fujifilm camera – Alwin Kok

The X-Half, also known as the X-HF1, is a pretty unique product and, honestly, one of the most unusual digital cameras we’ve seen in recent years. It’s probably Fujifilm’s most experimental release in 2025, and it clearly targets a very different crowd compared to the usual X-Series shooters.

As the title suggests, I’ve only spent one week with this little camera. So unlike my usual lens reviews where I give things at least two weeks, everything here is based purely on seven days of real-world use.

Intro

The X-Half was announced on 22 May 2025 and officially released in mid-June 2025. Like the X100 and X70 series, it features a fixed lens, this time with a 10.8mm focal length, which translates to approximately 32mm in full-frame terms. On paper, the focal length seems alright for me since I am a 35mm lover. But how does it actually feel in daily use?

First, let’s talk about the name. The word “Half” comes straight from the film era, when film was expensive (and honestly, it still is, maybe even more so now). Half-frame cameras used only half of a standard 35mm frame (18×24mm instead of 24×36mm), effectively doubling the number of shots per roll. A 36-exposure roll could suddenly give you 72 photos. These cameras were typically compact, economical, and often encouraged vertical shooting. The results were usually scanned as pairs or as individual frames.

*Fuji X-Half . @ 10.8mm . f8. 1/1100″ . ISO 200 . Classic Negative*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/680″ . ISO 200 . Classic Chrome*
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/280″ . ISO 200 . Classic Chrome*

Once you understand this idea, Fujifilm’s intention with the X-Half becomes much clearer.

Design, Build Quality, Handling & The Shutter…

Fujifilm sticks to its familiar retro rangefinder-style design here, but with a slight twist. The X-Half definitely looks like it belongs to the X-Series family, but does it feel the same to use?

*Fuji X-Half . @ 10.8mm . f2.8. 1/140″ . ISO 200 . Classic Negative*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/950″ . ISO 200 . Classic Chrome*
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/1700″ . ISO 200 . Classic Chrome*

The first thing that hit me when I saw it in person was just how small it is. It’s been a long time since I’ve handled a truly compact camera like this. That said, once you pick it up, the plastic build doesn’t exactly inspire confidence. Yes, cameras like the X-M5 are also plastic, but this feels different. The X-Half feels closer to an Instax-style plastic than a traditional budget-friendly X-Series body like the X-M series.

Handling isn’t great either. There’s no hand grip at all, which makes it a bit awkward to hold, especially for larger hands. The Frame Advance Lever does help a little and gives you something to rest your thumb on, but it’s still not ideal. Having said that, 240 grams of lightweight is well distributed across the body, making it a good, balanced camera.

The shutter, on the other hand, is completely silent. No sound, no vibration, almost like nothing happened at all.

There’s also a small aperture ring lever, which is a nice idea since the aperture ring itself is small and might have a challenge changing the values if needed.

*Fuji X-Half . @ 10.8mm . f2.8. 1/850″ . ISO 200 . Classic Negative*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/40″ . ISO 800 . Classic Negative*
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/110″ . ISO 800 . Nostalgic Negative*

Menu and UI

I don’t usually spend much time talking about menus and UI, but the X-Half deserves a mention because it does things differently. The interface is not the same as other X-Series cameras. It uses a combination of a touch bar and a touchscreen, and it took me a few minutes to get used to it.

*Fuji X-Half . @ 10.8mm . f2.8. 1/950″ . ISO 200 . Classic Negative*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/640″ . ISO 200 . Classic Negative*
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/1100″ . ISO 200 . Classic Negative*

That said, Fujifilm did a decent job making the touch bar feel logical alongside the touchscreen. There’s a small learning curve, especially if you’re coming from the X-Series, but most people will probably get the hang of it pretty quickly.

You’ll also notice that the menu is heavily stripped down. Many familiar X-Series options are simply gone, which makes sense since the camera itself doesn’t support those features anyway.

One important thing to note: there’s no RAW support at all.

Sensor and Processor

The X-Half uses a vertically-oriented 1-inch, 18-megapixel BSI CMOS sensor with a base ISO of 200. This is the first Fujifilm camera to use a sensor like this. As for the processor, Fujifilm hasn’t said what’s inside, but it’s definitely not the X-Processor 5 found in cameras like the X-T5, X-E5, or X-M5. (My guess is it could be EXR Processor II or X-Processor Pro)

*Fuji X-Half . @ 10.8mm . f2.8. 1/1500″ . ISO 200 . Nostalgic Negative*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/50″ . ISO 800 . Classic Chrome*
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/3″ . ISO 800 . Classic Chrome*

Honestly, that’s not surprising. The latest processor would be overkill for an 18MP sensor, especially when there’s no RAW shooting. You can also feel it in real use: sometimes the camera takes a few seconds to process an image before you can preview it, and startup time is noticeably slower than other X-Series cameras.

A quick side note: you can preview your last shot by pushing the Frame Advance Lever, which is a fun idea, but it’s slow. Pressing the Play button is still the faster way to check your images.

Focal Length

The fixed 10.8mm lens gives you a 32mm full-frame equivalent field of view. That’s slightly wider than my favorite 35mm focal length. In day-to-day shooting, I didn’t really have any major issues with it, though occasionally it did feel just a bit too wide for my framing style. Overall, though, it’s still a very usable focal length.

Image Quality

Image quality is decent and perfectly usable when shooting wide open in good daylight. Once you move into low-light situations, things start to fall apart a bit, images get softer and noisier. Still, for social media use, the results are more than acceptable. At the end of the day, this is a 1-inch sensor.

*Fuji X-Half . @ 10.8mm . f2.8. 1/80″ . ISO 12,800 . Nostalgic Negative*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/125″ . ISO 3200 . Nostalgic Negative*
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/50″ . ISO 12,800 . Nostalgic Negative*

Contrast is good, and I didn’t really notice any obvious vignetting or chromatic aberration. Sunstars are present, but they’re nothing dramatic.

Performance

Startup time is slow. I didn’t measure it exactly, but it’s definitely much slower than any other X-Series camera I’ve used. If you’re trying to grab a quick snapshot, there’s a good chance you’ll miss the moment before the camera is ready.

*Fuji X-Half . @ 10.8mm . f2.8. 1/1250″ . ISO 200 . Classic Chrome*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/1100″ . ISO 200 . Classic Chrome*
Right: *Fuji X-Half . @ 10.8mm . f5.6. 1/1900″ . ISO 200 . Classic Chrome*

Autofocus performance is fine in good light, but it struggles in low-light environments. More strangely, I also noticed occasional focus misses even in daylight. This happened regardless of lighting conditions, which was a bit puzzling. Hopefully, this is something Fujifilm can improve with firmware updates.

Minimum Focus Distance

One pleasant surprise: the minimum focus distance is just 10cm. That’s great if you enjoy shooting close-ups with a wide-angle perspective.

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/90″ . ISO 800 . Nostalgic Negative* (Subject in full size)
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/45″ . ISO 800 . Nostalgic Negative* (at MFD 10mm)

*Fuji X-Half . @ 10.8mm . f2.8. 1/2000″ . ISO 200 . Nostalgic Negative*

Battery Life

The X-Half uses the NP-W126S battery, and honestly, it’s more than enough for a camera like this. I shot over 400 photos, transferred hundreds of them to my phone, and still had more than half a battery left.

For travel, carrying one spare battery should be more than sufficient.

*Fuji X-Half . @ 10.8mm . f2.8. 1/1400″ . ISO 200 . Nostalgic Negative*

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/180″ . ISO 200 . Classic Chrome*
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/125″ . ISO 250 . Classic Chrome*

Feedback

The camera comes with a cold shoe, which surprised me, and a lot of other reviewers too. That said, I do wonder why Fujifilm didn’t just include a hot shoe instead. This isn’t a cheap camera, after all. I understand that the target audience may not care, but it’s always nice to have the option.

Another odd choice is the LED flash instead of a xenon flash. It works fine for close subjects, but it’s not powerful enough for full-body portraits. I understand that a xenon flash would consume more power, especially with the NP-W126S battery, but it’s still worth mentioning.

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/200″ . ISO 200 . Nostalgic Negative* (Without LED)
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/170″ . ISO 200 . Nostalgic Negative* (With LED)

Left: *Fuji X-Half . @ 10.8mm . f2.8. 1/80″ . ISO 800 . Nostalgic Negative* (With LED)
Right: *Fuji X-Half . @ 10.8mm . f2.8. 1/80″ . ISO 800 . Nostalgic Negative* (Without LED)

The optical viewfinder is also very small (very much like that from the Instax camera). You’ll probably only use it in analog shooting mode. I really wish Fujifilm had gone with a semi-hybrid solution, something that shows at least basic shooting information, without needing a full X-Pro or X100-style hybrid viewfinder.

