always told that the first generation was slow and sometimes the focusing can let one person frustrated, and the list goes on. I think this is a good opportunity for me to experience the good and the bad about this classic guy.

Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @206.5mm . f5 . 1/125” . ISO 640 . Post-edited
Fuji X-Pro1 . TTArtisan 17mm F1.4 @17mm . f8 . 1/2900” . ISO 800 . Post-edited
Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @70mm . f4 . 1/125” . ISO 800 . Post-edited

Before I start to share, I believe everyone is familiar with the X-Pro1. Thus, other than my experience, I will not share the technical specification.

Build Quality

When I hold this camera, the grip, the touch, and the weight of this camera give me a premium touch. I cannot believe this camera was made 10 years ago and the craftsmanship of this camera still looks amazing today. The dials and buttons feedbacks are great. I know some people do not like the ergonomic of the rangefinder-style camera but I quite like the ergonomic with it. Looking through the optical viewfinder is a joyful experience. It reminds me of the DSLR days but this experience is way better.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 500 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 640 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f4 . 1/1250” . ISO 1250 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f16 . 1/125” . ISO 1600 . Pro Neg Hi

Shooting Experience …

For the shooting experience, I think it is good to split into 3 segments, the first is with the first generation Fuji lens and the second is with the Fuji newer generation lenses.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2.8 . 1/1900” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/850” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/90” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/450” . ISO 800 . Pro Neg Hi

i) With Classic Lens

I have one and only one classic lens and that is XF35mm F1.4. It is one of my most favourite lenses in my whole entire Fujifilm line-up. Needless to say, the combination of both XF35mm F1.4 and the X-Pro 1 is incredibly beautiful and it seems that they are a match made in heaven. From the moment I start to focus on an object, I finally know what do people meant by slow. The focusing really takes a longer time than the current newer Fuji cameras to lock onto the subject. There is some focus hunting. Sometimes I even encounter this during broad daylight, not to mention how bad it can be under challenging light conditions. Despite the worse, I still can bear with it and get the shot I want. Patience is the key.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/125” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/125” . ISO 1000 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/1000” . ISO 400 . Pro Neg Hi

ii) With Newer Lenses

I have tried with a few newer generation lenses such as XF18mm F1.4, XF23mm F2, XF27mm F2.8 WR, and XF70-300mm F4-5.6. To my surprise, they do not give the same slow focus experience like the XF35mm F1.4 does. But rather, in my opinion, they do give a faster focusing lock and less focus hunting.

Image Quality

I have nothing to gripe about when comes to image quality. Coming out from the X-Trans first-generation CMOS sensor, the result is really impressive. From 100% viewing with the Lightroom Classic, the details are well preserved. Another surprise for me is that the dynamic range is decent too, it is capable of recovering quite an amount of details with the post-processing.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/280” . ISO 800 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/55” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 800 . Pro Neg Hi

The Drawbacks:

I have a few drawbacks to share but these are based on my own preference and it may not be a drawback for you in your preference.

i) Front Command Dial

What I miss the most is the Front Command Dial and X-Pro 1 do not come with it. I usually use it for changing my exposure compensation and scroll through photos, etc, which I had gotten used to with the newer camera bodies.

Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f8 . 1/320” . ISO 200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/20” . ISO 3200 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/125” . ISO 1600 . Pro Neg Hi
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2.8 . 1/125” . ISO 320 . Pro Neg Hi

ii) Exposure Compensation Dial

In order to use the Front Command Dial, I set this exposure compensation dial to Custom (C). Unfortunately, this camera does not have the C in the dial.

iii) Using Fuji Remote App

Yes. This app gives me minor problems such as unstable network connectivity and file transfer connectivity. But it still comes in handy when I wish to transfer photos from camera to mobile phone and doing shooting via remote control. Since this camera does not come with Wi-Fi or Bluetooth module, that also means I need to go through the old-school way of file transferring.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1600” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/900” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/480” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @300mm . f5.6 . 1/3200” . ISO 200 . Post-edited

iv) Focus Peaking

I test the focus peaking with TTArtisan 17mm F1.4 and the result is awesome. There is no complaint about the image quality. The problem that I have is that I am too relying on the “Red” or “Blue” as my focus peaking highlight whereas X-Pro1 only comes with “High” and “Low” options. While it is not something that is not difficult to use, it is just personal preference.

