Reviews

Fujifilm X100VI – A subtle Upgrade. A Big Improvement

It’s been four years since I’ve had my X100V in hand. Specifically, I first picked up this gem on 27 February 2020, and time has truly flown by. While this camera has been a faithful companion, my fully occupied full-time work and remaining time spent testing out other lenses has given me little time to devote to it. However, whenever I do get the chance, I ensure that the moments spent with it are of the highest quality.

Fujifilm X100VI

Intro

The X100V successor was announced on the 20 February 2024 X-summit Tokyo. But before the announcement, Fujifilm had already teased us with 2 teasers. So it is not much of a surprise and those who know already expected what camera is coming up for the announcement. So what remains unknown are the guts of the camera.

Fujifilm X100VI
Fujifilm X100VI

Design and Build Quality

The build quality is premium, which has always been the case since the X100 era. You can tell by holding the camera and feeling how nicely the camera is engineered and crafted.

Fuji X100VI . 23mm f2 @ 23mm . f5.6 . 1/900″ . ISO 250 . Reala Ace

As for design, it is pretty much the same as its predecessor, X100V, which is also very similar to each iteration.

This is exactly what Masazumi Imai San intention is. He wants other people to identify the camera as an “X100” camera but cannot tell which generation this X100 camera is from as far as 3 meters away.

Fuji X100VI . 23mm f2 @ 23mm . f2 . 1/5800″ . ISO 250 . Reala Ace

On paper, the X100VI is actually 2mm thicker than its predecessor. Because it is now 2mm thicker, he also designed the handgrip to be 0.5 mm deeper than the X100V, which he deemed that this is the best comfort grip for this 521 grams gear.

The first is the noticeable color change for the viewfinder selector. It has changed from red to silver/black color that goes according to the silver/black or of the camera.

Fuji X100VI . 23mm f2 @ 23mm . f2 . 1/80″ . ISO 320 . Reala Ace

From the back, the “drive/delete” button has shifted more closer for easier reachability for the right thumb. I do not have problem reaching the button back then but Fujifilm might have considered photographers who have smaller hands.

Lastly is the tripod mount. It has shifted away from the center and a few millimeters towards the edge of the front camera.

Handling & The Shutter

The handling of the camera is identical to the X100V, it is great in my opinion. Unfortunately (or fortunately to some?), I did not feel any different from the deeper 0.5mm handgrip. For photographers who prefer a deeper grip will have to purchase an additional hand grip.

Fuji X100VI . 23mm f2 @ 23mm . f5.6 . 1/280″ . ISO 125 . Reala Ace

Speaking of leaf shutter, it still stay with the camera and it is part of the X100 tradition.

Sensor and Processor

X-Trans CMOS sensor 5 HR and the X-Processor 5 are the core of the X100VI. If you follow Fujifilm, this is the third camera using this setup (according to the announcement date). In short, no need to explain further how capable is this 40-megapixel sensor and the processor that handles it.

Fuji X100VI . 23mm f2 @ 23mm . f2 . 1/1900″ . ISO 250 . Reala Ace

I have also shared my experiences with the sensor on both X-H2 and X-T5.

Image Quality

Surprise surprise. Fujifilm is using back the same lens from X100V which is a re-designed lens from the predecessors like the X100F, X100T, X100S, and the OG X100. Since Fujifilm is using back the optic from X100V, does this mean that Fujifilm has already well-planned way before launching X100V?

Fuji X100VI . 23mm f2 @ 23mm . f2 . 1/600″ . ISO 250 . Reala Ace

Combined with the latest generation sensor and processor, the image quality is still great. It has met my expectations. The sharpness and contrast are fantastic and well-balanced across the frame. Chromatic aberration is nowhere to be found and I am not expecting that to happen. A little vignetting can be seen, but it is not affecting me at all. Probably already been processed for jpeg but nonetheless, I am pleased with the results.

Pairing up with Wide Conversion Lens and Tele Conversion Lens is good and surprisingly still maintains the same image quality. At least I do not see any drop in image quality.

It comes with a 10cm minimum focus distance. This pretty much helps the photographer to have the option to get closer to the subject if he/she needs it.

Fuji X100VI . 23mm f2 @ 23mm . f5 . 1/15″ . ISO 160 . Reala Ace

Performance

It shares the same “snappy” with occasionally focus pulling like its predecessor but it does not happen frequently. The focus hunting does come when there is a lack of contrast or low light condition and I think it is acceptable for my usage. Overall, it doesn’t impact my X100 series shooting experience.

The eye-AF tracking performs identically to the other cameras that use X-Processor 5.

IBIS

It is a marvel of engineering for Fujifilm engineers to be able to pack a 5-axis IBIS system that is capable of providing up to 6 stops. Impressive work there.

Fuji X100VI . 23mm f2 @ 23mm . f2 . 0.6″ . ISO 125 . Reala Ace

As for practicality, it can help to support up to x seconds handheld for my shaky hands. What do you think?

Fuji X100VI . 23mm f2 @ 23mm . f2 . 0.7″ . ISO 125 . Reala Ace

For me, I can hold the camera as slowly as 0.6 seconds with one hand and still achieve a very decent success hit rate.

Battery Life

It is using back the same NP-W126S battery. My first thought was that the battery was not going to last. I was wrong. The battery life is improved. Though not by a margin, it is slightly better than the predecessors. I think it has to do with the new X-Trans 5 processor that makes the battery life even more efficient.

In my test, I can take approximately 450 shots on average with some photos transferred to the phone. While it is slightly lower than X-T50, it is still not an issue for me. Just bring more batteries. My way of shooting is simply to turn on, shoot, and turn off.

Feedback

The battery is what most people are concerned about for this model and since NP-W235 is missing, I hope to see the successor of X100VI have the NP-W235 instead of NP-W126S. Meanwhile, we will just need to bring an extra battery or two and put it inside our pockets.

Fuji X100VI . 23mm f2 @ 23mm . f2 . 1/80″ . ISO 500 . Reala Ace

Fujifilm chose to keep the 4-stop built-in ND filter in this generation. What I hope to that Fujifilm will make one more built-in ND filter and allow photographers to choose between 4 stops and 8 stops (for example only) for their shoot. Probably even better for a videographer?

Price Point

At 1599 USD, it is pretty expensive and is 200 USD more than its predecessor. But with all the newest technologies from Fujifilm packed into this compact package, I think I can accept it.

Others

After 5 generations of the X100 series, this is the first that is made outside of Japan. Does that mean the build quality is no longer on par with the predecessors?

Fujifilm X100VI with WCL and TCL

If Fujifilm did not inform us about where it is made from, I think everyone assumes this generation is still made in Japan. It is so hard to differentiate by just physical touch. This is not the first product that Fujifilm made outside of Japan and I believe Fujifilm does set a certain standard for the other country makers to follow the protocol and quality control set by Fujifilm. If someone is having this concern, I think don’t worry about it.

Who is this for?

This camera can be for everyone and anyone. From a hobbyist to a professional photographer, a parent who wants to capture every moment of his/her kids, a person who loves to have a memorable gathering or someone who just wants to have a camera with a “one lens fits all” concept, or even travelers.

