Reviews

Freewell Lens Hood For XF23mm f2.8: Dressing Up My Pancake Lens

The Fujifilm XF23mm f2.8 R WR has quickly become a well-loved lens within the Fujifilm community. When it was first introduced, however, getting your hands on one wasn’t so straightforward. The lens was initially bundled exclusively with the Fujifilm X‑E5, which meant the only way to own it was by purchasing the camera kit.

XF23mm f2.8 Freewell Lens Hood

For those who were patient enough to wait, the lens was eventually released as a standalone product in December 2025. Even then, availability has been limited. Here in Singapore, the demand still seems to outpace supply, and the lens often remains out of stock, even today.

Intro

Now, back to the main topic of this post.

X-E5 with Freewell Lens Hood + Filter

The team at Freewell seems to understand Fujifilm photographers quite well. If there’s one thing many of us want for our beloved pancake lenses, it’s a beautiful square lens hood, something that complements the minimalist aesthetic of the lens while adding functionality. And that’s exactly what they delivered.

Not only did they design a square hood for the XF23mm f2.8, but they also sweetened the deal by including three magnetic filters as part of the package.

X-M5 with Freewell Lens Hood + Filter

Before going any further, I would like to extend my thanks to the kind people at Freewell for sending this accessory over for review. That said, everything shared in this post reflects my genuine experience, and Freewell has no influence over the content of this review.

Design and Build Quality

When it comes to build quality, Freewell has always impressed me. My first experience with their products was through accessories made for the Fujifilm X100VI, and the positive impression continues here with this lens hood and the filters kit.

X-E5 with Black Glow Mist 1/4 Filter
X-E5 with Black Glow Mist 1/4 Filter
X-E5 with Black Glow Mist 1/4 Filter

That said, there is one small disappointment, though thankfully it is nothing critical.

At first glance, the square lens hood may look similar to other square hoods available on the market. But if you look more closely, you’ll notice metal plates on each of the four corners at the front of the hood. These are not merely decorative elements; they are magnets for snapping the filters.

XF23mm f2.8 Freewell Lens Hood magnets

The magnets allow the included filters to snap onto the hood effortlessly. It’s a simple idea, but one that feels incredibly smart and efficient in practice.

Lens hood

Taking a closer look, you may notice that the silver finish of the hood is slightly darker than the silver tone of the XF23mm f2.8 lens. That said, the difference is quite subtle. Unless you’re examining it closely, it’s difficult to notice at first glance or from a distance.

X-E5 with CPL filter
X-E5 with Black Glow Mist 1/4 Filter
X-E5 with UV Filter

Another design detail worth mentioning is the shade depth. Compared to some square hoods that extend further outward, this one has a slightly shorter hood profile. Fortunately, this does not seem to affect image quality or lens performance.

X-E5 with Black Glow Mist 1/4 Filter
X-E5 with Black Glow Mist 1/4 Filter
X-E5 with Black Glow Mist 1/4 Filter

Visually, however, the proportions may feel just a little different if you’re used to deeper square hoods. If you use long enough, you might not even notice that anymore.

Filters

Freewell is well known for its filters, and it’s clear that they have applied that expertise here.

The three filters

Thanks to the magnetic mounting system, attaching or removing filters is incredibly easy. The filters snap onto the hood quickly and securely, making them a natural companion to the lens hood. But it is not easily shifted or removed by accident. The filter remains intact on the lens hood even when I just leave it in the camera bag.

The kit includes three filters:

  • UV Filter
  • CPL (Circular Polarizer)
  • Black Glow Mist 1/4

Together, they form a practical set that covers most day-to-day shooting needs.

X-E5 with UV Filter
X-E5 with Black Glow Mist 1/4 Filter

Personally, my favorite remains the Black Glow Mist 1/4 filter, a filter I already enjoyed using with my X100VI setup. If you notice that I seem a little biased toward using it more than the others… well, you’re probably right. Please pardon my preference.

Freewell also includes a compact storage box, allowing you to keep the two unused filters safe while one remains attached to the hood. However, I wish to have a side-by-side storage compartment for the filters rather than stacking one on top of the others. Making it a little challenge to switch among the filters. This is the disappointment I mentioned earlier.

XF23mm f2.8 Freewell Lens Hood with stacking compact storage box
X-E5 with UV Filter

Price Point

At $100 USD, the bundle feels like a fairly sweet deal. If you were to purchase a square hood and three separate filters individually, the total cost would likely end up significantly higher. Having everything packaged together certainly makes the value proposition more attractive.