v) The Menu System

The menu system from this rangefinder is not difficult to use, however, the current menu system is way better. I did use the old menu system before with my X10 but I am so used to the current menu that I feel a bit lost to use the old one. Again, this is about adaptability.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/3200” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 35mm F1.4 @35mm . f2 . 1/125” . ISO 2500 . Pro Neg Hi
Fuji X-Pro1 . Fuji 23mm F2 @23mm . f2 . 1/320” . ISO 640 . Pro Neg Hi

vi) The Little Focus Stick

Some people hate it, some people love it and I belong to the latter. In fact, I use it more often than the 4 directional buttons, also known as selector buttons. Whenever I try to navigate the menu system, my thumb will unknowingly move to where the focus stick position is. Then I only realize that this camera does not equip with it when I try to push the “stick”.

vii) The In-Camera Raw Processing

The newer lineup of Fujifilm cameras comes with a good suite of film simulations and basic editing tools to do some simple post-processing or fine-tune your photos, so you can share them with your family and friends immediately.

I love to use this function, especially when I can make some fine adjustments inside the camera during commuting or between breaks. However, the raw processor included in this first generation is rather slow. But if you want to do some simple post-processing in the camera, you can still do it.

Fuji X-Pro1 . Fuji 70-300mm F4-5.6 @87.5mm . f5.6 . 1/800” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1100” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 18mm F1.4 @18mm . f5.6 . 1/2400” . ISO 200 . Post-edited

Conclusion

It is a good camera with minor drawbacks. 16 megapixels (mp) is certainly enough for the magazine size print and more than enough for your social media sharing. I am totally fine with 16mp as I hardly crop my photos by a lot. So should I get one? Probably not the X-Pro 1. Don’t get me wrong. This camera is still capable of shooting amazing shots. Having said that, I might consider getting a used X-Pro2 instead of X-Pro 1. That is because X-Pro 2 at least eliminates my drawbacks. (Sorry for the disappointment.)

To answer both questions stated in my second paragraph. If you do not mind the drawbacks that I have mentioned, you can get one for your photography learning adventure or for a second camera system. I always prioritize great quality lenses first over the camera body. Hence, pick up one or two good primes lenses (or zoom lens if you prefer) together with this camera.

In My Own Words

The evolution of the technology in the camera industry has been improving from time to time. I always think of the longevity of the camera technologies one can optimize with. When I am purchasing a camera, I will weigh the cost and the longevity for myself. As this X-Pro1 is hitting its 10 years mark in 2022, this also means the technology inside its gut is 10 years old too. I’m not saying this camera cannot be used. But what I am suggesting is that if one person is to invest in a camera system, probably can consider cameras that launch in recent years. At least you can stop “chasing” after a newer camera when you get the more recent one. If brand new is not an option, you can also consider getting the pre-owned newer camera models at a better and affordable price point.

Thank you for reading.

If you need helps, you may direct message me in either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Fuji X-Pro 1 . Fuji X100V

street

The First Photowalk Since CB Phase 2 (HA)

Circuit Breaker Phase 2 (Heightened Alert) started on 16 May 2021 and lasted for a month. As we are now moving into Phase 2 of re-opening, we started out with a small group of gangs for a small photowalk in the morning at the Kebun Baru Birdsinging club and the neighbourhood around it.

I also take this opportunity to play with my XF27mm WR lens, XF 70-300mm with an X-Pro3. I have to thanks my neighbor (Mr. Ivan Loh) for lending me this wonderful and sexy camera body.

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/280” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/300” . ISO 160 . Classic Negative

A new friend who is using Olympus at the moment. Planning to jump over to Fujifilm.

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/2400” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @240mm . f5.6 . 1/200” . ISO 1250 . Classic Negative
Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @300mm . f5.6 . 1/200” . ISO 640 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative

Manage to have 2 starbursts. Can you see it?

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f8 . 1/640” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/420” . ISO 160 . Classic Negative

The usual you shoot him, I shoot you shot.

Fuji X-Pro 3 . Fuji 70-300mm F4 R LM OIS WR @278mm . f5.6 . 1/200” . ISO 320 . Classic Negative

Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/350” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5 . 1/1400” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5.6 . 1/200” . ISO 160 . Classic Negative
Fuji X-Pro 3 . Fuji 27mm F2.8 R WR @27mm . f5.6 . 1/1700” . ISO 160 . Classic Negative

Thank you for viewing.