Fuji X100VI . 23mm f2 @ 23mm . f2 . 1/15″ . ISO 3200 . Reala Ace

In my own words

X100 series is a unique product and it holds a special place in my heart. In my opinion, it is still one of the best “Every Day Camera” options. If I have ever had difficulty in deciding what lens to bring out to pair with my X-T5, then the X100 camera will be the only choice. I do not need to think, just grab it and go.

Fuji X100VI . 23mm f2 @ 23mm . f5.6 . 1/120″ . ISO 250 . Reala Ace

X100 VI is the latest and it is the best X100 series yet. No doubt getting one might be a problem now. But if you pick it up from the retail dealer (not scalpers), spend a good time with it. Give yourself a good time admiring its look, hold it up, and feel it. Then power up, click the shutters, and snap some shots. Listen to the shutter “clicks” when you press down the shutters. It gives a good serene experience in return. A good camera to slow down my pace and wander the street through the viewfinder.

Fuji X100VI . 23mm f2 @ 23mm . f5.6 . 1/2500″ . ISO 250 . Reala Ace

Conclusion

As my title suggests, it may seem like a minor upgrade but it turns out to be a great improvement over the X100V. I love it and I hope I can spend more time with it in the future. I also understand that it is totally a challenge to take one from official retailers but I urge potential buyers not to buy from scalpers. I hope serious photographers will get one on their hands.

Fuji X100VI . 23mm f2 @ 23mm . f5.6 . 1/2500″ . ISO 250 . Reala Ace

Thank you for reading. 

If you like my works, please follows me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here are shot by me. 
2. All of the shots
 are straight out of the camera with some edited via In-Camera Raw Processing.
3. The photos are resized to 30% of the original size except for cropped ones. If you wish to see the original file, contact me and I will be happy to share it with you.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

XF16-50mm – The Replacement of the Legendary Kit Lens

The XF18-55mm f/2.8-4 is undeniably one of the most standout lenses in Fujifilm’s X-mount lineup. Even Chris and Jordan of Petapixel agreed too. It is also my very first lens with my very first X-Mount camera.

XF16-50mm f2.8-4.8

So Fujifilm has given us it’s successor: XF16-50mm f2.8-4.8 R LM WR. Do you think it is a worthy one?

Intro

The long-waited premium kit lens was announced together with the X-T50 at the X-Summit Sydney 2024. The focal lengths (in full frame equivalent) is 24mm to 75mm and it is no stranger to us. This focal length was first ever introduce to us in 2013 in a form of XC16-5mm f3.5-5.6 OIS (version II was updated in 2015).

XF16-50mm f2.8-4.8

As stated in the name of this lens, the aperture value is variable throughout the lens. This means it’s maximum aperture is f2.8 at 16mm and f4.8 at 50mm.

Before I dive in further, I want to extend my thanks to Ms. Carmen, Marketing Manager at Fujifilm Singapore, for lending the XF16-50mm for review. As of the publication of this review, the lens unit has been returned to Fujifilm Singapore.

Design and Build Quality

When I first saw this lens at the launch event, I was impressed by its size. Visually, it is very similar to the XF18-55mm in size. In terms of built quality, it is the same as the new generation XF lenses. Solid and well-built.

XF16-50mm f2.8-4.8

At 240 grams, it feels light on the hand, and due to its compact size, it is easy to hold too. Here comes the first thing that I like about the lens. It is internal zoom, which means it does not protrude when I zoom in and also does not feel “lost balance” when I use the lens at tele. Fujifilm has developed several internal zoom lenses, such as the XF8-16mm f2.8, XF18-120mm f4, and XF150-600mm f5.6-8. Another benefit of having internal zoom is for videographers but I am not about the small aperture value at 50mm.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 50mm . f4.8 . 1/800″ . ISO 125 . Reala Ace

It comes with an Aperture Mode Switch, which allows the photographer to choose if he/she wants to control the aperture by himself/herself or leave it to the camera to decide for you.

A little bit more about the aperture ring. Unlike Fujifilm prime lenses, it does not have aperture values labeled on the ring. It is simply a “controller” that continues to rotate regardless of whether it has reached its maximum or minimum aperture value, in either direction (clockwise or counterclockwise). The aperture ring is clicky and less stiff than the one on the prime lenses. Anyway, you need to take note of the aperture value before you shoot as you might accidentally rotate the aperture ring without noticing.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 43.2mm . f4.5 . 1/850″ . ISO 250 . Reala Ace

So yes… Did I mention it’s a 58mm filter size?

Image Quality

This lens is designed to resolve the X-Trans CMOS sensor 5 HR and I think Fujifilm keep their promise.

As a zoom lens, the image quality from this lens is pretty great. It has good sharpness and contrast across all focal lengths. Vignetting is well-controlled and chromatic aberration is nowhere to be seen. This is what I have expected from Fujifilm.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 32.3mm . f5.6 . 1/125″ . ISO 250 . Reala Ace

However, the rendering of the background/off focus blur varies as you zoom. That’s because it is a variable apertures lens. But it is still able to give a good amount of separation between the off-focus and subject. This is normal for a variable zoom lens as oppose to prime lens.

As for sun star, it is there if you need it in your shot but the result is not the finest one out there in the market.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 50mm . f22 . 1/80″ . ISO 125 . Reala Ace

Focusing

Since it comes with a Linear Motor, I am not expecting a poor autofocus performance from this. I was not disappointed. Although it is not as instantaneously focused and locked onto the subject as fast as the prime lenses, it is still pretty decent for a zoom lens. The autofocus is snappy across all focal lengths. Even when it is under a low-light situation, it’s performance is slightly poor but still very good for day-to-day use.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 35.3mm . f3.9 . 1/80″ . ISO 1600 . Reala Ace

Minimum Focus Distance (MFD)

What I like about this lens is the MFD. It comes with a fixed 24cm. Meaning the MFD does not change when you change your focal length. This also means that this lens is capable of shooting at a close-up of an object. It is even closer than Sigma 18-50mm at 50mm (which is at 30cm).

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 50mm . f4.8 . 1/300″ . ISO 250 . Reala Ace

However, the lens optics do exhibit some loss in image quality, leading to softer and less contrasty results. But it looks fine if you don’t pixel-peeping.

Price Point

It is priced the same as the XF18-55mm (currently not in stock in B&H) at 699 USD. Do you think the price is steep? I think it is a little steep for a kit lens but on second thought, it is a premium one. That’s probably explain why.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 18.5mm . f5 . 1/340″ . ISO 125 . Reala Ace

As of this point in time, the lens is only available as a kit lens (at least in Singapore).

Others

Like most new generation Fujifilm lenses, it does come with weather-resistant.

Another point to note is that this lens does not come with an Optical Image Stabilization (OIS). Is it important? Yes and no.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 34.3mm . f3.9 . 1/835000″ . ISO 250 . Reala Ace

Yes if your camera is not equipped with In-Body Image Stabilization (IBIS). Unless you are fine with higher ISO under low-light situations, you might struggle to take steady shots at 50mm due to low shutter speed.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 50mm . f4.8 . 1/1000″ . ISO 250 . Reala Ace

No, if your camera is already equipped with the IBIS like the X-H2S, X-H2, X-T5, X-S20, etc., then the IBIS will help out for steady shots at low shutter speed.