Others

The X-Half offers two standout shooting modes.

The first mimics shooting two exposures on a single 35mm frame. It can be fun and creative for storytelling if you know how to use it properly; unfortunately, I’m not very good at it.

The second mode is the analog film camera mode experience. You choose a film simulation, select how many exposures you want (36, 54, or 72), and start shooting. In this mode, you can’t preview your images, and you must use the Frame Advance Lever after every shot, just like a real film camera.

Once you finish the “roll,” the camera shows a film rewind animation and asks you to preview and download your images through the X-Half app on your phone. It sounds troublesome, but it’s still far easier than dealing with real film development or scanning at home.

The camera also comes with a USB-C port for charging and file transfer, which is always welcome.

Who is this for?

The X-Half is clearly a tribute to the good old days, wrapped in a modern digital package. It gives photographers a taste of how shooting used to feel.

*Fuji X-Half . @ 10.8mm . f8. 1/680″ . ISO 200 . Classic Negative*

Left: *Fuji X-Half . @ 10.8mm . f8. 1/600″ . ISO 200 . Classic Chrome*
Right: *Fuji X-Half . @ 10.8mm . f8. 1/280″ . ISO 200 . Classic Chrome*

If you love nostalgia and enjoy using analog film cameras, this camera might be for you. Beyond that, it’s honestly quite hard to justify owning it.

Price Point

At 649 USD/999 SGD, the price feels steep for such a limited shooting experience. If you really love the size and concept, I’d recommend waiting for a sale.

Conclusion

The X-Half is a unique camera with a very unique and somewhat awkward, priced position. Personally, I think it’s a fun camera to bring along to parties, casual gatherings, or events. Its small size makes it easy and approachable for almost anyone to use, and it can work as a street camera if image quality isn’t your top priority.

From left to right: Fujifilm X-E5, Fujifilm X-Half and Fujifilm X100VI

Behind: Fujifilm X-E5, and Fujifilm X100VI
Front: Fujifilm X-Half

What excites me most, though, is Fujifilm’s move to a 1-inch sensor. This opens up a lot of possibilities for future cameras, maybe even a revival of something like the X10 series. Will we see that happen? I really hope so.

Thank you for reading.

If you are interested in this lens, head down to this affiliate link to purchase yours.
Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
If you like my works, please follow me on either one of the 2 Instagram accounts:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits
If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Viltrox 56mm f1.2 Pro – Meet the Portrait Diva

December 1, 2025November 30, 2025 Alwin Kok

The 85mm full-frame equivalent has long been considered the ideal portrait focal length. Its natural facial rendering, flattering compression, and versatility have made it the gold standard among portrait photographers worldwide. The newly release Viltrox 56mm f1.2 Pro is the lens created for this purpose.

Intro

The Viltrox 56mm f1.2 Pro marks the third addition to Viltrox’s growing “Pro” lineup, following the 75mm f1.2 Pro and 27mm f1.2 Pro. Announced on 1 September 2025, this lens comes in both X-mount and E-mount versions.

*Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/12000″ . ISO 125 . Nostalgic Negative*

Left: *Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/150″ . ISO 160 . Nostalgic Negative*
Right: *Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/170″ . ISO 160 . Nostalgic Negative*

Design and Build Quality

Like its 27mm and 75mm siblings, the Viltrox 56mm f1.2 Pro carries a consistent design language. The all-metal lens barrel immediately feels premium, like you’re holding something worth every dollar spent.

*Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/450″ . ISO 400 . Classic Negative*

Left: *Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/110″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/180″ . ISO 125 . Nostalgic Negative*

The aperture ring is satisfyingly clicky, with just the right amount of tension and tactile feedback. Nothing feels loose, sloppy, or overly stiff.

It comes with a 67mm filter thread and weighs 575 grams. It’s definitely not a tiny lens, but it balances reasonably well on bodies like the X-T5 and X-E5 (with grip). For comparison, Fujifilm’s own XF56mm f1.2 WR comes in at 445 grams.

*Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f5.6 . 1/900″ . ISO 320 . Nostalgic Negative*

Left: *Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/20000″ . ISO 320 . Nostalgic Negative*
Right: *Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/10500″ . ISO 320 . Nostalgic Negative*

Image Quality

As expected from a “Pro” lens, the Viltrox 56mm f/1.2 does not disappoint. It’s already sharp at wide open, with pleasing contrast and well-controlled chromatic aberration, even to my imperfect eyes. Vignetting is present but mild and easily corrected or avoided by stopping down or process in post.

*Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/14000″ . ISO 320 . Classic Chrome*

Left: *Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/2400″ . ISO 160 . Nostalgic Negative*
Right: *Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/280″ . ISO 160 . Nostalgic Negative*

The background blur is smooth with a gentle transition between in-focus and out-of-focus areas. Overall, the rendering feels clean and pleasant. No real complaints here.

Focusing

Viltrox equipped this lens with its Dual HyperVCM motor, but how does it perform in reality?

*Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f5 . 1/90″ . ISO 3200 . Classic Negative*

Left: *Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/200″ . ISO 320 . Nostalgic Negative*
Right: *Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/160″ . ISO 160 . Nostalgic Negative*

On both the X-T5 and X-M5, autofocus is generally snappy, silent, consistent, and accurate. I do get an occasional miss on the first try, but nothing worrying.

*Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/1250″ . ISO 320 . Classic Negative*

Left: *Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/340″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/5800″ . ISO 125 . Nostalgic Negative*

However, pairing it with the X-E5 gave me a very different experience. The autofocus mechanism jammed repeatedly, so much so that even remounting the lens or swapping with other lenses didn’t fix it. It would jam again after a few shots. I can ’t explain why, but the issue exists. X-E5 users should take note.

Another thing I observed: Eye-AF tends to jump rapidly between eyes and faces more often than other third-party lenses I’ve tested. I’m unsure whether this is a copy-specific issue or a broader batch issue, but I hope a future firmware update will address it.

*Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/350″ . ISO 125 . *Nostalgic* Negative*

*Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 200 . *Nostalgic* Negative*

Minimum Focus Distance (MFD)

At 50cm, the MFD is impressive for a mid-telephoto lens, identical to the Fujifilm XF56mm f1.2 WR. You can get quite close without losing image quality, which is great for tighter product shots.

*Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/170″ . ISO 1600 . Nostalgic Negative*

*Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/160″ . ISO 320 . Nostalgic Negative*

*Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/125″ . ISO 640 . *Classic* Negative*

Price Point

Initially priced at 580 USD, the lens now goes for around 464 USD, making it extremely competitive, especially when the XF56mm f1.2 WR sells for 1099 USD at B&H.

Sirui also offers a 56mm f1.2 variant at $280 USD, but personally, I wouldn’t recommend that one.

*Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/50″ . ISO 3200 . Nostalgic Negative*

Left: *Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/5000″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/100″ . ISO 125 . Nostalgic Negative*

Others

As with all Viltrox autofocus lenses, the USB-C port is positioned at the rear, which I prefer over the exposed designs (on the lens barrel) with rubber flaps.

Viltrox 56mm f1.2 Pro – USB-C port at the rear lens element

The lens is also weather-sealed, in true “Pro” fashion, though I’m not exactly planning to test the seals anytime soon.

A lens hood is included, but it’s a bit disappointing that it’s plastic instead of metal.

Who is this for?

If you shoot portraits, this focal length deserves a place on your wishlist. But portraits aren’t the only thing it can do.

*Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/950″ . ISO 800 . Nostalgic Negative*

Left: *Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/90″ . ISO 125 . Classic Negative*
Right: *Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/180″ . ISO 125 . Nostalgic Negative*

During my testing, I found it great for product shoots, street photography, and even cityscapes. As long as the framing suits your vision, the lens delivers.

Conclusion

If you already own the Viltrox 27mm f1.2 Pro and 75mm f1.2 Pro, this lens completes the f1.2 Pro “trinity,” making your lineup feel wonderfully cohesive.

Viltrox 56mm f1.2 Pro and XF56mm f1.2 WR

Viltrox 56mm f1.2 Pro and XF56mm f1.2 WR (with lens hoods)

Viltrox has consistently impressed with its Pro series, excellent image quality, reasonable pricing, in exchange for slightly larger size and heavier builds. The 56mm f1.2 Pro follows that philosophy closely.

*Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 400 . Nostalgic Negative*

Left: *Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 1250 . Nostalgic Negative*
Right: *Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 125 . Nostalgic Negative*

Sure, the Fujifilm XF56mm f/1.2 WR edges out a bit in sharpness and autofocus reliability, but at two times the cost, is it worth it? That comes down to your priorities. If you’re chasing image quality but can’t justify the XF56mm f1.2 WR’s premium price, and you don’t mind the extra weight, the Viltrox 56mm f1.2 Pro is definitely worth considering.

