Reviews

Viltrox 56mm f1.2 Pro – Meet the Portrait Diva

The 85mm full-frame equivalent has long been considered the ideal portrait focal length. Its natural facial rendering, flattering compression, and versatility have made it the gold standard among portrait photographers worldwide. The newly release Viltrox 56mm f1.2 Pro is the lens created for this purpose.

Viltrox 56mm f1.2 Pro
Viltrox 56mm f1.2 Pro
Viltrox 56mm f1.2 Pro

Intro

The Viltrox 56mm f1.2 Pro marks the third addition to Viltrox’s growing “Pro” lineup, following the 75mm f1.2 Pro and 27mm f1.2 Pro. Announced on 1 September 2025, this lens comes in both X-mount and E-mount versions.

Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/12000″ . ISO 125 . Nostalgic Negative

Design and Build Quality

Like its 27mm and 75mm siblings, the Viltrox 56mm f1.2 Pro carries a consistent design language. The all-metal lens barrel immediately feels premium, like you’re holding something worth every dollar spent.

Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/450″ . ISO 400 . Classic Negative

The aperture ring is satisfyingly clicky, with just the right amount of tension and tactile feedback. Nothing feels loose, sloppy, or overly stiff.

It comes with a 67mm filter thread and weighs 575 grams. It’s definitely not a tiny lens, but it balances reasonably well on bodies like the X-T5 and X-E5 (with grip). For comparison, Fujifilm’s own XF56mm f1.2 WR comes in at 445 grams.

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f5.6 . 1/900″ . ISO 320 . Nostalgic Negative

Image Quality

As expected from a “Pro” lens, the Viltrox 56mm f/1.2 does not disappoint. It’s already sharp at wide open, with pleasing contrast and well-controlled chromatic aberration, even to my imperfect eyes. Vignetting is present but mild and easily corrected or avoided by stopping down or process in post.

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/14000″ . ISO 320 . Classic Chrome

The background blur is smooth with a gentle transition between in-focus and out-of-focus areas. Overall, the rendering feels clean and pleasant. No real complaints here.

Focusing

Viltrox equipped this lens with its Dual HyperVCM motor, but how does it perform in reality?

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f5 . 1/90″ . ISO 3200 . Classic Negative

On both the X-T5 and X-M5, autofocus is generally snappy, silent, consistent, and accurate. I do get an occasional miss on the first try, but nothing worrying.

Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/1250″ . ISO 320 . Classic Negative

However, pairing it with the X-E5 gave me a very different experience. The autofocus mechanism jammed repeatedly, so much so that even remounting the lens or swapping with other lenses didn’t fix it. It would jam again after a few shots. I can ’t explain why, but the issue exists. X-E5 users should take note.

Another thing I observed: Eye-AF tends to jump rapidly between eyes and faces more often than other third-party lenses I’ve tested. I’m unsure whether this is a copy-specific issue or a broader batch issue, but I hope a future firmware update will address it.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/350″ . ISO 125 . Nostalgic Negative
Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 200 . Nostalgic Negative

Minimum Focus Distance (MFD)

At 50cm, the MFD is impressive for a mid-telephoto lens, identical to the Fujifilm XF56mm f1.2 WR. You can get quite close without losing image quality, which is great for tighter product shots.

Fuji X-E5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/170″ . ISO 1600 . Nostalgic Negative
Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/160″ . ISO 320 . Nostalgic Negative
Fuji X-M5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/125″ . ISO 640 . Classic Negative

Price Point

Initially priced at 580 USD, the lens now goes for around 464 USD, making it extremely competitive, especially when the XF56mm f1.2 WR sells for 1099 USD at B&H.

Sirui also offers a 56mm f1.2 variant at $280 USD, but personally, I wouldn’t recommend that one.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/50″ . ISO 3200 . Nostalgic Negative

Others

As with all Viltrox autofocus lenses, the USB-C port is positioned at the rear, which I prefer over the exposed designs (on the lens barrel) with rubber flaps.

Viltrox 56mm f1.2 Pro – USB-C port at the rear lens element

The lens is also weather-sealed, in true “Pro” fashion, though I’m not exactly planning to test the seals anytime soon.

Viltrox 56mm f1.2 Pro with lens hood

A lens hood is included, but it’s a bit disappointing that it’s plastic instead of metal.

Who is this for?

If you shoot portraits, this focal length deserves a place on your wishlist. But portraits aren’t the only thing it can do.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/950″ . ISO 800 . Nostalgic Negative

During my testing, I found it great for product shoots, street photography, and even cityscapes. As long as the framing suits your vision, the lens delivers.

Conclusion

If you already own the Viltrox 27mm f1.2 Pro and 75mm f1.2 Pro, this lens completes the f1.2 Pro “trinity,” making your lineup feel wonderfully cohesive.

Viltrox 56mm f1.2 Pro and XF56mm f1.2 WR
Viltrox 56mm f1.2 Pro and XF56mm f1.2 WR (with lens hoods)

Viltrox has consistently impressed with its Pro series, excellent image quality, reasonable pricing, in exchange for slightly larger size and heavier builds. The 56mm f1.2 Pro follows that philosophy closely.

Fuji X-T5 . Viltrox 56mm f1.2 @ 56mm . f1.2 . 1/80″ . ISO 400 . Nostalgic Negative

Sure, the Fujifilm XF56mm f/1.2 WR edges out a bit in sharpness and autofocus reliability, but at two times the cost, is it worth it? That comes down to your priorities. If you’re chasing image quality but can’t justify the XF56mm f1.2 WR’s premium price, and you don’t mind the extra weight, the Viltrox 56mm f1.2 Pro is definitely worth considering.