Who is this for?

This is a good lens for a beginner to pick up and it is a very versatile lens that covers most genres. It’s also beneficial for photographers to identify their most frequently used focal length before delving into more specific options.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 18.5mm . f3 . 1/100″ . ISO 640 . Reala Ace

Also, it is good for travelers who prefer to keep their setup as light as possible and as minimal as possible; like pairing up with the new camera, X-T50.

Conclusion

It is a small and also an all-propose lens. During my testing period, it is delightful to use together with the X-T50. However, is it timed correctly for its launch? I’m uncertain. Nowadays, there are plenty of third-party lenses available, such as the Sigma 18-50mm and Tamron 17-70mm. The XF16-50mm might face tough competition in winning over photographers’ favor.

Fuji X-T50 . XF16-50mm f2.8-4.8 @ 50mm . f4.8 . 1/80″ . ISO 2500 . Reala Ace

Having said that, I am not saying it is a bad lens to pick up. I would advise photographers who are interested to visit a camera store and try it out before deciding which lens suits them best. The XF16-50mm is a good replacement for the XF18-55mm but it doesn’t hold the same place in my affection that the XF18-55mm does.

XF16-50mm f2.8-4.8 with lens hood

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Fujifilm X-T50 – Small Camera With A Big Gut

Many are aware that the X-T30II, released in 2021, is not a true successor to the 2019 X-T30, and there have been no indications of a potential upgrade in this mid-range category during these years. At one juncture, I even considered the possibility of this series being discontinued.

Fujifilm X-T50

Now, the much-anticipated X-T50 has finally arrived. Does it represent a significant improvement over the X-T30?

Intro

X-T50 is the fifth iteration of the X-T double-digit series. It was announced at the X Summit Sydney 2024 in May.

X-T(xx) series has always been the little brother of the X-T(x) series. They share something similar, but also something different to set them apart. This is no different for this generation. But the gap is sort of getting closer.

Fuji X-T50 . XF30mm f2.8 WR @ 30mm . f2.8 . 1/2500″ . ISO 125 . Reala Ace

Before continuing, I want to extend my thanks to Ms. Carmen, Marketing Manager at Fujifilm Singapore, for lending the X-T50 for review. As of the publication of this review, the camera unit has been returned to Fujifilm Singapore.

Design, Build Quality, Handling & The Shutter…

X-T50 still gives a nostalgic feel like its predecessors but takes a different camera design approach. The camera is more rounded now and has a deeper hand grip design. Some photographers might dislike it, but I love this design.

Fuji X-T50 . Sigma 10-18mm f2.8 @ 10mm . f2.8 . 1/4700″ . ISO 250 . Reala Ace

With the deeper hand grip design, the ergonomic handling is way better than its predecessors. I remember I felt that I always needed an additional hand grip to make myself feel more secure in those days. Just to let you know, my little pinky still hanging out but the handling now feels more secure with this X-T50.

Having said that, mounting bigger lenses like XF70-300mm or XF56mm f1.2 WR still has the common problem of heavier lenses over the camera body which makes the balancing of the camera handling experience off. I suggest getting an additional hand grip for better balancing. If you are using compact lightweight lenses, it handles perfectly fine.

Fuji X-T50 . X27mm f2.8 WR @ 27mm . f2.8 . 1/100″ . ISO 400 . Reala Ace

It has a 2-way tilt screen (like the X100V/VI) with 1.84 million dot resolution and a 2.36 million dot electronic viewfinder (EVF). A little disappointed with the EVF as it still uses the same resolution as the X-T30II but is still usable. On the bright side, it has improved 3-inch screen resolution from 1.04 million dot resolution.

(In comparison to X-T5, it is 3-way tilt 3-inch screen with 1.84 million dot resolution and 3.69 million dot resolution EVF.)

Fuji X-T50 . XF27mm f2.8 @ 27mm . f2.8 . 1/100″ . ISO 2000 . Reala Ace

As compared to X-T5, the mechanical shutter seems to be “heavier” in the X-T50. Probably due to the size of the camera body, I can feel the shutter movement more than the X-T5. It is not a deal breaker for me but just my observation.

Sensor and Processor

The X-T50 comes with the X-Trans CMOS sensor 5 HR and the X-Processor 5, which shares similarities with X-H2, X-T5, and X100VI. I think I do not need to explain how good is it with this combination.

Image Quality

While the image quality is subjective to the lenses I have mounted on, it is the same as what I have expected from the X-Trans CMOS sensor 5 HR and the X-Processor 5.

Fuji X-T50 . TTArtisan 56 f1.8 @ 56mm . f1.8 . 1/170″ . ISO 320 . Reala Ace

The image quality is exceptionally great if you pair up with the new generation of Fuji lenses. In short, you will not be disappointed with the results.

Performance

In general, the performance is pretty close to its elder sibling. The tracking system behaved the same. I have no issue with eye-AF tracking, train tracking, and bike training during my test. They pick up and lock up as they should be.

Fuji X-T50 . Rokinon 35mm f1.2 @ 35mm . f1.2 . 1/420″ . ISO 250 . Reala Ace

IBIS

Not surprised that Fujifilm implemented the IBIS but what surprised me is that Fujifilm did not skim down on the IBIS compensation. The IBIS in the X-T50 shares the same 7-stops of compensation like the latest X-H2S, X-H2, X-T5 and X-S20.

Fuji X-T50 . XF23mm f1.4 WR@ 23mm . f1.4 . 1/15″ . ISO 500 . Reala Ace

In layman’s terms, the IBIS works very well. If you read about it in my other reviews. It can achieve similar results with a similar lens setup. In my daily life, I do not encounter any blurred results unless it is intended.

Battery Life

While it still uses the NP-W126S battery instead of the bigger NP-W235 battery, I managed to squeeze about 550 shots on average. (In my test, I switch on the camera to shoot, switch off when not in use, and transfer about 50 photos.) According to CIPA, it is about 305 shots.

Left: Fuji X-T50 . XF18-55mm f2.8-4 @ 48.4mm . f4 . 1/80″ . ISO 320 . Reala Ace

I understand that it is not an impressive number based on today’s standards. But battery is always not an issue in my opinion. The batteries are not bulky or difficult to keep inside my camera bag so I always bring 3 – 4 batteries everywhere I go.

Feedback

40 megapixels provides ample resolution, especially for RAW files, which is substantial. Looking ahead, I hope Fujifilm considers offering photographers the option to choose between small, medium, and large resolution settings for RAW files, similar to what they currently offer for JPEGs.

Fuji X-T50 . TTArtisan 35mm f1.8 @ 35mm . f1.8 . 1/80″ . ISO 320 . Reala Ace

Price Point

At $1399 USD, it competes in a price range where other brands offer cameras with larger sensors, which is worth considering.

However, I always advise photographers to thoroughly research their purchase because they’re investing in a system, not just a brand. Consider not only the initial camera cost but also the investment in lenses and their availability. It’s important to focus on what lenses are currently available from both the manufacturer and third-party suppliers, rather than relying on future promises or aspirations.

Right: Fuji X-T50 . TTArtisan 56mm f1.8 @ 56mm . f1.8 . 1/90″ . ISO 250 . Reala Ace

The X mount system has evolved significantly, offering a wide range of lens options today, including a variety of third-party offerings.