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Discussion

The Art of Balancing Bokeh

Bokeh is derived from a Japanese word “ぼけ” (Boke). In case someone don’t know, it is referring to the out-of-focus blur background/foreground created. It is often used to separate unwanted thing from the subject you wish to present in your photos. Japanese photographers also often use “Tama bokeh” means round/ball bubbly bokeh and “Mae bokeh” means bokeh that is in front of the image.

Fuji X-E4 . Fuji XF70-300mm F4-5.6 R LM OIS WR @300mm . f6.4 . 1/500” . ISO 320 . Classic Chrome
Fuji X-E3 . Fuji XF35mm F1.4 R @35mm . f2 . 1/80” . ISO 2000 . Edited in post

Side note:
In 2021, camera sensor in the smartphone is not as big as what digital camera sensor has (or at least the size of M43 or APS-C). Hence, smartphone manufacturers use computational imaging and Artificial Intelligence (AI) to create or mimic bokeh result and sometime we get to see weird results from the shots. There is still a huge step for the manufacturers to achieve the results from the bigger camera sensor but that future should be very near. I believe we will get to see amazing piece of tech in the next decade. And implementing 1 inch sensor in the flagship smartphones in the beginning of this era. I am eager to see a M43 or APS-C size sensor to be equipped in the smartphones somedays.

Side note 2:
Over here, this is just a discussion over bokeh and there is no involvement in specific brands and lenses. The photos show here is for illustration purpose.

Fuji X-T3 . Fuji XF35mm F1.4 R @35mm . f2 . 1/80” . ISO 3200 . Classic Chrome

Back to the story. Recently, I have a discussion with photographers of mainly enthusiastic hobbyists and commercial professionals about the art of bokeh. It is a nice session and bring up lots of perspectives and opinions among the rest. Below are my views of the art of bokeh.

Fuji X-T2 . Fuji XF18-55mm F2.4-4 R LM OIS @48.2mm . f4 . 1/8000” . ISO 200 . Classic Chrome
Fuji X-E4 . Fuji XF70-300mm F4-5.6 R LM OIS WR @300mm . f5.6 . 1/110” . ISO 320 . Classic Chrome

In my opinion, the objective of the bokeh is to allow the main subject being separated background/foreground and get notice by the viewers immediately (otherwise, some creative shots taking advantage of the bokeh). However, if the bokeh steals the limelight or distracts the viewer from the main subject (if that is intentional), i think this is consider failing its objective. So balancing the art of bokeh and the subject is important. The best is having the smooth transition of sharp subject to blurring background with a nice fade off / melting effect. With this, I believe our eyes are more comfortable and stay more focus on the right subject.

Fuji X-T3 . Fuji XF35mm F1.4 R @35mm . f4.5 . 1/80” . ISO 640 . Classic Chrome
Fuji X-E4 . Fuji XF50mm F1 R WR @50mm . f1 . 1/400” . ISO 160 . Classic Chrome

Having a large aperture lens and setting it to the largest aperture (f stop) value does not mean you are going to have a smooth decent sharp subject & bokeh relationship. It might results in busy or nervous bokeh causing distraction. In some situations, stopping down the f stop a little might helps to improve the overall photo result. Other elements such as the number of blades, the optical glass elements configuration and the distance from the subject and background also play a role in achieving the balance. Not forgetting that available light source is one of the more important elements to consider too.

Fuji X-E3 . Fuji XF55-200mm F3.5-4.8 R LM OIS @200mm . f5.6 . 1/1100” . ISO 200 . Classic Chrome

So what I think is we need to understand how the lens can achieve the balance between the bokeh and the subject and we definitely need to experience the lens more by shooting more with it. I do believe there is no horrible lens in today’s technology, every lens can also achieve the balance within its own capability.

Fuji X-T3 . Fuji XF50mm F1 R WR @50mm . f1 . 1/1400” . ISO 160 . Edited in post.
Fuji X-T3 . Fuji XF50mm F1 R WR @50mm . f1 . 1/550” . ISO 160 . Edited in post.

As of today, I am still learning to find the balance. There is no right or wrong answer to the art of bokeh. It is just individual preference and taste. And I guess this is where I find interesting in photography.

