Reviews

XF23mm f1.4 WR: The King of Street Lens

First and foremost, I appreciate Mr. Keitaro So, Divisional Head of Fujifilm Asia Pacific, for his generosity in providing the loan for the XF23mm f1.4 R LM WR and Fuji X-S10. By the time this review is online, the units had returned back to Fujifilm Asia Pacific.

On a side note

XF23mm f1.4 WR (I remove the R LM to shorten the wording in this article) is announced during the Fujifilm X-summit in September 2021. It is priced at USD 899 and it is supposed to launch on 30 November 2021. But due to the global chip shortage, the original shipping date has been pushed to sometime in February 2022.

Fuji X-S10 . XF 23mm f1.4 R LM WR
XF 23mm f1.4 R LM WR
XF 23mm f1.4 R LM WR

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots
are straight out of the camera while others are edited via In-Camera Raw Processing and Adobe Lightroom Classic.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

Intro

Fujicron XF23mm f2 WR is the first prime lens I have with Fujifilm. I love almost everything about it except for the softness in image quality at wide-open and that’s probably due to my personal preference. Years later, I have my first ever X100 series, the X100V. Love it to bits. It has become my daily weapon of choice wherever I go.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1100″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/30″ . ISO 400 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/30″ . ISO 400 . Classic Neg

At 23mm (35mm in full-frame equivalent), the focal length is one of the most versatile lenses out there in the market. For greenhorn, it is easy to pick up and enjoy the fun experience with a fixed focal length.

Also, I have previously shared my staycation with this lens. You can have a look over here.

Design & Build Quality

The design language of this lens follows the same as its two new brothers, XF18mm f1.4 WR and XF33mm f1.4 WR. The build is a premium one too. Full metal-built and the weight is well balanced across the lens. The aperture ring is clicky, gentle, and not too loose like its predecessor. It is an enjoyable experience to rotate and change the aperture.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f5 . 1/420″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f8 . 1/1500″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1900″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/160″ . ISO 320 . Classic Neg

According to my wife’s kitchen scale, it weighs 375 grams & 402 grams with the lens hood on. The weight is also merely heavier as compared to XF18mm f1.4 (@370 grams) and XF33mm f1.4 (@360 grams) but I am not able to tell the difference in weight by holding them on my hand. With similar sizes and weights, my guess is that it will benefit videographers from saving time for recalibrating their gimbals when swapping among these 3 lenses.

Image Quality

The glass optic of this lens is similar (or even the same optic formula) to the XF18mm f1.4 and XF33mm f1.4 and the image quality is very sharp at wide open. Maybe I should use the term called “clinically sharp” to best describe this lens. I know some people prefer more characteristic results than “clinically sharp” ones. But personally, I accept it and have zero picky reasons to point out any flaw with the image quality.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/4000″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/450″ . ISO 320 . Classic Neg
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/5800″ . ISO 160 . Classic Chrome

The bokeh produced by this piece of glass renders very beautifully and the fall-off is seamless. This is kind of in my expectation since I have tested the XF18mm f1.4 and XF33mm f1.4 before. I mean the standard should be at least on-par and should not be worse than its brothers. How about the shallow depth field of view? Is it too shallow or just nice or love it? Share with me your opinion.

How good is the sunny star shot taken with this lens? I think the result is pretty decent. Nothing to complain about over here. At f16, the star shape is sharper but I prefer the result at f8. Besides that, the lens flare is well-controlled. A decent amount of flares is acceptable for me and it does create some mood to the photos.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f8 . 1/210″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f16 . 1/40″ . ISO 320 . Classic Neg

As for chromatic aberration, not really obvious in my opinion. At least I do not observe any in my test.

Autofocus

What can I complain about the autofocus speed? Absolutely nothing. The focus speed is very fast, very silent, and very accurate. Sometimes, the lens focus locked is so fast that I thought I did not half-press the shutter button. You should probably try it out and you will understand.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f7.1 . 1/1800″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f8 . 1/640″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f5.6 . 1/5000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/45″ . ISO 320 . Classic Neg

For dim light situations, the focus performance can be slightly slower but the accuracy remains the same top performance and the lens focusing still remains silent.