Others

There are a few more things that set the X-T50 and X-T5 apart and here are some of them. The first one is a single SD card slot against dual. The second one is X-T50 comes with a pop-up flash while X-T5 doesn’t has one. The last one is the mechanical shutter, where X-T50 can only go as fast as 1/4000s whereas 1/8000s on X-T5.

NP-W126s battery slot and SD card slot
The Pop-up Flash
Mic-in port, USB-C port and mini-HDMI port

There is one very bold change that I did not mention earlier and it is the Drive mode dial. It has been replaced by the new Film Simulation dial. While I am not sure if everyone loves this new change, I enjoy using it. It gives me an instantaneous switch of film simulations at ease.

I know we can switch film simulations via the “Q” function, but switching the film simulations via the dial is an enjoyable process.

The Film Simulation Dial

The dial also has three additional custom/programmable FS positions, allowing you to assign to Pro Negative, Eterna, standard Monochrome, and Sepia film simulations. For “C” function, basically allows you to control the film simulations via the “Q” function and also allows you to use your customized film simulations.

Fuji X-T50 . XF70-300mm f4-5.6 @ 300mm . f5.6 . 1/900″ . ISO 320 . Reala Ace

One small feature that further endears me to the camera is its design: the “play” button is noticeably more prominent than the “delete” button. This not only makes it easier to distinguish between the two but also enhances the satisfaction of pressing the buttons.

Lastly, it does not come with the 4 ways selector buttons.

Who is this for?

It is a good mid-range camera. If you are holding on to the first three generations of this series (X-T10, X-T20 and X-T30), I think X-T50 is a good upgrade. No doubt it is priced higher than the predecessors, but I think it is a good investment for years to come. Oh yes, you can continue to use the same NP-W126S battery.

Fuji X-T50 . XF35mm f1.4 @ 35mm . f2 . 1/3200″ . ISO 250 . Reala Ace

If you are new to photography and want to use Fujifilm as your camera, the X-T50 is a good camera to allow you to explore. Although the X-T30II is still in the available in the market, I believe that the X-T50 is a better investment to choose from.

Conclusion

I initially believed it might share the same configuration as the X-S20, but that assumption proved incorrect. Fujifilm has not compromised on the internals; instead, they’ve maximized the potential of this sensor and processor, offering more photographers the opportunity to experience it.

Right: Fuji X-T50 . Viltrox 27mm f1.2 @ 27mm . f1.2 . 1/800″ . ISO 250 . Reala Ace
Fuji X-T50 . Viltrox 75mm f1.2 @ 75mm . f1.2 . 1/210″ . ISO 250 . Classic Chrome

In my view, the X-T50 stands out as a capable mid-range camera for photography. Its compact size and only weighs slightly over 440 grams makes it ideally suited for use with compact to mid-size lenses, which, in my opinion, generally fulfills the needs of most photographers.

Thank you for reading.

If you like my works, please follows me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here are shot by me. 
2. All of the shots
 are straight out of the camera with some edited via In-Camera Raw Processing.
3. The photos are resized to 30% of the original size except for cropped ones. If you wish to see the original file, contact me and I will be happy to share it with you.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Sirui 56mm f1.2 – The First Attempt (III)

This is the last of the Sniper lenses I have with me. By now, if you have read the first two lenses, I guess you should know my opinion of this series. Anyway, I still need to finish sharing my opinion of this focal length.

Sirui 56mm f1.2

Intro

This is the third lens introduced by Sirui together with the 23mm f1.2 and 33mm f1.2. In summary, they started with crowdfunding from one of the popular platforms and this Sniper series succeeded.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/750″ . ISO 125 . Nostalgic Negative

Design and Build Quality

For some reasons, the “white ceramic coating” or simply white plastic seems to be the worse built quality among the three colors. Having said that, it still far better than the Meike 85mm f1.8. That’s my opinion. As part of the Sniper family, it shares many similarities such as filter size (58mm), no aperture ring and no weather resistant. Also they share the same length as well. This is beneficial to videographers who need to mount on a gimbal.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f5.6. 1/55″ . ISO 3200 . Nostalgic Negative

At 419 grams, the weight of this lens feels okay. Although it may seem heavy, it is evenly distributed. Like its siblings, it comes with a lens hood. The difference is that it comes with a round lens hood instead of a petal-shaped lens hood.

Image Quality

Optically, it shares a lot of similarities with the Sniper family. At f1.2, the image is soft and lacks contrast. Coupled with it are the mild vignetting and strong chromatic aberration. Of course, everything gets better when stopping down. For my acceptance, f2 is the minimum f-stop for sharpness and contrast.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/220″ . ISO 125 . Nostalgic Negative

The rendering of the background blur is not as smooth as I expected. Somehow it looks kind of hard and unpleasant. Or maybe it is something that I don’t appreciate?

Focusing

It comes with a Stepper Motor (STM). The focus is okay. It is not as snappy as the XF56mm f1.2 WR (just using it as a benchmark). Probably quite average among the rest of the 56mm focal length.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/240″ . ISO 125. Nostalgic Negative

On average, I do encounter some pull-push effect before focus is locked on my subject. Not every time, but encounter it quite often. Hard to catch the behavior here but fail to do so. I hope the future firmware provides some remedies.

Also, the manual ring is different from the typical manual ring, this one can do a 360° rotation angle electronic focus ring. For photography per SE, I think it might help with precision focusing but I believe this benefits videography more. 

Minimum Focus Distance (MFD)

For a typical 85mm (in full frame equivalent), what is your expectation for a MFD for this focal length?

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/80″ . ISO 200 . Nostalgic Negative

To share some examples of what other 56mm lenses MFD are: TTArtisan 56mm f1.8 is 50cm, XF56mm f1.2 WR is 50cm, Meike 55mm f1.4 is 60cm and Sigma 56mm f1.4 is 50cm.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/180″ . ISO 125 . Nostalgic Negative

The MFD of this lens is 60cm. Not quite on par with the average one but not any worse. The image quality, fortunately, isn’t degraded any worse too.

Price Point

At 279 USD (discount from the usual price at $349 USD from it’s official store), it is a good price point for a f1.2 autofocus lens. Or 799 USD for the 3 lenses.

For a quick comparison, XF56Mm f1.2 WR is priced at 999 USD, Meike 55mm f1.4 is priced at 199.9 USD, Sigma 56mm f1.4 is priced at 479 USD, and Viltrox 56mm f1.4 is priced at 299 USD. Is the price attractive?

Others

Like all other Sniper lenses, it comes with an USB-C port for future firmware update.

Sirui 56mm f1.2 – rear

Also, it comes with a circular lens hood but mounting and dismounting it gives a quirky noise that always makes me think that I am breaking it anytime with a little pressure. Probably I have a bad copy of the lens hood?

Lastly, it has a thin lens cap (similar to its siblings) which gives me some problems when removing the lens cap from the lens. That’s because the pinch-to-release area is too narrow for big fingers (like mine) to pinch and remove the cap without any level of struggling.

Who is this for?