Thank you for reading.

If you are interested in this lens, head down to this affiliate link to purchase yours.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Godox iT20 and iT22 – When Cute Meets Powerful

November 10, 2025November 9, 2025 Alwin Kok

Godox has been on a roll lately, launching compact flashes faster than any competitor can catch up. The new Godox iT20 and iT22 are perfect examples of this momentum, proving once again that small doesn’t mean weak.

Intro

Both flashes were announced in July 2025, just two months before the iT30 Pro hit the scene. The best part? Both support TTL, which is impressive for flashes this size and price.

Design and Build Quality

Right out of the box, both models feel premium. The all-metal construction gives them a solid, confident feel in hand. The buttons are clearly laid out, well-spaced, and tactile with satisfying feedback.

One thoughtful detail: the power button (which also doubles as the test flash button) is concave, unlike the other convex buttons, making it easy to distinguish by touch.

Weight-wise, the iT20 tips the scale at 45g, and the iT22 at 52g, practically indistinguishable when you’re holding them.

Both use a small dot-matrix display, and despite the compact size, the information is crisp and easily readable in both bright outdoor light and darker indoor environments.

Design-wise, the difference is clear:

iT22 stands a little taller, a clever move to avoid interference from larger lenses or lens hoods.

iT20 has a sleek, low-profile shape, perfect for compact cameras and smaller lenses.

Control

Godox kept things simple and intuitive. You’ll find just four buttons: power, mode, plus, and minus, along with a release button to detach the flash from the hot shoe.

Magnetic Diffuser, 1/1 CTO Magnetic Color Filter, 1/2 CTO Magnetic Color Filter

Adjustments are straightforward. Flash power can be fine-tuned in six steps (1/32 to 1/1), and recycle time for a full-power flash sits at a very reasonable 1.5 seconds, quite good for a flash this size.

Flash Power

As their names suggest, the iT20 and iT22 have Guide Numbers of 20 and 22 (ISO 100). While those numbers may not sound huge on paper, they’re more than enough for most real-world uses, such as street photography, travel snaps, or casual portraits.

Fuji X-T5 with Godox iT20 & Magnetic Diffuser

Left: Fuji X-T5 with Godox iT20 & 1/2 CTO Magnetic Color Filter
Right: Fuji X-T5 with Godox iT20 & 1/1 CTO Magnetic Color Filter

Price Point

Both flashes retail for around USD 45, a very attractive price given the metal build, TTL support, and overall performance.

Battery Life

Battery life is surprisingly solid. Each flash is rated for up to 700 full-power pops from the built-in 300 mAh battery. Even if you shave 20% off that for real-world use, that’s still over 500 shots, easily enough for a day of casual shooting.

Charging is simple via the USB-C port, which is always appreciated.

Others

Godox adds a clever touch here: both models support magnetic accessories, letting you quickly attach diffusers, color gels, or other light shapers.

Fuji X-T5 with Godox iT22 & Magnetic Diffuser

Left: Fuji X-T5 with Godox iT22 & 1/1 CTO Magnetic Color Filter
Right: Fuji X-T5 with Godox iT22 & 1/2 CTO Magnetic Color Filter

Compatibility is also broad, available for Canon, Nikon, Sony, Fujifilm, OM System, and Panasonic. Just be sure to pick the correct version for your camera if you want TTL to work properly.

X-E5 with Godox iT22 and X-M5 with Godox iT20

Who is this for?

The iT20 and iT22 fit perfectly into the current direct flash trend that’s taking over social media and street photography. They’re also great for travel shooters, beginners, or anyone using a camera without a built-in flash.

Left: with Diffuser, Center: with 1/1 CTO Magnetic Color Filter, Right: 1/2 CTO Magnetic Color Filter

Left: with 1/1 CTO Magnetic Color, Center: with 1/2 CTO Magnetic Color Filter, Right: with Diffuser

In short, they’re ideal little companions for photographers who want portability, simplicity, and versatility, and they make a great Christmas gift that won’t burn a hole in your pocket.

Conclusion

When it comes to compact flashes, Godox has effectively filled every niche a photographer might need. With premium build, TTL support, and affordable pricing, the iT20 and iT22 prove that sometimes the best things really do come in small packages.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Freewell X100VI Accessories: Adding a Little Extra Magic to the X100VI

October 27, 2025October 26, 2025 Alwin Kok

Every now and then, something interesting pops up in the world of camera accessories, small things that somehow make a big difference in your shooting experience. For us Fujifilm X100 users, those little tweaks often go a long way.

Recently, the good folks at Freewell reached out and asked if I’d like to try their new X100VI accessories. Of course, I said yes — any excuse to take my favorite walkabout camera, the X100VI, out for another spin is a good one.

Before I dive in, I want to thank Freewell for generously sending not one, but three X100VI accessories for me to test. That said, everything you’ll read here comes straight from my own honest experience, as always.

The lineup includes:

Fuji X100VI Thumb Grip with Cold Shoe Mount
Fuji X100VI L-Bracket Premium Grip
Fuji X100VI Real Lens Hood

Let’s go through each of them in that order.

Design and Build Quality

All three accessories share the same metal construction, giving them a premium and sturdy feel right out of the box. They match the clean, minimalist aesthetic of the X100VI perfectly and add a touch of refinement to the camera’s already sleek design.

Thumb Grip

As simple as it sounds, the thumb grip does exactly what you hope it would, it provides a solid resting spot for your thumb, making the camera much more comfortable to hold for longer periods.

It doesn’t drastically change how the camera handles, but it adds just enough stability to make a noticeable difference.

Oh yes, the thumbgrip comes with a cold shoe mount if you ever need to use it for microphone or LED video light.

L Bracket Grip

At first glance, I wasn’t too impressed with the grip’s design. The top curve section where the small extended extra wood looked… odd. I couldn’t quite figure out why they designed it that way.

Then I attached it to the camera, and I was completely wrong.

The curve contour actually makes it surprisingly comfortable, providing a natural resting point for my middle finger. The grip is also deep enough for a firm hold, and the wooden section feels fantastic in hand. You can tell the difference in material quality right away, it’s smooth, solid, and premium.

And here’s a nice touch: it comes with a red shutter button, it’s a small detail that really adds to the X100’s charm.

Real Lens Hood

Now, the name “Real Lens Hood” caught my attention. Why “real”? I still don’t know, but the design itself speaks volumes.

The hood feels light yet premium, with a metal body that matches the X100VI’s build. Unfortunately, the lens cap is made of plastic, and not the best kind. It’s a small letdown compared to the rest of the build. Oh, and it even has an NFC tag built in, scan it for product info and support materials (though oddly, my iPhone couldn’t detect it, but my Android did).

Flippable Square Lens Hood without Filter

That said, the hood comes with some neat tricks. It features a flippable design, letting you change filters without removing the hood entirely, a small but genuinely smart idea.

Two red rubber-tipped tabs make rotating filters smooth and easy, especially when you’re using Freewell’s included 49mm hybrid filter (a Circular Polarizer combined with a 1/4 Black Mist filter).

CPL and Black Mist Filter

This hybrid filter is one of my favorite surprises in the kit. The CPL (Circular Polarizer) helps reduce glare and reflections on water, glass, and foliage while boosting color and contrast. You can control the effect by rotating the filter, that’s where the red tabs really shine.

Left: CPL Filter rotates to the extreme one corner
Right: CPL Filter rotates to the other extreme corner

The 1/4 Black Mist effect adds a gentle bloom to highlights and a soft cinematic glow around light sources. It also slightly reduces contrast in low light, giving your shots a moody, filmic atmosphere.

Among the usual 1/8, 1/4, and 1/2 mist options, I personally find 1/4 to be the perfect balance, noticeable but not overdone. It’s one of those filters that might take a bit of experimenting to fully appreciate, but once you get the hang of it, it adds real character to your images.

Price Point

Here’s the breakdown:

1. Fuji X100VI Thumb Grip with Cold Shoe Mount – 40 USD

2. Fuji X100VI L Bracket Premium Grip – 80 USD

3. Fuji X100VI Real Lens Hood – 130 USD

Considering the quality and usability, these prices feel reasonable, especially if you’re looking to give your X100VI setup a premium touch without going overboard.

Who is this for?

If you’re looking to enhance your X100VI experience, in handling, comfort, and overall shooting enjoyment, this is a solid trio to consider.

If you only want one accessory, I’d recommend the Real Lens Hood. It not only looks stylish with its square profile but also lets you swap filters easily without removing the hood, perfect for photographers who love working with filters.

Just note that it extends a little beyond the lens, both in width and length, but it adds function and flair at the same time.