Left: UV, Center: CPL, Right: Black Glow Mist 1/4

X-E5 with Black Glow Mist 1/4 Filter
X-E5 with CPL Filter

Who is this for?

Of course, this accessory is designed primarily for photographers using the Fujifilm XF23mm f2.8.

X-M5 with Black Glow Mist 1/4 Filter
X-M5 with Black Glow Mist 1/4 Filter
X-M5 with Black Glow Mist 1/4 Filter

Interestingly, Freewell also notes that the hood can be used with the Fujifilm XF27mm f2.8, since both lenses share similar physical dimensions.

However, there is a small caveat. The fit on the 27mm lens isn’t quite as snug. Because the XF27mm has shallower front threads, a slight gap may appear when mounting the hood. It’s still usable, but it’s not a perfect fit compared to how it sits on the XF23mm.

X-E5 with UV Filter
X-E5 with CPL Filter

Others

Nothing is perfect in this world. In this case, these 3 filters might not be what some photographers are looking for. I do agree, but it does meet my day-to-day usage. I hope Freewell will release more creative filters for us to expand the shooting experience even further.

X-M5 with Black Glow Mist 1/4 Filter
X-M5 with Black Glow Mist 1/4 Filter
X-M5 with Black Glow Mist 1/4 Filter

Conclusion

Overall, this square lens hood is a great aesthetic and functional upgrade for the XF23mm f2.8. It enhances the visual appeal of the lens while also providing the flexibility of quick magnetic filters to elevate your shooting experience.

X-E5 with UV Filter
X-E5 with Black Glow Mist 1/4 Filter
X-M5 with Black Glow Mist 1/4 Filter

I am glad to see Freewell stepping in with thoughtful accessories like this. It’s a small addition, but one that genuinely enriches the experience of shooting with this compact pancake lens.

X-M5 with Freewell Lens Hood
X-E5 with Freewell Lens Hood

And if this is any indication of what is to come, I am certainly looking forward to seeing more innovative accessories from Freewell in the near future.

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.

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Reviews

Brightin Star 10mm f5.6 Pro – Everything’s Curvy

If you have landed on this post, chances are you already know what we are talking about. Yes, it’s a fisheye lens.

Brightin Star 10mm f5.6 Pro with lens cap
Brightin Star 10mm f5.6 Pro

Fisheye photography has always been a niche within a niche. It’s not the everyday go-to lens for most photographers, yet there’s a dedicated group who absolutely love the exaggerated perspective and dramatic field of view that only a fisheye can offer. It’s bold, unconventional, and when used well, incredibly striking.

Intro

This is not the first fisheye from Brightin Star. In fact, they have released several fisheye manual lenses before this one. But what makes this release particularly interesting is its positioning as a “pro” lens with a maximum aperture of f5.6, and that is an unusual move.

Fuji X-E5 with Brightin Star 10mm f5.6 Pro
Fuji X-E5 with Brightin Star 10mm f5.6 Pro

Typically, when we hear “pro lens,” we think of wide apertures, heavier builds, and specs that scream performance. A faster aperture and a more extreme focal length are often part of the marketing equation. So naturally, I was curious how an f5.6 fisheye could justify the “pro” badge?

Brightin Star 10mm f5.6 Pro
Brightin Star 10mm f5.6 Pro

Before I proceed further, I would like to thank the good guy at Brightin Star for sending this lens over for review. That said, they have zero influence on what you are about to read. Everything here is based purely on my hands-on experience.

Design and Build Quality

At first glance, the lens immediately stands out with its retro-inspired design. It’s compact and weighs just 100 grams. The vintage vibe comes through in several thoughtful details.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 250 . Classic Chrome
Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/110″ . ISO 125 . Classic Chrome

There is a dual silver metallic built-in lens hood that gives it character. The top plate features a small window to display the focusing scale, adding both function and charm. One of my favorite features is the focus lever, which makes manual focusing quicker and more intuitive. The aperture ring has a gentle, satisfying click, and it is something manual lens photographers will appreciate. Even the lens cap is metal-built.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 1600 . Classic Chrome

It’s clear that Brightin Star put serious effort into the physical design. The all-metal construction feels solid and reassuring. In terms of build quality, it absolutely meets my expectations of what a “pro-grade” lens should feel like.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 2500 . Classic Chrome

And yes, it offers a 175° field of view, which spells decent enough for a fisheye lens.