This 85mm (in full frame equivalent) focal length is suitable for the portrait genre. But not only that, this lens is also suitable for product shots, street, documentary, etc.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/4000″ . ISO 125 . Nostalgic Negative

If you are a new photographer and have a limited budget, this lens together with its siblings forms good trinity lenses for a starter. Only if you are acceptable with its not-so-perfect image quality.

Conclusion

We do not lack any third-party autofocus lenses for Fujifilm. If you are looking for a “complete set” of third-party lenses, there are a few brands that I can think of at the moment; Sigma and Viltrox.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f10. 1/125″ . ISO 125 . Nostalgic Negative

Considering the price point, I find this lens acceptable, especially since it’s an f1.2 prime rather than the typical f1.4. However, I may have overestimated its capabilities. Nevertheless, I’m eagerly anticipating the release of their “Mark II” Sniper lenses, hoping for significant improvements in this series.

Oh yes, Sirui has launched another 2 new Sniper lenses, the 16mm f1.2, and the 75mm f1.2.

Thank you for reading. 

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Sirui 23mm f1.2 – The First Attempt (II)

I have recently shared my opinion about the Sirui 33mm f1.2 and this is the second lens from the Sirui Sniper series.

Intro

To keep things short, this series was first introduced via a crowdfunding platform and, they were successfully funded as expected.

Design and Build Quality

The aluminum alloy or silver color (in my opinion) option seems to be less fancy than the white and black/carbon fiber one. The color is also duller and less reflective than the silver XF lenses.

It is plastic-made build quality. Not the worst one but it’s also not the best plastic build either. However, the 380-gram lens is well-balanced on hand but I can feel the weight. This lens also shared the same 58mm filter size as the Sirui 33mm f1.2.

Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f1.2. 1/1700″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f1.2. 1/90″ . ISO 125 . Nostalgic Negative

And yes, it comes with a petal-shaped lens hood and metal rear mount.

Since it comes from the Sniper family, missing the aperture ring is one of them. (There are more similarities later.) It comes with an electronic manual ring, which means it comes with a 360° smooth rotation angle.

Image Quality

At f1.2, softness and weak contrast are pretty obvious. In my opinion, sometimes I am unsure if I have nailed the shots with such an image quality. While there are photographers who might like this level of softness, I can’t accept it. I would probably close one eye if this lens were to be released a few years back. For my personal acceptance, f2 is the base with f2.8 for better results.

Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f1.2. 1/80″ . ISO 1000 . Nostalgic Negative

Vignetting at the corners is acceptable but the chromatic aberration is obvious for wide-open shots.

The foreground/background blur rendering is not my favorite. It seems to be “hard” or I should say the transition is not as smooth as I am expecting it to be.

Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f2. 1/140″ . ISO 125 . Nostalgic Negative

Focusing

Focusing performance is fast and silent due to the Stepper Motor equipped with this lens. The performance seems to be better than the 33mm version. If compared with the XF23mm f1.4 WR, it is not that snappy fast and locks the subject fast. I do not experience a lot of push-pull focusing issues.

Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f2. 1/105″ . ISO 125 . Nostalgic Negative

Minimum Focus Distance (MFD)

For a 35mm (full-frame equivalent) lens, the MFD is 30cm. For a quick comparison, XF23mm f1.4 WR is 20cm, Sigma 23mm f1.4 is 25cm and the classic XF23mm f1.4 R is 28cm.

Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f1.2. 1/80″ . ISO 160 . Nostalgic Negative
Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f1.2. 1/1000″ . ISO 125 . Nostalgic Negative

If you don’t really need to care about shooting as close to the subject as possible, then this lens is fine. The good thing is that the image quality won’t get worse, even at wide-open.

Price Point

279 USD (from B&H) is considerably a good price point for a f1.2. For reference, XF23mm f1.4 WR is about 810 USD, Viltrox 23mm f1.4 mk II is at 299 USD, and, Sigma 23mm f1.4 is priced at 550 USD.

Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f2. 1/8″ . ISO 3200 . Nostalgic Negative

If you are buying as a bundle with the other 2 Sniper lenses in the Sirui official store, the deal might be even better if there are promotions.

Others

I am glad to see the USB-C port made available for future firmware updates.

Sirui 23mm f1.2 – rear with USB-C port
Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f2.8. 1/80″ . ISO 250 . Nostalgic Negative

This 35mm (in full frame equivalent) shares some similarities with the other Sniper lenses. For example, the lens hood gives a very clicky feel that deems the hood can be broken easily when mounting it front-facing. Another example is it comes with a very thin lens cap with very narrow pinch-to-release space. This gives a good challenge for big fingers to pinch the lens cap.

Lastly, it is not weather-resistance.

Who is this for?

This is my favorite focal length. I would say it’s a very versatile focal length for environment portraits, street, documentaries, journalism, and many others.

Fuji X-T5 . Sirui 23mm f1.2 @ 23mm . f2. 1/80″ . ISO 200 . Nostalgic Negative

If you are a new photographer or you are unsure if this focal length suits your shooting habit or on a tight budget, you can consider this lens as a stepping stone.

Conclusion

This lens together with the other Sniper lenses is a good attempt from Sirui. Compared with the other manufacturers’ lenses I have reviewed, I am a little disappointed with the optical quality Sirui provides with this series.

There is a lot of potential in this series. Unfortunately, it is not what I expected for a fast lens. Having said that, I hope to see more improved versions of this series in the future.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Meike 55mm f1.4 – Checking All the Boxes?

I mentioned before that I do not have very good experience with Meike’s first autofocus lens. When I received this lens, I set myself a low expectation of this lens.

Sometimes, I wonder whether the manufacturers communicate with one another or they coincidentally have the same thoughts at the same time. This is the third portrait lens that are available to photographers in just the first half of 2024. Anyway, I feel there is a sudden strong competition with this focal length in this budget segment.

Meike 55mm f1.4 with lens hood

Intro

Meike 55mm f1.4 was announced in March 2024 and this is Meike’s second autofocus lens. I have reviewed their first X-Mount autofocus lens, the Meike 85mm f1.8, and I have my reservation with it after some testing. The announcement between the two lenses was about 1 year apart.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f5.6 . 1/950″ . ISO 125 . Nostalgic Negative

Before I proceed further, I appreciate the good people from Meike for sending this lens for my review. I thank them for their continuous support.

Design and Build Quality

From the first impression, the lens design seems to take inspiration from the Canon L lens (the red line ring). Secondly, the plastic build quality feels so much better than the Meike 85mm f1.8 when I hold it in my hand. The lens comes in a matte finish, so it is fingerprint-magnet-free. It’s a huge improvement in my opinion.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f2.8 . 1/5000″ . ISO 125 . Nostalgic Negative

This 52mm filter-size lens is compact and lightweight. Only 286 grams. Oh yes, it comes with an aperture ring! Hooray! However, the ring is a little stiff compared to other lenses I have tested. At least it is clicky but the experience is not what I expected.

On the bright side, it comes with a lens hood too. As for the lens cap, it is the normal pinch-to-release lens cap but better than the ArtraLab 24mm and 35mm.