Minimum Focus Distance (MFD) 

According to the internet, the MFD is 20cm and it is the same MFD as what XF18mm f1.4 WR is offering. The close-up result is breathtaking and it does not render soft images like some of the old lenses do. Fujifilm really works hard on improving the optic!

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/26001″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f10 . 0.5″ . ISO 160 . Classic Chrome

Side by Side

I do not own an XF23mm f1.4 but I have the opportunity to try it out from a friend who has it. Visually, the new XF23mm is taller and slimmer than the old XF23mm. And the new XF23mm also missing the clutch mechanism that the old XF23mm has.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/5000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/180″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f2.8 . 1/600″ . ISO 160 . Classic Neg

Although the older generation is 70 grams lighter, I cannot really tell the difference in weight when I hold both of them together. Like I mentioned earlier, the aperture ring of the old XF23mm is much looser than the new one.

As for the autofocusing performance, the old XF23mm is slower and noisier. At wide-open, the sharpness is not as sharp as the newer one and again, this is a personal preference. Also, let’s not forget that it does not equip with Weather Resistant as well.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1900″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/125″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/110″ . ISO 320 . Classic Neg

Who is this for?

In my humble opinion, this lens is really suitable for most photographers out there, be it professional or casual photographers. The focal length is really versatile in that it can use in most genres; streets, editorial, documentary, landscape, cityscape, environmental portraits, astrophotography, and the list goes on. With its sharp IQ at wide-open and easy to adapt focal length, this lens is suitable to bring on any occasion, including taking night streets photography or low light situation.

Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/3500″ . ISO 160 . Post-edit
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/5400″ . ISO 160 . Post-edit
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/850″ . ISO 160 . Post-edit
Fuji X-T3 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/9000″ . ISO 160 . Post-edit

Conclusion

If you are looking for your first-ever prime lens, maybe you should give this lens a try. I will recommend you try it out in your local camera store or try renting it for a week or so. I think you will like this lens a lot. While the price might be a little steep to some, I think it will be a good photography investment for years (or decades) to come.

Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f9 . 1/300″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/170″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/350″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm f1.4 WR @ 23mm . f1.4 . 1/1700″ . ISO 160 . Classic Neg

If you are the existing owner of the XF23mm f1.4 R and you do not mind missing out push/pull clutch mechanism, you may consider upgrading to this successor. Considering it is a decent update, I think you will love this lens a lot more.

As for me, I love this lens, it really grew on me during this period of testing. I can see this lens will replace my f2 variant eventually. And honestly, it is a nice upgrade from the f2 variant with improved IQ and AF accuracy. Yes. The new lens weighs almost 2 times the f2 variant but I am acceptable with the weight because nothing beats the results coming out of f1.4

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

travel

Looking back my Japan trip in monochrome

It was a blink of an eye that 2 years has passed since my last overseas holiday trip. It was in November 2019 and then covid-19 begans. Friends who know me and follow my Instagram are kinda irate about me sharing my belated Japan trip photos since early this year. (It is coming to an end… Soon…) People who love Japan wish to visit Japan as soon as the border is open, so am I. But this is not my point in this post.

The reason why I write this post is that it is going to be my last post in 2020 and I think it is a good opportunity to revisit some of my shots taken during my Japan trip. I pick some of the photos that I think are the essence of what Japanese is like in my own eyes and edit them in monochrome. (You can look for these shots in colours via my IG posts.)

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots 
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

Staycation with XF23mm f1.4 WR

It’s the time of the year where people spend their holidays overseas. Although there are countries open up with the Vaccinated Travel Lane (VTL), we decide to have a short staycation in one of the hotels in the heart of the Singapore shopping belt.

All thanks to Mr. Keitaro So, Divisional Head of Fujifilm Asia Pacific, for providing the loan for X-S10 and XF23mm f1.4 WR, I have the opportunity to test out the lens during my stay.

I will be providing a review when I return the loaned units. But for now, I will just share what I have taken with this lens.

Disclaimer:
1. All the shots taken here are shot by me.
2. Some of the shots 
are slightly edited in Lightroom Classic to my preferences. Otherwise, the shots are straight out of the camera.
3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

Fuji X-S10 . XF 23mm F1.4 @ 23mm . f5.6 . 1/450″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/6000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f2 . 1/2000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f8 . 1/1000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/6000″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f16 . 1/280″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f8 . 1/750″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/40″ . ISO 320 . Classic Neg

Always have some protection when playing with fire.

Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/1600″ . ISO 160 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/2000″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/680″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/160″ . ISO 320 . Classic Neg

A chef ensuring the order is in order.

Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/45″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/640″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/30″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/45″ . ISO 320 . Classic Neg

Since young, we are so fascinated about big bright screen. (And Papa Pink has a sexy pose.)

Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/100″ . ISO 320 . Classic Neg
Fuji X-S10 . XF 23mm F1.4 @ 23mm . f1.4 . 1/50″ . ISO 320 . Classic Chrome.

Last but not least, a Fujifilm X100T user on the road.

Thank you for reading.

If you like my works, please follow me on either one of the 2 Instagram accounts:

https://www.instagram.com/alwinkok_

https://www.instagram.com/alwin.portraits

If you like my content and you want to show some support, you can buy me a coffee here.

Reviews

My “40mm” point of view

In 2012, Canon announced the EF 40mm F2.8 STM. It was one of the affordable and compact lenses in the whole EF lenses lineup. As this lens could allow my Canon 6D to be more compact and lightweight, I bought it without hesitation. I cannot say it has the best image quality that this brand can offer but it is one of the well-balanced between image quality and portability that I have at that point in time.

Fuji X-Pro3 . Fuji 27mm F2.8 WR

Why do I like pancake lenses?

It was all started in the mid-2000 when I am sourcing information on which camera system to be my first DSLR. Then I came to know about pancake lenses offered by Pentax. I had no idea why I have this fascination with the pancake lenses, such as 21mm F3.2 AL, 40mm F2.8 Limited, and 70mm F2.4 AL. If I am to give myself some explanations. The first reason could be probably the compactness these lenses can offer and the second reason was the engineering achievement. But after all the hypes and struggles that my inner self had, I decided to go with the majority, Canon. That’s because I have friends who are using the same brands and they have lenses that I did not own and vice versa. And so I thought it will be good to share the lenses if one ever need them. But eventually, this sharing “idea” rarely happened.

Fuji X-Pro3 . Fuji 27mm F2.8 WR
Fuji X-Pro3 . Fuji 27mm F2.8 WR

Fast forward to 2021, I have to thank Mr. Keitaro So (Divisional Head of Fujifilm) for giving me the opportunity to experience the “40mm” equivalent focal length again and it is called the XF27mm R WR lens. It is a minor upgrade lens from its predecessor with some exterior improvement while maintaining the same good optical glass. I have written it over here before in mid-February but not really in detail. So I feel that I need to give a proper personal opinion about this lens.

Months after it’s launched, I decided to get one myself. How does this 40mm focal length fits into my most favorite and commonly used focal lengths, 35mm and 50mm in the full-frame equivalent? To be honest, I have no idea how it will turn out to be. But I know I need to shoot more with this lens and my experiences will tell.

Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/240” . ISO 320 . Classic Chrome
Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/100” . ISO 640 . Classic Chrome

Fuji X-E4 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/100” . ISO 320 . Classic Chrome
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 320 . Classic Negative

This is my 7th week of using this lens when I am writing this article. Basically, it is my to-go lens for any camera body I am using. These 7 weeks of experience may not be qualified as worthy experience to some. But they are just my thoughts.

Built Quality

It has the XF quality built standard and you can rest assured of this. The aperture ring has a smooth and satisfying clicky experience like most of the XF lenses.

