Reviews

XF23mm f1.4 WR: The King of Street Lens

First and foremost, I appreciate Mr. Keitaro So, Divisional Head of Fujifilm Asia Pacific, for his generosity in providing the loan for the XF23mm f1.4 R LM WR and Fuji X-S10. By the time this review is online, the units had returned back to Fujifilm Asia Pacific.

On a side note

XF23mm f1.4 WR (I remove the R LM to shorten the wording in this article) is announced during the Fujifilm X-summit in September 2021. It is priced at USD 899 and it is supposed to launch on 30 November 2021. But due to the global chip shortage, the original shipping date has been pushed to sometime in February 2022.

Fuji X-S10 . XF 23mm f1.4 R LM WR
XF 23mm f1.4 R LM WR
XF 23mm f1.4 R LM WR

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

Intro

Fujicron XF23mm f2 WR is the first prime lens I have with Fujifilm. I love almost everything about it except for the softness in image quality at wide-open and that’s probably due to my personal preference. Years later, I have my first ever X100 series, the X100V. Love it to bits. It has become my daily weapon of choice wherever I go.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1100″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/30″ . ISO 400 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/30″ . ISO 400 . Classic Neg

At 23mm (35mm in full-frame equivalent), the focal length is one of the most versatile lenses out there in the market. For greenhorn, it is easy to pick up and enjoy the fun experience with a fixed focal length.

Also, I have previously shared my staycation with this lens. You can have a look over here.

Design & Build Quality

The design language of this lens follows the same as its two new brothers, XF18mm f1.4 WR and XF33mm f1.4 WR. The build is a premium one too. Full metal-built and the weight is well balanced across the lens. The aperture ring is clicky, gentle, and not too loose like its predecessor. It is an enjoyable experience to rotate and change the aperture.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f5 . 1/420″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f8 . 1/1500″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1900″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/160″ . ISO 320 . Classic Neg

According to my wife’s kitchen scale, it weighs 375 grams & 402 grams with the lens hood on. The weight is also merely heavier as compared to XF18mm f1.4 (@370 grams) and XF33mm f1.4 (@360 grams) but I am not able to tell the difference in weight by holding them on my hand. With similar sizes and weights, my guess is that it will benefit videographers from saving time for recalibrating their gimbals when swapping among these 3 lenses.

Image Quality

The glass optic of this lens is similar (or even the same optic formula) to the XF18mm f1.4 and XF33mm f1.4 and the image quality is very sharp at wide open. Maybe I should use the term called “clinically sharp” to best describe this lens. I know some people prefer more characteristic results than “clinically sharp” ones. But personally, I accept it and have zero picky reasons to point out any flaw with the image quality.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/4000″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/450″ . ISO 320 . Classic Neg
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/5800″ . ISO 160 . Classic Chrome

The bokeh produced by this piece of glass renders very beautifully and the fall-off is seamless. This is kind of in my expectation since I have tested the XF18mm f1.4 and XF33mm f1.4 before. I mean the standard should be at least on-par and should not be worse than its brothers. How about the shallow depth field of view? Is it too shallow or just nice or love it? Share with me your opinion.

How good is the sunny star shot taken with this lens? I think the result is pretty decent. Nothing to complain about over here. At f16, the star shape is sharper but I prefer the result at f8. Besides that, the lens flare is well-controlled. A decent amount of flares is acceptable for me and it does create some mood to the photos.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f8 . 1/210″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f16 . 1/40″ . ISO 320 . Classic Neg

As for chromatic aberration, not really obvious in my opinion. At least I do not observe any in my test.

Autofocus

What can I complain about the autofocus speed? Absolutely nothing. The focus speed is very fast, very silent, and very accurate. Sometimes, the lens focus locked is so fast that I thought I did not half-press the shutter button. You should probably try it out and you will understand.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f7.1 . 1/1800″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f8 . 1/640″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f5.6 . 1/5000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/45″ . ISO 320 . Classic Neg

For dim light situations, the focus performance can be slightly slower but the accuracy remains the same top performance and the lens focusing still remains silent.

Minimum Focus Distance (MFD) 

According to the internet, the MFD is 20cm and it is the same MFD as what XF18mm f1.4 WR is offering. The close-up result is breathtaking and it does not render soft images like some of the old lenses do. Fujifilm really works hard on improving the optic!