Image Quality

With my low expectations, Meike gives me a good surprise. The image quality at f1.4 is pretty good. Decently sharp and has good contrast. Although corner-to-corner sharpness is within passable to a fair standard, in general, it is fine if you do not pixel-peep.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/90″ . ISO 125 . Nostalgic Negative

I also think the optic glass of this lens resolves quite well with the new X-Trans CMOS 5 HR 40-megapixels sensor. Another good surprise for me.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f4 . 1/1600″ . ISO 125 . Nostalgic Negative

Chromatic aberration is decently well-controlled but you still can spot it if you pixel-peep. Vignetting can be observed too but not as heavy as I have expected.

When it comes to sun effect, I think it is just fair. The lines are not clearly defined or sharp. Also, shooting directly facing the sun does come with some flares as well. So please be mindful if you dislike it.

Focusing

It comes with a Stepper Motor (STM) and the focusing speed is fast. The focusing response is pretty good from MFD to infinity. But it is still not as fast as the new generation lenses from Fujifilm like XF23mm f1.4 WR.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/680″ . ISO 125 . Nostalgic Negative

However, I do notice that the lens is unable to focus on the subject, even in bright daylight. It seems to have this strange phenomenon, luckily, it happens rarely. I hope they will address the issue here.

One interesting thing to note here, it comes with an AF/MF switch. If you want to switch to manual mode to shoot, you have to switch the mode via the AF/MF switch on the lens and not on the focus mode selector on your camera. I hope they can give the photographer an option to choose where to change the focus mode freely. I hope they can implement it in future firmware updates. Nevertheless, it is not a big deal.

Meike 55mm f1.4

Minimum Focus Distance (MFD)

By now, we all know there is no perfect lens in the market. The lens should have compromise(s) and it is also depending on our acceptance. Well, for Meike 55mm f1.4, the shortcoming is the MFD.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/3800″ . ISO 125 . Nostalgic Negative

At 61cm, it is not quite on par with today’s portrait lenses but not the worse. Here are some of the MFD of the portrait lenses I have tested before:

XF56mm f1.2 WR – 50cm

XF50mm f2 – 39cm

Yongnuo 50mm f1.8 – 45cm

Sigma 56mm f1.4 – 50cm

TTArtisan 56mm f1.8 – 50cm

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f2 . 1/80″ . ISO 320 . Nostalgic Negative

Why did I say not the worse? Because we have lenses that are even furthe, the classic XF56mm f1.2 and XF50mm f1. Both at 70cm. So this is something the Meike 55mm is slightly better.

Price Point

This lens comes at a very competitive price point of 199.99 USD. To name a few, TTArtisan 56mm f1.8 is priced at 158 USD and Viltrox 56mm f1.7 is priced at 169 USD in their own respective online stores.

With just 30-40 USD more, I can get aperture ring and a faster lens. So do you think it is a sweet deal?

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/6400″ . ISO 125 . Nostalgic Negative

Others

One good improvement that Meike do it right is having a few USB-C port for firmware upgrades. This is so much friendlier than the 85mm. Now I can have fewer cable management issues.

Meike 55mm f1.4

Also, I think this is also within expectation. This lens does not come with any weather sealing or weather resistance.

Who is this for?

Although it is 1mm shorter than the typical 56mm, this 82.5mm (in full frame equivalent) lens is still a portrait lens. It does not make any difference from the other portrait lens.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/80″ . ISO 125 . Nostalgic Negative

With this price tag, I can recommend it to any photographers new to photography or exploring photography genres like portraits. But this lens can be used for street, documentary, and product shoots.

Conclusion

The market is flooded with many third-party portrait lenses, but what makes this lens stand out is the f1.4 fast lens, aperture ring, and price point. Even though the MFD is the only drawback I have with the lens, Meike has done well with the optic quality and the focusing speed.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/250″ . ISO 320 . Nostalgic Negative

I feel that Meike makes a good move by penetrating the market differently and gives even more choices to the photographers in the budget segment.

Fuji X-T5 . Meike 55mm f1.4 @ 55mm . f1.4 . 1/2500″ . ISO 800 . Nostalgic Negative

All in all, I do love this lens a lot and I am excited to know that Meike is planning to release 16mm, 23mm, and 33mm. All are f1.4. (At least this is the understanding so far). I am looking forward to their arrival.

So does this lens check all the boxes? In my opinion, not all but it checks on the right boxes.

Meike 55mm f1.4 with lens cap

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Event

X-T50 and GFX100SII Launch Event – Singapore

It has been almost a year since the previous event I attended. This X-T50 and GFX100S II launch event is unique, there is not one but four sessions were held on the same day. I managed to attend the last one. The event was held at Hvala @ Chijmes this time round. This is a nice place to catch up with friends as I have visited it several times. Do check it out if you are nearby.

Guess who is that?
The event begins…
Leung from Fujifilm Singapore is giving a speech.
Product specialist, Jere, is sharing the new products.
Lee with the iconic Stamford Raffles pose.
Mindy took her turn to share her take on the X-T50 surroundings with her family and her.
Vance, the new X-Photographer, shares his experience with the GFX100S II.
The first look of GF500mm f5.6.
Fuji X-T50
The big boy filming for reels and tik tok.
Chajin making matcha.
A close-up shot.
A gift from Fujifilm Singapore
Another gift from Fujifilm Singapore
Sample shot 1: X-T50 with XF16-50mm
Sample shot 2: X-T50 with XF16-50mm
Sample shot 5: X-T50 with XF16-50mm
Wefie before the end of the event.


Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Sirui 33mm f1.2 – The First Attempt (Part I)

Sirui made a big move by launching the trinity prime lenses with 3 different color options for photographers, black, silver, and white. And what an even smarter move is to launch them via a crowdfunding platform. They call them the Sniper series.

Sirui 33mm f1.2

Intro

Sirui has been in the photography industry since 2001. That’s a long established brand for over 2 decades. I came to know about this brand when I have searching for a tripod, what about you?

Although Sirui has been here for quite a long time, when it comes to photography lenses, they are still at the “young”/”early” stage. If I remember correctly, they launched their first lens, the 50mm f1.8 1.33x anamorphic lens, in 2019. So how does the Sirui 33mm actually perform?

Design and Build Quality

The plastic-constructed lens is considerably well-built. The black carbon fiber design is pretty nice looking too. At 400 grams, I can feel the weight when I hold it in my hands but lucky it is not bulky, otherwise, it will not be a pleasant experience.

As you can tell, this 58mm filter size lens does not come with any aperture ring. However, those who love to use the focus ring will be very happy because it has a very big surface area for the focus ring.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f1.2. 1/12000″ . ISO 125 . Nostalgic Negative

Also, unlike a typical manual ring, this one comes with a 360° rotation angle. As this is an electronic focus ring, I believe this benefits videographer.

The 50mm (in full frame equivalent) comes with a metal rear mount.

Image Quality

Somehow, I am a little disappointed with the optic. At f1.2, the image quality is soft, lacking some contrast and sharpness. Maybe it is the characteristic softness that some photographers love, but this is not my preference. Nonetheless, this experience is similar to those I tested with the typically manual focus lenses but slightly better.

For low-light and indoor situations, it is slightly better with shots taken at wide-open. But you still can see that softness if you pixel-peeped.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f4. 1/2500″ . ISO 125 . Nostalgic Negative

In my opinion, f2 is the sweet spot. The image quality definitely gets better from f2 onwards. Sharpness and contrast are great and better photos usability.