Autofocus

In the day, the autofocus is fast and pretty accurate in nailing the shots. At night, it sometimes performs slightly slower than the day but usually still can get the subject in focus and also dependable on the environment’s available light source. Nevertheless, I have to say that I have an off-focus shot at night, which only happens once. The camera has indicated that it has focused ( green box shown) when I half-pressed the shutter button, the photo turns out to be off-focus and I do not even realize it when I preview it with the LCD screen. It is obvious and I believe I will notice the result if I preview it from the EVF. Fortunately, this is a one-off case.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 500 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative

Image Quality

The image quality is great for such a compact lens. I preview the images from Lightroom Classic at 100% and the details are decent and the sharpness is solid. No complaint about this. Another good thing about this lens is that I do not observe any chromatic aberrations (CA). Although CA can be easily corrected in post-processing, it is good to have this advantage because I can have 1 step lesser to handle.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/120” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative

Weather Resistant

Most of the new Fujifilm lenses are equipped with Weather Resistant (WR). Although I will not put any of my lenses under extremely harsh weather, this is definitely a welcome feature to have. XF 27mm WR is the second lens after XF 10-24mm WR to get updated with WR and keeping the same optic glass formula and quality. If Fujifilm is following this trend, I think they will continue to “WR” the other old lenses and extend their longevities.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 400 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/350” . ISO 160 . Classic Negative

What is the advantage and disadvantage with this lens?

I will just break down 3 advantages and 3 disadvantages (fair thing).

Let’s talk about the disadvantage first. It is the slowest prime lens among all the prime lenses Fujifilm is offering. Unless you have an In-Body Image Stabilization camera or tripod or steady hands, otherwise you might need to increase your ISO for certain low light conditions for your shots.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/320” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f16 . 1/200” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/450” . ISO 160 . Classic Negative

Another disadvantage is the Minimum Focusing Distance (MFD), it is sometimes difficult to achieve a close-up shot with the subject that I want. At 0.34m, it is not the best MFD experience among the prime lenses that I have.

The last disadvantage is that it is not really bokehlicious like other prime lenses. When I shoot at F2.8, sometimes it renders busy and messy background. The separation between the subject and the rest works but does not render smoothly. Worse still, it distracts the subject-in-focused from the viewers. Especially to me.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 640 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . F4.5 . 1/480” . ISO 160 . Classic Negative

As for the advantage, obviously, it is compact and weighs only 84 grams. Mounting this lens onto any of the camera bodies has a very insignificant impact on the overall weight. I am not expecting anyone to complain that their hands are tired with this lens on their cameras.

Secondly, it does not attract any attention from anyone when I am doing street photography. I have tried using it and snap many shots in a busy wet market and no one takes a second look at what I am doing.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1250 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1000 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 1600 . Post Edited

Another advantage is that I am using it as a “lens cap”. It means that I usually mount it on a camera body permanently when I am not in use (in this case, on an X-E3). To add on, I can quickly take it out from my dry cabinet and shoot if I spot some interesting moment or a beautiful sky. This is something like the X100V.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f4 . 1/2000” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/4000” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 200 . Classic Negative

Who is this for?

This lens is suitable for anyone who wants to reduce the overall package without compromising the image quality. Especially for people who love to travel light and as simple as possible and it can be easily kept inside a small bag.

But if you are looking for your first prime lens on a budget, this lens might not be a good option for you. Its predecessor should be a better option since they shared the same optic quality and it is cheaper in retail and even cheaper if you get it from the second-hand market. However, take note that the predecessor does not come with an aperture ring. Otherwise, XC 35mm F2 should be the best budget option. I always recommend this XC lens to people who want to learn to use a prime lens.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/200” . ISO 320 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/240” . ISO 160 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5 . 1/200” . ISO 250 . Classic Negative

Last but not least, if you are willing to accept the disadvantages that I have listed in earlier paragraphs, I think you should be happy with this lens.

In Summary

40mm was a very popular focal length a few decades ago, with many popular film cameras like the Olympus Trip, Rollei 35, Leica Minilux and Bell and Howell / Canon Canonet 28, et cetera were equipped with this focal length. However, with the wider focal lengths made available to the market in the latter decades, the “40mm” focal length is no longer in the eyes of consumers and professionals. It is not as wide as today’s wide-angle standards (24mm, 28mm in 35mm format). Despite that, this is subjective to individuals’ opinions.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/85” . ISO 1600 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f2.8 . 1/120” . ISO 1600 . Classic Negative

At 40mm, I do meet some challenges, especially framing from low angles and in confined spaces. If the environments allow, I can try to overcome these challenges by lowering down my camera further or step a little behind. On the other hand, sometimes I feel that this focal length is nice for landscape, just right for snapping food shots, and without a doubt, street photography.

Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/200” . ISO 320 . Classic Negative
Fuji X-Pro3 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/600” . ISO 160 . Classic Negative

After these 7 weeks of shooting, here are my thoughts: I can continue to use this lens alongside my XF23mm and XF35mm lenses. I can use them individually or side by side and that will depend on my mood to pick either one of them (or all three) for my street shooting therapy. I can say that it has become my 3rd favorite lens.

Thank you for reading.

For more of my photos, do follow me below:
https://www.instagram.com/alwinkok_
https://www.instagram.com/alwin.portraits

Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me.

Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/900” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/480” . ISO 200 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/3200” . ISO 400 . Post-edited
Fuji X-Pro1 . Fuji 27mm F2.8 WR @27mm . f5.6 . 1/1100” . ISO 200 . Post-edited

Reviews

XF18mm F1.4: Welcome to the F1.4 Family

Fuji X-S10 . Fuji 18mm F1.4 WR

First of all, I would like to thank Mr. Keitaro So, Divisional Head of Fujifilm for providing the loan for X-S10 and XF18mm F1.4. The units were loaned from Fujifilm Asia Pacific and had returned back to them. All the shots shown here are taken by me and some shots are minor edit inside the X-S10.

Secondly, I would like to thank Syen Lim (@syen.lim) and Yi Xuen for helping out to test with this lens.

Thirdly, the original post can be found here. The reason why I repeat the same thing over here is that I can fine-tune my message putting across to the readers and edit some of the typo errors found in the original post.

Fuji X-S10 . Fuji 18mm F1.4 WR
Fuji X-S10 . Fuji 18mm F1.4 WR

First and foremost

XF18mm F1.4 is the fourth lens that comes with this aperture in Fujifilm lens line-up (XF16mm F1.4, XF23mm F1.4, XF35mm F1.4). It was announced under development back in Fujifilm X Summit held on 15 October 2020 and today it is here.

It has a field of view equivalent to 27mm in the 35mm film format. In this day and age, most of us should be very familiar with this field of view and use this focal length to shoot in our daily life. Yes. I am referring to our smartphones. Apple iPhone 12, Samsung Galaxy S21, Google Pixel 5 and Oppo Find X3 Pro, to name a few, share the common focal length with this lens. I suppose this lens is perfect for landscapes, portraits and general street and food shots.  

So how does this lens sit inside the F1.4 family?

Fuji XF18mm F1.4

Build Quality

When I first hold this pre-production lens, I find the lens’ size and weight is somewhat familiar.

I pick up my XF16mm F1.4 and compare both of them. Indeed, they are very close to each other. XF18mm F1.4 is slightly taller but smaller filter size (@ 62mm) than XF16mm F1.4 (@ 67mm). And according to my not-so-accurate kitchen weighting scale, it weights 370 grams (slightly lighter than XF16mm F1.4 @ 375 grams).

There is this interesting button on the lens. This button helps to prevent photographer from accidentally turn the aperture ring to “A” (Auto Aperture). In order to use this “A”, you have to press the button and turn the aperture ring. If you notices, XF27mm WR also share this similar. A thoughtful engineering from Fujifilm.

The lens is well-constructed and built quality is awesome. The aperture ring is smooth and it has a good “click” satisfaction. Unsurprisingly, the lens hood is plastic. The lens barrel is not wide and large, so it fits well with most Fuji cameras.    

Pairing this lens with X-S10 is comfortable. The weight is well-balanced throughout the lens and there is no sign of heavier front elements. WR is undeniably a welcome feature too.

Fuji XF16mm F1.4 . Fuji XF18mm F1.4 . Fuji XF35mm F1.4
Fuji XF16mm F1.4 . Fuji XF18mm F1.4 . Fuji XF35mm F1.4
Fuji XF18mm F1.4 WR . 370 grams (0.82 lbs)

Get Started

To be frank, this is not my most frequently used focal length. 35mm and 50mm (in full frame equivalent) are my most used focal length and followed by 24mm. I wonder how I can optimize this lens as my daily street lens and portrait lens throughout this trial period.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/7500” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f8 . 1/420” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/1700” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5 . 1/1400” . ISO 320 . Classic Negative

Image Quality

The overall image quality is excellent and I couldn’t find anything to complain about. In my opinion, the photos taken at F1.4 are usable and the bokeh renders smoothly too. Of course, the bokeh is also comfy and pleasant to my eyes.