Conclusion

Freewell has been around since 2012, earning a reputation for crafting innovative filters and camera accessories, from their popular magnetic filter systems to gear for photographers, drone pilots, action cam users, and now, X100 enthusiasts.

This was my first hands-on experience with Freewell products, and honestly, I’m impressed. The accessories feel high-quality, thoughtfully designed, and genuinely enhance the user experience.

They’ve turned my everyday X100VI into something that feels even more refined, and that’s exactly what good accessories should do.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

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If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

TTArtisan 75mm f2 – When Short Telephoto Lens Feels Just Right

October 21, 2025November 25, 2025 Alwin Kok

When it comes to a 75mm focal length, it’s not exactly the most common out there. Most photographers are more familiar with 56mm, while 75mm sits in that in-between telephoto zone that can feel a little intimidating, especially if you’re shooting in tight urban spaces like I do. Space is a luxury here, and a longer focal length often means stepping back more than I’d like. Still, I was curious. And that curiosity led me to the TTArtisan 75mm f2, a surprisingly compact tele lens that might just deserve a spot in your camera bag.

Intro

The TTArtisan 75mm f2 was first launched for Z-mount and E-mount back in September 2024, and it took almost a full year before the X-mount version arrived in August 2025. It’s now available in a total of four mounts, including L-mount, making it accessible to a wide range of photographers.

*Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/220″ . ISO 160 . Nostalgic Negative*

Left: *Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/350″ . ISO 160 . Nostalgic Negative*
Right: *Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/300″ . ISO 320 . Nostalgic Negative*

A quick shoutout to the awesome folks at TTArtisan for sending this lens my way to test, as always, my thoughts here are entirely my own.

Design and Build Quality

Design-wise, this lens follows the familiar TTArtisan aesthetic, very much in line with the 23mm f1.8, 35mm f1.8 II, and 56mm f1.8. But there’s one major difference: this time, there is an aperture ring.

*Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/950″ . ISO 160 . Classic Negative*

Left: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/80″ . ISO 1250 . Nostalgic Negative*
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/2400″ . ISO 125 . Nostalgic Negative*

That’s right, an actual clicky aperture ring on an autofocus lens. It’s something we rarely see from TTArtisan, and it’s a welcome addition, though I’ll admit, the clicks are a bit on the stiff side. It’s not the smoothest experience, but it works.

*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/80″ . ISO 800 . Nostalgic Negative*

Left: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f5.6. 1/420″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f4. 1/1400″ . ISO 125 . Nostalgic Negative*

Build quality, as always with TTArtisan, doesn’t disappoint. The metal construction gives it a solid, premium feel. At 326 grams, it’s nicely balanced and not too heavy. The filter size is 62mm, making filters easy and affordable to find. Plus, it now comes with a square lens hood, which looks great and adds a bit of flair.

Image Quality

Let’s talk about performance. Wide open at f2, the TTArtisan 75mm delivers impressively sharp results. It’s not on the same razor-sharp level as the Viltrox 75mm f1.2, but for general use, it’s more than capable, and the images look fantastic.

*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/600″ . ISO 125 . Classic Negative*

Left: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 135200″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/600″ . ISO 125 . Nostalgic Negative*

Chromatic aberration is very well controlled, and vignetting is minimal enough to be a non-issue.

The bokeh is decent, not the creamiest out there, but it has character. The rendering feels a bit on the “hard” side, but for portraits and product shots, it still delivers pleasing separation and depth.

*Fuji X-E5 . TTArtisan 75mm f2 @ 75mm . f5.6. 1/1250″ . ISO 125 . Nostalgic Negative*

Left: *Fuji X-E5 . TTArtisan 75mm f2 @ 75mm . f5.6. 1/ 6800″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/10500″ . ISO 125 . Nostalgic Negative*

Focusing

Like many telephoto lenses, this one can occasionally experience focus hunting; it’s rare, but it happens unpredictably, both indoors and outdoors.

*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/3200″ . ISO 125 . Nostalgic Negative*

Left: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/3800″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/210″ . ISO 125 . Nostalgic Negative*

Autofocus runs on a Stepper Motor (STM), and it’s quick, accurate, and relatively quiet. Not lightning-fast, but definitely reliable. Eye tracking also performs quite well and stays sticky enough for most portrait situations.

Minimum Focus Distance (MFD)

The minimum focus distance is 75cm, which feels fair for this focal length. For comparison:

Viltrox 75mm f1.2: 88cm
Samyang/Rokinon 75mm f1.8: 69cm

*Fuji X-M5 . TTArtisan 75mm f2 @ 75mm . f2. 1/240″ . ISO 160 . Nostalgic Negative*

*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/640″ . ISO 125 . Nostalgic Negative*

So the TTArtisan sits comfortably in between. More importantly, image quality stays strong even when shooting near the minimum distance.

Price Point

Here’s where things get wild: it is priced at just USD 200. For context, the Viltrox 75mm f1.2 costs about USD 580, and the Samyang/Rokinon 75mm f1.8 sits at USD 449. That’s more than double (and almost triple) the price. So for $200, this TTArtisan feels like a steal, a budget-friendly telephoto lens that still performs well in all checkboxes.

*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/4400″ . ISO 125 . Classic Negative*

Left: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/350″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/170″ . ISO 125 . Nostalgic Negative*

Others

Like other TTArtisan AF lenses, the rear lens cap includes a USB-C port for firmware updates, which is always a plus.

One thing to note, this lens does not have weather or dust sealing. But honestly, at this price point, that’s perfectly reasonable.

Who is this for?

At a 112mm full-frame equivalent, this lens is clearly made for portraits and product photography. It’s not the most versatile choice for street shooters, unless you like keeping a bit of distance between you and your subjects. In that case, this focal length might be perfect for candid, unobtrusive shots.

*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/80″ . ISO 200 . Nostalgic Negative*

Left: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/1400″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/3500″ . ISO 125 . Nostalgic Negative*

For travel photographers, it’s a great lens to pack “just in case.” It’s compact, not too heavy, and covers a nice tele range when you need it.

Conclusion

Alongside TTArtisan’s compact prime lineup: the 23mm f1.8, 35mm f1.8 II, and 56mm f1.8, this new 75mm f2 rounds out a very practical and affordable set of lenses for any prime shooter. For 200 USD, TTArtisan has nailed the balance between build quality, image performance, and price. I honestly can’t find a solid reason not to recommend it.

*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/2200″ . ISO 125 . Classic Negative*

Left:*Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/1250″ . ISO 125 . Classic Negativ*e
Right: *Fuji X-T5 . TTArtisan 75mm f2 @ 75mm . f2. 1/500″ . ISO 125 . Classic Negative*

It’s compact, capable, and fun to use, the kind of lens that reminds you good gear doesn’t always have to come with a high-end price tag. TTArtisan has been on a roll, releasing lens after lens, and now I can’t help but wonder… what focal length will they surprise us with next?

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

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If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

AstrHori 18mm f5.6 Shift Lens – Shift Happens

October 13, 2025October 25, 2025 Alwin Kok

Tilt-shift lenses have always been a niche tool, designed for very specific kinds of photography, the kind most photographers never touch because, well, they used to cost a small fortune.

But times have changed. With the rise of Chinese lens makers, we’re now seeing more affordable alternatives entering the market. These lenses bring once-exclusive creative tools into the hands of curious photographers who’ve always wanted to try tilt or shift lenses without breaking the bank.

Fuji X-E5 with AstrHori 18mm f5.6 Shift Lens

Before proceeding further, I would like to express my gratitude to the team at AstrHori for providing me with this lens for review. Rest assured that the opinion is my own.

Intro

When it comes to shift lenses, options are still rare. As far as I know, only AstrHori and Laowa (Venus Optics)currently make them.

Fuji X-M5 with AstrHori 18mm f5.6 Shift Lens

Now, it’s worth noting the difference between tilt and shift:

Tilt lenses allow you to play with the plane of focus, creating dreamy miniature effects or selective focus shots.

Shift lenses, on the other hand, are all about correcting perspective distortion, like the converging lines you see in architectural photos, while keeping your camera level. They’re also great for stitching large, high-resolution panoramas from overlapping shots.

Design and Build Quality

The AstrHori 18mm f/5.6 feels solid and well-built, with a full-metal construction. You’ll immediately notice the zigzag line around the body — that’s the part where the shifting happens.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/600″ . ISO 125 . *Nostalgic* Negative

Left: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/25″ . ISO 3200 . *Nostalgic* Negative
Right: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/450″ . 125 . *Nostalgic* Negative

The lens can also rotate, with a satisfying click at each stop. This makes it easy to align your shift direction, whether you’re shooting in landscape or portrait orientation.