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/26001″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f10 . 0.5″ . ISO 160 . Classic Chrome

Side by Side

I do not own an XF23mm f1.4 but I have the opportunity to try it out from a friend who has it. Visually, the new XF23mm is taller and slimmer than the old XF23mm. And the new XF23mm also missing the clutch mechanism that the old XF23mm has.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/5000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/180″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f2.8 . 1/600″ . ISO 160 . Classic Neg

Although the older generation is 70 grams lighter, I cannot really tell the difference in weight when I hold both of them together. Like I mentioned earlier, the aperture ring of the old XF23mm is much looser than the new one.

As for the autofocusing performance, the old XF23mm is slower and noisier. At wide-open, the sharpness is not as sharp as the newer one and again, this is a personal preference. Also, let’s not forget that it does not equip with Weather Resistant as well.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1900″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/125″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/110″ . ISO 320 . Classic Neg

Who is this for?

In my humble opinion, this lens is really suitable for most photographers out there, be it professional or casual photographers. The focal length is really versatile in that it can use in most genres; streets, editorial, documentary, landscape, cityscape, environmental portraits, astrophotography, and the list goes on. With its sharp IQ at wide-open and easy to adapt focal length, this lens is suitable to bring on any occasion, including taking night streets photography or low light situation.

Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/3500″ . ISO 160 . Post-edit
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/5400″ . ISO 160 . Post-edit
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/850″ . ISO 160 . Post-edit
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/9000″ . ISO 160 . Post-edit

Conclusion

If you are looking for your first-ever prime lens, maybe you should give this lens a try. I will recommend you try it out in your local camera store or try renting it for a week or so. I think you will like this lens a lot. While the price might be a little steep to some, I think it will be a good photography investment for years (or decades) to come.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f9 . 1/300″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/170″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/350″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1700″ . ISO 160 . Classic Neg

If you are the existing owner of the XF23mm f1.4 R and you do not mind missing out push/pull clutch mechanism, you may consider upgrading to this successor. Considering it is a decent update, I think you will love this lens a lot more.

As for me, I love this lens, it really grew on me during this period of testing. I can see this lens will replace my f2 variant eventually. And honestly, it is a nice upgrade from the f2 variant with improved IQ and AF accuracy. Yes. The new lens weighs almost 2 times the f2 variant but I am acceptable with the weight because nothing beats the results coming out of f1.4

Thank you for reading.

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Reviews

TTArtisan 50mm F1.2 – The fastest lens from TTArtisan

Recently, I have written a short review on the TTArtisan 7.5mm F2 lens and I have had this TTArtisan 50mm F1.2 with me for about 6 months now. So I think it should be nice to share my opinion with this lens as well.

I am no stranger to a 50mm (75mm in 35mm equivalent) focal length. My second prime lens from Fujifilm is an XF50mm F2 lens and I have been using it for quite a long time. And I have also had some hands-on experience with the XF50mm F1 lens before. The reason why I bought this lens is because I am very interested in the usability of the fast aperture it offers with just USD 98.

Fuji X-T3 . TTartisan 50mm F1.2
Fuji X-T3 . TTartisan 50mm F1.2

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

TTartisan 50mm f1.2

About The Lens

The build quality is fantastic. Again it is TTArtisan quality standard for such a sturdy build. It is heavy (at 336 grams) for a manual lens like this and it seems to be common thing among the manual lens manufacturers. To give you some sensing about its weight. It is 68% heavier than Fuji 50mm F2 (200 grams), it is about 20.5% lighter than Fuji 56mm F1.2 (405 grams) and it is about 250% lighter than Fuji 50mm F1 (845 grams). Do you think the weight is acceptable for you?

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/60” . ISO 320 . Post-edited
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/200” . ISO 320 . Classic Chrome

The aperture ring rotates the opposite of the Fujifilm lenses. So take note of it when you are changing the aperture without looking at it. Apart from this, the aperture ring gives you a very satisfying clicky experience when you rotate it. Besides that, the manual focus ring also gives you nice rotating friction when you turning it. The full rotation from 0.5 meters to infinity focus is 180°.