Chromatic aberration is pretty obvious at wide open but on the bright side, the vignetting is mild.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f2. 1/100″ . ISO 400 . Nostalgic Negative

I seldom share about background/foreground blur as the beauty of it is very subjective and personal. The same for bokeh. However, I feel that the blur rendering is somehow not as smooth as I expected from a f1.2. It seems to be forcefully rendered or at least not to my pleasing.

Focusing

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f2. 1/150″ . ISO 125 . Nostalgic Negative

This lens comes with a Stepper Motor (STM), which is silent and pretty fast when there is sufficient contrast. However, be it during the day or under low-light situations, I sometimes experience some focus-pulling, and it takes a few times to get it focused. Also, shooting at wide-open sometimes does have focus pulling. Sometimes it will eventually focus-locked successfully, sometimes it will fail. I think this can be resolved with future firmware updates.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f1.2. 1/80″ . ISO 160 . Nostalgic Negative

The focusing speed between MFD and infinity is okay, and you can feel the difference when you compare it with the XF33mm f1.4.

Minimum Focus Distance (MFD)

At 40cm, this lens does not have the best MFD in my opinion. It is even worse than the Rokinon 35mm f1.2 (@38cm). For your information, XF35mm f1.4 is holding the record of 28cm. Luckily, the image quality doesn’t get any worse at wide-open at its MFD.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f1.2. 1/80″ . ISO 250 . Nostalgic Negative

Price Point

It is selling at 456.50 USD on the Sirui website. But if you are getting from B&H, it is 331.55 USD. If you are looking at 3 lens kit, it will be 1304.88 USD and 949.05 USD respectively.

Others

Like most manufacturers, the lens comes with a USB-C port for future firmware upgrades. At least it is not the micro USB found in Meike 85mm f1.8.

Sirui 33mm f1.2 – rear

Another good point to note is that it comes with a lens hood. The bad point is that the lens hood gives some sort of unpleasant sound that seems like it will break when I try to mount it front-facing. Keeping the lens hood is fine. Strange phenomenal.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f2.8. 1/350″ . ISO 125 . Nostalgic Negative

Also, the lens cap is thin, making it probably the worst experience I have had with any lenses tested this far. The pinch-to-release area is too narrow for big fingers to pinch and remove the cap without any some level of struggling.

Lastly, this lens does not come with any weather resistance or sealing. I do encounter some drizzling during my shoot, luckily it still works fine.

Who is this for?

This 50mm (in full frame equivalent) lens is a nice focal length that generally covers a lot of genres. Street and portraits are easily some of them.

If you have not owned this focal length before or want to give this focal length a try but do not wish to spend more money, then you may consider getting this lens. If you want a good Trinity lens setup to start your photography journey, this sniper series might be a good choice to kickstart with.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f1.2. 1/3800″ . ISO 125 . Nostalgic Negative

Conclusion

This Sniper series is Sirui’s first attempt in the APS-C world and this series really gets a lot of attention and successfully gets the lenses funded in the crowdfunding platform.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f2. 1/900″ . ISO 125 . Nostalgic Negative

In my opinion, this lens is considerably affordable as it comes with a fast but not-so-favorable f1.2 and pretty decent focusing performance. As I mentioned earlier, I think treating this lens as an f2 lens instead of an f1.2 lens will make me feel better. Then f1.2 is a “bonus” when I really need that big aperture, then it is there for me to use it.

Fuji X-T5 . Sirui 33mm f1.2 @ 33mm . f8. 30″ . ISO 125 . Nostalgic Negative . Crop: 65:24

There is room for improvement with this series, and I hope to see better image quality at wide-open, comes with an aperture ring and probably some form of weather protection.

And yes, this is the first of the 3 Sirui lenses I have reviewed. 2 more to go.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

ArtraLab 35mm f1.4 – A Nod to Nostalgic Again

ArtraLab isn’t stopped at just releasing their 24mm f1.7 in Septemeber 2023. Just exacting one month later, they released another new lens in October 2023; the ArtaLab NONIKKOR-MC 35mm F1.4. 

ArtraLab 35mm f1.4

Intro

This is the second lens I have tested from the company. Besides the X-mount, this lens comes with E-mount, Z-mount, and L-mount. A little interesting fact about this lens is that it is a full-frame lens. Does this mean that the optical quality of the APS-C sensor should be better than those lenses designed specifically for APS-C?

Design and Build Quality

If I am correct, this lens comes with two designs. Basically, the difference between the two is the change of the focus ring. The first one has very identical design language to their 24mm f1.7 variant, which seems like just an upsize of it. The second one (the one I am reviewing), has a bit more distinguished design language. The focus ring is more of a “blocky rectangular tile-like” shape design.

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/4700″ . ISO 125 . Nostalgic Negative

Nonetheless, this lens is also heavily inspired by the 80’s Nikon lens design language. The 285-gram lens has the same good metal-built quality. Still has the attractive colorful aperture values that I love and it also comes with the same pleasant clicky aperture ring.

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/2700″ . ISO 125 . Nostalgic Negative

This lens comes with a 52mm filter size, which also shares the same filter size as the ArtraLab 24mm f1.7. Nice.

In case one wonders, the lens is designed in Hong Kong and assembled in China.

ArtraLab 35mm f1.4

Image Quality

I previously shared my positive thoughts on the ArtraLab 24mm f1.7, but unfortunately, my experience was not the same this time around. Firstly, the chromatic aberration coupled with softness was quite disturbing when using the lens at a wide open. It reminded me of the image quality issues that were prevalent 4-5 years ago.

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/80″ . ISO 500 . Nostalgic Negative

Although sharpness isn’t there at wide open, contrast isn’t that bad. The contrast is fair enough in my opinion. Image quality does improve from f2.8. For some reason, The glowing/blooming effect found in the ArtraLab 24mm f1.7 can be found with this lens but I feel it isn’t as strong as the one with 24mm. I thought it would be nice to share the same characteristic charm.

Anyway, to be fair, the optic of this lens is designed to be the same as the one found in the 80s. So I think this is why it behaves this way.

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/30″ . ISO 1000 . Nostalgic Negative

Vignetting is there but it is not that obvious. The sun star, surprisingly, is nice and the lines are well-defined.

Sunstar is pretty surprisingly good in my opinion. The lines are well-defined but it does come with ghosting as well.

Focusing

The focus ring is smooth and gentle but slightly heavier to rotate with my pinky finger (I managed to do it with the ArtraLab 24mm f1.7).

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/80″ . ISO 3200 . Nostalgic Negative

The rotation is approximately 180° from end to end. Personally, I prefer “long travel distance” as this will allow me to have better precision in manual focusing on the subject. This also greatly improves in nailing the shots at a higher success rate.

Minimum Focus Distance (MFD)

35cm MFD is pretty standard nowadays for this focal length. Nothing spectacular but the soft image is expected at f1.4.

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/5400″ . ISO 125 . Nostalgic Negative

Price Point

The price point is 527 USD. Is it expensive?