Left: Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/210″ . ISO 320 . *Nostalgic* Negative – Shift mode
Right: Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/125″ . ISO 160 . *Nostalgic* Negative – Normal mode

At 170 grams, it’s about twice the weight of the Fujifilm XF23mm f2.8 (which is 90g), but still feels light and well-balanced in hand.

Image Quality

This lens has a fixed aperture of f5.6, meaning there’s no way to change it , similar to the Viltrox 28mm f4.5. While that may sound limiting, it simplifies the shooting experience and keeps the design compact.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/480″ . ISO 320 . *Nostalgic* Negative

Left: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/640″ . ISO 125 . *Nostalgic* Negative – Normal mode
Right: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/500″ . ISO 125 . *Nostalgic* Negative – Shift mode

For the image quality, I will break down the image performance into two parts: normal and shift shooting.

Normal shooting mode

Image quality is surprisingly good, sharp enough with well-preserved contrast. Chromatic aberration is minimal, and vignetting is very well controlled, almost nonexistent.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/180″ . ISO 125 . *Nostalgic* Negative

Left: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/200″ . ISO 125 . *Nostalgic* Negative – Shift mode
Right: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/160″ . ISO 125 . *Nostalgic* Negative – Normal mode

Shift shooting mode

The AstrHori 18mm allows for a ±6mm shift range. Whether or not that’s a standard figure, it’s enough to make a noticeable difference. The perspective correction is clear and effective, with no visible loss in image quality.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/1500″ . ISO 125 . *Nostalgic* Negative

Since this lens does not come with a lens hood, we have to be mindful of the potential flare introduced into the photos.

Focusing

The focus throw spans about 170°, which gives you a good amount of precision for manual focusing. It’s smooth and consistent, exactly what you want for a lens like this.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/125″ . ISO 2500 . *Nostalgic* Negative

Left: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/7″ . ISO 3200 . *Nostalgic* Negative – Shift mode
Right: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/10″ . ISO 3200 . *Nostalgic* Negative – Normal mode

Minimum Focus Distance (MFD)

With a minimum focus distance of 30cm, it’s not meant for close-up work. But that’s expected; this is a shift lens designed primarily for architecture and perspective correction, not macro photography.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 2500 . *Nostalgic* Negative

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/125″ . ISO 320 . *Nostalgic* Negative

Price Point

At just USD 119, this lens is an absolute steal. It’s inexpensive enough to buy out of curiosity, experiment with, and maybe even surprise yourself with the results. For the price of a nice dinner, you can add a creative tool to your camera bag that might come in handy one day.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/1100″ . ISO 320 . *Classic* Negative

Left: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 400 . *Nostalgic* Negative
Right: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 800 . *Nostalgic* Negative

Others

One thing to watch out for: be mindful of where your fingers rest when shifting the lens. The metal edges can be a little sharp, not enough to hurt, but enough to give you a surprise if you’re not paying attention. Hopefully, AstrHori smooths that out in the next version.

The shift function works best when shooting upward or downward angles, like from the ground floor looking up at a building. If you’re shooting straight ahead, shifting mainly changes your framing rather than fixing distortion.

Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 1000 . *Nostalgic* Negative

Left: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/42″ . ISO 3200 . *Nostalgic* Negative
Right: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/80″ . ISO 1250 . *Nostalgic* Negative

Who is this for?

While the primary audience is architectural photographers, the 28mm (full-frame equivalent) field of view and f5.6 aperture also make it a fun lens for street photography. And again, at USD 119, it’s an easy lens to buy as a gift, or just to satisfy your curiosity.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/600″ . ISO 160 . *Nostalgic* Negative

Left: Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/900″ . ISO 125 . *Nostalgic* Negative – Normal mode
Right Fuji X-E5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/180″ . ISO 125 . *Nostalgic* Negative – Shift mode

Conclusion

Niche products like this are rare because most manufacturers won’t take the risk. So props to AstrHori for daring to do something different. The 18mm f5.6 Shift Lens is available in multiple mounts (E, L, and Z), opening up creative possibilities for photographers across systems.

Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/5″ . ISO 320 . *Nostalgic* Negative

Left: Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/3800″ . ISO 320 . *Nostalgic* Negative – Shift mode
Right: Fuji X-M5 . AstrHori 18mm f5.6 @ 18mm . f5.6 . 1/3800″ . ISO 320 . *Nostalgic* Negative – Normal mode

It’s compact, affordable, and genuinely fun to use, proof that innovation doesn’t always have to come with a high price tag. Here’s hoping AstrHori keeps pushing boundaries with more unique releases, while continuing to refine their lineup of everyday lenses like the AstrHori 27mm f2.8.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

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If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Godox iT30 Pro – Small, Smart, and Surprisingly Powerful

October 6, 2025October 4, 2025 Alwin Kok

In recent years, we’ve seen a steady rise in the popularity of what many call the “flash look”, a style that embraces the direct, on-camera flash aesthetic. This has sparked a growing demand for compact, budget-friendly flashes from a range of manufacturers. I still remember when Godox was among the early pioneers of this trend, especially with their Lux series. Back then, these flashes were mostly manual, but clearly, the evolution hasn’t stopped there.

Black and Silver Godox iT30 Pro – Top view

Intro

Announced on May 24, 2025, the Godox iT30 Pro is the latest entry in their new iFlash series, and it took me by surprise. I always believed a TTL-capable compact flash would arrive eventually, but I didn’t expect it to come this soon.

Now, to be fair, Godox isn’t the first to bring TTL into a compact form factor. We’ve seen it before in the Leica SF 60 and Nissin i40 (but they are now “bigger” than the iT30). But what sets the iT30 Pro apart is that it’s Godox’s first TTL flash that supports direct, on-camera use in such a small footprint.

Before diving into the review, I want to extend a big thank you to the kind folks over at Godox for generously sending not one, but two iT30 Pro units my way. That said, as always, all thoughts and opinions shared here are entirely my own, honest and unbiased.

Design and Build Quality

First impressions? It’s slightly thicker than your typical compact flash, but noticeably shorter in depth. It’s not exactly pocketable, but it still fits easily into most camera bags without hogging much space.

X100VI with Black Godox iT30 Pro and X-E5 with Silver Godox iT30 Pro

At 120 grams, it feels a bit heavier than I expected, especially when compared to the Viltrox Vintage Z1 (116 grams). The weight, I suspect, comes down to the dense build and internal battery. That said, the construction feels solid. The body is made of high-quality plastic, and it’s available in two finishes: black and silver. Personally, I find the silver version to be a perfect visual match for any silver Fujifilm body, it just looks right.

Control

The iT30 Pro keeps things simple. It features a 2.8-inch touchscreen, which is where most of your interaction happens. The interface is responsive, and it’s intuitive enough for both beginners and experienced users.

Black and Silver Godox iT30 Pro – 2.8inch screen

Aside from the screen, there are a few physical controls: a rotary dial, three function buttons next to the screen, a release button, and a WN (Wide/Narrow) switch.

Black and Silver Godox iT30 Pro – Rotary dial

The rotary dial mirrors the touchscreen in functionality and is a thoughtful addition for those who prefer tactile control or if you’re shooting with gloves on and can’t reliably tap a small screen.

The WN switch controls the built-in diffuser. In “W” mode, the diffuser spreads the light for more even coverage at closer ranges. In “N” mode, the beam is more focused, ideal for subjects at longer distances.

The three physical buttons are clearly labeled and do exactly what you’d expect, no confusion here.

Flash Power

The iT30 Pro has a Guide Number of 15 at ISO 100. That’s not earth-shattering, but it’s more than adequate for typical use cases like street photography, travel, or casual portraits.

Price Point

At just 75 USD / 100 SGD, the iT30 Pro is very competitively priced — especially for a flash with TTL capability and wireless triggering support. For what you’re getting, this flash delivers solid value.

Others

Powering the flash is a built-in 900mAh battery, which charges via USB-C. In my tests, it took slightly less than an hour for a full charge, pretty reasonable.

Black and Silver Godox iT30 Pro – USB-C port

Godox claims it can deliver up to 560 flashes on a full charge, which is quite impressive for a compact unit. Even if you take a conservative estimate and reduce that by 20%, you’re still looking at enough juice to last an entire day of casual shooting.

What really caught my attention, though, is its full wireless functionality. You can pair it with other iT30 Pro units or any Godox flashes using the same wireless system. That opens up a lot more creative possibilities. Imagine setting up a few of these around a room and syncing them all together. Pretty wild for something this small.

Who is this for?

*Fuji X-E5 . ArtraLab 11mm f1.8 @ 11mm . f2.8. 1/80″ . ISO 160 . Nostalgic Negative*

Travel Photographers: Its small size, built-in battery, and USB-C charging make it a perfect companion on the go. No need for bulky chargers or spare battery packs.