Like most of the other TTartisan lenses, this lens does not come with any lens hood but it comes with screw-in lens caps. In my opinion, for a lens to be this cheap, they have to lower down the cost somewhere and this is where it is. By the way, this lens is not weather-resistant and I do not think it is necessary.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/160” . ISO 640 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/85” . ISO 1600 . Classic Chrome

Fortunately, this lens comes with a common filter size of 52mm, and if you need a lens hood for this lens, I think it is easy to source for a third-party one.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f16 . 1/1800” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/1400” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/320” . ISO 1250 . Classic Chrome

Image Quality

At aperture F1.2, it does give you a good shallow depth of field, soft-focus feel but it is also easily prone to a small amount of chromatic aberration. It has 10 diaphragm blades which allow a creamy and nice fall-off between the subject and the background. But I prefer how the results look at F2 because it gives a good balance of the overall sharpness and blur background.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/400” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/350” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/3500” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/1250” . ISO 320 . Classic Chrome

Minimum Focus Distance

The Minimum Focus Distance (MFD) is 0.5 m, which in my opinion is not the closest I have experienced with for this focal length. In comparison, it is better than XF50mm F1 (MFD at 0.7 m) but not as good as XF50mm F2 (MFD at 0.39m). But does it really matter? It depends on individual usage, but nevertheless, it can separate the main subject with decent blur background.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f1.2 . 1/200” . ISO 500 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/80” . ISO 500 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2.8 . 1/30” . ISO 500 . Classic Chrome

Portrait Shoot

Like all other 50mm lenses, this lens is also suitable for portrait shoots. I have tried both outdoors and studio shoots and I have no complaints about using this lens on both shoots. The sharpness and the details are well-preserved.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/750” . ISO 160 . Classic Chrome (lens flare on the bottom left)
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/1700” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/600” . ISO 320 . Classic Chrome

I cannot say I have 100% perfectly sharp focus on the models for all photos I have taken. I do have some missed focus shots which is probably a slight movement from the model or myself. Luckily, there is a focus peaking function in modern mirrorless systems which helps me reducing the focusing errors a lot.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/125” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/125” . ISO 160 . Classic Chrome

Street Shoot

If you are the type of street photographer who wishes to stay at a certain distance away from the subject (i.e. not to distract the person or you are not comfortable shooting close to the person), this focal length is really suitable for you.

Furthermore, when you get used to manual focusing, using this lens for the street shoot is actually a fun experience.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/2500” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/1600” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/800” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/640” . ISO 320
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/750” . ISO 320 . Classic Chrome

Who is the for?

Before I give my suggestion, let me emphasize that this is not a lightweight manual lens. The weight of this lens is on par with most of the Fujifilm ultra-fast prime lenses (exclude XF35mm F1.4). But it is way cheaper than any of the Fujifilm ultra-fast prime lenses available on the market.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/90” . ISO 160 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/75” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/750” . ISO 320 . Classic Chrome

If you are a photographer who is curious about the full manual lenses and wish to have the experience of using them, you can choose to buy this or the TTArtisan 35mm F1.4 (although the latter is much lighter and more portable).

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f8 . 1/950” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/4000” . ISO 320 . Classic Chrome

If you are a photographer who needs an ultra-fast prime lens like this focal length for the casual shoot (not limited to any genres) but on a tight budget, you may consider getting this lens to be part of your arsenals.

If you are a photographer who needs it for a paid assignment, I probably will not recommend this. Unless you know what you are doing, and if it is a statics work like studio photography, then I think you can give it a try and having your autofocus lens(es) standby with you. If the paid assignment is covering an event such as a wedding, then you cannot have my recommendation and I believe you know why.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/4400” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/6400” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f4 . 1/80” . ISO 160 . Classic Chrome

Conclusion

This is TTArtisan’s second released APS-C lens and it does wow me with everything it can offers. The image quality is decent but it does have some lens flare if you are facing the sunlight.

Yes. it has its flaws but the image coming out from this piece of glass is fantastic and hence this is already exceeded my expectation for a USD 98 lens. For this price range, I cannot find any other manufacturers which are as good as this modern manual lens is.

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/1900” . ISO 320 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2.8 . 1/160” . ISO 640 . Classic Chrome
Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f2 . 1/500” . ISO 640 . Classic Chrome

Fuji X-T3 . TTartisan 50mm F1.2 @50mm . f5.6 . 1/210” . ISO 160 . Classic Chrome

Thank you for reading.