It’s hard to believe it’s been almost two years since I last got my hands on a tilt lens. Back then, as I packed it away after testing, I remember thinking, ‘This might actually be the last time I see a new tilt lens come out.’ It felt like that chapter was quietly closing, and I wasn’t sure if anyone would try something new with this quirky, beautiful niche again.
Intro
A tilt lens isn’t quite the same as a tilt-shift lens, but they are definitely in the same quirky, niche family. When TTArtisan dropped the 50mm f1.4 Tilt back in 2023, it caught me by surprise—in the best way. I couldn’t help but wonder if that was just a one-off experiment or if they were quietly working on something new to follow it up. Part of me hoped it wasn’t the end of the road for creative tilt lenses.
Right: TTArtisan 50mm f1.4 Tilt
Right: TTArtisan 50mm f1.4 Tilt
Design and Build Quality
If you are familiar with its sibling, this TTArtisan 35mm f1.4 Tilt has the same design language and sturdy metal construction build quality. You will still get to see 2 extra knobs (one silver and one black) which you don’t see it on a typical lens. These two knobs are the main key roles for the tilt function.
The black knob is to control the tilt mechanism with a tilt angle of ± 8°. It’s where is the tilt effect comes in.
The silver knob is the rotation lock knob which allows the rotation mechanism to rotate the lens 360° with 15° rotation per step. This helps to orient to which focus plane where the tilt effect will be.
Typically how I use them is that I will adjusted the black knob first, then I used the silver knob to adjust to the my desired focus plane. All this is with the focus peaking, to visualize and easily notice where my plane of focus is.
At 341 grams, I have feel the weight on my hand. It comes with a sizable 52mm filter size which is smaller than it’s sibling.
The aperture ring is clickless which means I have look at the aperture value when I am changing. This is something I missed the most as I am quite rely on the click when change aperture value.
Image Quality
At f1.4, image quality feels quite soft—there’s a noticeable lack of contrast and sharpness in both normal and tilt modes. In tilt mode especially, the extreme shallow depth of field makes the shots pretty much unusable, at least in my opinion.
Considering where lens design is these days, the amount of vignetting and chromatic aberration wide open feels like a bit of a throwback—and not in a good way. It’s the kind of look that might work for a specific aesthetic, but definitely not something I’d rely on for consistent results.
That said, once you stop it down to around f2.8, things begin to turn around. The contrast improves, sharpness gets noticeably better, and the overall rendering feels more dependable. Even tilt mode starts to feel a bit more manageable at smaller apertures, though it still requires a lot of care to get the most out of it.
One thing I really did enjoy, though, was the way it renders sunstars. Compared to many other manual lenses I’ve used, the sunrays feel a bit more refined and clean right at the source of light. They do taper off and lose some of that definition toward the tail end, but overall, it’s a nice touch—especially if you’re someone who enjoys shooting into the light.
Focusing
The focus throw from minimum focus distance to infinity is about 160°, which gives you plenty of room for precise focusing. I have to say, the focus ring feels great in use—it has just the right amount of resistance, making it both smooth and reassuring to operate.
One thing to note: the front element does extend outward when focusing at the minimum distance and retracts as you move toward infinity. It’s not a huge deal, but it’s something to be aware of, especially when working up close.
Right: Fuji X-T5 . TTArtisan 35mm Tilt f1.4 @ 35mm . f2.8 . 1/3200″ . ISO 125 . Nostalgic Negative
Also, like many manual lenses I’ve tested, the infinity mark isn’t perfectly accurate. Whether you’re shooting normally or using tilt mode, focusing all the way to the infinity stop usually results in slightly soft or missed focus. To get a truly sharp image at infinity, you’ll need to dial it back just a bit before the marking.
Minimum Focus Distance (MFD)
It’s MFD is 35cm which makes it similar to most 35mm APS-C lenses offered. Unfortunately or fortunately, the image quality isn’t any better or worse at wide-open. At least the characteristics remains the same.
Right: Fuji X-M5 . TTArtisan 35mm Tilt f1.4 @ 35mm . f2 . 1/2500″ . ISO 160 . Nostalgic Negative
Price Point
It is priced at 169 USD. If you are comparing with the same “manual 35mm f1.4” category, we have the TTArtisan 35mm f1.4 at 73 USD and the Artralab 35mm f1.4 at 419 USD. On the other hand, 7Artisans just launched the autofocus 35mm f1.4 at the same 169 USD.
Is the TTArtisan 35mm f1.4 Tilt considered expensive? That really depends on the individual. If you want certain shots that only this lens can achieve, I think you will get them eventually.
Others
This lens comes with various mounts such as E-mount, Z-mount, RF-mount, M43-mount, and of course the X-mount. If you are from the Z-mount and RF-mount, this lens is awesome, given that there isn’t any similar kind of lens available in the market.
Right: Fuji X-T5 . TTArtisan 35mm Tilt f1.4 @ 35mm . f1.4 . 1/80″ . ISO 250 . Nostalgic Negative
Like other manual lenses, this lens can also experience a shift in white balance as you change the aperture values. However, this can be resolved in post if you are taking in raw format.
Right: Fuji X-M5 . TTArtisan 35mm Tilt f1.4 @ 35mm . f5.6 . 1/1250″ . ISO 320 . Nostalgic Negative
Who is this for?
This lens can cover a handful of genres, which I will not list. The creativity of this lens is up for the photographers of interest to explore.
Conclusion
It is a niche lens, and there are not a lot of choices in the market. In terms of versatility, this 50mm focal length (in full frame equivalent) is a better focal length and easier to adapt to those photographers who are attempting to use it in both the normal mode and the tilt mode. I am glad that TTArtisan isn’t slowing down and they are trying to explore more lens options for all kind of photographers to choose and I hope they don’t stop it here.
This is definitely a niche lens, and there aren’t many options like it out there. That said, the 50mm focal length (full-frame equivalent) makes it one of the more versatile choices as it is a better focal length and easier to work with for photographers who want to use both the normal and tilt functions. I really appreciate that TTArtisan is continuing to push into this space, exploring creative lens designs for more choices for the photographers. I just hope they keep going and don’t stop here.
Thank you for reading.
Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
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Alwin Kok 