X-E5 with Viltrox 56mm f1.2 Pro
X-M5 with Viltrox 56mm f1.2 Pro

Thank you for reading.

If you are interested in this lens, head down to this affiliate link to purchase yours. 

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.

Reviews

Sirui 56mm f1.2 – The First Attempt (III)

This is the last of the Sniper lenses I have with me. By now, if you have read the first two lenses, I guess you should know my opinion of this series. Anyway, I still need to finish sharing my opinion of this focal length.

Sirui 56mm f1.2

Intro

This is the third lens introduced by Sirui together with the 23mm f1.2 and 33mm f1.2. In summary, they started with crowdfunding from one of the popular platforms and this Sniper series succeeded.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/750″ . ISO 125 . Nostalgic Negative

Design and Build Quality

For some reasons, the “white ceramic coating” or simply white plastic seems to be the worse built quality among the three colors. Having said that, it still far better than the Meike 85mm f1.8. That’s my opinion. As part of the Sniper family, it shares many similarities such as filter size (58mm), no aperture ring and no weather resistant. Also they share the same length as well. This is beneficial to videographers who need to mount on a gimbal.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f5.6. 1/55″ . ISO 3200 . Nostalgic Negative

At 419 grams, the weight of this lens feels okay. Although it may seem heavy, it is evenly distributed. Like its siblings, it comes with a lens hood. The difference is that it comes with a round lens hood instead of a petal-shaped lens hood.

Image Quality

Optically, it shares a lot of similarities with the Sniper family. At f1.2, the image is soft and lacks contrast. Coupled with it are the mild vignetting and strong chromatic aberration. Of course, everything gets better when stopping down. For my acceptance, f2 is the minimum f-stop for sharpness and contrast.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/220″ . ISO 125 . Nostalgic Negative

The rendering of the background blur is not as smooth as I expected. Somehow it looks kind of hard and unpleasant. Or maybe it is something that I don’t appreciate?

Focusing

It comes with a Stepper Motor (STM). The focus is okay. It is not as snappy as the XF56mm f1.2 WR (just using it as a benchmark). Probably quite average among the rest of the 56mm focal length.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/240″ . ISO 125. Nostalgic Negative

On average, I do encounter some pull-push effect before focus is locked on my subject. Not every time, but encounter it quite often. Hard to catch the behavior here but fail to do so. I hope the future firmware provides some remedies.

Also, the manual ring is different from the typical manual ring, this one can do a 360° rotation angle electronic focus ring. For photography per SE, I think it might help with precision focusing but I believe this benefits videography more. 

Minimum Focus Distance (MFD)

For a typical 85mm (in full frame equivalent), what is your expectation for a MFD for this focal length?

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/80″ . ISO 200 . Nostalgic Negative

To share some examples of what other 56mm lenses MFD are: TTArtisan 56mm f1.8 is 50cm, XF56mm f1.2 WR is 50cm, Meike 55mm f1.4 is 60cm and Sigma 56mm f1.4 is 50cm.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/180″ . ISO 125 . Nostalgic Negative

The MFD of this lens is 60cm. Not quite on par with the average one but not any worse. The image quality, fortunately, isn’t degraded any worse too.

Price Point

At 279 USD (discount from the usual price at $349 USD from it’s official store), it is a good price point for a f1.2 autofocus lens. Or 799 USD for the 3 lenses.

For a quick comparison, XF56Mm f1.2 WR is priced at 999 USD, Meike 55mm f1.4 is priced at 199.9 USD, Sigma 56mm f1.4 is priced at 479 USD, and Viltrox 56mm f1.4 is priced at 299 USD. Is the price attractive?

Others

Like all other Sniper lenses, it comes with an USB-C port for future firmware update.

Sirui 56mm f1.2 – rear

Also, it comes with a circular lens hood but mounting and dismounting it gives a quirky noise that always makes me think that I am breaking it anytime with a little pressure. Probably I have a bad copy of the lens hood?

Lastly, it has a thin lens cap (similar to its siblings) which gives me some problems when removing the lens cap from the lens. That’s because the pinch-to-release area is too narrow for big fingers (like mine) to pinch and remove the cap without any level of struggling.

Who is this for?

This 85mm (in full frame equivalent) focal length is suitable for the portrait genre. But not only that, this lens is also suitable for product shots, street, documentary, etc.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f1.2. 1/4000″ . ISO 125 . Nostalgic Negative

If you are a new photographer and have a limited budget, this lens together with its siblings forms good trinity lenses for a starter. Only if you are acceptable with its not-so-perfect image quality.

Conclusion

We do not lack any third-party autofocus lenses for Fujifilm. If you are looking for a “complete set” of third-party lenses, there are a few brands that I can think of at the moment; Sigma and Viltrox.

Fuji X-T5 . Sirui 56mm f1.2 @ 56mm . f10. 1/125″ . ISO 125 . Nostalgic Negative

Considering the price point, I find this lens acceptable, especially since it’s an f1.2 prime rather than the typical f1.4. However, I may have overestimated its capabilities. Nevertheless, I’m eagerly anticipating the release of their “Mark II” Sniper lenses, hoping for significant improvements in this series.

Oh yes, Sirui has launched another 2 new Sniper lenses, the 16mm f1.2, and the 75mm f1.2.

Thank you for reading. 

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you have a Facebook account, feel free to join Fujifanboys FB group.

If you like my content and you want to show some support and keep this blog alive, you can buy me a coffee here.