*Fuji X-E5 . TTArtisan 75mm f2 @ 75mm . f2. 1/180″ . ISO 200 . Nostalgic Negative*

Beginner Photographers: If you’re just starting out with flash photography, TTL makes the learning curve less intimidating. You can focus on composition without worrying about manual power settings.

*Fuji X-E5 . TTArtisan 33mm f1.8 @ 33mm . f1.8. 1/250″ . ISO 125 . Nostalgic Negative*

Pros?: While I don’t expect commercial photographers to rely on this for big assignments, some might find it useful as a lightweight fill or backup flash. It really depends on their workflow.

*Fuji X-E5 . TTArtisan 33mm f1.8 @ 33mm . f2.8. 1/80″ . ISO 640 . Nostalgic Negative*

Conclusion

The Godox iT30 Pro is a solid little flash with a surprising amount of functionality packed into a compact body. With TTL, wireless control, and a friendly price tag, it ticks a lot of boxes for hobbyists, travelers, and beginners alike. It may not replace your full-size speedlight, but it’s a great addition to any kit, especially if you’re a Fujifilm shooter who appreciates matching aesthetics. Godox clearly isn’t done innovating in the compact flash space. If this is what they’re doing now, I can’t wait to see what the next iFlash series has in store.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Fujifilm XF23mm f2.8 WR – The Pancake We’ve All Been Hungry For

September 29, 2025September 29, 2025 Alwin Kok

23mm (35mm in full-frame equivalent) has always been my favorite walk-around focal length. So, whenever I’m not testing lenses, the X100VI is usually the first camera I reach for.

With the release of the new XF23mm f2.8 WR, we now have three different 23mm options from Fujifilm. That really shows just how popular this focal length is, and Fujifilm clearly knows it, giving us more choices to fit different shooting styles and budgets.

Intro

Back in 2022, a community poll on a rumors forum showed strong interest in a compact 23mm pancake lens. I was one of the photographers who voted for it. Over the years, bits and pieces of rumors kept surfacing, and I found myself always hoping the day would finally come. Now, in 2025, Fujifilm has delivered. The long-awaited pancake lens arrived alongside the X-E5 at the X-Summit in Shanghai.

*Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 500 . Nostalgic Negative*

Left: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/105″ . ISO 125 . Nostalgic Negative*
Right: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 1250 . Nostalgic Negative*

Design and Build Quality

At first glance, you’ll immediately notice how small and lightweight this lens is. Weighing just 90 grams, it’s only slightly heavier than the XF27mm f2.8 WR (84 grams). In terms of size, its dimensions are 61.8mm x 23mm, almost identical to the XF27mm. In reality, both lenses are very close to each other, basically the same in size and weight. This also means this 23mm pancake won’t add any bulk to your camera setup.

*Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/90″ . ISO 3200 . Nostalgic Negative*

Left: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/2200″ . ISO 125 . Classic Negative*
Right: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 320 . Classic Negative*

It also takes tiny 39mm filters, which is great for filter users. The metal build feels premium, exactly what we’ve come to expect from Fujifilm—no compromises here.

The aperture ring is another highlight. It delivers that satisfying, tactile click with every turn, something Fujifilm shooters will definitely appreciate.

Image Quality

When it comes to Fujifilm, image quality is rarely in question. Whether the lens is marketed as budget-friendly or premium, their standards remain high.

*Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/680″ . ISO 125 . Classic Negative*

Left: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/1600″ . ISO 125 . Classic Negative*
Right: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/480″ . ISO 125 . Classic Negative*

This pancake is no exception. At wide-open, the images are sharp with excellent contrast. Chromatic aberration and vignetting are virtually unnoticeable, which is impressive for a compact lens like this.

*Fuji X-E5 . XF23mm f2.8 @ 23mm . f16. 1/640″ . ISO 125 . Nostalgic Negative*

Focusing

The lens uses a DC coreless motor for autofocus. In most cases, it’s quick and accurate, even in low-light conditions. It’s not quite as snappy as Fujifilm’s other two 23mm lenses, but still very reliable.

*Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/105″ . ISO 3200 . Classic Negative*

Left: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f4. 1/500″ . ISO 500 . Nostalgic Negative*
Right: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f5.6. 1/200″ . ISO 500 . Nostalgic Negative*

That said, I did encounter two instances in a row where the autofocus confirmed (green box lit up), but the final shot was back-focused. Oddly, this happened outdoors in bright sunlight. After those two occasions, everything went back to normal, and I haven’t been able to reproduce the issue.

Left: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/1500″ . ISO 125 . Classic Negative* (back-focused)
Right: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/1250″ . ISO 125 . Classic Negative*

Minimum Focus Distance (MFD)

Something surprised me in this department. I wasn’t expecting something so compact and yet able to deliver a much closer focusing distance at 20cm. It is impressive that the image quality holds up beautifully with crisp detail and punchy contrast.

*Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/125″ . ISO 400 . Nostalgic Negative*

*Fuji X-E5 . XF23mm f2.8 @ 23mm . f3.2. 1/80″ . ISO 200 . Nostalgic Negative*

Price Point

As of now, this lens is bundled as the kit option with the X-E5. The price difference between the X-E5 body only and the kit with this lens is about USD 200 / SGD 300.

*Fuji X-T5 . XF23mm f2.8 @ 23mm . f2.8. 1/17″ . ISO 3200 . Nostalgic Negative*

Left: *Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/1400″ . ISO 320 . Classic Negative*
Right: *Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/500″ . ISO 3200 . Classic Negative*

If purchased separately, the lens is expected to retail at USD 499 / SGD 599. Availability seems to vary by region—here in Singapore, for instance, it’s not yet being sold standalone.

Others

The lens doesn’t ship with a square hood, but it does include a small round hood. It’s more for basic protection than style, but it gets the job done.

*Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/15″ . ISO 3200 . Nostalgic Negative*

Left: *Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/8500″ . ISO 320 . Nostalgic Negative*
Right: *Fuji X-M5 . XF23mm f2.8 @ 23mm . f2.8. 1/1300″ . ISO 320 . Nostalgic Negative*

Who is this for?

This lens is aimed at photographers who value compactness above all else. While you can certainly mount it on cameras like the X-T5 or X-H2(S), I think it pairs best with Fujifilm’s smaller bodies, such as the X-M5, X-E series, or X-Txx series.

*Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 160 . Classic Negative*

Left: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 160 . Nostalgic Negative*
Right: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/1100″ . ISO 125 . Classic Negative*

Conclusion

As mentioned at the start, Fujifilm now offers three 23mm primes, ensuring there’s an option for every type of shooter.

*Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/2200″ . ISO 125 . Classic Negative*

Left: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/80″ . ISO 125 . Classic Negative*
Right: *Fuji X-E5 . XF23mm f2.8 @ 23mm . f2.8. 1/125″ . ISO 640 . Classic Negative*

The XF23mm f2.8 WR may not be the brightest lens in the lineup, but it’s the compact street photography lens that many Fujifilm users have been waiting for, and Fujifilm has finally delivered. Now that we have the long-anticipated 23mm pancake, I can’t help but wonder what Fujifilm’s next pancake lens might be. Will it be a 35mm, or maybe a 50/56mm? What do you think?

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

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Reviews

Fujifilm X-E5 – The X-E That We Have Been Waiting For

September 8, 2025September 8, 2025 Alwin Kok

Fujifilm X-E5 is the newest camera in the X-E series and of course in the Fujifilm X series family as well. There was a saying that this series has been a lot of ups and downs with speculation about this series been axed. But it survived everytime and always been refining and Fujifilm always trying yo positioning it better.

Intro

The X-E series has always been considered the little brother to the X-Pro line. Designed to be a more affordable option for photographers who love the rangefinder style but can’t justify the X-Pro’s price, the X-E models traditionally came with slightly lower specs and a plastic build.

*Fuji X-E5 . XF35mm f1.4 @ 35mm . f2. 1/480″ . ISO 125 . Nostalgic Negative*

*Fuji X-E5 . XF35mm f1.4 @ 35mm . f1.4. 1/1250″ . ISO 125 . Nostalgic Negative*

However, things has shaken up a bit with the X-E5. It is now much better build, more premium than it predecessors and improve durability.

Before we go any further, let’s take a look at the lenses I paired with the X-E5.

*Fuji X-E5 . XF35mm f1.4 @ 35mm . f1.4. 1/100″ . ISO 125 . Classic Negative*

Design, Build Quality, Handling & The Shutter…

Looking back at the Fujifilm X-E series, one thing that immediately stands out is how the design language has evolved. Earlier models carried a softer, curved body shape, but with the newer iterations, Fujifilm has shifted toward a sharper, more refined blocky look.