Fuji X-E4 . Fuji XF70-300mm F4-5.6 R LM OIS WR @300mm . f5.6 . 1/10” . ISO 3200 . Classic Chrome

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Thank you for reading.

Reviews

A honest A7C hands-on experience review from a Fuji fanboy

First of all, I would like to thank Sony Singapore for providing the loan for Sony A7C, Sony FE 24-70mm F2.8 GM and Sony FE 85mm F1.8. The units were loaned and had returned back to them. All the shots shown here are taken by me and some shots were edited with minor adjustments with Lightroom Classic.

In this review, I will discuss less about the specifications and the hardware of this camera. What I will going to share is more towards my experience of using the Sony A7C. Before I start my review, I have to let everyone knows that I actually have a day with the Sony FE 24-105mm F4 OSS. That’s because the staff has prepare the wrong lens for me and they are responsive and replace it with the 24-70mm the following day. Let’s begins…

Sony A7C with articulating screen
Sony A7C – back
Sony FE 85mm F1.8 . Sony A7C . Sony FE 24-70mm F2.8 GM

Design

When I first unbox it, I am really surprise how compact and small is this rangefinder style camera is. It comes with a large and comfortable enough hand grip for me to hold onto the camera body. I quickly make a physical comparison with my Fujifilm X-E3. And wow! The Sony A7C is almost the same size as the Fujifilm X-E3 and yet it pack with a Full Frame sensor and an IBIS. I am impressed by how amazing Sony has put up lot of effort in designing this camera. For easy reference, I have create a reference table below.

Sony A7C124 x 71 x 60 mm (4.88 x 2.8 x 2.36″)
Fujifilm X-E3121 x 74 x 43 mm (4.78 x 2.91 x 1.68″)
Sony A7C . FE 24-105mm F4 F OSS @105mm . f/8 . 1/4000” . ISO 100
Sony A7C . FE 24-105mm F4 F OSS @105mm . f/8 . 1/400” . ISO 100
Sony A7C . FE 24-105mm F4 F OSS @105mm . f/4 . 1/500” . ISO 100
Sony A7C . FE 24-105mm F4 F OSS @48mm . f/4 . 1/320” . ISO 100

It comes with a fully articulating screen. Because of the way how I photograph my subject, this is not my prefer screen. When I do low angle shoots with the screen flip out and adjusted to the low angle viewing mode, I seems to have some parallax error and the shots turn out to be not the way it intended to be.

But having say that, this articulating screen is probably the best way to benefits many people and their needs.

Built

This little compact camera has a magnesium alloy body and it feels great to hold on my hand. Some people commented that the silver finish make it looks plasticky and less premium. But I feel that its look is clean and sleek and it also doesn’t seems to spell cheap built quality too. The weight at 509 grams is feel just right too. I still feel the weight but not too heavy until it soar my wrist.  

Sony A7C . FE 24-70mm F2.8 GM @70mm . f/5 . 1/640” . ISO 100
Sony A7C . FE 24-70mm F2.8 GM @70mm . f/8 . 1/80” . ISO 160
Sony A7C . FE 24-70mm F2.8 GM @70mm . f/5 . 1/2000” . ISO 100

Performance

Awesome, crisp and full of details are what best describe about the image quality. Despite being complain by many photographers about using the old sensor, the quality is not being compromise. The AF speed is pretty decent and fast. The eye-AF focusing is fantastic and literally lock to the subject very well. Noise at high ISO is well-controlled and clean. Basically, I think there is nothing much to complain about. Sony know this sensor still can perform well and very usable in the years to come. It also make sense by cutting down the cost to make it becoming one of the most appealing and cheapest full frame camera in the market.

I am surprise that the 5 stops IBIS performs reasonably well too. It helps to stabilize my shots well especially at night.    

Sony A7C . FE 24-70mm F2.8 GM @35mm . f/2.8 . 1/40” . ISO 800
Sony A7C . FE 85mm F1.8 @85mm . f/2 . 1/100” . ISO 250
Sony A7C . FE 24-70mm F2.8 GM @35mm . f/2.8 . 1/40” . ISO 2500
Sony A7C . FE 24-70mm F2.8 GM @52mm . f/2.8 . 1/10” . ISO 1600

Battery

The NP-FZ100 battery is stunning good. I manage to run through a full day with just one battery (approximate close to 1000 shots). Anyway I only receive one battery for the testing. If you are using it for travel and you get to charge it on a daily basis, then one battery is actually sufficient. But for a person like me who prefer to have redundancy or backup, two is the minimum.