Here is a small table for some price sense,

TTArtisan 35mm f1.4 – 73 USD
7artisans Photoelectric 35mm f1.2  – 139 USD
Rokinon 35mm f1.2 – 379 USD
XF35mm f1.4 R – 599 USD
Voigtlander 35mm f/2 macro – 599 USD

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/8000″ . ISO 125 . Nostalgic Negative

For the price point, I can top up a bit more to have the legendary XF35mm f1.4. But if you are someone who really loves the 80’s Nikon design, the price is not important.

Others

Sadly, it does not come with any lens hood like most other manual lenses. I wish ArtraLab was willing to provide a metal lens hood to compliment the lens. Giving the photographer his/her choice. Also, weather resistance is not covered as well.

Speaking of lens breathing, this lens has pretty minimum lens breathing. I believe this benefits for videographers. Oh yes, the lens protrudes a little at the MFD, which is pretty normal for most of the manual lenses I have tested.

Who is this for?

This lens is definitely aimed at photographers who love retrospective lenses, this one should not be missed if you are accepting in the image quality. As for Genres, it can do the usual ones, especially street, and portraits.

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/1400″ . ISO 125 . Nostalgic Negative

Conclusion

I love the nostalgic lens design but not the image quality. Given the price point, I cannot accept to have this optical glass quality. But I am not stopping photographers who loves the 80s nostalgic charm from getting it.

Fuji X-T5 . ArtraLab 35mm f1.4 @ 35mm . f1.4. 1/2500″ . ISO 125 . Nostalgic Negative

Nonetheless, if I am to decide to have a lens from ArtraLab, the 27mm f1.7 will be my preferred one.

Left: ArtraLab 35mm f1.4
Right: ArtraLab 24mm f1.7

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

ArtraLab 24mm f1.7 – A Nod to Nostalgic

Artralab Nonikkor-MC 24MM F1.7 is probably one of the best-looking retro-designed lenses in recent years and pairs very well with the Fujifilm range of retro-designed cameras. It was announced sometime in September 2023 and gained much traction from manual lens lovers and enthusiasts. So how does it live up to?

ArtraLab 24mm f1.7

Intro

I was only aware of this company when they teased the internet about this lens last year. I had never heard about the company before, so I googled a bit about them. Here is some high-level information about the company: ArtraLab (Art Random Adventure), a Hong Kong-based company, was founded in 2018 by a group of passionate photographers, architects, fashion designers, and product designers.

Fuji X-T5 . ArtraLab 27mm f1.7 @ 24mm . f4. 1/5800″ . ISO 125 . Nostalgic Negative

Oh yes, this lens comes with an E-mount and Z-mount.

Design and Build Quality

At first look, I am attracted by the colorful print of the aperture and manual focus rings. The lens design takes a lot of inspiration from the 1980s Nikon lens designs. I love it.

Fuji X-T5 . ArtraLab 27mm f1.7 @ 24mm . f1.7. 1/1600″ . ISO 125 . Nostalgic Negative

When I hold the 210-gram lens, I can feel that the aluminum-constructed lens is very well-built and I did not feel any loose parts. Oh yes, it is made in China if someone ever wonders. I love the colorful aperture values on the aperture ring. Rotating the aperture ring is one of my most pleasing experiences because I love that satisfying clicky feedback. The focus is another pleasure to use (more on this later).

This compact lens comes with a small filter size of 52mm and comes with a typical plastic pinch-to-unlock lens cap.

Image Quality

The image quality coming out from this 36mm (in full frame equivalent) is pretty decent at wide-open but has a kind of characteristic softness. This softness is not totally soft and not to the extent that I am not acceptable. In fact, I like the charm of this softness.

Fuji X-T5 . ArtraLab 27mm f1.7 @ 24mm . f2. 1/3500″ . ISO 125 . Nostalgic Negative

Oh yes, it is not clinically sharp if you pixel-peep but it has good contrast and it is still acceptable for my day-to-day use.

Also, I get to see the glowing/blooming effect (very similar to the CineBloom filter from Moment) at wide-open but this effect will wear off from f2.8 onwards.

Fuji X-T5 . ArtraLab 27mm f1.7 @ 24mm . f1.7. 1/10,500″ . ISO 125 . Nostalgic Negative

Chromatic aberration is surprisingly in decent control as I did not observe any during my shoot. As for vignetting, it does have them at wide-open but not as heavy as I have expected.

Sun star is pretty pleasing in my opinion. The lines are fine but not clinically sharp. Also, ghosting can be observed as well.

Focusing

The sensitivity of this manual focus ring is probably one of my favorite ones to use. It rotates effortlessly like a breeze and I can even use my pinky finger to glide clockwise and anti-clockwise without any problem.

The rotation is approximately 180° from Minimum Focus Distance to Infinity. While it may seem “far” or “long travel distance”, in my opinion, this gives a very good amount of travel distance to have better precision on the focusing.

Minimum Focus Distance (MFD)

The MFD 23cm is nothing to shout about as it has the same MFD as most 23mm focal length lenses have.

Fuji X-T5 . ArtraLab 27mm f1.7 @ 24mm . f1.7. 1/80″ . ISO 125 . Nostalgic Negative

But having said that, unlike some manual lenses that suffer from image quality breakdown, the image quality is well-maintained at wide-open at MFD. At least, the sharpness isn’t any softer.

Price Point

At 386 USD, it is very close to the autofocus lens price points. For example Viltrox 23mm f1.4 at 299 USD, Sirui 23mm f1.2 at 330 USD and spend a bit more for XF23mm f2 at 449 USD. As for manual lenses, we have TTArtisan 23mm f1.4 is 99 USD, and 7Artisan 24mm f1.4 is 109 USD.

After sharing the price point, if you really like this lens, I guess the price is not a concern here.

Others

Like most manual lenses, it does not come with weather sealing or resistance, and the lens barrel will protrude a little when you are at the MFD. Also, it does not come with a lens hood which I feel is a little disappointing, given the premium that the photographer has spent.

Fuji X-T5 . ArtraLab 27mm f1.7 @ 24mm . f1.7. 1/240″ . ISO 125 . Nostalgic Negative

This lens does have very minimal lens breathing, so videographers should be less worried if they want to use this lens for their videography work.

Lastly, do take note of the change of white balance when you change the apertures. This is very common for most of the manual lenses that I have tested thus far.

Who is this for?

Unless you love the retrospective design of this lens, I won’t encourage anyone to get this lens at this price or at least I feel that paying a little more to get an autofocus lens is more worth it.

Having said that, there are quite several genres that can be covered with this focal length such as landscape/cityscape, street, environmental portrait, documentary, editorial, etc. It is a very versatile focal length

Conclusion

As my title suggests, this lens is all about being nostalgic and I am sure it gives a lot of reliving memories for all the 80s Nikon photographers. In my opinion, the company did well in launching this lens and I am glad that they did it. This gives 1 more option for the photographers to choose from.

Fuji X-T5 . ArtraLab 27mm f1.7 @ 24mm . f1.7. 1/80″ . ISO 320 . Nostalgic Negative

Also, as this lens is very close to 23mm, it is a very versatile focal length for me. For image quality, it has that charming blooming at wide-open. Rotating the manual ring is really a pleasure for me. Smooth and giving me a sense of satisfaction.

I like everything about the lens except for the price. Maybe someone finds it worth the value but I shall wait for a better deal.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing and Capture One.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.