*Fuji X-E5 . Viltrox 25mm f1.7 @ 25mm . f2.8. 1/210″ . ISO 125 . Nostalgic Negative*

Interestingly, the X-E1, the very first in the lineup, was actually a bit larger and taller than the brand-new X-E5, yet it still managed to be much lighter thanks to the plastic built body.

Fuji X-E5 . *Viltrox 28mm f*4.5 @ 28mm . f4.5. 1/80″ . ISO 320 . Nostalgic Negative

The X-E4 was where Fujifilm took a bold leap into minimalism. Some photographers appreciated the stripped-back approach, while others felt it went a little too far. The X-E5 continues along that same minimal design path, but with a few thoughtful additions that make it feel like Fujifilm listened to the feedback.

*Fuji X-E5 . ArtraLab 24mm f1.7 @ 24mm . f2.8. 1/2000″ . ISO 125 . Classic Negative*

Right: *Fuji X-E5 . TTArtisan 33mm f1.8 @ 33mm . f1.8. 1/250″ . ISO 125 . Nostalgic Negative*

The shutter, however, doesn’t feel heavy at all. In fact, it’s gentle and refined compared to earlier models, giving the camera a pleasing shooting experience.

A welcome return is the flip-up LCD display. I don’t take selfies often, but the flip-up screen is perfect for capturing low-angle shots.

What’s been brought back?
The hand grip. While it’s not the chunkiest grip you’ll find, the small front and rear bumps do improve handling compared to the gripless X-E4. It’s still not perfect, many will likely want an additional grip accessory, but the difference is noticeable and very welcome.

*Fuji X-E5 . TTArtisan 23mm f1.8 @ 23mm . f2 . 1/80″ . ISO 320 . Classic Negative*

*Fuji X-E5 . TTArtisan 23mm f1.8 @ 23mm . f2. 1/80″ . ISO 160 . Nostalgic Negative*

What’s been added?
From the front, you’ll now spot a focus mode selector, a control lever, and a function button, small but meaningful upgrades for usability. Around the back, the “Q” button has been moved into the same position as the X100VI, and Fujifilm has also added a rear command dial. These tweaks make the X-E5 feel more versatile without cluttering the minimalist design.

Placement of the “Q” button is the same as X100VI

If you’ve shot with previous X-E cameras, one of the first things you’ll notice when picking up the X-E5 is the weight. At 445g, it’s the heaviest in the series (most predecessors hovered around 350g). But with that extra heft comes a sense of sturdiness, thanks to its solid aluminum build.

One of the most distinctive design touches on the X-E5 is the new film simulation dial built into the top plate window. Traditionally, that little window displayed film count, and now, it tells you which film simulation you’re using. A subtle but clever nod to the good film days, and of course, the Instax cameras.

The dial itself comes with 10 film simulation slots: 6 fixed presets and 4 that can be customized. (For comparison, the X-M5 offers 12 slots.) FS1 to FS3 can be assigned to any simulation you like, including your own recipes. The final slot, labeled “C” for Custom, lets you quickly change simulations on the fly using the front command dial.

Sensor and Processor

The X-E5 is equipped with the familiar 40MP X-Trans CMOS 5 HR sensor alongside the powerful X-Processor 5. It is the same combination found in Fujifilm’s X-H2, X-T5, X-T50, and even the X100VI.

*Fuji X-E5 . ArtraLab 24mm f1.7 @ 24mm . f2.8. 1/150″ . ISO 125 . Nostalgic Negative*

40 megapixels might feel like overkill if your main goal is to share photos on social media, but having that level of resolution opens up plenty of creative possibilities, from large prints to detailed cropping. It’s a thoughtful move by Fujifilm, and one that photographers will no doubt appreciate.

*Fuji X-E5 . SG-Image 25mm f1.8 @ 25mm . f2.8. 1/750″ . ISO 125 . Nostalgic Negative*

Image Quality

40 megapixels image quality is superior. Pairing the right lenses help to optimize the best image quality Fujifilm offers. If you pair up with the Fujifilm older generation of lenses or other third party lenses, you might notice some levels of softness if you are the picky one.

*Fuji X-E5 . AstrHori 27mm f2.8 @ 27mm . f2.8. 1/80″ . ISO 500 . Nostalgic Negative*

Performance

For those who have experienced the X-Processor 5, you already know the kind of performance it delivers. This is the very same processor powering the flagship GFX100 II, and it brings that same level of speed and refinement into the X series. When paired with Fujifilm’s latest generation of lenses, the results are nothing short of outstanding, showcasing some of the best performance Fujifilm has to offer.

*Fuji X-E5 . SG-Image 25mm f1.8 @ 25mm . f4. 1/500″ . ISO 125 . Nostalgic Negative*

That said, the eye-AF tracking performs well by Fujifilm’s current standards. It sticks onto the subject most of the time, though every now and then it might wander off a little. When I put it side by side with my X-T5, the focusing feels slightly slower (both running on default settings). But honestly, it’s not a deal breaker for me.

IBIS

*Fuji X-E5 . ArtraLab 24mm f1.7 @ 24mm . f2.8. 1/1400″ . ISO 125 . Nostalgic Negative*

Similar to all other latest series of X-Series camera bodies, it is equipped with 7 stops of compensation. In short, the IBIS in this camera works impressively well.

Battery Life

*Fuji X-E5 . Meike 55mm f1.4 @ 55mm. f5.6 . 1/1300″ . ISO 125 . Nostalgic Negative*

When it comes to battery, I am prepared and expecting that NP-W126S to be the battery model and we all know how small the battery capacity this model can be.

*Fuji X-E5 . TTArtisan 23mm f1.8 @ 23mm . f2. 1/80″ . ISO 320 . Nostalgic Negative*

According to CIPA rating, it is about 300 shots. But based on my usage with everything in default, I managed to squeeze about 480 shots. And that including transferring 50 shots from the camera to the phone. This result of mine shared similarity with the X-T50.

In my opinion, the number of shots seems to be good enough for a 2-3 days travel occasion and probably a good one day coverage for photowalks. If you think the battery is not good enough, I will suggest getting another 1 to 2 spare batteries as the battery is quite pocketable and compact. Alternatively, standby a PD powerbank to charge via the USB-C to extend the juice whenever needed.

Feedback

Like all the rest of the X-E series that come before it, it does not equipped with Dial Lock Release like the X-T5. This lock is so beneficial because it can prevent accidental dial changes. I encountered this when my camera is place inside the bag and probably some movement has pushes the dial without noticing.

Wish to have a dial lock on the shuttle speed dial

There hasn’t been any upgrade to the Electronic View Finder (EVF) or the rear LCD display and they are still at 2.36 million dots and 1.04 million dots respectively. I do wish Fujifilm had pushed a little further in this area, especially to better justify the price increase.

Price Point

*Fuji X-E5 . *Viltrox 28mm f4.5* @ 28mm . f4.5. 1/80″ . ISO 400 . Nostalgic Negative*

This new generation comes in at a noticeably higher price than the previous one. The body alone is priced at 1599 USD, and in Singapore, it’s going for 2099 SGD. To put things in perspective, the last model was launched at 1449 SGD back in 2021.

Even after adjusting for inflation, which would bring that number closer to 1700 SGD, the new price still sits quite a bit higher. Whether that premium is worth paying really depends on what photographers feel they’re getting out of it.

*Fuji X-E5 . AstrHori 27mm f2.8 @ 27mm . f2.8. 1/80″ . ISO 400 . Classic Negative*

Others

When it comes to the Fujifilm X-E5 and X100VI, the comparisons never seem to end. Which one is better? Why choose this over that? Which camera really gives you the most value? The debates go on, often shaped by personal preference and bias. That’s completely fair, and I respect that.

*Fuji X-E5 . Meike 55mm f1.4 @ 55mm . f2. 1/80″ . ISO 3200 . Nostalgic Negative*

From my perspective, both cameras serve different purposes and are designed to meet the unique needs of each photographer and shooting experiences. There’s really no right or wrong choice here. What matters most is understanding your own shooting style and priorities. Once you’re clear about what you need, picking the right camera becomes a much simpler decision. It might sound straightforward, but in reality, finding the right one often takes a bit more time and consideration.

*Fuji X-E5 . XF80mm f2.8 @ 80mm . f2.8. 1/42″ . ISO 4000 . Nostalgic Negative*

The X-E5 has a little trick up its sleeve, a classic display mode in the electronic viewfinder. It’s an interesting addition that feels like a nod to nostalgia for senior generations users, while also giving younger generations a taste of the past.

Who is this for?