Sony A7C . FE 24-70mm F2.8 GM @52mm . f/2.8 . 1/10” . ISO 1600
Sony A7C . FE 85mm F1.8 @85mm . f/2 . 1/100” . ISO 2000
Sony A7C . FE 85mm F1.8 GM @85mm . f/2 . 1/50” . ISO 3200

Best lenses to work with

Small lenses, such as compact prime lenses, are definitely the best options to pair with this camera. Throughout the course of using this camera for 2 weeks, I realize I do not like to use it with the 24-70mm F2.8 GM and I think that 24-105mm F4 lens is the “biggest” lens that you can pair with and still comfortable to hold.

Sony A7C . FE 85mm F1.8 GM @85mm . f/2.8 . 1/200” . ISO 100
Sony A7C . FE 24-70mm F2.8 GM @69mm . f/2.8 . 1/80” . ISO 250
Sony A7C . FE 85mm F1.8 GM @85mm . f/16 . 1/160” . ISO 100
Sony A7C . FE 24-70mm F2.8 GM @70mm . f/2.8 . 1/80” . ISO 320

Feedback

The first thing I have to say is that I have a big hand. And basically I only need 3 fingers to hold camera, leaving my little finger dangling. I think an additional grip for my little finger to rest upon is sufficient. I hope Sony will include an additional base in the package for the next generation of A7C.

The second thing I hope the second generation of A7C will have a bigger EVF. It is a pain for me to view a small screen. I know the target audiences are basically vloggers but having a bigger EVF shouldn’t do much harm.

The third is the AF joystick. I hope Sony will implement the joystick as I believe many photographers would love to have it as it helps to improve the flow of selecting the AF points.

Sony A7C . FE 85mm F1.8 @85mm . f/2.8 . 1/160” . ISO 100
Sony A7C . FE 85mm F1.8 @85mm . f/5 . 1/500” . ISO 100
Sony A7C . FE 24-70mm F2.8 GM @24mm . f/16 . 1/80” . ISO 100

Who is this for?

Beside vloggers and travelers. With this competitive pricing and compact body size, it is attractive for people who want to start to use a full frame camera but do not wish to burn a hole in the pocket. Having said that, provided that the buyer is not planning to invest in bigger and pricier lenses in the near future.

Having said that, the suggested price of this A7C is even cheaper than the flagship X-T4. If you are a photographer who has this budget and wants to upgrade from a DSLR era, will you get a A7C or the X-T4? Looking at the starting price can be deceive as oftentimes consumers forget to include the lenses and accessories they intend to invest in. So before investing into a system, consider all the factors and most importantly, it makes you want to bring it out and shoot with it.  

Sony A7C . FE 85mm F1.8 @85mm . f/7.1 . 1/160” . ISO 100
Sony A7C . FE 85mm F1.8 @85mm . f/7.1 . 1/160” . ISO 100
Sony A7C . FE 24-70mm F2.8 GM @70mm . f/8 . 1/4000” . ISO 100
Sony A7C . FE 24-70mm F2.8 GM @24mm . f/2.8 . 1/160” . ISO 3200

Conclusion from a Fuji Fanboy

Overall, it is a great camera with awesome eye-AF capabilities. I have to highlight again the size of this camera also spells that it work comfortably with small lenses. The old menu system does need to spend some time to learn and familiar with it. But of course, you can customize the menu for your needs. The SD slot is allocated to another side of the camera, which is unusual but might be a good move to position the card away from the battery slot area.

With its IBIS in such a small compact size camera, I am looking for a day when Fujifilm will implement the IBIS in their future X-E series (the newly launch X-E4 is not an IBIS camera). I can see there is a healthy competition and it’s not about full frame versus APS-C but how technology can improve our photography experience further in the future.     

Sony A7C . FE 24-70mm F2.8 GM @70mm . f/2.8 . 1/160” . ISO 500
Sony A7C . FE 85mm F1.8 @85mm . f/2.8 . 1/250” . ISO 1600
Sony A7C . FE 85mm F1.8 @85mm . f/2.8 . 1/250” . ISO 2000

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.