Image Quality

At its native f5.6 aperture, center sharpness is reasonably good. However, corner softness is noticeable and can sometimes be distracting. On the positive side, chromatic aberration and vignetting are well controlled. I didn’t observe any major issues in those areas.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/110″ . ISO 125 . Classic Chrome

Because the lens starts at f5.6, background blur is not really part of the equation. That said, you can still achieve a bit of subject separation, especially when shooting at the minimum focusing distance.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6 . 1/10 . ISO 6400 . Classic Chrome

If you are into sun star effect, this lens works just fine. The lines are considerably defined with some minor ghosting around the light source.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f16. 1/2″ . ISO 6400 . Classic Chrome

Focusing

As a fully manual lens, the focusing experience is crucial. The focus lever once again proves to be a practical addition, allowing for more precise adjustments. The movement of the focus ring is smooth and well-damped, exactly the kind of feedback I enjoy when using manual lenses.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/550″ . ISO 125 . Classic Chrome
Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 640 . Classic Chrome

The focus throw spans about 80°. Some photographers may prefer a longer throw for finer control, but personally, I found it perfectly usable and responsive; after all, f5.6 is basically in focus for most situations.

Fuji X-E5 with Brightin Star 10mm f5.6 Pro

Minimum Focus Distance (MFD)

The lens has a minimum focus distance of 20cm. While that sounds reasonably close, but in practice, it does not feel extremely tight due to its ultra-wide 15mm (full-frame equivalent) focal length.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/30″ . ISO 800 . Classic Chrome
Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 400 . Classic Chrome

Price Point

At USD 120, this lens sits in a very attractive price bracket. It’s likely priced lower because it’s neither as wide nor as bright as those alternatives. But at this price, it certainly stands out as one of the more affordable entries into the fisheye world.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/80″ . ISO 3200 . Classic Chrome

For reference: both the 7Artisans 7.5mm f2.8 II Fisheye Lens and the TTArtisan 7.5mm f2 Fisheye Lens at USD 140, Rokinon 8mm f2.8 UMC Fisheye II at USD 240.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 320 . Classic Chrome

Others

First note: there’s no front filter thread. You will not be able to mount filters due to the protruding front element, something fairly common with fisheye designs.

Second note: beware of flare at the corners of your frame when there is a light source at that corner.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/7″ . ISO 3200 . Classic Chrome
Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/8″ . ISO 6400 . Classic Chrome

Who is this for?

If you’re curious about experimenting with fisheye photography and want something compact, lightweight, and budget-friendly, this lens deserves your consideration.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 2000 . Classic Chrome

Yes, f5.6 is slower compared to most fisheye lenses on the market. But those brighter options are typically bulkier and heavier. It ultimately comes down to your priorities: portability versus aperture speed.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/100″ . ISO 400 . Classic Chrome

Conclusion

Shooting at f5.6 does present challenges in low-light situations. But given its tiny footprint, solid metal build, and attractive retro design, I can easily see myself packing this lens for travel. It barely takes up space and adds almost no weight to the camera bag.2

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/38″ . ISO 6400 . Classic Chrome
Fuji X-E5 . Brightin Star f5.6 @ 10mm . f5.6 . 1/100 . ISO 640 . Classic Chrome

Is it truly a “pro” lens?

From an image quality standpoint, I don’t think it fully earns that badge. However, in terms of handling, design, and build quality, it certainly feels premium.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/80″ . ISO 4000 . Classic Chrome

There is room for improvement, particularly in corner sharpness and perhaps a slightly brighter aperture, but if Brightin Star can maintain this compact size while refining optical performance, they might have something truly special on their hands.

Fuji X-E5 . Brightin Star 10mm f5.6 @ 10mm . f5.6. 1/15″ . ISO 3200 . Classic Chrome
Fuji X-M5 with Brightin Star 10mm f5.6 Pro

Thank you for reading.

Disclaimer:
1. All the shots taken here are shot by me.
2. Most of the shots are straight out of the camera with some shots edited via In-Camera Raw Processing.

3. The opinions are based on my experience. If there is any mistake, please kindly drop me a message and I will gladly make the amendment.
4. I reserve ownership of these images, if you wish to use my images, please notify me.
5. If you are interested in this lens and also wish to support me, this is the affilinate link to purchase.