If you are interested in jumping into Fujifilm ecosystem and find that price of the X-E5 price is too steep, there are other models available, for instance, X-M5.

*Fuji X-E5 . XF56mm f1.2 @ 56mm . f2. 1/80″ . ISO 320 . Nostalgic Negative*

Fujifilm is always about the overall user experience from using the gear, to click the shutter and the final results in front of your eyes. Each camera user experience is different somehow and finding the right one is always a challenge.

*Fuji X-E5 . ArtraLab 24mm f1.7 @ 27mm . f5.6 . 1/4000″ . ISO 125 . Nostalgic Negative*

If possible, give it a try in your nearest camera store or better recommendation is to rent it out for a week or two with a few lenses to try. The later one is a costly option, but probably a better one than rush buy.

Conclusion

The X-E series has always held a special charm for me. I still keep my X-E3 around, and while I regret missing the chance to pick up the X-E4 before Fujifilm suddenly discontinued it, I wasn’t willing to pay inflated resale prices. So when the X-E5 was announced, it was an easy decision. I knew I had to get it.

*Fuji X-E5 . XF56mm f1.2 @ 56mm . f2. 1/15″ . ISO 800 . Nostalgic Negative*

Thanks to the ripple effect from the viral X100V video, Fujifilm cameras have been attracting attention well beyond the photography community. And naturally, the X-E5 has also found its way into the spotlight.

*Fuji X-E5 . Meike 55 @ 55mm . f5.6. 1/80″ . ISO 400 . Nostalgic Negative*

Yes, the X-E5 is the most expensive model in the X-E lineup so far, but in my opinion, it’s also the best one yet. I absolutely enjoy the shooting experience this rangefinder-style body offers—it’s a completely different vibe compared to my X-T5. As I’ve said before, every camera has its own purpose, crafted to meet the specific needs and styles of different photographers. The X-E5 is no exception, and that’s exactly what makes it so special.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

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Reviews

AstrHori 27mm f2.8 – No Longer A Pancake

September 1, 2025October 25, 2025 Alwin Kok

Suddenly, there seems to be another new hype for 27mm among third-party manufacturers. I have no idea why there are suddenly so many 27mm in the market again. If you are not familiar, Ulanzi and 7Artisans release the same 27mm f2.8 setup. (Just that Ulanzi only released it for the Sony E-mount.)

On a second note, you might realized that both 7Artisans and AstrHori shared very similar lens design with Jintu. You are not wrong. They are the same lens. Just rebranded. (However, we have no idea who rebranded from who. But does it matter?)

Intro

AstrHori 27mm f2.8 was announced back in November 2024. AstrHori isn’t a new player for this focal length, in fact, they had released two 27mm manual lenses before. So I suppose they have decided to go for an autofocus one after noticing some demands from the market.

Design and Build Quality

From the look, this lens is a simple, beautiful, and minimalistic. It comes with a simple textured manual focus ring for easy gripping. No lens hood is provided for the 39mm filter thread. It comes with 2 colors, black and titanium, which I think the later one do stand out a bit from the crowd.

*Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/680″ . ISO 320 . Classic Negative*

Left: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/6400″ . ISO 320 . *Nostalgic* Negative*
Right: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/6000″ . ISO 320 . *Nostalgic* Negative*

When it comes to size, it is not the smallest 27mm lens in the market. In fact, it is not even the size of being a “pancake” lens. It is about 2x the size of the XF27mm f2.8. If in return, the

*Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/125″ . ISO 2500 . Classic Negative*

Left: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/125″ . ISO 200 . Classic Negative*
Right: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/50″ . ISO 3200 . Classic Negative*

The lens is metal-constructed, with decent built quality. At 165 grams, it is well-weighted and well-balanced on hand. If you are hoping this lens has a similar size to the XF27mm f2.8 WR, you might be disappointed as it is close to 2 times the thickness.

Image Quality

The image quality is noticeably better than that of TTArtisan’s offering. Not quite a fair comparison as the TTArtisan variant was released in 2022 and I believe the optical glass quality has improved over the years.

*Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/20″ . ISO 3200 . Classic Negative*

Left: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/20″ . ISO 3200 . Classic Negative*
Right: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/125″ . ISO 800 . Classic Negative*

While sharpness isn’t exceptional at wide open, it remains decent and perfectly usable. The lens also delivers pleasing contrast, and I didn’t encounter any significant chromatic aberration. Vignetting is present, but it can be corrected easily in post.

As for sunstars, they’re acceptable and considerably sharp or well-defined.

*Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 0.3″ . ISO 3200 . *Nostalgic* Negative*

*Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/125″ . ISO 2500 . *Nostalgic* Negative*

Focusing

The manual focus ring feels satisfying to use, with a textured surface that provides a smooth yet firm rotation.

*Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/125″ . ISO 800 . *Nostalgic* Negative*

Left: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/125″ . ISO 1250 . *Nostalgic* Negative*
Right: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/160″ . ISO 320 . *Nostalgic* Negative*

The autofocus speed isn’t particularly fast or snappy, but it delivers respectable performance and remains largely accurate. In my testing, the Stepper Motor (STM) handled low-light conditions without any noticeable issues, and most importantly, it is quite silent compared to other 27mm f2.8 variants.

Minimum Focus Distance (MFD)

On the bright side, the MFD is actually better (@30cm) than the XF27mm f2.8 WR and TTArtisan 27mm f2.8, at 34cm and 35cm respectively. Also, the good news is that the image quality remains the same.

Price Point

Priced at 126 USD. It is probably the second cheapest 27mm autofocus lens on the market, the 7Artisans variant is now 110 USD. If every cent is considered in your budget, this is the most affordable 27mm lens to be considered.

*Fuji X-T5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/80″ . ISO 400 . *Nostalgic* Negative*

Left: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/125″ . ISO 500 . *Nostalgic* Negative*
Right: *Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/75″ . ISO 3200. *Nostalgic* Negative*

Others

Like most of the third-party manufacturers, it does come with a USB-C port for future firmware updates. But unlike most of them, the port is located right at the bottom of the lens barrel. The port does protected by a piece of rubber seal but it is not my most favourable one since the seal can be easily lost without being noticed.

Left: AstrHori 27mm f2.8 with rubber seal on the USB-C port
Right: AstrHori 27mm f2.8 without rubber seal on the USB-C port

Left to right: Viltrox 27mm f1.2, TTArtisan 27mm f2.8, XF27mm f2.8 WR, AstrHori 27mm f2.8

Oh yes, it comes with Sony E-mount and Nikon Z-mount too.

Who is this for?

The 40mm (full-frame equivalent) focal length tends to be a love-or-hate choice. This often comes down to two key factors: lens size and aperture. However, this particular lens isn’t designed to excel in either area. Instead, it’s aimed at photographers who want to experience the 40mm perspective without committing to a higher investment.

*Fuji X-M5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/170″ . ISO 320 . *Nostalgic* Negative*

Left: *Fuji X-T5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/140″ . ISO 125 . *Nostalgic* Negative*
Right: *Fuji X-T5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/2000″ . ISO 125 . *Nostalgic* Negative*

Conclusion

Although this is a rebranded lens, its image quality is more than acceptable, with reliable sharpness and decent focusing speed. Considering the price point, there’s little to complain about.

*Fuji X-T5 . AstrHori 27mm f2.8 @ 27mm . f5.6 . 1/220″ . ISO 640 . *Nostalgic* Negative*

Left: *Fuji X-T5 . AstrHori 27mm f2.8 @ 27mm . f2.8 . 1/240″ . ISO 640 . *Nostalgic* Negative*
Right: *Fuji X-T5 . AstrHori 27mm f2.8 @ 27mm . f4 . 1/320″ . ISO 640 . *Nostalgic* Negative*

I’ve always admired AstrHori for producing unique and unconventional lenses that few other manufacturers attempt. That’s why I was surprised to see them release a focal length that’s already quite common in the market. Perhaps this is their way of balancing between offering distinctive, niche lenses and more conventional options.

That said, I look forward to seeing Astrhori continue to grow, especially with more autofocus lenses in their lineup.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Tag: fujifilm camera

Fujifilm X-Half – A Week of Finding My Other Half

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Godox iT20 and iT22 – When Cute Meets Powerful

Freewell X100VI Accessories: Adding a Little Extra Magic to the X100VI

TTArtisan 75mm f2 – When Short Telephoto Lens Feels Just Right

AstrHori 18mm f5.6 Shift Lens – Shift Happens

Godox iT30 Pro – Small, Smart, and Surprisingly Powerful

Fujifilm XF23mm f2.8 WR – The Pancake We’ve All Been Hungry For

Fujifilm X-E5 – The X-E That We Have Been Waiting For

AstrHori 27mm f2.8 – No Longer A Pancake