I also do not observe much chromatic aberration, maybe there is very little. Even if there is, it does not affect my photos a lot as it is easily remove in post. So I am not worry much about it.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/2” . ISO 160 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1.6” . ISO 160 . Classic Negative

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/105” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/150” . ISO 320 . Classic Negative

Autofocus

Everyone’s expectation for autofocus speed is high and Fujifilm does not disappoint everyone with this lens. During the day, the focusing speed is real fast, it’s silent and it’s also confident in locking onto the subjects. For indoor environment, I do not experience any slow in focusing, it still silent. I do sometime experience miss focusing but it does focus right on my second attempt.

On the other hands, under extreme dim conditions, I can feel that the focus is slightly slower but not that terribly slow. Funnily enough, it does not hunt.  

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f8 . 1/28” . ISO 160 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f8 . 1/10” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/25” . ISO 640 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/350” . ISO 320 . Classic Negative

Using it for streets

Yes. No doubt this lens is for street photography. This focal length is wide enough to cover mostly general street shots. I don’t have much complain using this lens for street shots. I think I adapt to this focal length very well.

One of the benefits of having this lens is with its fast aperture, it gives “brighter” shooting opportunity for night street. Especially for someone who like to take night street photos. 

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1” . ISO 160 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f4 . 1/2400” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/420” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f5.6 . 1/1250” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/10” . ISO 160 . Classic Chrome

Minimum Focus Distance & Magnification

This is one of the key features when I am looking for a lens and that’s because I love to take shots at its Minimum Focus Distance (MFD). Understanding the MFD will allow me to visualize what result can I achieve with this lens. I know it may not be a big concern for some people but it does concern me a lot.

In my trial period, I do not have the specification for this lens and hence, I does not have the exact MFD value. But I feel that it is not as close as what XF16mm F1.4 can achieve. If case you wonder, the MFD for XF16mm is 0.15m and I think for this XF18mm F1.4 is about 0.2m. But the result is actually not bad.  (According to official statement, the MFD is indeed 0.2m and the magnification is at 0.15x.)

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/250” . ISO 160 . Classic Negative

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/600” . ISO 160 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/15” . ISO 160 . Classic Chrome

Using it for portraits Undoubtedly, Fujifilm has a range of amazing portrait lenses to choose from. I know we are not lacking of choices but I still want to show how well does this lens performs as a “portrait” lens.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/8000” . ISO 160 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/8500” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/1400” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/150” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/80” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/60” . ISO 640 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/180” . ISO 320 . Classic Chrome

From my standpoint, the results produce from this lens is beyond above passing level. The separation between the subject and the background is clean and decent. Eyes are sharp. Skin tone is pleasant. Having say that, I think this lens is very useful for environmental portraits.  

Conclusion

Fujifilm has never fail to amaze everyone with their lens line-up and once again Fujifilm has done a good job providing such a high quality product. This lens gives many potential buyers more lenses options to choose from but definitely a hard time deciding.

Who is this for? I believe there will be some XF18mm F2 photographers going to upgrade to the F1.4 variant but I also know that there are lots of XF18mm F2 photographers will still keep their current F2 lens with them. Because who don’t love compact, small, lightweight and easy to carry around lens for general purpose shoots. The way I see it, I think Fujifilm is not targeting this group of photographers but rather another group of photographers who do not mind about the size and weight but a fast and big aperture lens. Having said that, there is no comparison between the F1.4 and F2 variant of the 18mm lens because they are both designed for different needs and purposes.

(The official price was announced at USD 999 and will be available from late May 2021.)

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Disclaimer:
1. All the shots taken here were shot by me.
2. I reserve ownerships to these images
, if you wish to use my images for whatever reasons, please notify me and we can see how to works thing out.

Thank you for reading.

Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/1100” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/52” . ISO 320 . Classic Chrome
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/800” . ISO 320 . Classic Negative
Fuji X-S10 . Fuji XF18mm F1.4 R LM WR @27mm . f1.4 . 1/4700” . ISO 320 . Classic Chrome